Arts and Humanities Commons^™

Chamber Music Recital Featuring The Odu Dance Program, Leslie Frittelli (Faculty Coach), Anastasia Migliozzi (Faculty Coach), Russell Stanger String Quintet, Monarch Quartet, Diehn Quartet, Odu Cello Choir, Belén Vivero, Odu Dance Program

Ensemble Performances

No abstract provided.

An Analysis Of Allan Holdsworth’S Techniques And Their Application To Fundamental Melodic Devices, James Dasilva

Recital Papers

This thesis analyzes Allan Holdsworth's improvisational style for the purpose of applying his techniques, such as string skipping and omnidirectional fretboard movement, beyond the jazz-rock idiom and expanding the melodic potential of the guitar.

An Evening Of Chamber Music, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Student Recital Series, December 6th, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

The Double Silence: Reflections On Music And Musicians, Antoni Pizà

Publications and Research

A translation of EL DOBLE SILENCI, published in Catalan in 2003. The book is a compilation of essays originally published in Diario de Mallorca (2000-2003).

Etcètera Ii: Notes Sobre Música, Art I Literatura (2020-2022), Antoni Pizà

Publications and Research

A compilation of essays on music, the arts, and literature previously published in Bellver, the arts section of Diario de Mallorca (2020-2022). This is the second part of ETCETERA.

Uni Clarinet Studio Recital, December 6, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Departmental Assembly-Music History Recital, Andrews University

Department Assembly Recitals 2015-2016

Music History Recital presented by students enrolled in MUHL 447 Music Literature and Style: Baroque and Classical.

Rudolph Süss’S Lyrische Suite No. 2, Op. 24, Matanya Ophee

Soundboard Scholar

This article reproduces the Lyrische Suite no. 2, op. 24, by the Austrian composer Rudolph Süss, with a short introductory commentary. First published in Vienna around 1921, this suite is a fine example of the enthusiasm for the guitar in early twentieth-century Austria and Germany, which resulted in much music that has been overlooked, overshadowed as it was by the emerging Spanish repertoire.

Lynn Chamber Music Competition 2022, Sebastian Orellana, Benjamin Kremer, Carlos Avendano, Niloufar Mirzanabi Khani, Sungkyun Lee, Kari Jenks, Nataniel Farrar, Fabiola Hoyo, Clair Ives, Gioia Gedicks, Victoria Bramble, Daniel Guevara, Megan Savage, Eliza Willett, Miriam Smith, Rosa Ortega, Frederic Renaud, Marina Machado, Chauncey Patterson

Lynn Chamber Music Competition

Competition Coordinator

• Chauncey Patterson

Juries

• Julian Schwartz, cello (Soloist and Chamber Musician, Faculty of Shenandoah Conservatory)
• William Wolfram, piano (Soloist and Chamber Musician, Faculty of Manhattan School of Music)
• Domingo Pagliuca, trombone (Latin Grammy Award-Winning Trombonist of the Boston Brass)

Schedule

• Preliminary round - December 5, 2022 at 4:00 p.m.
• Final round - December 6, 2022 at 7:30 p.m. (Open to public)

Winners

First Place (Prize: Performance at Lyric Chamber Music Society of New York)

• Kourdisma Quartet (Gioia Gedicks, violin; Victoria Bramble, violin; Daniel Guevara, viola; Megan Savage, cello)

Second Place (Prize: Performance at St. Paul's Episcopal Church in Delray …

F. Ludwig Diehn Concert Series: Seraph Brass, Seraph Brass, Mary Elizabeth Bowden, Raquel Samayoa, Rachel Velvikis, Hillary Simms, Cristina Cutts Dougherty

Guest Performances

No abstract provided.

"Sounds Of The Season" A-State Choirs Diamond Brass Band, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

The Planets, Reimagined: Translating Science Into Music, Kaitlyn Wincup

Honors Projects

Inspired by Gustav Holst’s The Planets, this project analyzed the qualitative properties of the planets in our Solar System and translated them into a composition, created by Connor Gibbs, to represent an overall aural depiction of each planet. Where Holst created an astrological depiction of each of the planets, this piece is an astronomical depiction that broadens the perspectives of its listeners.

Investigating Mindfulness And Practice Strategies In The K-12 Music Curriculum, Emily Foltz

Honors Projects

The purpose of this project was to uncover how music educators teach students to practice effectively and to discover effective mindfulness tools and strategies that could be used to enhance music practice. My aim was to uncover methods of mindful practice and integrate them into a model for effective music practice that teachers can incorporate into their instruction. The research questions that guided this project include: 1) How are music educators teaching students to practice effectively? 2) How does mindfulness affect music practice? 3) What are effective strategies for teaching mindful instrumental music practice in the K-12 classroom? Is there …

Teaching And Learning Music Technologically, Esteban Molina Cordovez

Doctoral Dissertations and Projects

Since the beginning of the Covid-19 pandemic, multimedia technology has transformed all educational paradigms. In this mixed-methods study, the researcher shows the effects of inspiring instructional technologies on assimilating musical knowledge and developing performance concepts. Thus, assisted- technology learning is the foundation of inspiration to induce music performance and theory, hardening self-esteem as the core subject of this study. The researcher measures time and skills gathered over two years by a group of high school music students, assessing them with two variables: first, traditional conservatory instruction, and second, the MusicLab method. In addition, the researcher quantifies how technological tools intervene …

J.N. Bobrowicz’S Grand Polonaise, Op. 24, Matanya Ophee

Soundboard Scholar

This article presents an edited version of a Grand Polonaise by the Polish guitarist-composer Jan Nepomucen Bobrowicz (1805–81), preceded by a short commentary and notes for performance. The commentary includes a translation of the biographical entry for Bobrowicz in Sowiński’s Les musiciens polonais et slaves (Paris, 1857).

Student Pianists In Recital

Printed Performance Programs (PDF Format)

No abstract provided.

Eric Watson Senior Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Timothy Haney, Senior Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Chapman Guitar Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Carlos Pedrell’S Al Atardecer En Los Jardines De Arlaja, Matanya Ophee

Soundboard Scholar

This article reproduces Al atardecer en los jardines de Arlaja by the Uruguayan composer Carlos Pedrell, preceded by a commentary. Together with Pedrell's other guitar works, this piece enriches our picture of Latin American guitar repertoire in the early twentieth century. In the case of Pedrell, we have a work written by a composer who studied in Paris and who wrote for three of the major guitarists of his time—Segovia, Pujol, and Llobet.

Ensemble Concerts: Wind Symphony, December 4, 2022, Anthony C. Marinello Iii, John Gonzalez

School of Music Programs

Center for the Performing Arts
December 4, 2022
Sunday Afternoon
3:00 p.m.

Sound Chapel, Anthony Elia

Bridwell Library Research

The idea of "Sound Chapel" liturgies, in the manner of matins or vespers, is that a chapel space is darkened with only the light of a single or several candles available. The organ shall play sustaining notes in various, slow, elongated and sustained ways, at the discretion of the organist. The piece shall create a meditative space with the music being of "piano" (p/pp/ppp) or quieter levels. Various "liturgies" are suggested by the composer below, but may be altered and done ad lib by the performer(s) as the tone or mood of the early morning or early evening "sound chapel" …

Cereal Variations, Anthony Elia

Bridwell Library Research

The “Cereal Variations” are short works of experimental notation using different types of cereal or other grains (rice, wheat, bran, and “Honey O’s”), in order to expand the notions of the score. Each piece is very short (10 or fewer measures) and written in C—but this should not restrict performers from transposing or trying pieces in other keys. No tempo or instrumentation is given either, so that performers may use whatever instruments they want. It is encouraged that musicians use anything from percussion to strings and even attempt slow versions of multiple voice choruses. Performers may also want to try …

University Singers And University Chorale - Winter Concert, John J. Cali School Of Music

2022-2023

The University Singers proudly present Highlights from Messiah in preperation for their return to the New Jersey Symphony Orchestr performances under the baton of Maestra Xian Zhang. Join the choir, brass, and percussion for the "Hallelujah Chorus" - Alumni singers welcome on stage.

The University Chorale will perform Psalms for the Symphonic Choir featuring "Richte mich, Gott" (Mendelssohn), "Like as the hart deireth the waterbrooks" (Howells), Chichester Psalms (Bernstein), and "Jubilate Deo" from Tres Cantus Laudendi (Wiberg). Guest artists Vincent Carr (organ), Merynda Adams (harp), Taylor Goodson (timpani), plus student brass and percussion. Bernstein soli TBA.

Chapman University Instrumental Chamber Music: Strings

Printed Performance Programs (PDF Format)

No abstract provided.

Chapman University Instrumental Chamber Music: Woodwinds & Brass

Printed Performance Programs (PDF Format)

No abstract provided.

Piano Collaborative Arts Recital

Printed Performance Programs (PDF Format)

No abstract provided.

Winter Recital 3, From The Studios Of Emily Clouser, Christine Compton, And Heather Gillis, December 4, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Senior Recital Program Research, Kasey Pennington

Honors Capstones

I performed a vocal recital as part of my final requirements towards my Music Education degree and developed an additional program including research on the works I performed. The program consisted of biographies for composers Haydn, Schumann, Fauré, Obradors, and Beach, additional context on specific songs, and translations of songs not sung in English. I created this program in order to provide more detailed information for audience members who were interested in further enrichment or had particular curiosity for any performed works. This recital was a culmination of my efforts in the vocal department of the School of Music throughout …