Arts and Humanities Commons^™

In The Realm Of Dreams: The Feminine Imagination In Music, Katie Scarlett Ellender

LSU Doctoral Dissertations

This project examines selected works by Clara Schumann, Rebecca Clarke, and Lili Boulanger that contain representations of night, dream, and mythology. These composers were influenced by the prevailing artistic movements during their lives, including German Romanticism, Impressionism, and Symbolism, which emphasized nocturnal landscapes, supernatural beings, and liminal states. Descriptive analysis and performance recommendations are provided for selected Lieder by Clara Schumann, Rebecca Clarke’s Morpheus, and Lili Boulanger’s Nocturne. Particular emphasis is given to how each composer uses night, dream, and myth imagery as expressive frameworks that inform decisions on harmonic language, level of cadential resolution, motivic repetition and transformation, texture, …

2025-2026 Junior Recital - Nia Morgan (Viola), Nia Morgan, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

Contributors To Issue 8

Music & Musical Performance: An International Journal

No abstract provided.

Max Bruch: Die Lorelei, Ralph P. Locke

Music & Musical Performance: An International Journal

No abstract provided.

The Way Of The Moderns: Six Perspectives On Modernism In Music, Edited By Antoni Pizà, Rob Haskins

Music & Musical Performance: An International Journal

No abstract provided.

Hating Jazz, By Andrew S. Berish, Gabriel Solis

Music & Musical Performance: An International Journal

No abstract provided.

Leonard Bernstein In Context, Edited By Elizabeth A. Wells, James Leve

Music & Musical Performance: An International Journal

No abstract provided.

The Sound Of Difference: Race, Class And The Politics Of “Diversity” In Classical Music, By Kristina Kolbe, Kailan R. Rubinoff

Music & Musical Performance: An International Journal

No abstract provided.

Nadia Boulanger: War Years In America And Her Last Decades, By James Whipple Miller, Kimberly Francis

Music & Musical Performance: An International Journal

No abstract provided.

The Paradox Of Musical Vernaculars, By Marina Ritzarev, Jacob Gran

Music & Musical Performance: An International Journal

No abstract provided.

Afterword: On Reinstating An Arts Agenda In Our Schools, Leonard Slatkin

Music & Musical Performance: An International Journal

No abstract provided.

Chapter 4. A Shared Dream, Robert S. Freeman

Music & Musical Performance: An International Journal

No abstract provided.

Chapter 3. The Remarkable Career Of Leonard Slatkin, Robert S. Freeman

Music & Musical Performance: An International Journal

No abstract provided.

Interlude. A Colloquy On The Future Of Music, Music Education, And The American Orchestra, Robert S. Freeman

Music & Musical Performance: An International Journal

No abstract provided.

Chapter 2. Music Education And How To Save The American Orchestra, Robert S. Freeman

Music & Musical Performance: An International Journal

No abstract provided.

Chapter 1. A Brief History Of The American Symphony Orchestra And Its Future, Robert S. Freeman

Music & Musical Performance: An International Journal

No abstract provided.

Foreword, Mark Adams

Music & Musical Performance: An International Journal

No abstract provided.

Front Matter

Music & Musical Performance: An International Journal

The late Robert S. Freeman (1935–2022) was a pianist, conductor, and musicologist, but most of all a major administrator in the field of higher education in music: the director of the University of Rochester’s Eastman School of Music (for twenty-four years), president of the New England Conservatory, and, finally, dean of the College of Fine Arts at the University of Texas (Austin). The present book was intended by Freeman to draw together a number of arguments and suggestions—his own and those of notable American figures in American musical life—that aim at reviving the American symphony orchestra.

Freeman’s four chapters trace …

Contributors To Issue 7

Music & Musical Performance: An International Journal

No abstract provided.

Voyage D’Hiver: Franz Schubert/Wilhelm Müller, Winterreise, Op. 89, D. 911. B Records Lbm057, 2024 [Review]., Jennifer Ronyak

Music & Musical Performance: An International Journal

No abstract provided.

William Vincent Wallace: Composer, Virtuoso And Traveller, By Andrew Lamb. West Byfleet, Uk: Fullers Wood Press, 2012 [Review]., Philip C. Carli

Music & Musical Performance: An International Journal

No abstract provided.

Sounds Of Other Shores: The Musical Poetics Of Identity On Kenya's Swahili Coast, By Andrew J. Eisenberg. Middletown, Ct: Wesleyan University Press, 2024 [Review]., Charles Lwanga

Music & Musical Performance: An International Journal

No abstract provided.

Aesthetics Of Pop Music, By Diedrich Diederichsen. Hoboken: Polity Press, 2023 [Review]., Michael Mario Albrecht

Music & Musical Performance: An International Journal

No abstract provided.

Musical History As Seen Through Contemporary Eyes: Essays In Honor Of H. Robert Cohen, Edited By Benjamin Knysak And Zdravko Blažeković. Vienna: Hollitzer Verlag, 2021 [Review]., Diana R. Hallman

Music & Musical Performance: An International Journal

No abstract provided.

The Lied At The Crossroads Of Performance And Musicology, Edited By Benjamin Binder And Jennifer Ronyak. Cambridge: Cambridge University Press, 2024 [Review]., James Parsons

Music & Musical Performance: An International Journal

No abstract provided.

Berlioz And His World, Edited By Francesca Brittan And Sarah Hibberd. Chicago: University Of Chicago Press, 2024 [Review]., Peter Bloom

Music & Musical Performance: An International Journal

No abstract provided.

On Music Theory And Making Music More Welcoming For Everyone, By Philip Ewell. Ann Arbor: University Of Michigan Press, 2023 [Review]., George Adams

Music & Musical Performance: An International Journal

No abstract provided.

Coda: On My Six Experiments In Conjoining (And Contrasting) Two Composers, James Porter

Music & Musical Performance: An International Journal

The author has previously published six essays, each based on a novel technique: pairing one piece each from two different composers, in an attempt at teasing out important implications of these (mostly little-known) works. These implications would have been harder to glean if one focused instead, as is normally done, on a small number of oft-performed canonical works by a few great masters.

The present “Coda” offers reflections on the implications of those six essays for a continuing exploration of important themes in the history of Western art music, including romanticism, modernism, “progress,” tonality, text-music relations, and nationalism (including the …

In Black And White, Or Gray? Two World War I Settings Of Walt Whitman’S Poem “Reconciliation”: By Helen Hopekirk (1915), And By Ivor Gurney (1919), James Porter

Music & Musical Performance: An International Journal

Musical settings of Walt Whitman’s poems have proliferated ever since the turn of the twentieth century. Many of these settings were by British composers reacting to the effects of World War I in Europe: the two settings of Whitman’s short poem “Reconciliation” (1865–66) discussed here are those by the Scottish-American composer and concert pianist Helen Hopekirk (1856–1945) and the English composer and poet Ivor Gurney (1890–1937). Both settings reflect the immediate emotions aroused by the poem in the different situations in which the two composers found themselves: the immigrant Hopekirk teaching at the New England Conservatory but concerned about enlisted …

Remembering John Rothgeb (1940–2020), Jürgen Thym

Music & Musical Performance: An International Journal

No abstract provided.