Arts and Humanities Commons^™

Beyond The Stage: Rural Music Educators' Perceptions Of Educational Travel, Andrew Ford Rewerts

Doctoral Dissertations and Projects

Despite the recognized value of educational travel for student musicians, research on performance-based trips for middle and high school ensembles, particularly in rural communities, remains limited. This gap in the literature hinders understanding of how travel experiences can benefit students in these unique contexts, where financial constraints, geographic isolation, and smaller ensemble sizes can limit access to performance-based travel opportunities. Rural student musicians may consequently miss out on potential benefits, including enhanced motivation, ensemble cohesion, and social development. The purpose of this qualitative case study was to examine rural middle and high school music ensemble directors' perceptions of how performance-based …

Jesus Leads Worship: A Theological Investigation Of The Role Of Jesus Christ In Worship, Vernon M. Whaley

Doctoral Dissertations and Projects

There are many books, published articles and formal studies by well-known evangelical theologians and authors that make the case of how Jesus is sufficiently prepared to serve the role as our own personal high priest. But, few studies provide theological and practical evidence that Jesus is passionate in accepting His responsibility to lead us in worship. The purpose of the study is to demonstrate how Jesus Christ is central to our worship and, as Sovereign, He is superior to all of the Old Testament forms of worship. This research seeks to provide a theological, historical and philosophical study of Jesus …

“The Rubber Lung” - An Original Instrument Design, San Gonzalez

2026 Symposium

This project presents an experimental sensor-based instrument designed to produce unconventional sound textures for horror media. The device uses a flex sensor on a balloon that is then connected to an Arduino, which responds to bending and movement, sending data to a Max/MSP patch where the input controls sound processing such as filters and frequency. The physical motion of flexing the sensor on the balloon mimics the expansion and contraction of lungs, creating a breathing like interaction between performer and instrument. This design allows subtle gestures to alter the sound in real time. By using a bodily, breathing motion into …

Performing Methods Of Beethoven’S Violin Concerto In D Major, Op. 61, Third Movement: “Rondo: Allegro”, Zike Qi

Dissertations, 2020-current

This document examines the third movement “Rondo: Allegro” of Violin Concerto in D major, Op. 61 by Ludwig van Beethoven, focusing on how structural relationships in the score are transformed into auditory experience through performance methods. Rather than treating performance as a direct reproduction of the text, this research understands it as a process in which structure becomes perceptible in time.

Combining structural analysis, recording comparison, and self-recording practice, the study interprets the movement within a rondo–sonata framework (A–B–A–C–A–B–A). It demonstrates that the rondo theme assumes different functions—presentation, transition, and development—depending on its structural position.

Through comparison of recordings by …

Music 274 Syllabus (Theory Iv, Harmony, Counterpoint, Keyboard Skills), Gilad Rabinovitch

Open Educational Resources

This is a syllabus for Music 274 relying on open-access / zero-cost materials on Open Music Theory (Gotham et al.) and developed by the instructor. Modules developed by the instructor include Szymanowska-style and Joplin-style model composition projects and an analytical focus on chromatic harmony in Schubert.

Sing Lustily And With Good Courage: Reinventing Methodist Hymns In The Context Of The Indonesian Methodist Church, Budi Taniwan

Doctor of Pastoral Music Projects and Theses

The majority of Methodist churches continue to uphold the legacy of hymn singing, a practice highly esteemed by early Methodists. John and Charles Wesley employed hymns alongside sermons as a means of teaching Methodist theology, shaping Christian discipleship, and forming Methodist identity. However, in contemporary times, Indonesian Methodist churches recite fewer doctrinal hymns. Inadequate early translations, the absence of authentically Indonesian Methodist hymns, and the emergence of contemporary Christian music have contributed to this decline. Changes in liturgy, worship culture, and technology have also transformed the way congregations learn and sing their faith. This study explores the historical and theological …

Heuristic Inquiry As A Research Method In Music Education, Austina F. Lee

Visions of Research in Music Education

This article presents heuristic inquiry as a form of autoethnography and its potential as a methodological resource for music educators. Rather than reporting findings from a single study, the article illustrates how heuristic inquiry can serve as a structured yet flexible process of critical reflection that helps teachers navigate the cultural and political contexts of their work. Drawing on the author’s experiences as a high school choral director, the discussion highlights the six phases and seven processes of heuristic inquiry, showing how personal reflection, cultural awareness, and relational care can be interwoven into professional practice. By framing autoethnography as both …

Disrupting The Silence: A Case For Critical Race Theory In Music Education, Preston Wilson Jr.

Visions of Research in Music Education

In response to the inequities within music education, Critical Race Theory (CRT) offers an approach to analyzing how race and racism operate within music education and prompts educators to critically examine existing structures and practices. CRT is a comprehensive framework that offers fundamental insights, perspectives, methods, and pedagogical approaches. Its primary objective is to identify, analyze, and transform the structural and cultural factors that perpetuate the marginalization and subordination of People of Color. CRT’s origins can be traced back to the legal system, where it emerged as a means to challenge and dismantle the pervasive influence of race and racism …

Professionalizing Folklore In Latin America: Four Paradigms Of The Musician And The Coloniality Of Music Education, Matias Recharte

Visions of Research in Music Education

In this article, I discuss the professionalization of folklore and its entanglements with coloniality through an analysis of four paradigms of the musicians I encountered in conversations with students, administrators and instructors at the Escuela Nacional de Folklore Jose Maria Arguedas in Lima, Peru. I contrast two pairs of paradigms, the empírico with the académico and the chivero with the professional in order to show how the “professional folklore musician” is constructed through similarities and differences with these paradigms. For my analysis, I use a coloniality theory framework (Casto-Gomez, 2021; Quijan, 1980, 2000, 2007; Segato 2011, 2022) which considers social …

La Profesionalización Del Folklore En América Latina: Cuatro Paradigmas Del Músico Y La Colonialidad De La Educación Musical, Matias Recharte

Visions of Research in Music Education

En este artículo discuto la profesionalización del folklore y su imbricación con la colonialidad a través de un análisis de cuatro paradigmas del músico que emergieron en conversaciones con estudiantes, administradores e instructores de la Escuela Nacional Superior de Folklore José María Arguedas en Lima, Perú. Contrasto dos pares de paradigmas, el empírico con el académico y el “chivero” con el profesional para mostrar como el “músico profesional de folklore” es construido a través de similitudes y diferencias con estos paradigmas. Para el análisis utilizo un marco teórico decolonial (Casto-Gómez, 2021; Quijano, 1980, 2000, 2007; Segato 2011, 2015) que toma …

Consequences Of Teacher Violence Among Musicians, Karla María Reynoso Vargas, Basilio Fernández-Morante

Visions of Research in Music Education

This is a standalone work, but it is complementary to the study, “Teacher violence in university music education: An exploration in a Mexican context.” It presents the analysis of emerging information found in 53 stories of victims of teacher violence in university music programs. We incorporated reflections and contributions from students, professionals, and dropouts of music careers in the Mexican Republic, who voluntarily shared their stories. The first category describes the consequences of teacher violence. On one hand, there were effects interpreted as positive, including the activation of achievement orientation, overexertion, and self-demand. It is pointed out that these consequences …

Consecuencias De La Violencia Docente: Recuentos Desde El Campo De La Formación Musical Universitaria En México, Karla M. Reynoso Vargas, Basilio Fernández-Morante

Visions of Research in Music Education

Este es un trabajo independiente, pero complementario al estudio «La violencia docente en la educación musical universitaria: una exploración en el contexto mexicano». Presenta el análisis de la información que se desprende de 53 relatos de víctimas de violencia docente en programas universitarios de música. Incorporamos reflexiones y aportaciones de estudiantes, profesionales y personas que abandonaron sus carreras de música en la República Mexicana, quienes compartieron voluntariamente sus historias. La primera categoría describe las consecuencias de la violencia docente. Por un lado, se observaron efectos interpretados como positivos, entre ellos la activación de la orientación al logro, el sobreesfuerzo y …

Teacher Violence In University Music Education: An Exploration In The Mexican Context, Karla María Reynoso Vargas, Basilio Fernández-Morante

Visions of Research in Music Education

This article presents the results of an exploratory phenomenological study aimed at identifying expressions of teacher violence in university music training environments in the Mexican context. We analyzed 53 accounts from students, professionals, and dropouts of music degree programs who studied at universities or conservatories across nine Mexican states and voluntarily shared their testimonies through the Mexican Association of Music Psychology (AMEPSIM). We address sociological assumptions about the dynamics of violence, the socio-educational weight of the conservatory tradition and its potential link to the limited application of contemporary pedagogical principles, as well as the normalization of teacher violence. Various forms …

Violencia Docente En La Educación Musical Universitaria: Una Exploración En Contexto Mexicano, Karla M. Reynoso Vargas, Basilio Fernández-Morante

Visions of Research in Music Education

Este artículo presenta los resultados de una investigación fenomenológica exploratoria cuyo objetivo fue identificar expresiones de violencia docente en entornos de formación musical universitaria en el contexto mexicano. Se analizan 53 relatos de estudiantes, profesionales y desertores de carreras musicales que cursaron estudios en universidades o conservatorios de nueve estados de la República Mexicana, quienes compartieron voluntariamente sus testimonios a través de la Asociación Mexicana de Psicología de la Música (AMEPSIM). El estudio aborda supuestos sociológicos sobre las dinámicas de la violencia, el peso socioeducativo de la tradición del conservatorio y su posible vínculo con la limitada aplicación de principios …

A Sociological Framework For Spatial Analyses Of Institutional Musicking In Conflict Spaces, Carol Frierson-Campbell

Visions of Research in Music Education

This essay presents a framework that brings spatial sociology together with Small’s (1998, 1999) concept of musicking and Born’s (2011, 2012, 2015) Planes of Music Sociality. It was developed as an analytical scheme for an ongoing case study of musicking via the Edward Said National Conservatory of Music (ESNCM), the national music conservatory of Palestine. Small’s notion of musicking reminds music educators that musicking activities communicate meanings beyond the obvious: Individual and collective ideals about relationships with sound, with other people, and with the spaces they inhabit. Born’s conception of musical socialities as four interacting planes goes beyond Small’s ideas …

Editorial: Colaboraciones A Través De Las Culturas/Collaborations Across Cultures, Cara Faith Bernard, Jennifer Lang

Visions of Research in Music Education

No abstract provided.

New U Showcase Program, 1974, University Of North Alabama

Documents

New U Showcase Musical, 1974 program.

Rockin’ Rover On The Rainbow Road, Michael Kolta, Lawrence Burgee, Ying Yuan

Transformations

This paper presents a progressive series of age-appropriate lesson plans for grades K-12 that all use the same interdisciplinary activity to educate students about Science, Technology, Engineering, Art, and Mathematics (STEAM) simultaneously. Technology from Texas Instruments (TI) was employed including a TI Nspire graphing calculator that can run Python programs, a TI Innovator Hub, and a TI Rover. The TI Rover is a small, robotic car that has sensors and is controlled by the calculator via the Hub hardware interface. A Python program was developed that uses the color sensor in the Rover to detect the color on colored paper …

We Are All In This Together Now: Exploring Community Based Partnerships Focusing On Hip-Hop Based Education, William C. Hunter, Tarol Page Clements, Gregory Washington

Journal of the Arts and Special Education

This article explores a community-based collaborative partnership between three Hip-Hop educational nonprofits, Upward Light Community Cyphers, Project STAND (Social-Emotional, Transition, Academic and Network Developing), and the Center for the Advancement of Youth Development (CAYD), all focused on mental health support for youth, and a public-school program that has serves students with and without exceptionalities. The goal shared by all organizations involved is enhanced educational access and engagement for students with and without exceptionalities. Rooted in the core elements of Hip-Hop — emceeing, DJing/music production, breakdancing, and graffiti art, the collaborative partnership has offered culturally sustaining, arts-integrated instruction that supports both …

Egyptian Suite: Compositional Reflections, Jeremy Fisher Jacobus

Master's Theses

Egyptian Suite is an original composition for concert wind ensemble that takes example and inspiration from what others believe was Ancient Egyptian music, with some of today’s examples of Egyptian music. This work is divided into four movements: The Nile, The Pharaoh’s Festival, The Pyramids, The Grand Coronation, with each movement representing personal interpretation of each idea with the instrumentation, and the changes in texture, color and rhythm. With each movement of the Egyptian suite, I evaluated instruments being used as additional colors and textures, used more non-conventional key signatures modulations and time signature changes, and utilized a diverse and …

Measuring Administrative Hiring Confidence Of Music Teachers In The Context Of Shallow Hiring Pools, Aaron M. Strum

Dissertations

The purpose of this study was to identify and measure the confidence of K-12 administrators in hiring music faculty. This study also aimed to analyze administrators’ perspectives and confidence in key stages of the hiring process, including defining job expectations, posting, advertising, interviewing, and selecting highly specialized music teachers in K-12 settings. Confidence of K-12 administrators can be gauged through their understanding of how well an applicant aligns with the specific needs of the school’s program. Three research questions guided this investigation: (1a) How confident are K-12 administrators in their understanding of music teaching pedagogy when interviewing music teacher candidates …

A Trombone Studio Teacher's Guide To Non-Injury-Related Embouchure Changes, Austin A. Handley

Dissertations

This dissertation is a pedagogical guide for trombone studio teachers who will lead students through embouchure changes. These changes and adjustments are normal in brass pedagogy, but there is limited literature that addresses how teachers should identify the need for change, initiate the process, and support students through it. There are a growing number of resources available about embouchure injury and dysfunction, rehabilitation, and long-term prevention. This leaves a gap for teachers who are trying to help students using an inefficient embouchure setup.

The purpose of this study is to provide a practical resource for teachers by examining the experiences …

Integrating Music Therapy Into Post-Surgical Care: A Quality Improvement Strategy For Reducing Post-Operative Anxiety, Yosdania Hernandez Benitez

Doctor of Nursing Practice Final Project Abstract

Integrating Music Therapy into Post-Surgical Care: A Quality Improvement Strategy for Reducing Post-Operative Anxiety

Purpose

This quality improvement (QI) project aimed to reduce postoperative anxiety among adult patients after general surgery in the post-anesthesia care unit (PACU) by 30% using nurse-led music therapy in an ambulatory surgical center.

Results

Mean VAS-A scores decreased from 6.9 (SD = 0.5) pre-intervention to 4.0 (SD = 0.5) post-intervention, representing a 2.9-point (41.9%) reduction in anxiety and exceeding the project's target of 30%. Nurse adherence to the intervention protocol was 100%, and the mean patient satisfaction score was 4.6/5.0. All 100 patients completed both …

The Urysohn Lemma: Munkres Variation, Irida Altman

Journal of Humanistic Mathematics

There is a tradition of Mathematics contributing to the understanding of Music. This article sets out to contribute in the other direction. It uses musical sensibilities to feel its way through a piece of mathematics called the Urysohn Lemma, suggesting the presence of rhythmic, melodic, and harmonic elements within standard proving practices of contemporary Western mathematics. This article employs a literary-philosophical technique of viewing a text in one discipline (mathematics) through the conceptual lens of another (music). As such, this article reports on no experiments—reading the article is the experiment. Each reader performs it for themselves.

An Exploration Of Mathematical And Musical Connections, Jeffrey Pair, Egypt Pannell, Dani Rodriguez, Jerico Sarmiento

Journal of Humanistic Mathematics

In this paper, we present an introduction to some of the mathematical principles underlying music and mathematically develop a connection between the twelve musical notes and the group of integers modulo twelve. Our discussion touches on the simple mathematical ratios used to calculate consonant musical tones on the length of a string, the frequencies of tones and the method by which the twelfth root of two provides the foundation of equal temperament tuning, some algebraic connections to musical concepts like the euphonious circle of fifths, and a curious connection to twin primes.

From Osbcurity To The Stage: A Stylistic And Pedagogical Exploration Of The Four Concert Etudes By Mikhail Bukinik, Luis Bernardo Castro

LSU Doctoral Dissertations

This research examines Mikhail Bukinik’s 4 Konzertetüden (concert etudes) for solo cello through both a stylistic performance and pedagogical approach. Despite Bukinik’s historical presence as a cellist and composer, these specific works have fallen into obscurity and remain largely absent from the standard pedagogical and performance canon. The research has two primary objectives. The first is to reintroduce these works to the modern repertoire, focusing on dissemination and performance practice. This involves a stylistic analysis of the four etudes, culminating in a recorded live performance during the lecture recital and the creation of a professional studio recording to serve as …

The Student Performer's Guide To Creating A Consortium, Jaycee Swan

LSU Doctoral Dissertations

Among advanced musicians who advocate for increasing diversity in classically oriented repertoire, music commissioning is a common practice. Funding a composer to write original music, however, seems out of reach for student musicians or those without the financial means and know-how. A more affordable and therefore accessible alternative to the stand-alone commission is the consortium-based commission for new music. In this lecture portion of a “lecture-recital with written document,” I (a) document my experience in spearheading a new music consortium and, from that experience, (b) present a guide for facilitating a new music consortium.

The project was the impetus for …

A Contextual And Sonic Analysis Of John Coltrane’S First Meditations, Matt Lind

Music ETDs

This thesis presents a contextual and sonic analysis of John Coltrane’s album First Meditations recorded in 1965. I use methods based on Dora Hanninen’s A Theory of Music Analysis to examine sonic and contextual aspects of Coltrane’s playing, including varying timbres, rhythmic tendencies, and contextual relationships in musical material. I consider pitch material from the perspective of “outside” playing, rather than traditional harmonic analysis. Considering areas of pitch, rhythm, and timbre allows the visualization of these features across each track in the album in five musical “plots.”

Analisis Makna Denotatif, Konotatif, Dan Struktur Harmoni Pada Lagu Rabiya Karya Duane Fatri Rasfaesia, Rohid Atana, Tutut Pristianti

Journal of Language, Literature, and Arts

This study aims to analyze the denotative and connotative meanings, as well as the harmonic structure, in the song Rabiya by Duane Fatri Rasfaesia. A descriptive qualitative approach was employed using Roland Barthes' semiotic theory to examine the meanings embedded in the lyrics and harmony theory to analyze the song's musical structure. The research data consisted of the song lyrics and harmonic composition. Data were collected through literature review, interviews, and documentation. Interviews were conducted with the songwriter, a Sumbawa community leader, and listeners to strengthen the interpretation of the findings. Data trustworthiness was established through source and technique triangulation, …

Songwriting Learning Experiences In Music Education: A Bifurcated Study, Thomas Amoriello Jr.

Doctoral Dissertations and Projects

Historically, the field of music education has been grounded in the band, chorus, and orchestra model, with an abundance of professional development opportunities for educators. Despite the eventual expansion to introduce alternatives, including the Orff approach, guitar ensembles, mariachi, and the ukulele; further exploration of songwriting learning experiences is warranted due to a lack of professional development opportunities for music educators. Traditionally, songwriting is learned or taught piecemeal; thus, the need for music educators to possess additional skills is paramount. This qualitative narrative study will examine the perspectives of music educators who participate in interviews about teaching songwriting or their …