Arts and Humanities Commons^™

Pigs And Piety: A Theocentric Perspective On Food Animals, Gary Comstock

Between the Species

No abstract provided.

Looking For A Place To Die, Mary De La Valette

Between the Species

No abstract provided.

Why We Would Not Understand A Talking Lion, Gary W. Levvis

Between the Species

No abstract provided.

An Autobiography, Richard Ryder

Between the Species

No abstract provided.

The Midwest Quarterly; Vol. 33 No. 4, Ron Mcfarland, Jay Paul, Jeff Crouch, Andrew P. Williams, Nicholas D. Rombes Jr., Gary P. Hendrickson, Kim Bridgeford, Charles Bukowski, Jared Carter, Carol Hamilton, Peter Krok, Ernest Kroll, Lyn Lifshin, Mathew Murrey, Silvia Scheibli, Margo A. Schmidt, Ioanna-Veronika Warwick, Ernest A. Wight Jr., David Sloan, Walter Shear, Midwest Quarterly Editors

The Midwest Quarterly: A Journal of Contemporary Thought

"Where is this guy coming from?" What do we bring to reading a poet such as James Wright, wonders RON McFARLAND, and how and why do individuals respond to the music and phrase and sense of what they encounter? Author of The Villanelle: The Evolution of a Poetic Form (1987), editor of two critical anthologies on James Welch and Norman Maclean (1986, 1988), and a full-length collection of his own poems, Composting at Forty (1984), McFarland teaches 17th-century and modern poetry at the University of Idaho.

In Dave Etter's poems familiar words and settings achieve their humor and insight through …

Prefatory Notes

Between the Species

No abstract provided.

Choosing Between Normative And Descriptive Versions Of The Judicial Role, Michael E. Herz

Articles

No abstract provided.

The Concept Of Monism In Navajo Thought, Viola F. Cordova

Philosophy ETDs

The concept of Wind as an underlying and unitary force in a Navajo conceptual scheme, as presented primarily in the work of James R. McNeley (Holy Wind in Navajo Philosophy), is used as a means of exploring the possibility that the philosophical theory of monism may serve to explain basic Navajo cultural perspectives.

The study shows how philosophical method--analysis of conceptual notions and their implications--may enhance understanding of the many works on the Navajo presently offered through anthropological and ethnological research.

The idea that Native Americans share a view of the universe as "one thing" has been mentioned …

Protean Aspects Of Change In Euripides' Medea, Phillip Wilson

Anthós Journal (1990-1996)

By drawing on the Homeric tradition, Euripides creates an image of Medea as epic hero with aspects of both Achilles and Odysseus. But this is not enough. As this paper shows, ultimately the portrait that emerges of Medea is that of Proteus. In addition, this paper asserts that not only is Medea a protean figure, but the very shape of the drama that Euripides concocts is protean as well. He shapeshifts the traditional aspects of the tragedy he transforms the form.

'Wait — Something’S Missing!': The Status Of Ethics In Basic Public Speaking Texts, Jon A. Hess

Communication Faculty Publications

The basic course is important to the welfare of the speech communication discipline. According to Seiler and McGukin (1989), the basic course is the mainstay of the discipline. Gibson, Hanna, and Leichty (1990) surveyed 423 institutions of higher education nationwide and found that at 92% of the schools’ enrollment in the basic course was increasing or holding steady (this is up from the figure of 88% reported in 1985). In a survey of college graduates, Pearson, Nelson, and Sorenson (1981) found that 93% believed that the basic speech course should be required for all students. Because of its popularity and …

National Health Insurance Proposals: An Ethical Perspective, Alan O. Kogan

Center for the Study of Ethics in Society Papers

Presented to the WMU Center for the Study of Ethics in Society, January 31, 1992.

The Cratylus: An Explication, Elizabeth Upham

Anthós Journal (1990-1996)

In Plato’s Cratylus, Socrates, Hermogenes, and Cratylus attempt to discover if things are named with consideration to phusis or nomos. This paper traces these arguments throughout Plato’s dialogue. In the end, Plato is suggesting that Socrates is like a legislator with the power to bestow appropriate names to things, even as he hides Socrates behind a thin veil of uncertainty. Ultimately the reader must make up his or her own mind, why is Socrates so full of contradictions and why does Plato portray him this way.

Allusions To Homer In The Protagoras, Aaron Johnson

Anthós Journal (1990-1996)

This paper traces Plato’s allusions to Homer in the Protagoras. What might seem to be surface details are, in fact, shown to both augment and support the dialogues underlying theme of the nature of virtue. By tracing these seemingly surface details, this paper shows just how Socrates goes about teaching virtue.

Alteration To Exaltation In Euripides' Medea, Jennifer Blakeslee

Anthós Journal (1990-1996)

Euripides’s Medea keeps certain aspects of traditional Greek tragedy while radically altering others. This paper shows how he changes the character of Medea into a commentary against both the restrictions of the Greek tragic and epic norms and the ignorance of women upheld in these traditions. In the end, both Euripides and Medea saw the frailty of tradition as compared to the exaltation of individual experience.

Strategic Meaning: Words As Tools Or Traps, Debra Blankenship

Anthós Journal (1990-1996)

Upon initial glance, Plato’s Cratylus appears to be a grand romp of words with Socrates’s wit front and center. But a closer examination of the text shows a deadly serious, carefully plotted battle by Socrates to establish his philosophical perspective as preeminent. Plato thus reveals, by the end of the dialogue, that the true battle that Socrates is waging is the struggle to establish what foundation knowledge shall be built upon.

The Importance Of Language In Plato's Cratylus, Jeffrey Tinnin

Anthós Journal (1990-1996)

By suggesting that Plato’s Cratylus is in the form of a ring composition, this paper explores how this form plays out within the context of a dialogue on the nature of language. It traces the ring composition form as it applies to the issue of naming. In the end it argues that for Plato the development of language is essential for the growth and maintenance of the soul. The twin structures of the ring compositional form enable this understanding in interesting and complex ways.

Plato's Protagoras: Myth And Democracy On Trial, David Johnson

Anthós Journal (1990-1996)

This paper traces how the use of a trial in Plato’s Protagoras serves to highlight the issues of Myth and Democracy; one might even say to put them on trial. While the Protagoras is a complicated work, some aspects of its underlying themes are quite clear. For Plato, democracy pales in comparison to the philosopher-king, and the Protagoras’s structure enables Plato to set up Socrates as just such a figure.

Explication Of Plato's Protagoras, Keri Mcmurry

Anthós Journal (1990-1996)

In the Protagoras, Plato presents a view of the Classical Greek social and political structures, as well as personal attitudes and morals, by implying them through the narrative frame rather than explicitly stating them. The allusions to Homer throughout the Protagoras fuel this sense of the Classical Greek. Neither the structure nor the philosophical arguments, when taken alone, give a complete sense of the Protagoras. But when combined, a complex view of the Classical Greek world is achieved

Oikos And Polis In The Medea: Patterns Of The Heart And Mind, Debra Blankenship

Anthós Journal (1990-1996)

In Euripides’s The Medea, the dichotomy of traditional values associated with oikos and polis serves as a means by which to comment on the issues of fifth century Athenian life. This paper shows how oikos the private domain) and polis (the public domain) come to be separate and conflicting concepts in the democracy of Athens. Euripides shaped The Medea around the idea of Medea throwing off the bonds of oikos as a result of her desire for revenge on Jason. Medea knowingly denies the bonds of oikos in order to assert her power. This paper finishes with a nod towards …

The Gorgias Explained, Dan Zajdel

Anthós Journal (1990-1996)

In Plato’s The Gorgias, five forms of language serve to explicitly inaugurate Socrates as a mythic hero. This paper traces these forms, along with allusions to myth and the known body of literature at the time, and shows how Plato achieves his goal.

Protagoras: Recollection Of Return, Roger Zemke

Anthós Journal (1990-1996)

The Homeric forms that Plato uses as a template for the Dialogues all contribute to a fictional recasting of the historical figure of Socrates as an epic Hero: the philosopher-king. This paper traces the idea of a recollection of return in the Protagoras as a means by which Plato creates this fictional image of Socrates. The traditional Greek notion of agon, with all its attendant functions and forms, helps Plato reveal a Socrates whose divine right as a philosopher-king would be the best hope for a return to the power and glory of Athens.

Direct And Indirect Belief, Curtis Brown

Philosophy Faculty Research

This paper discusses that one's being in a particular belief state is nevertheless best characterized by a set of propositions, namely those one would believe in any situation in which one were in that belief state. The main purpose in this paper is to develop and defend the distinction between direct and indirect belief.

The Protagoras: Judge ... Jury ... And Explication, Patrick Hamilton

Anthós Journal (1990-1996)

The idea of a trial is a strong aspect of the structure of Socrates’s direct conversation with Protagoras in Plato’s Protagoras. Each character in the dialogue assumes a particular role within the trial, with Socrates not as accused but as questioner. This paper uses the trial concept as a means in which to get inside the Protagoras and pry open the differing aspects of its characters.

Euripides: Master Of The Discrepant Event, Osa Skyberg

Anthós Journal (1990-1996)

In Euripides’s Medea, a seemingly normative form of a traditional Greek tragedy is disturbed by a disruptive layer that shakes the audience to its core. Integral to the story of Medea is her revenge on Jason. One knows this, but Euripides adds a disruptive layer that increases the tragic tension of the story. This disruptive layer is the killing of innocent boys by their mother. And not only that, but the Mother being rewarded for this act. This paper shows how Euripides takes the traditional form of the Greek tragedy, adds disruptive layers, and makes the form his own.

Book Review Forum On Nicholas Thomas's Out Of Time: History And Evolution In Anthropological Discourse, Richard J. Parmentier, Jonathan Friedman, David Hanlon, Bradd Shore

Pacific Studies

No abstract provided.

Ontological Disproof Of God's Existence, John N. Williams

Research Collection School of Social Sciences

An initial reading of Hume's Principle is that no necessary truth can be denied without contradiction, whereas all existential propositions can. Therefore it is self-contradictory to say,that any existential claim is necessarily true, since it follows that this claim both can and cannot be denied without self-contradiction. Thus any claim of the form 'X necessarily exists' is a self-contradiction, even if X is God.

[Book Review] Manual Of Guidelines On Clinical-Ethical Issues Catholic Health Association Of The United States, S1. Louis, Mo., Edited By Diana Bader, O. P. Ph.D., Eugene F. Diamond

The Linacre Quarterly

No abstract provided.

Lying: A Failure Of Autonomy And Self-Respect, Jane Zembaty

Center for the Study of Ethics in Society Papers

Presented to the WMU Center for the Study of Ethics in Society - March 19, 1992.

A Critique Of "The Mormon Concept Of God, A Philosophical Analysis", Kyle Robson

Undergraduate Honors Capstone Projects

The nature of deity through out the history of philosophy has always been a subject of debate, from some of the earliest writings, philosophers and theologians have given arguments for and against the existence and nature of God. Beckwith and Parrish, in "The Mormon Concept Of God, A Philosophical Analysis," add another page to this on-going debate with their attack of the "Mormon concept of God." In the introduction Beckwith and Parrish explain that it is their aim to show

(1) that the Mormon concept of God differs radically from the classical concept of God,

(2) that the Mormon concept …

Character And Method In Plato's Republic, Mary Whitlock Blundell, Ruby Blondell

The Society for Ancient Greek Philosophy Newsletter

It is obvious enough that Plato's literary style, including his use of dramatic form and character, alters drastically along with his philosophical method. It is most economical, though not essential, to attribute these parallel changes to Plato's own chronological development. As Guthrie puts it, "Plato began by giving vivid pictures of Socrates engaged on his mission, and as he went on became more concerned to develop positive doctrines. He retains the dialogue form, but it becomes less dramatic and pictorial and he allows Socrates to indulge in uncharacteristically long discourses only punctuated by expressions of assent from the others" (HGP …