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Articles 4741 - 4770 of 15407
Full-Text Articles in Arts and Humanities
Històries De Broadway, Hollywood I Altres Llocs: El Periple Nord-Americà De Terra Baixa D’Àngel Guimerà, Sharon G. Feldman
Històries De Broadway, Hollywood I Altres Llocs: El Periple Nord-Americà De Terra Baixa D’Àngel Guimerà, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
This article reviews the American tour of Àngel Guimerà's Terra baixa.
El 1903 es representa de ‘Marta of the Lowlands’ (la versió en llengua anglesa de ‘Terra baixa’) a Broadway, amb Corona Riccardo i, després, amb Fernanda Eliscu. Aquest va ser l’inici del periple del teatre de Guimerà pels escenaris dels Estats Units. De fet, entre 1903 i 1914, dues de les seves obres teatrals més conegudes, ‘Terra baixa’ (1896) i ‘Maria Rosa’ (1894), van gaudir d’una presència força continuada en llengua anglesa als escenaris teatrals d’aquest país i del Canadà, passant per més de 80 teatres diferents (amb més …
On Behalf Of Theatre In Rural America, Robert J. Hubbard
On Behalf Of Theatre In Rural America, Robert J. Hubbard
Northwestern Review
This essay is a theatre review with a sense of place: the small-town-rural upper Midwest in the spring of 2008. The author assesses Tim Robbins, Dead Man Walking, as staged at Dordt College, Sioux Center, Iowa; Jeff Barker, Terror Texts, as staged at Northwestern College, Orange City, Iowa; and Adam Long, Reed Martin, and Austin Tichenor, The Complete Works of William Shakespeare, Abridged, as staged at Augustana College, Sioux Falls, South Dakota.
Twelfth Night (2017), William Shakespeare
The Laramie Project Playbill, Providence College
The Laramie Project Playbill, Providence College
Playbill and Promotions
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre Smith Center for the Arts
The Laramie Project
By Moisés Kaufman and the Members of Tectonic Theater Project
January 27-29 & February 10-12
Directed by Mary G. Farrell
Scenic Design: Joshua Christoffersen
Lighting Design: G. Benjamin Swope
Costume Design: David Costa-Cabral
Sound Design: Chris Warren
Vocal Coach: Megan Chang
The Cast - TIMOTHY BROWN: Doc O’Connor, Moisés Kaufman, Rulon Stacey, Dennis Shepherd, Rob DeBree; EMILY CLARK: April Silva, Greg Pierotti, Catherine Connolly, Stephen Belber, Kristin Price, Anonymous Friend of Aaron McKinney, Newsperson, E-Mail Writer, Shannon, Kerry Drake, Juror, Moisés …
The Laramie Project Poster, Coyote Hill
The Laramie Project Poster, Coyote Hill
Playbill and Promotions
Providence College Department of Theatre, Dance & Film
The Laramie Project by Moisés Kaufman & the Members of Tectonic Theater Project
January 27-29 & February 10-12, 2017
Poster design: Coyote Hill
Opening Tonight: The Laramie Project Promotional Email, Department Of Theatre, Dance & Film
Opening Tonight: The Laramie Project Promotional Email, Department Of Theatre, Dance & Film
Playbill and Promotions
Providence College Department of Theatre, Dance & Film
Opening tonight: The Laramie Project promotional email
Friday, January 27, 2017
2016-2017 Sanctuary Series - January 26, 2017, Lynn University, Mark Luttio, Harry Murphy, Kaitlyn Frame, Jiaxian Li, Harry S. Murphy, Alla Sorokoletova, Sergei Skobin, Jeff Morgan, Kendal Steiger, Anastasia Tonina, Katherine Milian
2016-2017 Sanctuary Series - January 26, 2017, Lynn University, Mark Luttio, Harry Murphy, Kaitlyn Frame, Jiaxian Li, Harry S. Murphy, Alla Sorokoletova, Sergei Skobin, Jeff Morgan, Kendal Steiger, Anastasia Tonina, Katherine Milian
Snyder Sanctuary Series
No abstract provided.
Pc Dance Company Auditions, Providence College
Pc Dance Company Auditions, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Clark Dance Studio, Smith Center for the Arts
PC Dance Company auditions
Thursday, January 26, 2017, 7-9pm
The Laramie Project Opening This Friday 27 January Promotional Email, Department Of Theatre, Dance & Film
The Laramie Project Opening This Friday 27 January Promotional Email, Department Of Theatre, Dance & Film
Playbill and Promotions
Providence College Department of Theatre, Dance & Film
The Laramie Project opening this Friday 27 January promotional email
Tuesday, January 24, 2017
Email From The Tdf Production Office To Susan Werner: Survey Results! What You Told Us, Department Of Theatre, Dance & Film
Email From The Tdf Production Office To Susan Werner: Survey Results! What You Told Us, Department Of Theatre, Dance & Film
Promotional Materials
Providence College Department of Theatre, Dance & Film
Email from the TDF Production Office to Susan Werner: Survey Results! What You Told Us
Wednesday, January 18, 2017
Letter From The Department Of Theatre, Dance & Film To The Dominican Fathers And Sisters, Department Of Theatre, Dance & Film
Letter From The Department Of Theatre, Dance & Film To The Dominican Fathers And Sisters, Department Of Theatre, Dance & Film
Playbill and Promotions
Providence College Department of Theatre, Dance & Film
Letter from the Department of Theatre, Dance & Film to the Dominican Fathers and Sisters inviting them to a production of The Laramie Project.
January 12, 2017
-Isms 2017, Students Of Risd, Risd Archives
-Isms 2017, Students Of Risd, Risd Archives
All Student Newspapers
-ISMS: Exploring the Intersectionality of Identities was a publication that accompanied the RISD Global Initiative 2017 exhibit of the same name. The exhibit explored the intersections of identity and art and featured pieces that were selected for critique by visiting artist and MLK Series keynote speaker Emory Douglas. This publication contains images of student artwork from the exhibit along with essays and other text.
Email From The Providence College Department Of Theatre, Dance & Film To Susan Werner: Something To Look Forward To!, Department Of Theatre, Dance & Film
Email From The Providence College Department Of Theatre, Dance & Film To Susan Werner: Something To Look Forward To!, Department Of Theatre, Dance & Film
Promotional Materials
Providence College Department of Theatre, Dance & Film
Email from the Providence College Department of Theatre, Dance & Film to Susan Werner: Something to Look Forward to! Coming soon to the Smith Center
Monday, January 9, 2017
Volume 35 - Editor's Note, Richard E. Paine, Emily M. Cramer
Volume 35 - Editor's Note, Richard E. Paine, Emily M. Cramer
National Forensic Journal
No abstract provided.
Why Forensics Matters: The Development Of Emotional Competence In Competitors, Kelly Michael Young, Avery Henry, John Koch
Why Forensics Matters: The Development Of Emotional Competence In Competitors, Kelly Michael Young, Avery Henry, John Koch
National Forensic Journal
To explicate our justification for the value of competitive speech activities, we contend that participation in forensics develops critical emotional competencies in students. The narratives used in this study were part of the NSDA’s efforts to create materials that would introduce various individual events to beginning competitors. In 2016, through its Instagram account, the NSDA asked high school competitors to comment on a post about why they chose to compete in their individual events. The NSDA identified the best 12 responses and then interviewed those students. ping and performing pieces in individual events. After examining how signs of emotional competence …
Where Are They Now(?): Two Decades Of Longitudinal Outcome Assessment Data Linking Positive Student, Graduate Student, Career And Life Trajectory Decisions To Participation In Intercollegiate Competitive Debate, Jack E. Rogers, Nicole P. M. Freeman, Arthur R. Rennels
Where Are They Now(?): Two Decades Of Longitudinal Outcome Assessment Data Linking Positive Student, Graduate Student, Career And Life Trajectory Decisions To Participation In Intercollegiate Competitive Debate, Jack E. Rogers, Nicole P. M. Freeman, Arthur R. Rennels
National Forensic Journal
In 1997, Rogers (2002, 2007) launched an ambitious cohort-based study to specifically measure student outcomes from forensic participation with direct, empirical comparisons between a debate and non-debate group over an extended period through college, graduate school, professional careers, and life-trajectory decisions. This monograph offers a continuation of those earlier studies in order to provide almost two decades of empirical performance data and outcomes. In order for the reader to place the current study in context, it is helpful to review a brief update of the applicable literature and a brief explanation of the previous two studies before attempting to interpret …
Introducción, Viviana Rigo De Alonso, María Lourdes Casas
Introducción, Viviana Rigo De Alonso, María Lourdes Casas
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
No abstract provided.
Diana M. De Paco Serrano’S Killers: The Challenges Of Staging Violence Perpetrated By Women, Helen Freear-Papio
Diana M. De Paco Serrano’S Killers: The Challenges Of Staging Violence Perpetrated By Women, Helen Freear-Papio
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
No abstract provided.
National Forensic Association: An Update From The President, Karen Morris
National Forensic Association: An Update From The President, Karen Morris
National Forensic Journal
No abstract provided.
Review Of "Voices From Within: Grotowski’S Polish Collaborators" Edited By P. Allain And G. Ziółkowski And "Acting With Grotowski: Theatre As A Field For Experiencing Life" By Z. Cynkutis, Allen J. Kuharski
Theater Faculty Works
No abstract provided.
The Humanistic Value Of Individual Events Participation, Leah White
The Humanistic Value Of Individual Events Participation, Leah White
National Forensic Journal
Forensic educators have long struggled to communicate the value of forensic participation to those not familiar with the activity. Drawing from literature in the field of counseling and student personnel, this paper argues participation in individual events is beneficial because it allows students to engage in what Baxter Magolda (2001) refers to as self-authorship among good company. Using interviews and autoethnographic methods, I investigate how participation in competitive forensics helps students meet personal growth needs. I conclude with suggestions for how forensic educators can communicate the student development goals achieved through forensic participation.
Reflections On Forensic Practice And Civic Education: What Are We Teaching? What Are We Learning?, R. Randolph Richardson
Reflections On Forensic Practice And Civic Education: What Are We Teaching? What Are We Learning?, R. Randolph Richardson
National Forensic Journal
No abstract provided.
Volume 35 - Front Matter, Nfa Journal
Volume 35 - Full Volume, Nfa Journal
Création, Jeu Et Contemplation : L’Art Comme Exercice Spirituel, Ivan Magrin-Chagnolleau
Création, Jeu Et Contemplation : L’Art Comme Exercice Spirituel, Ivan Magrin-Chagnolleau
Presidential Fellows Articles and Research
"Je voudrais commencer en parlant d’un livre que j’ai lu il y a quelques années déjà, et qui pour moi a été très influent et très important, qui s’appelle « Free play », qui est un livre de Stephen Nachmanovich. C’est un livre que je trouve passionnant à plusieurs titres. D’abord parce que l’idée centrale du livre, c’est de dire qu’on ne peut créer que dans le jeu, c’est-à-dire que toute création doit être ludique pour pouvoir exister vraiment. Et ça, c’est une prise de conscience. J’allais dire une découverte, mais je ne pense pas, parce que je pense que …
Amores Que Matan Y Mujeres Que Sufren En El Teatro Español Contemporáneo, Rossana Fialdini Zambrano
Amores Que Matan Y Mujeres Que Sufren En El Teatro Español Contemporáneo, Rossana Fialdini Zambrano
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
This article review how the victim of gender violence is represented in several Spanish plays written by women authors and it also analyses the necessity to start changing female narratives regarding this troubling subject.
De La Sierra A La Ciudad. Violencia De Género Y Feminicidio En “El Limpiador” De Rocío Silva-Santiesteban, Viviana Rigo De Alonso
De La Sierra A La Ciudad. Violencia De Género Y Feminicidio En “El Limpiador” De Rocío Silva-Santiesteban, Viviana Rigo De Alonso
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
No abstract provided.
Edgerton Center 2017/18 Season, Edgerton Center For The Performing Arts
Edgerton Center 2017/18 Season, Edgerton Center For The Performing Arts
Edgerton Center Programs
Program brochure for the Edgerton Center for the Performing Arts 2017/18 season.
Gender Counts: An Analysis Of Gender In Irish Theatre 2006-15, Brenda Donohue, Ciara O'Dowd, Tanya Dean, Ciara Murphy, Kathleen Cawley, Kate Harris
Gender Counts: An Analysis Of Gender In Irish Theatre 2006-15, Brenda Donohue, Ciara O'Dowd, Tanya Dean, Ciara Murphy, Kathleen Cawley, Kate Harris
Books/Book Chapters
In 2016, thanks to support from The Arts Council / An Chomhairle Ealaíon, #WakingTheFeminists commissioned groundbreaking research into the gender balance in Irish theatre. Here are the results.
The research was conducted by a team of six researchers led by Dr. Brenda Donohue, in collaboration with Irish Theatre Institute and the Centre for Drama, Theatre and Performance at NUI Galway. Their work looks at key creative roles in ten of the top Arts Council-funded theatre organisations in the country over a ten year period from 2006-15
A Rainbow Of Iranian Masculinities: Raqqas, A Type Of Iranian Male Image, Anthony Shay
A Rainbow Of Iranian Masculinities: Raqqas, A Type Of Iranian Male Image, Anthony Shay
Pomona Faculty Publications and Research
In this essay, I will explore the male dancer in the Iranian world, and how he came to occupy this abject position (dance, according to Zainab Stellar, being regarded by many conservative elements in Iranian society today as "the worst possible behavior of an undisciplined body in public, and symbol of all vice" (2011, 235)). Lotfollah “Lotfi” Mansouri, the renowned opera director and producer, recounted at a dinner that I attended (January 27, 2002 Peyvand Organization, San Jose), how one day as a student at UCLA, he entered Schonberg Music Hall and heard opera for the first time. He was …