Arts and Humanities Commons^™

Graduate Degree Recital: "The Road Home" Winner Silvestre, Department Of Music

Student Degree Recitals 2020-2021

Winner Silvestre presents his graduate Conducting recital, featuring University Singers, Pioneer Men's Chorus, and Canta Bella. Performing works by Esenvalds, Forrest, Martin, and others.

Graduate Recital: Ye Eun Eom, Piano; Nathanial Parson, Horn; Bianca D'Avila Do Prado, Cello; Leo Wang, Tenor; October 30, 2020, Ye Eun Eom, Nathaniel Parson, Bianca D’Avila Do Prado, Leo Wang

School of Music Programs

Kemp Recital Hall
October 30, 2020
Friday Evening
7:00 p.m.

2020-2021 Performance Forum - October 29, 2020, Jin Cai, Amy Han, Kari Jenks, Meiyu Wu, Kimia Rafieian, Robiyakhon Akromova, Jannina Eliana Pena

Performance Forum

No abstract provided.

Indeterminate Sample Sequencing In Virtual Reality, Chase Mitchusson

LSU Doctoral Dissertations

The VR Sequencer is a tool for composing and performing music which takes advantage of spatial configuration of 3-D objects to generate looping sequences. This project combines dice-rolling with omnidirectional playheads and variable terrain to make a sequencer with indeterminate features in Virtual Reality (VR). A comparison of mapping systems for music games and digital instruments demonstrates a middle ground for interactive music making which the VR Sequencer applies. An inspection of current VR works exhibits a disconnect be- tween VR gamers and experimental musicians. In an attempt to give the gaming community access to experimental music making, the VR …

Northern Iowa Symphony Orchestra, October 28, 2020 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Convocation Recital, October 27, 2020, Maiya Favis, Jessica Pytel, Jackson Miller, Miguel Lumbao, Zakia Hart

School of Music Programs

Center for the Performing Arts
October 27, 2020
Tuesday Morning
11:00 a.m

Convocation Recital: Maiya Favis, Violin; Jessica Pytel, Violin; Jackson Miller, Guitar; Miguel Lumbao, Guitar; Zakia Hart, Piano; October 27, 2020, Maiya Favis, Jessica Pytel, Jackson Miller, Miguel Lumbao, Zakia Hart

School of Music Programs

Center for the Performing Arts
October 27, 2020
Tuesday Morning
11:00 a.m.

Jarboe, Mary M., Collection, 1919-1947, Special Collections, Leonard H. Axe Library

Finding Aids

A collection of letters to Mary DeSchmidt Jarboe from Marcia, Henry, and Fred Crane, along with a book and papers from the MKT (Missouri-Kansas-Texas Railroad) Municipal Band Association.

Mary M. DeSchmidt Jarboe (1905-2002) was a musician who taught music from the age of 16 until she retired in 1970. During her life, Mary studied with music teachers in Parsons, Pittsburg, and Kansas City. Mary was the organist for the St. Mary’s and St. Patrick’s Catholic Churches and she was a member of the Daughters of Isabella and the National Association of Pastoral Musicians. She was friends with Colorado native Marcia …

Illinois State University Guitar Ensemble, October 26, 2020, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall
October 26, 2020
Monday Evening
7:30 p.m.

Jessica D. Montgomery, Voice: Graduate Voice Recital, Jessica D. Montgomery

Setnor School of Music - Performance Programs

No abstract provided.

Xiaoqiong Fan, Piano: Graduate Piano Recital, Xiaoqiong Fan

Setnor School of Music - Performance Programs

No abstract provided.

Senior Recital: Andrea Mcafee, Saxophone; Lu Witzig, Piano; October 25, 2020, Andrea Mcafee, Lu Witzig

School of Music Programs

Center for the Performing Arts
October 25, 2020
Sunday Afternoon
2:00 p.m.

Songs Of The Sea Wind Symphony Fall Concert, Andrews University

Concerts and Event Programs 2020-2021

The AU Wind Symphony presents its fall concert, "Songs of the Sea"

Senior Recital: Andrew Bilgri, Tuba; Lu Witzig, Piano; October 24, 2020, Andrew Bilgri, Lu Witzig

School of Music Programs

Center for the Performing Arts.
October 24, 2020
Saturday Afternoon
4:00 p.m.

Lindsey Bartlett, Voice: Graduate Voice Recital, Lindsey Bartlett

Setnor School of Music - Performance Programs

No abstract provided.

A Case Study Of Classically Trained Singers In Pop Singing, Norfazrina Mohd Gani

Student Works (2020-2029)

In general, this study was conducted to discuss about a classically trained singers in pop singing among professional singers in Malaysia. Therefore, this study is limited only to classically trained singers in singing modern pop’s genre based on vocal techniques and vocal health. The respondents consisted of 5 Malaysian singers who are well trained classically and have experienced in both education and music industry singing pop songs. As a classically trained singer, this study employed narrative inquiry focusing on their life experience using their vocal techniques that they have mastered and to prove that classically trained singers can deliver pop …

Key Notes: The Newsletter Of The Department Of Music, Georgia Southern University

School of Music: News & Publications (2017-2023)

• Professor Allen Henderson and Colorado State University Aerosol Study

• Faculty Member Trevor Martin in a Virtual Reality Opera

• GUEST ARTIST Gustavo Silveira

• GUEST LECTURE Dr. Christopher Biggs

• GUEST ARTIST Dr. Eli Fieldsteel

• GUEST LECTURE Dr. Mark-David Hosale

• Student Performances

• Georgia Southern University Trumpet Ensemble

• Hip-Oh: An Exploration of the Band’s Eclectic Sound Georgia Southern University Alumnus

Nalo Zidan Discusses Masculiminality

St. Norbert Times

News

• Nalo Zidan Discusses Masculiminality
• Reviewing the 2020 SGA Elections
• Safer at SNC: Student Perspective
• Spreading Anti-Racism Awareness
• Arno Michaelis: Embrace Diversity

Opinion

• Political Discourse
• The Switch in Conversation
• Digital Age Calls for New Course Offerings
• A Day Off

Features

• Zambia Project
• New Faculty at SNC: Toni Morgan
• Yoga on the Lawn with Lisa Burke

Entertainment

• Student Spotlight
• Book Review: “Under the Rainbow” by Celia Laskey
• Weeb Corner
• Top 3 Favorite “Peaky Blinders” Episodes
• Show Review: “Anne With An E”
• Coming Soon to Netflix
• Upcoming Events
• Junk Drawer: Favorite Children’s Book

Sports

• Packers Claw the Falcons
• Varsity Blues
• Greyhound Racing: …

Exceptional Learners In Music Mus 440, Jim Kinnie

Library Impact Statements

No abstract provided.

Advanced Study In Musicology Mus 520, Jim Kinnie

Library Impact Statements

No abstract provided.

Convocation Recital: Lydia Hedberg, Cello; Jackson Miller, Guitar; Matthew Kwon, Guitar; Sara Johnson, Viola; October 20, 2020, Lydia Hedberg, Jackson Miller, Matthew Kwon, Sara Johnson

School of Music Programs

Center for the Performing Arts
October 20, 2020
Tuesday Morning
11:00 a.m.

Syracuse University Wind Ensemble: Dr. Bradley P. Ethington, Conductor; Dr. Timothy W. Diem, Conductor, Syracuse University Wind Ensemble, Setnor School Of Music, Bradley P. Ethington, Timothy W. Diem

Setnor School of Music - Performance Programs

No abstract provided.

Senior Recital: Sophie Walker, Soprano; Grace Eom, Piano; Tammie Walker, Piano; October 17, 2020, Sophie Walker, Grace Eom, Tammie Walker

School of Music Programs

Kemp Recital Hall
October 17, 2020
Saturday Afternoon
1:00 p.m.

Healing The Mind And Soul With Art And Music, Jennifer K. Fortuna

The Open Journal of Occupational Therapy

Gracie Fisher, an artist and composer based in Santa Barbara, California, provided the cover art for the Fall 2020 edition of The Open Journal of Occupational Therapy (OJOT). “The Fruit of Spirit” is a 16” x 20” oil painting on canvas. When a rare neurologic condition left Gracie paralyzed from the neck down, art and music helped to heal her mind and soul. Upon returning home from the hospital, Gracie’s wish was to create an inclusive environment where children of all abilities could engage in art and music. She founded the Grace Fisher Foundation so others could experience the healing …

Music And Word Mus 422, Jim Kinnie

Library Impact Statements

No abstract provided.

Death Of A Local Scene? Music In Dublin In The Digital Age, Caroline O'Sullivan

Books/Book chapters

This chapter reflects on the Dublin indie and dance music scenes from 2000 to 2017 and examines the everyday reality of being a musician or DJ and the pathways to becoming a regular performer in Dublin over that same period. In the climate of declining gig attendance, closing venues and music piracy, I trace the digitally shaped economic reality for musicians in Dublin over the period 2000–2017. I extrapolate how musicians have made money to pay for the expense of sustaining a career as a musician, such as equipment and production costs, and I investigate how they earned money to …

Alexandra Kemble,Flute, Andrews University

Concerts and Event Programs 2020-2021

As a native of Slovakia, Dr. Kemble has always been inspired by the cultural and mesmerizing aspects of music, especially when it comes to chamber music. A versatile performer, Aleksandra holds flute-teaching positions at Andrew’s University (MI), Indiana’s University of South Bend (IN), Goshen College (IN), and St. Mary’s College (IN) and is the principal flutist of the Elkhart Symphony (IN). Aleksandra received her Master’s Degree from the Chopin Academy of Music in Warsaw, Poland, and her Doctor of Arts Degree in flute performance from Ball State University in Muncie, Indiana. Aleksandra is a member of the National Flute Association …

Lingyin Cao, Voice: Graduate Voice Recital, Lingyin Cao

Setnor School of Music - Performance Programs

No abstract provided.

Senior Recital: Gianna Politano, Saxophone; Lu Witzig, Piano; Andrea Mcafee, Soprano Saxophone; October 11, 2020, Gianna Politano, Lu Witzig, Andrea Mcafee

School of Music Programs

Center for the Performing Arts
October 11, 2020
Sunday
12:00 p.m.

Examination Of The Evolution Of Multi-Percussion, Thomas Alexander Robertson

Theses: Doctorates and Masters

The twentieth century belonged to percussion. In previous centuries, percussion performed a supporting function with its primary role being to accentuate chordal changes and reinforce the beat. By the late nineteenth and early twentieth centuries orchestras expanded in size and instrumentation with percussion taking on a more prominent role, particularly in the works of composers such as Debussy, Stravinsky, and Mahler. It was at this moment in time that percussion assumed a new and unique role to express changes in colour and timbre, alongside its rhythmic function. The percussion repertoire of the twentieth century reflected the Zeitgeist, and composers exploited …