Arts and Humanities Commons^™

The Glob, Spring 2021, Students Of Risd, Risd Archives

All Student Newspapers

The Glob was a one-off student newspaper created for the course Words, Images and Ideas, ILLUS 3412-01, taught by Ernest A. Bryant III. Students contributed 1-2 pages each of writing and images on topics such as COVID-19, fashion and style, risograph printing, and more.

Tennessee High School Band Directors' Knowledge, Perceptions, And Training Regarding The Teaching Of Students With Autism Spectrum Disorder (Asd): An Initial Inquiry, Cameron L. Phillips

Undergraduate Honors Theses

In hopes to add to the existing, yet limited literature surrounding music educators’ experiences with students with autism spectrum disorder (ASD), our study surveyed n=62 high school band directors currently serving in the state of Tennessee about their knowledge, perceptions, and training regarding the teaching of such students. By administering an originally designed, twelve-item survey, it was discovered that the majority of respondents had been underprepared in both their preservice and in-service training to effectively address the needs of students with ASD. Despite their lack of preparedness, an overwhelming amount of the surveyed band directors reported their students experiencing social, …

Marine Melodies: Traditional Scottish And Irish Mermaid And Selkie Songs As Performed By Top Female Vocalists In Contemporary Celtic Music, Olivia H. Phillips

Undergraduate Honors Theses

Mermaids and human-seal hybrids, called selkies, are a vibrant part of Celtic folklore, including ballad and song traditions. Though some of these songs have been studied in-depth, there is a lack of research comparing them to each other or to their contemporary renditions. This research compares traditional melodies and texts of the songs “The Mermaid,” “The Grey Selchie of Sule Skerry,” and “Hó i Hó i” to contemporary recordings by top female vocalists in Scottish and Irish music.

The texts and melodies I have identified as “source” material are those most thoroughly examined by early ballad and folklore scholars. The …

Pastoralism, Loss, And Nostalgia: Vaughan Williams's The Lark Ascending As An Elegy For Environmental Disruption, Kirsten Barker

Undergraduate Honors Capstone Projects

The idea that music embodies meaning is largely accepted and uncontroversial. However, the way in which this relationship is articulated is complicated and contributes to music’s ability to project different meanings, especially according to time and place. Such is the case with the British composer Ralph Vaughan Williams’s romance for violin and orchestra, The Lark Ascending (1920). This work contains both musical and extra musical traits that can be interpreted as pastoral and nostalgic. Understanding how these meanings interact through time provides the opportunity for reinterpretation of the work in the present through an environmentally-oriented framework. Previous research regarding The …

"Let Thy Conscience Act Her Part": Republican Motherhood In Civil War Popular Song, Gianna Patchett

Undergraduate Honors Capstone Projects

In the American Civil War, described by Christian McWhirter as a war fought to music, popular song played a significant role in the expression and processing of wartime emotions and ideologies. Civil War songs with lyrics written by women show feminine strength in tragedy, challenges due to societal expectations, and the day to day difficulties of wartime on the homefront. One concept that unites these themes is that of Republican Motherhood, an ideology developed in the Revolutionary War, but which continued to be prevalent throughout the 19^th Century. This paradigm places female experience in the context of duty, patriotism, …

Music Appreciation Course Design: Facilitating The Increased Participation Of Non-Music Majors In Collegiate Music Performance Ensembles, Rebecka Elizabeth Rose

Doctoral Dissertations and Projects

The cessation of music performance after high school graduation can be mitigated through recruitment type course design methods interwoven within collegiate Music Appreciation courses. When appropriately designed, Music Appreciation could serve as a catalyst for resuming musical participation in music ensembles. This study investigated how the college level Music Appreciation course may renew interest in performing music by non-music major students. Best teaching methodologies and Music Appreciation curriculum components to engage non-music majors are examined in addition to music ensemble recruitment techniques that can be integrated within Music Appreciation course design. This study is of qualitative design and utilizes the …

Dimitri Mitropoulos A Champion Of New Music, Ioannis Protopapas

UNLV Theses, Dissertations, Professional Papers, and Capstones

I am investigating the role of Dimitri Mitropoulos in promoting contemporary music primarily during his tenure as the principal conductor of New York Philharmonic. I plan to discuss the contemporary composers and works he found important, and why this music needed to be heard. This study will help to illuminate the new music of the 1940’s and 50’s, and the conductor’s role in cultivating audiences. Moreover, it will demonstrate the relationship between conducting and composition, and the role of this relationship in successful performance practice and interpretation. Additionally, I will provide a detailed list of Mitropoulos's premieres with New York …

School Of Music Faculty/Staff Newsletter, May 2021, School Of Music

School of Music Faculty/Staff Newsletter

Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.

Red Note Left Coast Chamber Ensemble, May 1, 2021, Illinois State University School Of Music

School of Music Programs

Online Video Premiere
May 1, 2021
7 PM Central Daylight Time

The Neuroanatomical, Neurochemical, And Phenomenological Correlates Of Social Bonding, Empathy, And Flow In Music Improvisation, Edward A. Roth

Dissertations

The three studies in this dissertation explore the biological and phenomenological under-pinnings of music improvisation related to bonding, empathy, and flow. Musical improvisation is a multi-dimensional behavior encompassing motor, cognitive, affective, and often social domains, and as such, it is reasonable to consider that music improvisation shares many characteristics with other forms of non-musical extemporaneous behavior, such as carrying on a verbal dialogue. The primary aims of this three-study dissertation were to (1) determine the feasibility of the study designs and interdisciplinary methods; (2) examine potential differences in the neuroanatomical and neurophysiological correlates of improvisation between non-musicians and musicians; and …

A Study On The Perception And Influence Of Whiteness In White Music Therapists, Maria Abramovich

Theses & Dissertations

Whiteness pervades all aspects of western culture. As a western therapeutic modality, music therapy practice as well as its research and pedagogy are entrenched in Whiteness. While music therapy researchers have explored Whiteness, few studies center and explicitly study Whiteness in music therapy. This inquiry captures Whiteness as it is perceived and experienced by White music therapists. Two board-certified music therapists were interviewed, and interpretative phenomenological analysis was utilized to analyze the transcribed interviews and written responses of the participants. A total of eight themes and 12 subthemes were identified in the data. The results demonstrated that Whiteness suffused the …

The Prevalence Of Hip Hop Music In Music Therapy Education & Practice, Dannyele C. Crawford

Theses & Dissertations

Despite the popularity and significance that hip hop music holds in our society today, there is a grave absence of hip hop music in music therapy academia and practice. This study explores the prevalence of hip hop music in music therapy education and practice. Two populations, current students and new clinicians, were surveyed for this study to ascertain the prevalence of hip hop music both in current music therapy practice and in the current music therapy education system. This study involved the collection of data surrounding the participants’ experience with hip hop music prior to their studies, in their music …

Deconstructing The Clinician: An Auto-Ethnographic Study, Nicole Moy, Natalia Alvarez-Figueroa

Theses & Dissertations

There is little research focused on uncovering bias in the music therapist. This study utilized autoethnography and was guided by a participatory action research (PAR) lens to explore a music therapist’s experience of and relation to internalized bias and interlocking systems of oppression, such as white supremacy, sexism and ableism. Autoethnography refers to a combination of autobiographical and ethnographic methods. PAR focuses on collective meaning making, redistributing harmful power dynamics, and societal change with a liberatory aim. While I (Nicole) was the primary participant and investigator in the research, Natalia was invited to the study as a co-investigator and participant. …

The Influences Of Language Barriers In Music Therapy, Kohei Mori

Theses & Dissertations

The purpose of this research was to illuminate non-native English-speaking music therapists’ trends and attitudes toward a language barrier. For the purpose of this research, the phrase “language barrier” is used as a reference for music therapists who conduct music therapy sessions in a language that is not their native language. Thirteen non-native English-speaking music therapists completed a 30-question web-based survey. The survey addressed the following topics: demographics, the experience of providing music therapy in a second language, the experience of receiving music therapy training in a second language, and therapeutic interventions with the clients. Descriptive statistics were collected. Three …

Puppets In Music Therapy: A Qualitative Study, Kaitlyn Lewis

Theses & Dissertations

This study explored the experience of music therapists when implementing puppets in their clinical work. The research questions guiding this inquiry were as follows: 1) What is the experience of the music therapist when using puppets in music therapy? 2) How does the use of puppetry in music therapy influence the clinical work of the music therapist? and 3) How does the use of puppetry in music therapy influence the therapeutic process of the client (as perceived by the music therapist?) Four music therapists participated in semi-structured interviews regarding their experience and insight in using puppets with their clients. After …

The Experience Of Music Therapists In Delivering Telehealth During The Covid-19 Pandemic, Nicole Gelfand

Theses & Dissertations

This study explored the experience of the music therapist in delivering music therapy via telehealth during the COVID-19 pandemic. In semi-structured interviews, three music therapists explored their transition from in-person to telehealth clinical services during the COVID-19 pandemic. Data was analyzed using interpretive phenomenological analysis (IPA) and organized into group themes and individual themes. Group themes included 1) role of therapist changing 2) technology considerations in the home office 3) career reflection and future practice. Individual themes included 1) adapting to change, 2) learning curve of telehealth and burnout, 3) work-life boundaries and authentic therapeutic presence. Participants experienced an expansion …

The Development Of Therapeutic Alliance In Long-Term And Short-Term Music Therapy Treatment, Brooke Morris

Theses & Dissertations

Therapeutic alliance is an important aspect of helping professions however, despite research into this phenomenon in closely related fields, it has yet to be explored in music therapy. While research in related fields has explored alliance development in therapy, it has yet to question whether or not treatment length has an impact on the development or strength of therapeutic alliance. This led to the following question: Does time matter in therapeutic alliance development in music therapy? Time is an important and undeniable aspect of music. Being that time exists in music, and music is a factor unique to music therapy, …

An Exploration Of Music Therapists' Experience Of Simultaneous Trauma During The Covid-19 Pandemic: A Phenomenological Inquiry, Nadia Mary Flutie

Theses & Dissertations

During the outbreak of the COVID-19 pandemic, many music therapists continued to provide services to those in need. Literature on the COVID-19 pandemic explores themes of loss, grief, lack of structure, and loss of normalcy. However, there is a need for further research in this area of study. Specifically, there is a need to investigate the phenomenon of simultaneous trauma, as both the therapists and their clients have experienced traumatic effects of this pandemic. This qualitative study explored two music therapists’ lived experience of simultaneous trauma during the COVID-19 outbreak through virtual semi-structured interviews focusing on several aspects of their …

Singing And Pronunciation: A Review Of The Literature, Kassidy Joyner

Graduate Theses and Dissertations

Observed differences exist in the pronunciation abilities of individual language learners, especially adult learners. Musical ability and experience are possible factors that have been attributed to language pronunciation abilities. Although there has been a large amount of research concerning the effects of general musical ability and training on language abilities, very few studies have investigated the musical sub-category of singing. Research on the use of songs in the language classroom has largely tested the effects of song on vocabulary acquisition, while very few studies have explored the effects of song on pronunciation. Given that singing and pronunciation both use similar …

Grey Areas: Songs Of Memory, Imagination, Intellect, And Death For Baritone Voice And Mixed Instrumental Octet, Scott Stephen Hansen

Electronic Theses and Dissertations

The central element of this thesis is Grey Areas, a newly-composed dramatic piece in four movements for baritone and chamber ensemble. The work is highly personal in both its subject matter and its musical execution; it also contains a unique movement order that changes depending on the age of the baritone. Along with the written portion of this document and full score, I completed a studio recording of the entire composition as part of the project. Composers (by necessity) are more frequently functioning as their own recording and mixing engineers for their own works. I have been able to …

Old Testament Principles For Worship: Worship Practices Applied To Modern-Day Worship In The Evangelical Church From The Life Of Abraham, Cameron Scott Gaddy

Doctoral Dissertations and Projects

Worship in the evangelical church faces challenges regarding its purpose, design, and method of expression. In order to cultivate an authentic community of worshippers, Christians must first strive to understand the biblical basis of worship. Worship is initiated by God and requires a response from man. Many studies have shown the importance of understanding the biblical foundations of worship; however, few studies have focused on understanding biblical worship through observing the historical development of God’s identity through the biblical character of Abraham. The purpose of this study is to identify key worship principles from the life of Abraham that may …

The Arranging Techniques Of Leon “Smooth” Edwards And Their Application To Calypso-Styled Classical Music Arrangements For Steel Orchestra, Michelle A. Rudder

Electronic Theses and Dissertations

The steelpan was invented in the 1930s in Trinidad and Tobago. It has evolved over the past eighty years. Although steelbands are now found across the globe and at all levels of music education, academic research regarding the music of the steelpan and its composers and arrangers is scarce. This paper examines six works for steelband by Leon “Smooth” Edwards, a prominent arranger of indigenous steelband music for the Panorama competition in Trinidad and Tobago. Music scores for four of the works have been notated for the first time. The paper documents Edwards’ variation development techniques, voicing, and orchestration. The …

Ethnic Irony In Melvin B. Tolson's "Dark Symphony", Elizabeth Newton

Publications and Research

This article historicizes musical symbolism in Melvin B. Tolson’s poem “Dark Symphony” (1941). In a time when Black writers and musicians alike were encouraged to aspire to European standards of greatness, Tolson’s Afro-modernist poem establishes an ambivalent critical stance toward the genre in its title. In pursuit of a richer understanding of the poet’s attitude, this article situates the poem within histories of Black music, racial uplift, and white supremacy, exploring the poem’s relation to other media from the Harlem Renaissance. It analyzes the changing language across the poem’s sections and, informed by Houston A. Baker Jr.’s study of “mastery …

Uni Jazz Band One And Uni Jazz Band Two, April 30, 2021 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Melodies Of Love: An Exploration Of Popular Love Songs And Love Styles According To The Ancient Greeks, Kevin Blackmon

Recital Papers

I conducted an investigation and application of how different types of affection, as expressed in Classical Greek philosophy, are conveyed in commercial music with love songs. I also analyzed how various love songs demonstrate these different meanings of affection. Through my discoveries, I applied the standards of these ideas to my music. I focused on the common characteristics that each love song shares. I divided each analysis of musical ideas and concepts that contain similarities into the six subsections of Jan LaRue’s SHRMGT framework: SHRMG(T) stands for sound, harmony, melody, rhythm, growth, and text. The focus for each song will …

A Graduate Recital In Conducting, Alex Chesney

Electronic Theses & Dissertations

This graduate thesis consists of a choral conducting recital and the accompanying program notes. The recital includes selections by Terry Schlenker, Marc’Antonio Ingegneri, Johann Michael Haydn, Ēriks Ešenvalds, David Dickau, Antonio Soler, Gustav Holst, Ethan McGrath, Antonín Dvořák, and Stephen Paulus. The program notes for each selection will include biographical information, musical analysis, and historical traditions, as well as other pertinent information.

A Practical Theoretical Analysis Of Vincent Persicheti’S Serenade No. 12 For Solo Tuba, Davis Erickson

Electronic Theses & Dissertations

A document analyzing American composer Vincent Persichetti’s 1961 work for solo tuba titled Serenade No. 12 for Solo Tuba. The document comprises eight chapters. One each for the six movements of the work, an introduction providing biographical information on the composer and context for the work within art music of the mid twentieth century, and a conclusion connecting the analyses of the six movements. Within each chapter on the six movements of the work there are theoretical analyses of the music as well as practical considerations for performers of the work to observe.

Graduate Violin Recital, Xiaotong Yang

Electronic Theses & Dissertations

My Master’s thesis consists of a graduate-level violin recital and a supporting document of program notes. The repertoire for the recital should includes the following works: Max Bruch, Violin Concerto No.1 in G Minor; Johann Sebastian Bach, Violin Partita in D minor; Astor Piazzolla, Tango Etudes No.3, and an extra section that is about Musician Injuries. The music pieces were composed over the past two centuries, these work display a variety of styles and musical forms. The content of thesis included background history, theoretical and interpretative analysis of musical detailed information.

Daley Lin Junior Violin Recital, Andrews University

Student Degree Recitals 2020-2021

Daley Lin performs a recital featuring works by J.S. Bach, Beethoven, and Li accompanied by Dr. Kenneth Logan, Piano

Maggie Wilcox Junior Violin Recital, Andrews University

Student Degree Recitals 2020-2021

Maggie Wilcox performs her junior recital in violin, a program titled: Still Waters, featuring works by Brahms, Bach, Paganini, and others.