Arts and Humanities Commons^™

Why Was I Not Made Of Stone., Ian Callen

Graduate Thesis Collection

The original inspiration for this work came from Victor Hugo’s The Hunchback of Notre Dame when Quasimodo asks the gargoyles on the cathedral “Why was I not made of stone like thee?” as he watches Esmerelda ride off. This piece is an attempt to express the aspect of the human state contained in Quasimodo’s words. I believe that this piece succeeds in communicating both the innate humanity in the futile search for a state of invulnerability and the intrinsic value and beauty of despair. It is neither optimistic or pessimistic but rides a fine line between the two without being …

Songs About Words, Justin Hung

Graduate Thesis Collection

A song cycle for baritone and mixed chamber ensemble, "Songs about Words" consists of five songs for everyday concepts and subjects, and explores deeper themes of communication and identity. The ensemble consists of piano, accordion, tenor saxophone, percussion and double bass. The text was inspired by Pablo Neruda and written by the composer.

Singing Out: Gala Choruses And Social Change, Heather Maclachlan

Books and Book Chapters by University of Dayton Faculty

Can you change the world through song? This appealing idea has long been the professed aim of singers who are part of choruses affiliated with the Gay and Lesbian Association of Choruses (GALA). Theses choruses first emerged in the 1970s, and grew out of a very American tradition of (often gender-segregated) choral singing that explicitly presents itself as a community-based activity. By taking a close look at these choruses and their mission, Heather MacLachlan unpacks the fascinating historical and cultural dynamics behind groups that seek to change society for the better by encouraging acceptance of LGBT-identified people and promoting diversity …

Concert Recording 2020-01-18, Felix Olschofka, Tomoko Kashiwagi, Dominic K. Na, Josquin Larsen, Eun Seo Park

Concert Recordings & Programs

[00:00]. Sonata for two violins in E minor, Op. 3, No 5 I. Allegro ma poco ; II.Gavotte - andante grazioso ; III. Presto / Jean-Marie Leclair -- [12:58]. Eight pieces for violin and cello, Op. 39. Prelude ; Intermezza ; Gavotte ; Berceuse ; Canzonetta ; Scherzo / Reinhold Gliere -- [26:40]. Piano quintet in A minor, Op. 84 I. Moderato - allegro ; II. Adagio ; III. Andante - allegro / Edward Elgar.

Concert Recording 2020-02-15, Rie Kaizuka, Benjamin Pierce, Tomoko Kashiwagi

Concert Recordings & Programs

[00:00]. Fidelity in love for euphonium and piano / Yasuhide Ito -- [03:25]. Cascades / Allen Vizzutti -- [06:42]. Wie melodien zieht es mir / Johannes Brahms -- [09:03]. Feldeinsamkeit, Op.86 No.2 [11:20]. Hatsukoi "first love" / Tatsunosuke Koshitani -- [14:09]. Euphoniada / Frigyes Hidas -- [23:51]. Party piece / Philip Sparke -- [30:48]. Fantaisie and variations on "The carnival of Venice" / Jean-Baptiste Arban -- [39:46]. Two duets, op. 10. I. Puisqu'ici-bas toute âme ; II. Tarentelle / Gabriel Fauré.

Guide To The Collection Of De Paur Chorus Materials, Columbia College Chicago

CBMR Collection Guides / Finding Aids

The Collection of De Paur Chorus Materials is small and holds sound recordings, photographs and ephemera documenting the De Paur Chorus and its activities, primarily during the early 1950s, a chorus established by Leonard de Paur.

Guide To The Caleb Dube Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Caleb Dube was an ethnomusicology scholar and teacher who studied blues music through an anthropological framework. The Caleb Dube Collection primarily contain general research in the fields of cultural anthropology and ethnomusicology, along with more narrow research linking these two fields of study to Chicago, and the blues.

Guide To The Collection Of Materials On The National Association Of Negro Musicians (Nanm), Columbia College Chicago

CBMR Collection Guides / Finding Aids

The National Association of Negro Musicians (NANM) was founded in Chicago by a group of African-American professional musicians and composers to advance the education and careers of African-American musicians; there are local branches of NANM in many cities. The collection contains materials about the National Association of Negro Musicians and its history and activities, particularly the primary documents included in A Documentary History of the National Association of Negro Musicians, edited by Doris Evans McGinty.

Guide To The Alton Augustus Adams, Sr. Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

The Alton Augustus Adams, Sr. Collection reflects his activities as a bandmaster, a press correspondent, activities in the Hotel Association of the Virgin Islands, and as educator, civic leader, composer, author, and local historian in St. Thomas, Virgin Islands.

Guide To The Dominique-René De Lerma Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Dominique-René de Lerma (1928–2015) was a prominent, pioneering scholar in black music research, an oboist, an author, and an educator. The collection contains his research materials, collected scores, and sound recordings.

Guide To The Anna Gardner Goodwin Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Anna Gardner Goodwin was a composer of classical music. Her compositions include “Adelene” and “Freedom to All March.” and the collection also contains biographical and genealogical documents, musical scores, and other material related to her family.

Guide To The Zenobia Powell Perry Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Zenobia Powell Perry was a professor, pianist, and composer of classical music. The collection is comprised entirely of Perry’s unpublished scores and music manuscripts, and the collection was arranged by her biographer, Jeannie Gayle Pool.

Guide To The Paul Robeson Centennial Project Records, Columbia College Chicago

CBMR Collection Guides / Finding Aids

These records chronicle the Chicago centennial project in honor of the 100th anniversary of the birth of Paul Robeson, actor, athlete, singer, and activist, headquartered at Columbia College Chicago; one of many such local committees who came together globally.

Guide To The Wendell Wright Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

The Wendell G. Wright Collection consists primarily of materials relating to the Lois J. Wright Memorial Concert Series as well as programs and correspondence. Also included are several published musical scores by Black composers and manuscript and facsimile manuscripts of Gerald Burks Wilson.

Ancient Mesopotamian Music, The Politics Of Reconstruction, And Extreme Early Music, Samuel N. Dorf

Books and Book Chapters by University of Dayton Faculty

I write this piece primarily as a musicologist and amateur early music practitioner (viola da gamba player) who tries to understand the ways twentieth- and twenty-first century musicians and scholars have imagined and performed ancient music and dance. This essay emerged from my book project Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890-1935 and brings my training as a historical musicologist and dance historian to bear on issues typically of concern to archaeologists, classicists, and linguists.

While working on that book, I kept running across a number of individuals working now who are deeply engaged in …

Listen To Liston: Examining The Systemic Erasure Of Black Women In The Historiography Of Jazz, Victoria E. Smith

Theses and Dissertations

"First you are a jazz musician, then you are black, then you are a female. I mean it goes down the line like that. We're like the bottom of the heap." - Melba Liston (pg 2) The historiography of jazz has consciously and unconsciously excluded women. This exclusion is exacerbated when one examines the intersection of race and jazz for black women. This essay argues that due to overwhelming societal expectations, gendered language, and physical threats of sexual assault and violence, black women had to create alternatives spheres of affirmation and musical expression because jazz culture stymied their access to …

Ictus Or Rebound? The Experience Of Behind-The-Beat Playing In Orchestral Conducting, Sey Ahn

Theses and Dissertations--Music

The origin of playing behind-the-beat is attributed to the Hungarian conductor Arthur Nikisch (1855-1922), who is one of the most important figures in the history of the art of conducting. Nikisch, serving as Music Director of the Boston Symphony Orchestra, the Berlin Philharmonic, and the Leipzig Gewandhaus Orchestra during a critical moment in the development of orchestral playing, influenced a generation of conductors who followed. Behind-the-beat playing, as many conductors and musicians refer to in describing experiences of top professional orchestral musicians, is a prevailing characteristic of theirs, not often observed in amateur orchestras and their conductors. It is an …

A Multiple Case Study Of Music Therapists' Perceptions Of Vocal Health, Emily Rush

Theses and Dissertations--Music

As professional voice users, music therapists should be aware of their vocal health and the risks for developing vocal problems through habitual vocal use. Vocal abuse refers to vocal activities such as yelling, singing with poor technique, and shouting which cause the laryngeal mechanism to not function optimally. Although many music therapists are at risk for vocal abuse, to my knowledge, no researchers have looked at how music therapists are using their voices. The purpose of this qualitative study was to better understand music therapists’ perceptions of their vocal health and vocal health training. I used a multiple case study …

The Vespers Psalms Of Baldassare Galuppi, Scot Buzza

Theses and Dissertations--Music

Although Baldassare Galuppi was arguably the best known and most successful Italian composer of the eighteenth century, his name, his history, and his works have been relinquished to the periphery of the historiographical narrative. While Galuppi's masses, operas, and solo motets have been examined, his vespers psalms have been neglected by previous musicologists; most of the existing studies have been superficial, with little consideration of important questions such as formal approach, stylistic development, compositional idiosyncrasies, questions of authenticity, or what those factors might collectively tell the twenty-first-century musicologist about music in settecento Venice.

The bulk of this work consists of …

The Taiwanese Violin System: Educating Beginners To Professionals, Yu-Ting Huang

Theses and Dissertations--Music

The purpose of this study is to provide scholars information concerning of the Taiwanese violin educational system from the introduction of the violin in Taiwan to its current status as one of the most popular instruments to study.

The first chapter of this dissertation will discuss the most influential violin educators in Taiwan, about which very little has been published. The key figures such as Fu-Xing Zhang and Shu-De Li capitalized on the opportunities provided them by the Japanese occupation, playing a crucial role in the development of the Taiwanese music education system. The accomplishments of these musicians continue to …

Music In Medicine: Enhancing Emotion Recognition In Medical Students, Grace Chon, Debra Lew Harder, Md, Dma

Phase 1

Previous studies have shown that visual art courses for medical students have improved their diagnostic skills. A music course in a similar fashion may enhance their ability to recognize patient emotion in the patient’s voice. Identifying patient emotion via auditory cues allows future physicians to appropriately respond to patients’ mental states and provide empathetic care. This study proposes that medical students who complete a course in recognizing emotional cues in music will outperform a control group in correctly identifying emotion in the human voice.

Participants were randomly divided into control and experimental groups, in which only the latter completed a …

Richard Dyer's Star Theory Applied To Musician/Actress: Lady Gaga, Allora R. Lee

Capstone Showcase

Richard Dyer’s Stars and general studies analyze the unusual phenomena surrounding influential film stars and their unmitigated power to compel and amaze those outside of the spotlight. His studies separate the theory into three intermingling parts: stars as a social phenomenon, stars as images, and stars as signs. There are many components in Dyer’s studies that can be extracted and used in analyses of particular actors and actresses. However, this does not solely revolve around film stars. In this analysis, I will be examining the famous pop music icon and recent actress, Lady Gaga. Through an analysis of her style, …

Music And Communal Division During The French Wars Of Religion, Cameron G. Wade

Honors Theses

This Senior Honors Thesis explores the social and cultural impact of confessional musical composition and performance on the French Wars of Religion (1562-1598). Because Huguenots and Catholics identified with and were widely identifiable by their respective musical styles, cultural divisions between each confession were emphasized by differences in music. This capacity of sacred and confessionally-influenced secular music to highlight and reinforce societal divides is evidenced by the interconfessional violence that accompanied the public performance of sacred music in cities as well as the pressures imposed on composers to create music which clearly aligned with their respective confessions. As the wars …

การเรียบเรียงบทเพลงประเภทเพลงนางหงส์ของครูภัทระ คมขำ, ณัฏฐ์ฏาพร เขียวมณี

Chulalongkorn University Theses and Dissertations (Chula ETD)

วิทยานิพนธ์ฉบับนี้มีวัตถุประสงค์เพื่อการศึกษาแนวคิด วิธีการ และมูลบทที่เกี่ยวข้องกับวงปี่พาทย์นางหงส์ โครงสร้างบทเพลงและการเรียบเรียงบทเพลงประเภทเพลงนางหงส์ โดยใช้ระเบียบวิธีการวิจัยเชิงคุณภาพ ผู้วิจัยมีวิธีดำเนินการวิจัยจากการศึกษารวบรวมข้อมูลที่เกี่ยวข้องในเอกสารสิ่งพิมพ์ต่าง ๆ รวมถึงการเก็บข้อมูลสัมภาษณ์ครูผู้ทรงคุณวุฒิผู้เชี่ยวชาญทางด้านดุริยางคศิลป์ไทย โดยทำการศึกษาข้อมูลหลักในกรณีศึกษาของครูภัทระ คมขำ ผลการวิจัย พบว่า ครูภัทระ คมขำมีแนวคิดที่เป็นลักษณะเฉพาะในการเรียบเรียงบทเพลงนางหงส์ เพื่อส่งเสริมกระบวนการการเรียนรู้ในระบบการศึกษาทางด้านดุริยางคศิลป์ไทย โดยมุ่งเน้นหลักวิชาการและการฝึกปฏิบัติเป็นสำคัญ อีกทั้งยังเป็นการอนุรักษ์บทเพลงต่าง ๆ รวมถึงการใช้นัยยะการเรียนรู้ของโบราณาจารย์ทางดุริยางคศิลป์ไทย การวิเคราะห์โครงสร้างและวิธีการเรียบเรียงบทเพลงนางหงส์ของครูภัทระ คมขำ มีจำนวน 10 เพลง ได้แก่ เพลงอนงค์สุชาดา เพลงมุล่ง เพลงแขกไทร เพลงเทพบรรทม เพลงกัลยาเยี่ยมห้อง เพลงสาลิกาชมเดือน เพลงวิเวกเวหา เพลงอาถรรพ์ เพลงการเวกใหญ่ และเพลงน้ำค้าง พบว่ามีกระบวนการในการเรียบเรียงเพลงนางหงส์แสดงถึงความสามารถในการสร้างสรรค์รูปแบบของโครงสร้างเพลงนางหงส์ จำนวน 8 รูปแบบ และในส่วนของวิธีการเรียบเรียงเพลงนางหงส์มีการเลือกใช้บทเพลงที่มีความสัมพันธ์ชององค์ประกอบสำคัญต่าง ๆ ได้แก่ การใช้กลุ่มเสียงปัญจมูล ความเชื่อมโยงของเสียงลูกตก สำนวนเพลง สำเนียงภาษาของเพลงและนัยยะความหมายของบทเพลงที่มีความสอดคล้องสัมพันธ์กันอย่างกลมกลืนเป็นไปตามระเบียบแบบแผนทางหลักทฤษฎี ดุริยางคศิลป์ไทย

Concert Recording 2020-02-12, Eric Troiano, Miroslava Panayotova

Concert Recordings & Programs

[00:00] Sonata, Op.29. I. Andante maestoso ; II. Altegro energico / Robert Muczynski -- [07:13]. Aeolian song / Warren Benson -- [12:40]. Lilith. ; I. The female demon; II. Succuba ; III. Will-O'-the-wisp ; IV. Child stealer ; V. The night dance / William Bolcom -- [29:44]. Sonata for alto saxophone and piano. I. Moderato ; II. Very expressive ; III. Very fast / David Maslanka.

Compositional Modeling: A Classical Imitative Pedagogy For The Modern Era, Robert Harris Jeter

Theses and Dissertations--Music

Students of composition develop two skills simultaneously: craft and creativity. Since students are more naturally inclined to focus on one of these skills over the other, finding the proper balance is an educational challenge. An effective pedagogical system for composition cultivates both of these necessary skills.

Imitation was a preferred pedagogical approach during the Classical period. In his 1848 book School of Practical Composition, Carl Czerny instructs his readers to apply the extensive rules of composition by strictly following a compositional model. Although this methodology lost favor during the nineteenth century, the imitative techniques presented by Czerny are flexible enough …

Inside Outside: The Cultural Paradox Of Salvation Army Brass Bands In America During The Age Of Nationalism, Nathan Miller

Theses and Dissertations--Music

By the turn of the twentieth century, the sight and sound of a little brass band of uniformed evangelists on street corners declaring war on sin became ubiquitous in American cities. Although Salvationists came to hold a cherished place in society, Americans greeted their initial invasion with contempt. They came with a message of transformative redemption for the poor and disenfranchised, loudly declaring that anyone and anything could be made holy and fit for God’s Salvation Army. This included minstrel tunes and other rough musics appropriated from the working-class Americans. However, eventually their music had less in common with poor …

A Performance Analysis Of Cloud Folk For Percussion Octet And Piano By John Psathas, James Vilseck

Theses and Dissertations--Music

John Psathas is the one of the most forefront, living New Zealand composers and is considered to be one of the three most important living composers of the Greek Diaspora. His music is performed across the globe, most notably as the opening and closing ceremony music for the 2004 Olympic Games in Athens, Greece. His percussion music has been championed by percussionists for three decades, starting with Dame Evelyn Glennie with the work Matre’s Dance. Psathas still receives regular commissions for percussion instruments, having released multiple works in the last few years and multiple works still to be premiered.

The …

A Performer’S Guide To Norman Bolter’S Morning Walk For Trombone And Piano, Justin Croushore

Theses and Dissertations--Music

For the past 45 years, Norman Bolter has been one of the most prolific and important composers, performers, and educators for the trombone. Born in Minnesota in 1955, Bolter held the position of Second Trombone of the Boston Symphony Orchestra and Principal Trombone of the Boston Pops from 1975 until 2009. He has taught at leading conservatories, universities, and festivals around the world and continues to teach as trombone faculty at the New England Conservatory and the Boston Conservatory today. His compositional output is large and wide-ranged, including works for solo trombone, trombone and piano, trombone ensemble, chamber ensemble, band, …

Songs In The Heart: The Cornet Solos Written For Derek Smith, Jeffrey Barrington

Theses and Dissertations--Music

Derek Smith stands as one of the most talented cornet soloists of his generation. From the 1940s to the early 1970s, Smith wowed audiences all over the world with the ease of his technique and the simple vibrato of his beautiful expressive sound. While much has been documented regarding Smith’s later years as the conductor of The Salvation Army’s New York Staff Band, there is a gap in written biographical knowledge concerning his career as a cornet soloist. During his influential career, there were several solos written specifically for him. The purpose of this research is two‐fold. First, it is …