Arts and Humanities Commons^™

2022-2023 Baroque In Boca: From The Studio Of Lisa Leonard With Special Guest Artists, Lisa Leonard, Marina Machado, Silvia Valdivia Villasante, Sergei Skobin, Lauren Washburn, Benjamin Shaposhnikov, Benjamin Kremer, Niloufar Mirzanabi Khani, Sungkyun Lee, Kari Jenks, Frederic Renaud, Rosa Zoraida Ortega Iannelli, Dina Bikzhanova, Jonathan Dills, Dylan Fafard

Studio Recitals

No abstract provided.

Joanne Kong Lecture-Recital. Johann Sebastian Bach: The Well-Tempered Clavier, Book I, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Ensemble Concerts: Fall Collage Concert, September 18, 2022, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts Concert Hall
Sunday Afternoon
September 18, 2022
3:00 p.m.

Uni Bass Jamboree Recital, September 17, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Uni Opera Presents Glitter Or Gold? September 17-18 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Heroes And Saints, Anne Laver, Guest Organist, September 16, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Sang Koh, Violin, Sean Botkin, Piano, September 16, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Fred And Dinah Gretsch School Of Music Newsletter, Georgia Southern University

School of Music: News & Publications (2017-2023)

• Faculty News
• Coming Events
• Support the Gretsch School of Music

2022-2023 Performance Forum - September 16, 2022, Sungkyun Lee, Kari Jenks, Frederic Renaud, Marina Machado

Performance Forum

No abstract provided.

Stiletto Brass Quintet, September 15, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Guest Artist Recital Series: The Gibbs Street Duo: Hilary Glen, Cello; Sun Min Kim, Piano; September 15, 2022, Hilary Glen, Sun Min Kim

School of Music Programs

Kemp Recital Hall
September 15, 2022
Thursday Evening
8:00 p.m.

2022-2023 Master Class - Webb Wiggins (Harpsichord), Webb Wiggins, Dina Bikzhanova, Jonathan Dills, Sergei Skobin, Sungkyun Lee, Rosa Ortega, Frederic Renaud, Silvia Valdivia Villasante, Marina Machado

Master Classes

No abstract provided.

Stephanie Ycaza, Tuba & Euphonium, September 13, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Shorter Stories: The Music Of Wayne Shorter, October 12, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Changing Stem To Steam: An Analyzation On The Effects Of Art Integration Up To The University Level, Elizabeth Richmond

Honors Projects

This Honors Project is a combination of an artistic, creative project and a research driven analysis. The focus of this project is to research and understand the effects the arts have on both general students and STEM students in particular, what benefits come from art education and art integration, and if STEM students benefit from art integration. This goal was accomplished through a literature review and annotated bibliography featuring 18 sources. Another goal of the project was to understand where I fit into the research. In my creative portion of the project, I explored and analyzed how the arts affected …

Hearing Tolkien In Vaughan Williams?, Keri Hui

Journal of Tolkien Research

In recent years, musicians and Tolkien readers alike have associated Ralph Vaughan Williams’ music, particularly Fantasia on a Theme by Thomas Tallis (1910), The Lark Ascending (1914), and Fantasia on Greensleeves (1934), with Tolkien’s fantasies. This article explores this tendency to hear Tolkien’s Middle-earth in Vaughan Williams’ musical fantasies, calling attention to the similarities in their shared devotion to the idea of English consciousness, interest in combining ecclesiastical and folk materials, and pastoral vision. A juxtaposition of their approach and philosophies not only helps explain the musical echoes, however, but also confirms an appealing mark of Tolkien’s craft is its …

58th Annual Holiday Wassail Concert, Chapman Orchestra, Chapman University Choir, Chapman University Singers, Chapman University Treble Choir, Chapman Percussion Ensemble, David York

Printed Performance Programs (PDF Format)

No abstract provided.

Eliciting Music Performance Anxiety Of Vocal And Piano Students Through The Use Of Virtual Reality, Keith Brian Pace

Doctoral Dissertations and Projects

Despite the growth of virtual reality technologies, there is a lack of understanding of implementing these technologies within the collegiate classroom. This case study provides a mixed-method insight into a virtual reality (VR) asset deployed in a music performance environment. The study examined the effectiveness of a virtual reality environment as measured by the physiological response and user feedback. Ten voice and four piano college students participated in the study. Each participant performed musical works within an authentic practice room and the virtual concert hall via a Virtual Reality (VR) headset. Data was collected across four criteria. Participants’ heart rates …

David Esleck Trio, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Anthony Williams, Trombone, With Sean Botkin, Piano, September 8, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Silvia, John, Collection, 1910-1925, Special Collections, Leonard H. Axe Library

Finding Aids

A collection of concertina and oboe sheet music along with the Chemnitzer concertina belonging to John Silvia.

John Silvia was born in Radley, Kansas to Italian immigrants, in 1892. He grew up in a coal mining town and became a miner at the age of 15. In his spare time, Silvia enjoyed baseball and playing the clarinet. In 1913, he married Ann Stockinger, and soon began working as a mechanic in Radley. In 1916, Silvia went to Kansas City to study auto-mechanics, while Ann stayed in Radley with their daughter, Marie Kay. Walter McCray, a music professor and for whom …

Randy Grawbowski, Trumpet, With Sean Botkin, Piano, September 6, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2022-2023 Lynn University Wind Ensemble: Tasty Suites "Movement 3", Kenneth Amis, Lynn University Wind Ensemble

Wind Ensemble

Program

• An Original Suite / Gordon Jacob
• Suite of Old American Dances / Robert Bennett Russell
• Suite Française (d'apres Claude Gervaise) / Francis Poulenc
• Suite for Wind Orchestra / Oliver Waespi

2022-2023 Performance Forum - September 2, 2022, Juan Diaz Quijano, Luis Pulido, Jeffrey Chapman, Kenton Campbell, Mark Severeniuk

Performance Forum

No abstract provided.

Musical Legacy Projects (Fa 1387), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1387. Audio interviews conducted by WKU oral history students in spring 2022 for the South Central Kentucky Music Project, centering on musicians in Bowling Green and surrounding counties.

Experiencing Sonic Change: Acoustic Properties As Form- And Meter-Bearing Elements In Popular Music Vocals, Kristi D. Hardman

Dissertations, Theses, and Capstone Projects

This dissertation analyzes sound qualities in popular music vocals and examines the relationship between sound qualities and other musical structures, including beat, meter, and form. I use the term sound qualities to refer to those aspects of a sound that help us distinguish one sound from another. In this dissertation, I focus specifically on loudness, noisiness, brightness, and vowel quality. Listeners often attend to the vocals while singing along to their favorite popular song. Additionally, the voice is extremely malleable, which means that sound qualities regularly fluctuate in the vocals. This makes popular music vocals a good case study for …

“The People Are Tired, And Just Want To Have Fun”: Mahraganat Music And The Struggle For Sonic Presence In Post-2013 Egypt, Mohammed Elfeky

Dissertations, Theses, and Capstone Projects

Building upon Asef Bayat’s notion of the “unintelligibility” of Egypt’s subaltern politics, this thesis investigates how mahraganat music is rendered “unintelligible/nonsense” by influential Egyptian cultural figures and is targeted for censorship. Mahraganat is a musical artform that arose from the lower-working classes neighborhoods in Egypt to become a dominant genre in the country. In 2020, the Egyptian Musicians Syndicate, headed by Hany Shakir, banned mahraganat artists from performing officially in Egypt. Before and after the ban, state media debated the genre's status; its detractors framed the music as nonsensical, “absurd”, “meaningless”, “vulgar”, and a “low-brow” dilution of Egyptian cultural production …

The Music Of Sylvano Bussotti And Its Interpretation: Biopolitics, Intersubjectivity, And Modernist Canon Formation, Charles A. Rudig

Dissertations, Theses, and Capstone Projects

The music of Italian composer Sylvano Bussotti (1931–2021) presents intentional challenges to interpretation and canonization. These particular challenges and Bussotti’s reasoning for implementing them are interrogated in this dissertation by reading the score to Bussotti’s La Passion selon Sade (1966) through contemporaneous European social theory, philosophy, and political developments. La Passion selon Sade is a theatre piece for a chamber ensemble, with a primary vocal and dramatic role written for mezzo-soprano Catherine Berberian, with whom Bussotti frequently collaborated. Like much of Bussotti’s music from the 1950s and 1960s, the discourse surrounding the piece and its reception largely relates to its …

Audiovisual Afterlives: The Soundtrack Of Liberal Nostalgia, Max W. Kaplan

Dissertations, Theses, and Capstone Projects

Following the 2016 American Presidential election, celebrity endorsements proved to be a more narrow gauge of public opinion than ever. The symbolic alignment with popular musicians, which had long abetted the Democratic Party’s standing with youth and particular identity groups, seemed only to reaffirm the party’s establishment status, drawing disavowal in a wave of anti-establishment sentiment on both the left and right. ‘Retromania,’ a term first coined by Simon Reynolds in 2010, can be tracked conceptually from the nostalgic inclinations of twenty-first century popular culture to the ideological sphere, where nostalgic, essentialized constructions of community, identity, and progress have coalesced …

"Cerulean Skies" By Maria Schneider: A Formal And Semiotic Analysis, Jonathan Heim

Dissertations, Theses, and Capstone Projects

Expressivity, imagery, and narrativity have long been touted as hallmarks of big band composer Maria Schneider’s style. This perception is widely accepted by critics and casual commentators, but are these attributions merely metaphorical or do they speak to observable dimensions of Schneider’s compositional style? This dissertation aims to address the narrative and expressive dimensions of Schneider’s music by combining aspects of formal analysis with concepts from music semiotics. The centerpiece is an analysis of “Cerulean Skies” (2006), the longest work to date in Schneider’s oeuvre with a duration of approximately twenty-two minutes. “Cerulean Skies” is distinct in its expansiveness and …