Arts and Humanities Commons^™

La Ricarda, Mestres Quadreny I L'Experimentalisme Musical Català Dels Anys Seixanta: De Com L’Arquitectura Va Esdevenir Música I La Música, Arquitectura, Antoni Pizà

Publications and Research

Eren uns temps magnífics per a la creació: els concerts semblaven obres de teatre i les obres de teatre, concerts. Els músics feien d’actors i aquests havien de fer de músics. I la distinció entre el públic i els intèrprets també es diluïa, si és que no s’eliminava del tot. Els semiòlegs —o són semiòtics?— havien explicat que en tot acte comunicatiu hi havia un emissor, un missatge i un receptor; i precisament d’això es tractava, d’eliminar aquestes distincions. Ah, i en molts casos, tampoc no hi havia escenari, ni sala de concerts.

Holy Manna: How Old Harp Singing In East Tennessee Is Surviving In A New Wilderness, Amanda Leigh Rogers

Masters Theses

This project explores the identity and sustainability of the shaped note singing tradition among the community of the Friends of the New Harp of Columbia. A pattern emerged in fieldwork of song ownership, songs that each member considered to be “theirs.” Songs of ownership intertwine with education, preservation, and mediation of multiple realities to provide a link between identity and preservation and between the past, present, and future. The community actively preserves their musical tradition through song ownership. The sustainability and survival of songs of ownership is emphasized in two ways: an emphasis on participation, not performance, and an emphasis …

From Roadman To Royalties: Inter-Representational Value And The Hypercapitalist Impulses Of Grime, Orlando Woods

Research Collection School of Social Sciences

This paper explores how digital media can cause the representational value of rap artists to be transformed. Ubiquitous access to digital recording, production and distribution technologies grants rappers an unprecedented degree of representational autonomy, meaning they are able to integrate the street aesthetic into their lyrics and music videos, and thus create content that offers a more authentic representation of their (past) lives. Sidestepping the mainstream music industry, the digital enables these integrations and bolsters the hypercapitalist impulses of content creators. I illustrate these ideas through a case study of grime artist, Bugzy Malone, who uses his music to narrate …

Equipping College Students For A Marching Percussion Career In The United States, Thomas Paul Goddard

Doctoral Dissertations and Projects

Despite the traditional American percussion curriculum being valuable to the college percussionist, there is an unclear path toward preparing students for a career in the field of marching percussion. Every year, students graduate with a desire to pursue the marching arts as a vocation without sufficient guidance. This study examined the perspectives of marching band professionals (N=107) who have carved their path in the industry. Guided by Creswell’s research design model, this qualitative inquiry identifies viewpoints from marching percussionists that can create a comprehensive percussion curriculum. Outlooks on performing, teaching, composing/arranging, and the industry have emerged as themes integral to …

Campbell Organ Festival: Celebrating 50 Years, Utah State University, Richard L. Elliot, Bradley Hunter Welch, Brian Mathias, Craig Jessop, Cory Evans

All Music Department Programs

As we approach the 50th Anniversary of the installation of the magnificent Holtkamp Organ at Utah State University, we reflect upon the generosity and vision of the original donors of the organ, Dr & Mrs. Melvin and Editha Kent. They, together with Glen L. Taggart, President of Utah State University from 1968-1979, Dr. Max Dalby, Head of the Department of Music, and a host of others contributed their time and resources to the creation of the Holtkamp Organ at USU.

Dame Evelyn Glennie And Michael Dougherty, John J. Cali School Of Music

2021-2022

Join world renowned percussionist Dame Evelyn Glennie and acclaimed composer Michael Dougherty in a series of masterclasses, lectures, and rehearsals. The week will culminate in the world premiere performance of the wind band version of Michael Daugherty's Dreamachine by the MSU Wind Symphony with Dame Evelyn Glennie as soloist.

2021-2022 Master Of Music Recital - Xiaoxiao Wang (Piano), Xiaoxiao Wang

Master of Music Recitals

No abstract provided.

Woodwind Chamber Music Recital, February 28, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Sunday Music Series - Brian Lewis, Andrews University

Concerts and Event Programs 2021-2022

One of the most versatile and charismatic violinists today, Brian Lewis is an exceptionally dedicated and gifted performer whose passionate artistry has been heard and embraced around the world. Lewis has a passion for teaching aspiring young artists and helping them find their own musical voices.

“An Afternoon Of Songs And Stories: Kaley Pichon’S Senior Lecture Recital”, Kaley Pichon

Honors Capstones

No abstract provided.

Illinois State University Symphony Orchestra, February 27, 2022, Glenn Block, Maurizio Colasanti

School of Music Programs

Center for the Performing Arts Concert Hall

February 27, 2022

Sunday

3:00 p.m.

Evening Of Brass, February 27, 2022, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts

February 27, 2022

Sunday Evening

7:00 p.m.

Graduate Recital: Christopher Brandt, Percussion; February 26, 2022, Christopher Brandt

School of Music Programs

Kemp Recital Hall

February 26, 2022

Saturday Afternoon

2:00 p.m.

2021-2022 Master Of Music Recital - Luis Pulido (Trumpet), Luis Pulido, Marina Machado

Master of Music Recitals

No abstract provided.

2021-2022 Junior Recital - Benjamin Shaposhnikov (Trumpet), Benjamin Shaposhnikov, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

2021-2022 Performance Forum - February 25, 2022, Benjamin Kremer, Kayla Bryan, Gabriel Galley, Megan Savage, Fabiola Parra, Sheng Yuan Kuan, Jr Medina, Miguelangel Garcia Marquez

Performance Forum

No abstract provided.

Fred And Dinah Gretsch School Of Music Newsletter, Georgia Southern University

School of Music: News & Publications (2017-2023)

• Student News
• Faculty News
• Coming Events
• Support the Gretsch School of Music

2022 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies

IGGAD Conference Programs

Program of the 2022 IGGAD Conference: Who Owns This? Communities, Heritage, and Preservation.

Uni Wind Ensemble And Uni Concert Band, February 24, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2021-2022 Junior Recital - Francesca Puro, Francesca Puro, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

Guest Artist Recital Series: Ivana Francisci, Piano; February 24, 2022, Ivana Francisci

School of Music Programs

Center for the Performing Arts

February 24, 2022

Thursday Evening

8:00 p.m.

Dr. Ben Roidl-Ward, Bassoon, February 23, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Symphonic Band, February 23, 2022, T.J. Mack, John Gonzalez

School of Music Programs

Center for the Performing Arts

February 23, 2022

Wednesday Evening

8:00 p.m.

Ensembles Concert: Jazz I And Ii, February 22, 2022, Tom Marko

School of Music Programs

Center for the Performing Arts

February 22, 2022

Tuesday Evening

8:00 p.m.

Recital: Convocation, February 21, 2022, Illinois State University School Of Music

School of Music Programs

February 21, 2022
Tuesday Morning
11:00 a.m.

Hearing Faith: Music As Theology In The Spanish Empire, Carolina Sacristán Ramírez

Yale Journal of Music & Religion

A book review is presented for Andrew Cashner, Hearing Faith: Music as Theology in the Spanish Empire. Studies in the History of Christian Traditions 194. (Leiden: Brill, 2020).

Everyday Creativity: Singing Goddesses In The Himalayan Foothills, Nadia Chana

Yale Journal of Music & Religion

A book review is presented for Kirin Narayan, Everyday Creativity: Singing Goddesses in the Himalayan Foothills (Chicago: University of Chicago Press, 2016).

The Dance Of Ādi Śakti: The Goddess In The Songs Of Bharati And Nazrul, Achintya Prahlad

Yale Journal of Music & Religion

C Subramania Bharati (1882-1921) and Kazi Nazrul Islam (1899-1976) were significant poet-songwriters of the Indian freedom struggle. Their works explore a wide range of themes – political, philosophical, romantic and devotional. Both poets were educated in rāga music, which is prominent in many of their songs. Bharati wrote in Tamil, while Nazrul wrote in Bangla. It is highly unlikely that they read or were influenced by each other’s works. However, one finds several similarities in their poetry, especially the importance given to the goddess Ādi Śakti in her various forms, Kālī in particular. The goddess plays a major role in …

Bodies Of Silence, Floods Of Nectar: Ritual Music In Contemporary Brahmanical Tantric Temples Of Kerala, Paolo Pacciolla

Yale Journal of Music & Religion

The Tantric concept of sound (nāda) as universal life-force has seen worldwide diffusion over the last few decades but such a fame does not reflect academic interest in the impact of Tantra on music. Indeed, while a number of essays have been written to demonstrate the contribution of Tantrism to the evolution of Indian religions and culture, its contribution to music has been left largely unexplored.

The word Tantra refers to a pan-Asian religious phenomenon spread over numerous centuries and including a wide number of sects having different and even opposite philosophical and theological approaches which may be …

2021-2022 Guillermo Figueroa Violin Recital, Guillermo Figueroa

Faculty Recitals

No abstract provided.