Arts and Humanities Commons^™

Journey To The West (2013), Mary Zimmerman

Season 2012-2013

No abstract provided.

Theatre Arts Department Presents Irish Historic Drama “The Plough And The Stars”, Lawrence University

Press Releases

Irish playwright Sean O’Casey’s dramatic story on Ireland’s revolt against British rule will be retold May 9-11 in four performances of Lawrence University’s production of “The Plough and the Stars.”

Performances will be staged in Stansbury Theatre of the Music-Drama Center at 8 p.m. each night with an additional 3 p.m. matinee Saturday, May 11. Tickets, at $10 for adults and $5 for students and seniors (free to Lawrence students/faculty/staff with I.D.), are available at the Lawrence Box Office, 920-832-6749.

Written just a decade after the “Easter Rising,” an armed insurrection staged in 1916 with the goal of ending British …

Serve The Ones Below: The Dramaturgy Of Sweeney Todd, Michael Hegarty

Theses and Dissertations

This thesis is a personal journey. My work on VCU’s production of SWEENEY TODD began in the Spring of 2012 when I came on board the production as dramaturg. Part of what is contained within is both an explanation of my dramaturgical research method as well as samples of the research I have compiled. However, my role was drastically changed in the Fall of 2012 when I was cast as the primary antagonist in the production. The thesis chronicles the rehearsal process as my role as dramaturg increasingly gave way to my role as actor. It attempts to answer the …

Shockheaded Peter: A Junk Opera. Costume Design., J. Theresa Bush

Theses and Dissertations

My concept is rooted in the fairy tail land of the dark woods like so many other terrifying fairy tails from my youth. Shockheaded Peter, our boogie man, is of the trees. The blood of the rotten children feeds the trees in this concept for the marbles that fall from our children literally representing blood will flow down the rake, across tin gutters, and into a huge tin washbasin out of which grows our gnarly set tree, a gnarly knobby willow. Peter comes from this tree that is fed by the blood of children. I set my costumes in the …

In Perceiving Monsters: A Costume Design For Caryl Churchill's The Skriker, Joshua Quinn

Theses and Dissertations

The purpose of this thesis is to document my process for a costume design of The Skriker by Caryl Churchill. Included is the design account confronted in telling the story, analyzing the script, developing concepts and looks, and final rendering of the characters. The paper finishes with a reflection on how the design served the script and my conclusions on its success.

Revolutionary Imaginings In The 1790s: Charlotte Smith, Mary Robinson, Elizabeth Inchbald By Amy Garnai, Jennifer Golightly

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Collecting Women: Poetry And Lives, 1700-1780 By Chantel M. Lavoie, Holly Faith Nelson

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

'Lactilla Tends Her Fav'rite Cow': Ecocritical Readings Of Animals And Women In Eighteenth-Century British Labouring-Class Women's Poetry By Anne Milne, Dometa Wiegand

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Numbering The Streaks On A Digital Tulip: Eighteenth-Century Women Poets On The World Wide Web, Emily Bowles

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Hearing Eighteenth-Century Occasional Poetry By And About Women: Swift And Barbauld, Elizabeth Kraft

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

"Calmly To Heav'n Submit Your Cause": Jane Cave Winscom And The Bristol Bridge Riots Of 1793, Catherine Ingrassia

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Missing Immortality: The Case Of Melesina Trench (A Neglected, Celebrated, Dismissed And Rediscovered Woman Poet Of The Long Eighteenth Century), Katharine Kittredge

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Lady Mary's Imperfect Employment, Danielle Bobker

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Anna Seward And The Sonnet: Milton's Champion, Claudia Thomas Kairoff

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Women's Poetry: 2011, Laura Runge

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Spring Dance Concert (May 2-5, 2013), Lindenwood University

Student Dance Programs & Brochures

Event program for Spring Dance Concert (May 2-5, 2013), Lindenwood University.

Laughing Together: Comedic Theatre As A Mechanism Of Survival During The Holocaust, Robin Knepp

Theses and Dissertations

This thesis aims to analyze the ways many Jewish victims of the Holocaust used comedic theatre to help them overcome their dire circumstances by exploring the high demand for comedic performance in both the ghettoes and concentration camps and analyzing the numerous comedic works that were penned amidst the terror and catastrophic loss surrounding the Jews at this time. The second portion delves into the therapeutic values of comedy and explores the ways laughing may have benefitted those who partook in comedic theatre events. The final chapter investigate whether or not laughter should still be used to help cope with …

Teaching And Performing Theatre For Youth Using Physical Storytelling, Brooke Turner Alison

Theses and Dissertations

For children to enjoy theatre they must see a story played out physically. The same is true when children act. Young performers must be taught to act using a simplified version of the Stanislavski System that puts emphasis on playable action. This thesis evaluates current acting texts for youth based on whether or not the author is able to outline a method that is accessible for children, and highlights the importance of playable action in scene work. It also provides a guide to teaching theatre for youth based on a class of the author’s design where students developed curriculum, managed …

A Invisibilidade Como Estratégia De Intervenção Urbana: Entrelaçamentos Entre O Teatro Invisível De Augusto Boal E Enfim Um Líder Do Erro Grupo, Pedro Bennaton

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

El Teatro Invisible, desarrollado por Boal en los años 70, es uno de los elementos más importantes del Teatro del Oprimido. Este artículo explica como ciertos aspectos clave del Teatro Invisible fueron empleados por el grupo de teatro brasileño ERRO, en una obra titulada Enfim um Líder, teatro de intervención urbana que sigue siendo realizada en el centro de Florianópolis, y otras ciudades brasileñas. El objetivo de la obra es reunir actores y público en una exploración crítica del liderazgo político o mesiánico, el ejercicio del poder y las formas de control que operan en los espacios …

Augusto Boal No Brasil E Suas Marcas Na Contemporaneidade, Alai Garcia Diniz

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Este ensayo trata de reflexionar y problematizar la recepción interna de Augusto Boal en Brasil a fines del siglo XX. Desde la diáspora latinoamericana, el autor se vuelve una referencia internacional gracias a sus métodos y procedimientos que podrían configurar aquello que en el área de las artes escénicas podría denominarse como sistema Boal. El intento de reflexionar sobre esa trayectoria pasa por examinar uno de los íconos del movimiento artístico de los años 60, el Teatro Arena, una dramaturgia que combinaba el arte con la política durante la dictadura brasileña, las lecturas en el período posterior y, en particular, …

Conclusões, Luis Chesney-Lawrence, Mark Dinneen

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

Performance As Therapy: An Intervention For Adults With Developmental Disabilities, Emily A. D'Annunzio

Creative Arts Therapies Theses

The research thesis titled, “Performance as therapy: An intervention for adults with developmental disabilities” examined how adults with developmental disabilities (DD) respond to this specific dance/movement therapy intervention. It shows how this intervention method addresses the psychosocial goal of increasing interpersonal skills. The research took place at a day rehabilitation center, located in Chicago, IL. The co-researchers are participants of a day rehabilitation program, which offers creative arts therapies. The co-researchers are both male and female who range in age from 21 to 60. Caucasian, African American and Hispanic ethnic backgrounds are represented. Co-researchers have DD, which include diagnoses of …

The Curious Savage

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2013 performance of The Curious Savage by John Patrick.

The Curious Savage is the story of Ethel P. Savage, an elderly lady whose husband has died and left her approximately ten million dollars. When she sets up a memorial fund for average people to pursue their dreams, her three stepchildren commit her to a sanatorium and try to discover where she has hidden the fortune. As the search for the fortune plays out the question becomes who is really crazy, the residents of the sanatorium or Ethel’s stepchildren.

Martha, Martha, Martha: Searching For Truth In Imaginary Circumstances., Chelsea Kinser

Undergraduate Honors Theses

An exploration of personal and professional acting methods during the production of Beautiful Bodies by Laura Shaine Cunningham.

Guys And Dolls: The Process Of Becoming Sky Masterson, Peter Colombatto

Theses

In order to satisfy the requirements for a Master of Fine Arts in Theatre from Lindenwood University, I was required to perform a leading role in a production. In addition to the rehearsal and performance process, I am required to submit a thesis paper to supplement my experience. My proposal to perform the role of Sky Masterson in Guys and Dolls was accepted and the process began in the fall of 2012. Contrary to popular belief, Sky is a complex character that is more than just a typical leading male. Throughout the rehearsal process I was able to explore new …

Lighting Two Worlds As One: A Variation Of Moises Kaufman's "33 Variations", Diana Renee Kaiser

Graduate Theses and Dissertations

In partial fulfillment of a Master of Fine Arts degree, this thesis will document the lighting design process for Moises Kaufman's 33 Variations, performed at the University of Arkansas in October, 2012. The paper will illustrate the collaborative approach taken by the design team in developing this production. Also this paper will discuss the close work and collaboration between the light and sound designs, and specifically, the choices made in the technical rehearsals.

This paper will attempt to answer the question: How do you bridge the gap between time and space making one cohesive world, provide various locations, and support …

Fight Or Flight, Asher Griffith

Graduate Theses and Dissertations

Fight or Flight is a one-act, science-fiction opera. Outwardly the story of an astronaut who is marooned on the Moon, this dark comedy is an allegorical tale of forced isolation and loss; and of the anxiety and sadness that inevitably result. Musically, this piece began as an experiment in the reverse-engineering of mostly improvisatory methods of musical spoken-word delivery such as rap or slam poetry; this compositional device being a means to the more important end of creating a live musical theatre lacking the flippant sparkle commonly associated with Broadway and the like, but also free of the "intellectual" or …

The Effect Of External Ankle Support On Football Specific Performance Tests And The Perception Of The Athletes That Wear Them, Matthew Cutts

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

Love Motivates All Things: An Analysis Of Peter Banholzer's 2013 Production Of A View From The Bridge, Peter Banholzer

Theses

Unavailable.

Costume Design For Agravio, Julie Douglass

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis presents the costume design, research, and execution process for Valor, Agravio y mujer by Ana Caro, adaptation to Agravio by Ian Borden, based on an original translation by Amy Williamsen. The play was performed in the Howell Theatre of the Johnny Carson School of Theatre and Film at the University of Nebraska-Lincoln in October 2012. Agravio was directed by Ian Borden, with Costume Design by Julie Douglass, Scenic Design by Joshua Rajaee, Lighting Design by Aja Michelle Jackson, Properties by David Tousley, and Technical Direction by Erica King.

Advisor: Janice Stauffer