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Volume 21, Number 06 (June 1903), Winton J. Baltzell

The Etude Magazine: 1883-1957

Making of an Artist: A Second Talk with Mark Hambourg

Harmony as Memory Saver

Music Study in Berlin

Octave Technic

Teaching Children

Musical Festival and Its Influence

Use of the Metronome

Some Obstacles in the Way

* Vocal Concert (May 20, 1903), Lindenwood College

Student Music Performance Programs

St. Charles Banner News article about the Vocal Concert (May 20, 1903).

Volume 21, Number 05 (May 1903), Winton J. Baltzell

The Etude Magazine: 1883-1957

Music Study in Berlin

About Entering the Musical Profession

Making of an Independent Teacher

Does Practice Make Perfect?

Intellectual and Emotional Phases of Piano Playing

True Genius and Work Founded on an Incident in the Life of Beethoven

Composition as a Factor in Musical Education

Extracting the Roots of Rag-Time

Volume 21, Number 04 (April 1903), Winton J. Baltzell

The Etude Magazine: 1883-1957

Ludwig van Beethoven (Biographical Sketch)

Man Beethoven

Influence of Beethoven on Form

Intellectual and Romantic in Beethoven

Beethoven the Prophet

Beethoven: The Development of an Ideal

Beethoven the Teacher

Sonatas of Beethoven

How Beethoven Worked

True Genius and Work Founded on an Incident in the Life of Beethoven

Analysis of Mozart's Sonata in C Major

Volume 21, Number 03 (March 1903), Winton J. Baltzell

The Etude Magazine: 1883-1957

Centers for Music Study in Southern Germany: Frankfort and Wiesbaden

Pay the Price

Average Pupil and His Training

Left-Hand Parts in Easy Pieces

Common Sense in Piano Playing

Success Reached Through Failure

Quite En Familie

Attitude of the Teacher Toward the Parents

Hand Culture

Nail Finger Joint

Two Classes of Concert-Goers

Hop, Skip, and Jump in Teaching

Modern Technic and Modern Education

Power of Repose in Piano Playing

Siftings from a Music Studio

Tone in Pianoforte Playing

Common Error in Expression

Repertoire Building

Analysis of Mozart's Sonata in C Major

Volume 21, Number 02 (February 1903), Winton J. Baltzell

The Etude Magazine: 1883-1957

Two English Composers of To-Day: Frederic H. Cowen and Edwin Elgar

Orchestration at the Pianoforte

Wagner on the Piano

Intellectual and Emotional Phases of Piano-study

On Weariness of Teaching

Musical Opportunities in Small Cities

Training for Elementary Teaching

Types of Young Women Musicians

Physical Welfare of the Teacher

Volume 21, Number 01 (January 1903), Winton J. Baltzell

The Etude Magazine: 1883-1957

Paris as a Music Center for Music Study

Ground Principles of Musical Interpretation

What, How, Where to Teach

American Music-Teaching

Keeping in the Forefront of Progress

First Flights of a Singer: A Story of a Prominent American Singer

Private Teacher versus the Conservatory

Any Rags / Music By Thos. S. Allen; Words By Thos. S. Allen, Thos. S. Allen, George M. Krey Co. (Boston)

Sheet Music, 1900-1909

Cover: drawing of African American calling out the title, while carrying a full sack over his shoulder; Publisher: George M. Krey Co. (Boston)

Peaceful Henry / Music By Harry Kelly, Harry Kelly, Whitney Warner Pub. Co. (Detroit)

Sheet Music, 1900-1909

Cover: description reads a slow drag; Publisher: Whitney Warner Pub. Co. (Detroit)

The Burning Of Rome / Words By E. T. Paull, E. T. Paull, E. T. Paull Music (New York)

Sheet Music, 1900-1909

Cover: drawing of the city of Rome burning; description reads: march-twostep; Publisher: E.T. Paull Music (New York)

Lincoln, Grant And Lee; Or The War Is Over Many Years, Paul Dresser, Howley, Haviland & Co.

ALLM: Civil War Sheet Music Collection

80.7568.658 – “Lincoln, Grant and Lee; or the War is Over Many Years”: Paul Dresser: Howley, Haviland & Dresser: 1903: Vocal Solo.

You Can’T Fool All The People All The Time, Shepard N. Edmonds, Jos. W. Stern & Co.

ALLM: Civil War Sheet Music Collection

80.7568.1427 – “You Can’t Fool All the People All the Time”: Shepard N. Edmonds: Jos. W. Stern & Co: 1903: Voice.

My Task, E L. Ashford, Maude Louise Ray, S. H. Pickup, Lorenz Publishing Co.

Popular Sheet Music of the 1900s-Archive

Front cover: No cover art

First line of song: To love some one more dearly every day

First line of chorus: This is my task

Includes sheet music samples from the song "Another Splendid Sacred Song. I'm A Pilgrim."

First and Second Stanzas by Maude Louise Ray.

Third Stanza by Rev S.H. Pickup.

Solo for High Voice in F (F to F)

1 score, (6p.), 31x23 cm

Published by Lorenz Publishing Co, Ohio

Mother O' Mine!, Rudyard Kipling, Frank E. Tours, Chappelle & Co

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of bold black and white text

First line of song: If I were hang'd on the highest hill

First line of chorus: Mother o'Mine

Adagio

Includes sheet music samples from the songs "Crooning Water", "The Reason", "Little Brown Bird", and "Wanderer's Song"

Words by Rudyard Kipling

Music by Frank E. Tours

Dedicated to My Mother

Includes the words to Rudyard Kipling's poem: Mother o'Mine

Played in Bb

1 score, (8p), 30x23 cm

Published by Chappell & Co, New York

Dear Old Girl, Richard Henry Buck, Theodore Morse, Theodore Morse Music Co.

Popular Sheet Music of the 1900s-Archive

Front cover: No cover art

First line of song: 'Twas a sunny day in June, when the birds were all in tune, and the songs they sang all seemed to be of you

First line of chorus: Dear old girl, the robin sings above you

Includes sheet music samples from the songs "That's Why The Violets Live" and "If This Rose You All It Knows"

Andante moderato

Chorus: Espressivo

Words by Richard Henry Buck

Music by Theodore Morse

1 score, (6p.) 33x26 cm

Published by Theodore Morse Music Co., New York

Volume 20, Number 12 (December 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Best Living Composers

Perennial Romanticism

Music as it Exists in the United States: A General Survey

Choral Societies as a Factor in Musical Progress

What the Pedagogues Have Done for Modern Music

Influence of the Modern Orchestra

Musical Journalism as a Factor in Modern Music

What Some Persons Expect of a Pupil

Popular Instrumental Music

Popular Ballad and its Influence

Cradle Song

Modern Theory Teaching

Old Fogy is Pessimistic

Commercialism a Stumbling-Block

First Flights of a Singer: A Story Founded upon the Career of a Prominent American Singer

Volume 20, Number 11 (November 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Making of an Artist: Ossip Gabrilowitsch

Study of Successful Musicians

Use of the Thumb in Pianoforte Playing

Personal Experience the Best Teacher

Collection of Tuition Fees

Making Progress

How Schubert Composed

Piano-Player's Position

Volume 20, Number 10 (October 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Making of an Artist: A Talk with Mark Hambourg

Ear-Training and Use of the Damper Pedal

Essential Conditions Making for Beauty of Tone in Piano-Playing

For the Young Composer

Keep a Dictionary Handy

Pupil's Rights

Technic vs. Interpretation in Piano Playing

Musician as Missionary

How to Keep Pupils

Beautiful Tone

Repertory Building as a Stimulus to Music Study

Fourth Finger in Arpeggios

Volume 20, Number 09 (September 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Sir Alexander Campbell Mackenzie and the Royal Academy of Music, London

Opportunity and Ambition

Value and Meaning of Creative Work

Mistakes of Musicians as Seen by an Outsider

Essential Characteristics of Teaching Pieces for the Lower Grades

Volume 20, Number 08 (August 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Foreign Musical Atmosphere: London

Composers' Pecularities

Are Teachers Teaching?

Time for Practice

Playing in Public

Reflections for Teachers and Students

Never Give Up the Fight

Volume 20, Number 07 (July 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Edward Macdowell on the Relations of Music and Poetry

Inter-Relation of Touch and Tone Effect

Aphorisms by Theodore Gouvy

Borodine's Account of Liszt's Playing

Feeling of Rhythm

Pedagogic Gleanings Selectec by Heinrich Germer

Education of the Listener

Octave Playing and Its Technicr

Analysis of Grieg's Berceuse, Op.28, No. 1

Volume 20, Number 06 (June 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Unsatisfactory Pupil and His Lack of Innate Rhythm

Treatment of the Thumb

Use of Finger Exercises

Saint-Saëns on Melody and Harmony

What Constitutes a Musical Communitys

How Bach Played

Was Old Fogy a Liszt Pupil?

Preparation for the Day's Work

Some of the Easier Chopin Nocturnes

Paderewski on Scale-Playing

Students' Annual Concert (May 29, 1902), Lindenwood College

Student Music Performance Programs

Event program for the Students' Annual Concert (May 29, 1902).

Volume 20, Number 05 (May 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Liszt as a Musical Influence

Liszt, the Musical Liberal

Liszt as Pianist and Composer

Liszt as a Teacher

Transcriptions for the Piano by Liszt

Robert Schumann on Liszt's Playing

Necessity for Business Adaptability

Lesson on Bach

Victor Hugo Celebration

What to Learn in the Biography of a Composer

Volume 20, Number 04 (April 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Three English Women Composers

Young Man in Music

Criticism of J.S. Bach by a Contemporary

Graduate Recitals: The What and the How

Habit of Counting Correctly

On Instruction in First and Second Grades

Training of Music Teachers

Economy for the Advanced Student and the Teacher

Value of Writing Down One's Impressions

Initial Difficulties in the Student's Work

Intellectual Requirements of the Music-Student

Curving the Fingers

Volume 20, Number 03 (March 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Harold Bauer on the Study of the Piano

Artistic Freedom

Musical Appreciation

Comparative Composition

Development of Rhythm

Musical Pioneers

Discipline of the Thumb

Prime Necessity in Music Education

Relation of the Teacher Toward the Pupil

Sight Reading

Volume 20, Number 02 (February 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Edouard Zeldenrust on the Training of an Artist

Music Education: Its Problems and Needs

Guiding Thoughts for 1902 (symposium)

Teacher's Preparation of the Pupil's Lesson

The Term Sonata

Choice of Technic for a Composition

Value of Nuance

Women and Originality

Character in Practice

Because, Guy D' Hardelot, Edward Teschemacher

Historic Sheet Music Collection

Because you come to me with naught save love And hold my hand, and life mine eyes above, A wider world of hope and joy I see, Because you come to me. Because you speak to me in accents sweet, I find the roses waking round my feet. And I am led through tears and joy to thee, Because you speak to me. Because God made thee mine I'll cherish thee, Through light and darkness, through all time to be, And pray His love may make our love divine, Because God made thee mine. Lorsque j'entends ton pas, comme en …

Because, Guy D' Hardelot, Edward Teschemacher

Historic Sheet Music Collection

Because you come to me with naught save love

And hold my hand, and life mine eyes above,

A wider world of hope and joy I see,

Because you come to me.

Because you speak to me in accents sweet,

I find the roses waking round my feet.

And I am led through tears and joy to thee,

Because you speak to me.

Because God made thee mine I'll cherish thee,

Through light and darkness, through all time to be,

And pray His love may make our love divine,

Because God made thee mine.

Lorsque j'entends ton pas, comme en …

Volume 20, Number 01 (January 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Joseph Hofmann on Piano Technic and Piano Practice

Guiding Thoughts for 1902 from Leading Musicians

In Mozartland with Old Fogy

Problems of Music Education

Ideal Music School

Place of Routine in Music Work

Woman Music Teacher in a Large City

Two Choices

Ideals