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Margie, Benny Davis, Con Conrad, J. Russell Robinson, Waterson, Berlin & Snyder

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of tribal flower designs

First line of song: You can talk about your love affairs, Here's one I must tell to you

First line of chorus: My little Margie, I'm always thinking of you

Moderato

Includes sheet music samples from the songs "Wishing" and "Bright Eyes"

Lyric by Benny Davis

Music by Con Conrad and J. Russel Robinson

1 score, (6p.), 31x23 cm

Published by Waterson, Berlin & Synder Co, New York

Now I Lay Me Down To Sleep, Sidney D. Mitchell, George W. Meyer, Jerome H. Remick & Co

Popular Sheet Music of the 1900s-Archive

Front cover: A portrait of a man

First line of song: When my daily work is thru and I'm all alone there are times I'm sad and blue

First line of chorus: I can hear my Mammy praying "Now I lay me down to sleep"

Includes sample sheet music from song "Emaline"

Moderato

Lyric by Sidney D. Mitchell

Music by George W. Meyer

Operatic Edition

Introduced in The Midnight Rounders

1 score, (6p.), 31x23 cm

Published by Jerome H. Remick & CO., New York

Where The Lazy Mississippi Flows, Alexis French, Rollo De Freyne, Chappelle & Co

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of a full moon overlooking a couple in a canoe while the man plays a guitar.

First line of song: Nights I'm always dreaming, dreams of far away

First line of chorus: Where the lazy Mississippi flows into the sea

Tempo di Valse

Includes sheet music from the songs "The World is Waiting for the Sunrise", "Smile Through Your Tears", and "On Miami Shore"

Words by Alexis French

Music by Rollo de Freyne

Refain Piu Lento (Lazy) Violin or Voice

1 score, (8p), 31x23 cm

Published by Chappell & Co, New York

I'M Waiting For Tomorrow To Come, Frank Davis, Frank Hawelka, Max Prival, A. J. Stasny Music Co.

Popular Sheet Music of the 1900s-Archive

Front cover: A cabin house with the light house with a lot of snow.

First line of song: I am waiting for tomorrow to come _Yes but tomorrow seems like years

First line of chorus: I am waiting for tomorrow to come, but tomorrow seems like years,

Moderato

Slowly with expression

Words by Frank Davis

Music by Frank Hawelka and Max Prival

Voice Obbligato

1 score, (6p.), 31x24 cm

Published by A.J. Stasny Music Co., New York

Dreamy Slumber Time, H. C. Weasner, D. H. Hawthorne, H. C. Weasner & Co.

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of a church along side a country lane with a white gate and trees surrounding it

First line of song: When the twilight shadows softly come and go

First line of chorus: When the nightingale is singing, and calling its mate

Includes sheet music samples from the song "Old Fashioned Roses", "When Mother Sang Hush-A-Bye, O", and "Somewhere In Loveland with You"

Words by H.C. Weasner

Music by D.H. Hawthorne

1 score, (4p.) 30x23 cm

Published by H. C. Weasner & Co., New York

Tripoli (On The Shores Of Tripoli), Paul Cunningham, Al Dubin, Irving Weill, M. Witmark & Sons

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of a boat with huge sails in choppy water. There are several other boats behind it along with a town in the background.

First line of song: Open the portals of memory, let the old honeymoon glow

First line of chorus: Floating on the bay at Tripoli, sweethearts you and I

Includes sheet music samples from the songs "One More Day" and "The Night Wind"

Moderately with expression

Waltz Ballad

Lyric by Paul Cunningham and Al Dubin

Music by Irving Weill

Refrain: Tenderly

1 score, (6p.), 31x24 cm

Published by M. Witmark & Sons

Volume 37, Number 12 (December 1919), James Francis Cooke

The Etude Magazine: 1883-1957

Music of the Vatican (interview with Canon Monsignore Raffaele Casimiro Casimiri)

Be Ambitious

Organize in Your Own Town

How to Prepare a Number in a Given Time

What About Your Left Hand?

Accentuation

Borrowed Chords and Fancy Chords

Conquering the Hard Spots

Moving Ahead

Musical Classics for the Millions: A Present-day Revolution in Methods of Musical Dissemination Which is Bound to Have Far-reching Results, Through the Movies and Music (interview with Hugo Riesenfeld)

Habit is Second Nature

No Such Thing as Miracles

Studio Revelations

Fingering

Relative Value of Accent in Pianoforte Playing

I Can't Memorize Music!

Introducing the Pupil to …

Volume 37, Number 11 (November 1919), James Francis Cooke

The Etude Magazine: 1883-1957

Echoes of Musical Czecho-Slovakia (interview with Josef Stransky)

Real Tendencies of Czecho-Slovak Music

If at First You Don't Succeed

Playing Without Looking at the Keys

Birth of the Czecho-Slavék Republic through Song

Invitation to Song: A Literal Translation of a Poem by Tablonsky

How the Name Bohemian Came Into False Repute

Bedrich Smetana, Founder of Modern Czecho-Slovak Music

Thumbnail Biography of Antonin Dvorék

Dvorák as I Knew Him

Great Masters as Music Teachers

Do Your Fingers Follow Your Eye?

Marks of Expression

Why Music is the Soul of Czechoslovakia

Neckache

Working Through Opposites

Czecho-Slovak Popular Music

How to Make a …

Volume 37, Number 10 (October 1919), James Francis Cooke

The Etude Magazine: 1883-1957

National and Radical Impressions in the Music of To-day and Yesterday (interview with Sergei Rachmaninoff)

Rudoph E. Schirmer

Interpretation

Few Teaching Hints

Appreciations of Rachmaninoff from Famous Musicians in America

New Thoughts on Memorizing Music

Beethoven—Iconoclast, Democrat, Genius

Joiners in Music

Psychology and the Child

The Art Spiritual: A Fine, Reflective Article Upon the Possibilities of the Tonal Art

Studio Problem (A Dialogue)

Less Nervousness Now

Musical Monkeys and the Piano Touch

Authentic Biography of Rachmaninoff

Let the Parents Know

How to Administer Rewards

Secret of Success of Great Musicians

Don't Sit Too Close

New Method of Piano Practice

Minor …

Volume 37, Number 09 (September 1919), James Francis Cooke

The Etude Magazine: 1883-1957

Strong Fingers, Strong Arms, Strong Technic: Physical Culture Exercises Backed with Right Living Help to Build Sound Technical Background

Musical Pharmacopoeia

Pacemaker

Year in the Fundamentals of Musical Composition: The Minor Key and Other Musical Matters

Leaving Out Notes

Be True to Your Own Musical Tastes

Rules and Scales

Favorite Instruments of Great Composers

How to Learn a Short Passage Quickly

Secrets of the Success of Great Musicians

Practical Study of Arpeggios: How the Least Possible Contraction of the Muscles, Combined with the Greatest Possible Control of Weight, Will Produce the Best Results in the Shortest Time

Why Rhythm is …

Volume 37, Number 08 (August 1919), James Francis Cooke

The Etude Magazine: 1883-1957

Intimate Glimpses of Grieg and Dvorák

Cause of Satisfactory Piano Playing

Beethoven's Tardy Fame

Habit Lessens Fatigue

That Awkward Fourth Finger

Ten Famous Rules Ten Years After: A Thoroughly Democratic Artistic Senate of Men and Women of Experience Epitomize Their Best Thoughts on Piano Practice

New Ideals of Pianistic Art

Mentally Photographing Music

Let There Be Tunes

Luck and Success

Plan of Musical Study for the Busy

Birds as Inspiration for Great Composers

American Opera One Hundred Years Ago

What Jazz Is, and Why

One Great Source of Mastery

Pianist and the Relaxation Fad

Music Teacher's Prescription Box

Origin of …

Volume 37, Number 07 (July 1919), James Francis Cooke

The Etude Magazine: 1883-1957

Pathetique of Tschaikowski

Opening Number of Our Recital

How to Choose a Piano

Making the Pupil's Interest Wider

Don't Give Up Music at the Altar: A Symposium by Noted Women in Music

Year in the Fundamentals of Musical Composition

What Do You Put Into Your Music?

Jamie's First Piano Lesson

Drudgery of Teaching

Ear Imperial: Why Ear Training is of Paramount Importance

Moods of Temperament

Time Directions and Their Meaning

How the Art of Playing the Piano Developed

Enthusiastic Teaching

Prosperity and Business Methods of Great Composers

Some Facts About the Nocturne

Interest Through Opera

Secrets of Success of Great …

Ua45/6 Commencement Concert, Wku Registrar

WKU Administration Documents

Commencement concert program and graduation program listing music certificate / diploma recipients.

Volume 37, Number 06 (June 1919), James Francis Cooke

The Etude Magazine: 1883-1957

Professional Accompanist

Ten Golden Rules for Piano Study

Pianist and Time Values

Imperfection of the Musical Scale

Silent Rhythm

How to Study the Two-Voiced Inventions of Bach

Rock Bottom of Pianistic Progress

Talking and Doing

Muscular Action in Piano Playing

Make Technic Your Servant—Not Your Master

Practical and Helpful Ideas from the National Convention of the Music Teachers' National Association: What Active Teachers are Thinking and Saying

When Nero was Studying Singing

Out—Back at 2.30

Bible Operas

Cultivating Confidence in the Child

Famous Salon Compositions and Their Composers: Pieces Everybody Knows and the Musicians Who Wrote Them

Making the Summer …

Volume 37, Number 05 (May 1919), James Francis Cooke

The Etude Magazine: 1883-1957

Helps in Teaching Note Reading

Launching the Beginner

Practical Examinations at Home

Individualism in Piano Study (interview with Ethel Leginska)

Setting the Standard

Silly? Or No Ear for Music?

Confidence in One's Art

Are You One of These?

Golden Age of Singing

Fall of the Walls of Jericho

Program Making

Year in the Fundamentals of Musical Composition: The Dominant Seventh

Music in the Wilds

Like Attracts Like

Getting Results in Arpeggio Teaching

Why Some American Artists Don't Get On: From a Manager's Point of View

What Do You Want, Big Names or Real Music?

Memorizing Your Piece

Most Powerful Effect …

Volume 37, Number 04 (April 1919), James Francis Cooke

The Etude Magazine: 1883-1957

Characteristic Mistakes of Young Piano Pupils

Teaching Children to Play

Inspiration of Ensemble Playing

Where Music Comes From

I Don't Like This Piece

Correct Position at the Key Board

More About Raising the Teacher's Income: Why the Music Teacher is Entitled to Larger Fees for Services

Awakening the Disinterested Pupil

What's in a Bell

True Reward of Good Work

Secrets of Success of Great Musicians

Proper Understanding of the Style of Several Master Composers

How to Practice Broken Chords: Modern Ideas Upon the Principle of the Minimum of Muscular Contraction and the Maximum of Controlled Weight Applied to an Everyday …

Volume 37, Number 03 (March 1919), James Francis Cooke

The Etude Magazine: 1883-1957

Anton Dvorák in the Class Room

Who is the Composer?

Marvelous Hand

Question of the Virtuoso Conductor

Music Teachers, Awake!

Has the Art of the Piano Reached Its Zenith or Is it Capable of Further Development? A Historic Conference Conducted through the Co-Operation of a Group of the Foremost Pianists of the Day in the Interests of Etude Readers

Practical Repertoire

Small Children and Big Words

Year in the Fundamentals of Musical Composition

What Are You Getting Out of Your Music Lessons?

Your Pupil's First Year in Scale Work

Little Discoverers

Proper Understanding of the Style of Several Master Composers …

Volume 37, Number 02 (February 1919), James Francis Cooke

The Etude Magazine: 1883-1957

Are You Loyal to Your Art?

How to Play Two Notes Against Three and Other Unusual Rhythmic Combinations

What Helped Me Most in My Career

How to Correct Common Rhythmic Blunders

Weak Spot in Piano Teaching

String Wind Instrument

Technical Roads to Piano Success

Pieces that Advertise the Teacher

He Didn't Have to Learn

Secrets of Success of Great Musicians

Touch in Piano Playing

Leo Ornstein, Composer and Pianist

Overtures, Past and Present

When and How to Begin the Study of Bach

Bach for Beginners

Neglected Bass Note

Telling the Pupil How to Practice

Has the Art of the Piano …

Bangalore, Earl Burtnett, A J. Stasny

Historic Sheet Music Collection

1. Dreaming of the Orient Fills my heart with discontent Longing for the days gone by When we were happy you and I. CHORUS: In Bangalore I want to be once more Where moonbeams grand form a path on the golden sand Tropic breeze and whisp'ring trees They seem to come back once more Won't you come back to Bangalore. 2. Mem'ries of you by my side Roaming 'cross the desert wide Incense perfume fills the air Oh how I wish that I were there.

Volume 37, Number 01 (January 1919), James Francis Cooke

The Etude Magazine: 1883-1957

Imitation in Teaching Music

Scales Two Octaves Apart

What Kind of Accompanist Are You?

Learning How to Compose

Two Pianos vs. One

Don't Discourage Your Pupils

Look Out for the Second Finger

America's Greatest Musical Opportunity

Put Sixty Minutes Into Your Hour

Has the Art of the Piano Reached Its Zenith or Is it Capable of Further Development? A Historic Conference Conducted through the Co-Operation of a Group of the Foremost Pianists of the Day in the Interests of Etude Readers

Eye Strain and Mind-Wandering

Broken Chords Disguised by Changing Notes

What Octave Studies Should Follow Those of Czerny?

Are …

Jazz Baby / Music By M. K. Jerome; Words By Blanche Merrill, M. K. Jerome, Blanche Merrill, Waterson Berlin And Snyder Co. (New York)

Sheet Music, 1910-1919

Cover: drawing of well-dressed Caucasian couples dancing; Publisher: Waterson Berlin and Snyder Co. (New York)

Alabama Lullaby / Words By Cal De Voll, Cal De Voll, Leo Feist Inc. (New York)

Sheet Music, 1910-1919

Cover: drawing of exotic birds singing; description reads a unique dreamy southern song (see 315); Publisher: Leo Feist Inc. (New York)

Alexander's Band Is Back In Dixieland / Music By Albert Gumble; Words By Jack Yellen, Albert Gumble, Jack Yellen, Jerome H. Remick And Co. (New York)

Sheet Music, 1910-1919

Cover: African American band parading in uniform; Publisher: Jerome H. Remick and Co. (New York)

Anything Is Nice If It Comes From Dixieland / Words By Grant Clarke, George W. Meyer, And Milton Ager, Grant Clarke, George W. Meyer, Milton Ager, Leo Feist Inc. (New York)

Sheet Music, 1910-1919

Cover: drawing of an African American man playing banjo on a riverbank; photo inset of a woman (see #162); Publisher: Leo Feist Inc. (New York)

Jazz Baby / Music By M. K. Jerome; Words By Blanche Merrill, M. K. Jerome, Blanche Merrill, Waterson Berlin And Snyder Co. (New York)

Sheet Music, 1910-1919

Cover: drawing of Caucasian couples dancing in at a Ball; Publisher: Waterson Berlin and Snyder Co. (New York)

Take Your Girlie To The Movies (If You Can't Make Love At Home) / Music By Pete Wendling; Words By Edgar Leslie And Bert Kalmar, Pete Wendling, Edgar Leslie, Bert Kalmar, Waterson Berlin And Snyder Co. (New York)

Sheet Music, 1910-1919

Cover: a drawing of people in the cinema; Publisher: Waterson Berlin and Snyder Co. (New York)

Pickaninny Blues / Music By Henri Klickman; Words By Harold G. Frost, Henri Klickman, Harold G. Frost, Mckinley Music Co. (Chicago)

Sheet Music, 1910-1919

Cover: drawing of a peaceful log cabin scene at night; description reads waltz lullaby; Publisher: McKinley Music Co. (Chicago)

Mammy O' Mine / Music By Maceo Pinkard; Words By Wm Tracy, Maceo Pinkard, Wm. Tracy, Shapiro Bernstein And Co. (New York)

Sheet Music, 1910-1919

Cover: a photo of an elderly woman knitting; Publisher: Shapiro Bernstein and Co. (New York)

Way Down In Birmingham / Music By Harold Dixon; Words By Erwin F. And Jacob L. Kleine, Harold Dixon, Erwin F. Kleine, Jacob L. Kleine, Dixon-Lane Pub. Co. (Chicago)

Sheet Music, 1910-1919

Cover: drawing of a Caucasian male boarding a train, as an African American male loads his luggage; Publisher: Dixon-Lane Pub. Co. (Chicago)

Pretty Little Rainbow / Music By Vincent C. Plunkett; Words By Robert Levinson, Vincent C. Plunkett, Robert Levinson, Joe Morris Music Co. (New York)

Sheet Music, 1910-1919

Key of F. Cover: a drawing of an native American Woman in the moonlight; Publisher: Joe Morris Music Co. (New York)