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Greeting To The Yellow And Blue / Words By John Emil Wimmerstedt, John Emil Wimmerstedt, John E. Wimmerstedt (Brooklyn)

Sheet Music, 1900-1909

Cover: drawing of the Swedish and American flags;; Publisher: John E. Wimmerstedt (Brooklyn)

Kerry Mills Barn Dance / Words By Kerry Mills, Kerry Mills, Frank H. Warden, F. A. Mills (New York)

Sheet Music, 1900-1909

Cover: drawing of Caucasian couples dancing in a barn; Publisher: F. A. Mills (New York)

There's Nothing In The World Like Love / Music By Edward Madden; Words By Henriette Blanke-Belcher, Edward Madden, Henriette Blanke-Belcher, Jerome H. Remick And Co. (New York)

Sheet Music, 1900-1909

Cover: a man standing at the reception desk a woman is the receptionist ; photo inset of Henriette Blanke-Belcher; Publisher: Jerome H. Remick and Co. (New York)

Lesson Book: Harmony, Protheroe Daniel

Siegel-Myers Correspondence School of Music

A Music Lesson Book for the correspondence courses offered through the Siegel-Myers Correspondence School of Music.
Lessons and Examinations: Harmony, number 51 through 75

Woodland Echoes / Words By Addison P. Wyman, Addison P. Wyman, Mckinley Music Co. (Chicago)

Sheet Music, 1900-1909

Cover: a drawing of a river flowing in the wood; Publisher: McKinley Music Co. (Chicago)

School Of Music Prospectus, Belmont College For Young Women

Miscellaneous

Prospectus for the 1908-1909 school year describing the classes, offerings, and campus environment at Belmont College for Young Women's School of Music. The booklet also describes individual students and teachers as well as performances for the year.

Leedy Catalog "D", Leedy Manufacturing Company

Leedy Manufacturing Company

No abstract provided.

My Redeemer And My Lord, H. W. Longfellow, Dudley Buck, John Church Company

Popular Sheet Music of the 1900s-Archive

Front cover: No cover art

First line of song: My redeemer, my redeemer and my Lord

Andante espressivo

From the "Golden Legend," Scene V. Elsie's Chamber. Night. Elsie praying. (High Voice)

Poem by H. W. Longfellow

Music by Dudley Buck

Sacred Solo from The Golden Legend

1 score, (8p.). 35x27 cm

Published by John Church Company, New York

Hoo-Oo! (Ain't You Coming Out To Night?), Herbert Ingraham, Maurice Shapiro

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of four boys and a girl standing outside of a house calling to a boy peeking out of a window in the house. There is also the portrait of a women in an oval frame with the words May Belfort.

First line of song: Softly the twilight is stealing, seven o'clock bells are pealing, Johnnie with mamma is pleading

First line of chorus: Hoo-oo, Hoo-oo, Hoo-oo, ain't you coming out tonight?

Valse moderato

Words and Music by Herbert Ingraham

Includes sheet music samples from the song "Wont You Waltz "Home Sweet Home" With Me, For Old …

Kiss Me, Al. W. Brown, Al. W. Brown & Co

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of a face of a little girl with shoulder length hair. Also portraits of a man with the words Harry S. Jones and another at the bottom of the page with the words Al. W. Brown.

First line of song: A wee little lad was feeling quite sad, because of a little girl.

First line of chorus: "Kiss me," "Dearie," Kiss me once or twice

Andante

Inscribed to Mr. and Mrs. W. B. Malcolm

By Al. W. Brown

Compilation of Daylight hurts my Eyes, Base Ball, Roll on the Rollaway, Poor Old Girl, etc.

Successfully sung …

Sweet Girl Of My Dreams, Chauncey Olcott, Daniel J. Sullivan, M. Witmarks & Sons

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of a man in a fence shaped portrait

First line of song: O'er yonder where lilacs so fair scent the air

First line of chorus: Oh! sweet girl of my dreams you have beauty so rare.

Valse lento

By Chauncey Olcott and Daniel J. Sullivan

Chauncey Olcott's Song Successes in his New Production Ragged Robin

By Rida Johnson Young In Collaboration with Rita Olcott

Augustus Pitou Manager

To Margaret

1 score, (6p.), 35x28 cm

Published by M. Witmarks & Sons, New York, Chicago, London, Paris

Blue Feather, Jack Mahoney, Theodore Morse, Theodore Morse Music Co.

Popular Sheet Music of the 1900s-Archive

Front cover: A native american girl wearing a dress and a feather in her hair bending down looking into water

First line of song: Moonbeams pale light the trail to the vale and dale away off yonder Come let us wander my Indian maid

First line of chorus: My sweet blue feather we'll be to together

Moderato

Includes sheet music samples from the songs "Good-Night, Moonlight", "Dear Old Girl", Wise Old Indian", "When I'm Away From You, Dear", "Blue Feather", "A World is a Dream of You", and " On a Monkey Honeymoon".

Words by Jack Mahoney

Music by Theodore …

If I Had A Thousand Lives To Live, Sylvester Macguire, Alfred Solman, Jos. W. Stern & Co.

Popular Sheet Music of the 1900s-Archive

Front cover: No cover art.

First line of song: If I but knew your heart, dear,

High Baritone or Mezzo Soprano in Eb

Animato

Andante moderato

Words by Sylvester Maguire

Music by Alfred Solman, Composer of "with you in eternity"

1 score, (6p.), 32x25 cm

Published by Jos. W. Stern & Co., New York

Daisies Won't Tell, Anita Owen, Jerome H. Remick & Co.

Popular Sheet Music of the 1900s-Archive

Front cover: A portrait of a lady in a circle looking straight with daisies on the top of the portrait.

First line of song: There's a sweet old story you have heard before,

First line of chorus: Daises won't tell, dear, come kiss me do,

Tempo di Valse

Companion Piece to Sweet Bunch of Daisies

Words & Music by Anita Owen

To Little Miss Audrey Wood

1 score, (6p.), 32x26 cm

Published by Jerome H. Remick & Co., New York

Hochzeit, Lena Stein-Schneider

Musical Performances

This work is part of the Sophie Digital Library, an open-access, full-text-searchable source of literature written by German-speaking women from medieval times through the early 20th century. The collection covers a broad spectrum of genres and is designed to showcase literary works that have been neglected for too long. These works are made available both in facsimiles of their original format, wherever possible, as well as in a PDF transcription that promotes ease of reading and is amenable to keyword searching.

Auf Dem Ast Der Vogel Singt, Lena Stein-Schneider

Musical Performances

This work is part of the Sophie Digital Library, an open-access, full-text-searchable source of literature written by German-speaking women from medieval times through the early 20th century. The collection covers a broad spectrum of genres and is designed to showcase literary works that have been neglected for too long. These works are made available both in facsimiles of their original format, wherever possible, as well as in a PDF transcription that promotes ease of reading and is amenable to keyword searching.

Nach Sieben Jahren, Lena Stein-Schneider

Musical Performances

This work is part of the Sophie Digital Library, an open-access, full-text-searchable source of literature written by German-speaking women from medieval times through the early 20th century. The collection covers a broad spectrum of genres and is designed to showcase literary works that have been neglected for too long. These works are made available both in facsimiles of their original format, wherever possible, as well as in a PDF transcription that promotes ease of reading and is amenable to keyword searching.

Der Besuch, Lena Stein-Schneider

Musical Performances

This work is part of the Sophie Digital Library, an open-access, full-text-searchable source of literature written by German-speaking women from medieval times through the early 20th century. The collection covers a broad spectrum of genres and is designed to showcase literary works that have been neglected for too long. These works are made available both in facsimiles of their original format, wherever possible, as well as in a PDF transcription that promotes ease of reading and is amenable to keyword searching.

Im Vorubergehn, Lena Stein-Schneider

Musical Performances

This work is part of the Sophie Digital Library, an open-access, full-text-searchable source of literature written by German-speaking women from medieval times through the early 20th century. The collection covers a broad spectrum of genres and is designed to showcase literary works that have been neglected for too long. These works are made available both in facsimiles of their original format, wherever possible, as well as in a PDF transcription that promotes ease of reading and is amenable to keyword searching.

Volume 25, Number 12 (December 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Some of the World's Greatest Women Pianists: Short, Interesting Biographies and Appreciations of Great Performers from Clara Schumann to the Present Day

Evil of Too Difficult Music

Mozart's Christmas

Tact and Success

Discouraged?

Musical Americanisms

Christmas Greetings from Well-Known Musicians

Don't Get Discouraged

Progress—Past and Present

Our Repertoire Class

Reflections by the Way, Part 1

Disgrace to Music: A Protest Against the Practice of Subsidizing Pianists Employed by Some Piano Firms

Fraud Publishers Again

Modesty of Brahms

Important Events in Musical History

Scale Playing

Practical Hints for the Busy Teacher

Making a Piece Interesting

Necessity of Sympathy in Teaching Children …

Volume 25, Number 11 (November 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Education of the Masters

Making the Lesson Hour More Profitable

Bach's Sons

Liszt as a Composer and as an Artist

Letter from a Teacher in New Zealand

How to Select a Piano

Teaching New Materials

Famous Italian Pupil of Franz Liszt

Advice to Young Teachers

Some Trials and Experiences of a German Teacher

Volume 25, Number 10 (October 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Edvard Grieg

Eulogy Upon Grieg

Grieg's Twelve Most Popular Piano Pieces

Story of the Gavotte

Joseph Joachim: A Tribute to the Great Teacher, Artist, Man, Who Stood at the Educational Head of Musical Life in Berlin for a Half Century—His Remarkable Violin School and His Influence Upon His Pupils and Friends

Should Recital Music be Memorized?

Sevcik and Joachim

How Rubinstein Played the Piano

Edvard Grieg

Volume 25, Number 09 (September 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Business Man and Good Music

Technical Exercises, Etudes and Pieces: How to Use Them

Palestrina

Fallacy of Music Study Abroad

Practice that Develops Technic

Practical Hints by Bülow

To Teachers Who Do Not Play

Volume 25, Number 08 (August 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Business Side of Making an Artist

To Protect Sheet Music

Study of Mozart's Sonata in F Major

Musical Education of the Blind

Henry Parker

How I Teach the Piano

Nicolas Rimsky-Korsakoff

Development of the Pianoforte

Enthusiasm in Teaching

High School Music Courses and College Requirements

Hans Sachs

Géza Horváth

Volume 25, Number 07 (July 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

From Schumann's Workshop

How to Read Music

Beethoven's Fondness for Out-of-Door Life

Hint for the Sight Reader

Success and Failure in Music: A Symposium

Anton Rubinstein in His Classes

Grading Music for Teaching Purposes

Young Pupil and Elementary Musical Theory

Teaching Material for Children

Beethoven's Personal Appearance

Notes on the Study of Scales

Arthur Foote

Environment a Factor in Teaching

World's Greatest Pianists

Emotional Appeal in Instrumental Music

Paderewski's Minuet in G

Study of Program Music

Volume 25, Number 06 (June 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Johannes Brahms: The Classical Spirit in Music

Some Sayings of Brahms

Estimate of Brahms' Work

Brahms as a Practical Joker

How Liszt Taught

Chorus in the Small Town, with Some Side-Lights on Its Influence on American Music

Edvard Grieg: The Scandinavian Spirit in Music

Jacques the Dreamer: The Story of a Musician, with a Moral in It

Charles Camille Saint-Saëns: A Representative of French Music

Story of the Minuet

History Questions for Music Students

Importance of Finger Training

Cornelius Gurlitt

Monument to Stephen Heller

Volume 25, Number 05 (May 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Musician's Holiday in Central Europe: Summer Music in Germany

Liszt's Love for the Piano

TTo the Graduates in Music: A Baccalaureate

Scales and Scale Playing: Their Place in Modern Piano Playing (Prize Essay)

Minnesinger

Education of the Masters

Conservatory Musical Society—What it Can Do for Members

Suggestion to Stimulate American Composition

Teaching Pieces by Godard

Some Leipzig Teachers of Fifty Years Ago

Volume 25, Number 04 (April 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Maiden's Wish (Chopin Story)

Weber a Dramatic Composer

Control of Nervousness in the Musician

Making a Community Musical

Some Considerations on Foreign Study

Some Modern Technical Delusions and a Suggested Remedy

Dangers of Thoughtless Automatic Practice

Aim and Scope of Music for the Left Hand Alone

Shakespeare and Music: Some Interesting Quotations

Are the Keys with Flats in the Signatures Easier to Play than the Keys with Sharps? Why? (Symposium)

Beethoven's Love for Nature

Secret of Rosenthal's Technic

Artist's Revenge (A Story of Liszt and Chopin)

Anton Rubinstein in His Class Room

Keep the Eyes on the Music

Fraud Music …

Volume 25, Number 03 (March 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Easter at St. Peter's, Rome

Notes for the History Teacher

Pioneers in Music

Keyboard and the Hand

Incident of Schumann's Last Days

Hints for the Duet-Player

Rhythm and Meter in Music

Nature's Symphony: An Incident of Beethoven's Youth

Songs without Words

Sigismond Thalberg

Volume 25, Number 02 (February 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Chopin as I Knew Him

Lesson on a Phase of Technic: The Thumb and Second Finger

Repertory and How to Acquire It

Reminiscences of Schubert

Life of the Virtuoso

Few Thoughts Concerning the Musical Ear

Anton Rubinstein in His Classes

18th Century Tribute to Bach

Plan for the Teacher Who Wishes to Give Her Pupils Both Private and Class Lessons

French View of the American Musical Future

Evolution of a Country Church Choir

Some Common Errors of Piano Pupils: How to Correct Them