Arts and Humanities Commons^™

Winter Band Concert, Andrews University

Concerts and Event Programs 2022-2023

"Winter Concert"

Andrews University Wind Symphony Band under the direction of Byron Graves in collaboration with Southwestern Michigan College Brass Band under the direction of Mark Hollandsworth.

University Opera With University Symphony Orchestra - Gianni Schicchi And Buoso's Ghost, John J. Cali School Of Music

2022-2023

Gianni Schicchi & Buoso's Ghost Set in medieval Florence, the established Donati family are grieving around the deathbed of their patriarch, Buoso Donati. But when they find out he’s left their inheritance to the church - mourning turns to rage. They rope in a lower class fix-it guy, Gianni Schicchi, to change the will, in exchange for his daughter Lauretta marrying their young Rinuccio. Schicchi finds the perfect solution, executes the plan, and gets the Donati exactly what they deserve.

In the sequel to Puccini’s masterpiece, Michael Ching’s Buoso’s Ghost, Schicchi discovers a dark Donati secret. When they come back …

Créativité Assistée Par Ordinateur : Composer La Musique D'Un Film En Utilisant Uniquement Sa Courbe De Luminosité Extraite Automatiquement, Felipe Ariani, Marcelo Caetano, Javier Elipe Gimeno, Ivan Magrin-Chagnolleau

Presidential Fellows Articles and Research

Dès sa conception, l'ordinateur a trouvé des applications pour accompagner la créativité des humains. De nos jours, le débat sur les ordinateurs et la créativité implique plusieurs défis, tels que comprendre la créativité humaine, modéliser le processus créatif, et programmer l'ordinateur pour qu'il présente un comportement qui semble être créatif dans une certaine mesure. Dans cet article, nous nous intéressons à la manière dont l'ordinateur peut être utilisé comme un outil favorisant la créativité dans une composition musicale. Nous avons extrait automatiquement la courbe de luminosité d'un film muet et l'avons ensuite utilisée pour composer une pièce musicale pour accompagner …

Student Recital: Frank Veliz, Baritone, Frank Veliz, Bobbie Kesler-Corleto

Student Recitals

No abstract provided.

2022-2023 Performance Forum - January 27, 2023, Caroline Drantal, Luis Pulido, Juan Diaz Quijano, Jeffrey Chapman, Kenton Campbell, Mark Severeniuk

Performance Forum

No abstract provided.

Matthew Worth, Baritone [And] Alexander Katsman, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Exploring Jam Sessions In New York, Ricardo Pinheiro

The IASJ Journal of Applied Jazz Research

This paper addresses the relationship between jazz jam sessions in Manhattan, and the concepts of Scene, Ritual and Race. These issues emerged during research that, from an ethnomusicological perspective, focused on the role of jam sessions in Manhattan as a privileged context for the following:

i) learning performative styles of jazz,

ii) developing the creative process,

iii) constructing professional networks,

iv) establishing of the status of musicians.

Studying and analysing the jam sessions at five jazz performance venues in New York, I demonstrate the vital importance of participating in jam sessions by examining their relationship with this performative occasion (Pinheiro …

Restructuring Hierarchy Within And Between Jazz And Classical Orchestras, Emiliano Sampaio

The IASJ Journal of Applied Jazz Research

From 2017 to 2021, Emiliano Sampaio dedicated his time and energy to the development of a jazz symphonic orchestra artistic research project. To put this complex and intricate journey in words, he wrote this article, which guides the reader through the development of the four-year work. It describes, discusses and reflects on some paths I experienced through the research, and how they contributed and transformed my views on the subject and on his music. The backbone of this article will be the discussion of the practical process conducted with different large ensembles, where hypotheses and ideas were put into practice.

Concerto-Aria Competition Finals, January 25, 2023, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts
January 25, 2023
Wednesday Evening
7:00 p.m.

Music: Numbers In Motion, Graziano Gentili, Luisa Simonutti, Daniele C. Struppa

Mathematics, Physics, and Computer Science Faculty Articles and Research

Music develops and appears as we allow numbers to acquire a dynamical aspect and create, through their growth, the various keys that permit the richness of the musical texture. This idea was simply adumbrated in Plato’s work, but its importance to his philosophical worldview cannot be underestimated. In this paper we begin by discussing what is probably the first written record of an attempt to create a good temperament and then follow the Pythagoreans approach, whose problems forced musicians, over the next several centuries up to the Renaissance and early modern times, to come up with many different variations.

2022-2023 Master Class - Ida Kavafian (Violin), Ida Kavafian, Benjamin Kremer, Sheng Yuan Kuan, Sebastian Orellana, Ava Figliuzzi

Master Classes

No abstract provided.

Fred And Dinah Gretsch School Of Music Newsletter, Georgia Southern University

School of Music: News & Publications (2017-2023)

• Headlines: Student News
• Faculty News
• Coming Events
• Support the Gretsch School of Music

Thirty Years On: Reflections On Haydn’S “Farewell” Symphony By James Webster, L. Poundie Burstein, Elaine Sisman, W. Dean Sutcliffe, James Webster

HAYDN: Online Journal of the Haydn Society of North America

It has been just over thirty years since James Webster published his influential monograph Haydn’s “Farewell” Symphony and the Idea of Classical Style: Through-Composition and Cyclic Integration in His Instrumental Music (Cambridge University Press, 1991). To honor the anniversary of Webster’s groundbreaking book, the Encounters with Eighteenth-Century Music: A Virtual Forum steering committee asked L. Poundie Burstein, Elaine Sisman, and W. Dean Sutcliffe to offer perspectives on the book, and James Webster to respond to their perspectives. The interesting online session occurred on Tuesday, October 18, 2022, and included a lively open discussion following the presentations and Webster’s response. The …

"Then And Now" Brian Graiser Faculty Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

2022-2023 Master Class - Peter Wiley (Cello & Chamber Music), Peter Wiley, Niloufar Mirzanabi Khani, Sheng Yuan Kuan, Frederic Renaud, Ava Figliuzzi, Jon Cruz, Caroline Drantal, Gioia Gedicks, Victoria Bramble, Daniel Guevara, Megan Savage

Master Classes

No abstract provided.

2022-2023 Master Class - Gregory Kalinovsky (Violin), Gregory Kalinovsky, Miriam Smith, Marina Machado, Benjamin Kremer, Ruvit Bracho

Master Classes

No abstract provided.

Band Concerto Competition Finals, January 22, 2023, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts
January 22, 2023
Sunday Afternoon
3:00 p.m.

2022-2023 Fourth Annual Alumni Recital: The Kalinovsky-Lokhina Duo, Gregory Kalinovsky, Tania Lokhina, Marina Machado, Sergei Skobin, Jr Medina, Silvia Valdivia Villasante

Alumni Concerts

The program includes the Seminar in Collaborative Arts Demonstration.

Junior Recital: Aneesah-Jemei Phillips, Voice; Grace Eom, Piano; January 21, 2023, Aneesah-Jemei Phillips, Grace Eom

School of Music Programs

Kemp Recital Hall
January 21, 2023
Saturday Evening
7:00 p.m.

The Research Cataloque, Casper Schipper

The IASJ Journal of Applied Jazz Research

The Research Catalogue is an online, open-access research platform, developed for documenting artistic research outcomes. Provided by the Society for Artistic Research, it offers more than just the traditional formats such as PDFs. The RC offers researchers in the arts to expose artistic practice as research, by creating online presentations that can include video, audio and other media and building an “exposition” out of these elements. A growing number of academies, conservatories, and universities in Europe require their master students to publish their artistic research in the Research Catalogue.

The Friends Of Boatwright Memorial Library Present Virginia Opera: Local Voices, Parsons Music Library

Music Department Concert Programs

Guest performance by affiliates of the Virginia Opera

2022-2023 Piano Passion From The Studio Of Roberta Rust, Roberta Rust, Weizhen Lai, Jr Medina, Caroline Drantal, Shuqi Yang, Jasmin Abdunazarova, Ryan Aguilar, Elisabeth Thomashoff, Aneliya Novikova, Yance Zheng

Studio Recitals

No abstract provided.

Five Tips For (Re)Entering The Professional World After The Pandemic, Wojtek Justyna

The IASJ Journal of Applied Jazz Research

Building and sustaining a career, as a performing jazz artist, has always been a path filled with challenges and roadblocks of many sorts. The current climate has definitely made the hill we have to climb steeper. Nevertheless, understanding the oppositions at hand, adequately preparing for them, combined with careful planning and structured execution will lead to the ability to comfortably navigate this new reality.

Elissa Kana Faculty Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

2022-2023 Master Class - Andrés Cárdenes (Violin), Andres Cardenes, Eliza Willett, Marina Machado, Esther Platt, Sheng Yuan Kuan, Francesca Puro

Master Classes

No abstract provided.

Applied Groove Research, Toni Bechtold, Rafael Jerjen, Olivier Senn

The IASJ Journal of Applied Jazz Research

This paper is the first step to bridge this gap by asking whether groove research can help us teach groove to students, and, if so, how it can best be taught. Simultaneously, the paper serves as an introduction to groove research for those unfamiliar with this academic discourse.

Teaching Jazz History Out Of Order, Josiah Boornazian

The IASJ Journal of Applied Jazz Research

Abstract: Jazz history unfolded chronologically, but chronology does not necessarily imply teleology or causality. In other words, the fact that certain jazz styles came after others does not unquestionably mean that jazz history followed a fixed course dictated by the perceived inevitability of artistic “progress.” Although it is important for jazz history students to have a foundational understanding of jazz history in a chronological fashion, presenting history on a straightforward, simplistic timeline defined by distinct style periods is not the only way to teach the music of the past. There may be significant merit in reorganizing the way jazz history …

Master And Apprentice: Lessons From Six Jazz Masters, Richie Beirach

The IASJ Journal of Applied Jazz Research

Jazz pianist and composer Richie Beirach, now a jazz master himself, learned important lessons from the masters he worked with. The lessons learned are of great value for anyone who wants to play jazz professionally.

Improvisation, Consciousness And Cosmos: An Integral View Of Jazz Research, Ed Sarath

The IASJ Journal of Applied Jazz Research

Ed Sarath on improvisation, consciousness and cosmos, as well on integral theory.

Introduction To The Iasj Journal Of Applied Jazz Research, Wouter Turkenburg, Kurt Ellenberger

The IASJ Journal of Applied Jazz Research

Jazz research started as a duplicate of classical music research. As became clear during the Ongoing Dialogues during the annual IASJ Jazz Meetings that started in 1990, jazz research needs a dimension and a dynamic of its own. This has become 'applied jazz research', the kind of research that is directly linked to jazz performance and jazz education. The IASJ Journal of Applied Jazz research offers the platform.