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Articles 43111 - 43140 of 45969
Full-Text Articles in Arts and Humanities
Volume 43, Number 05 (May 1925), James Francis Cooke
Volume 43, Number 05 (May 1925), James Francis Cooke
The Etude Magazine: 1883-1957
What Makes Piano Playing Difficult?
How the Busy Teacher Can Develop His Hearing
Lessonettes
My Card System
Practicing for Perfection
Prelude to Practice
Beat Before the First
What is Music?
I Simply Cannot Memorize: Of Course You Can If You Know How and Sincerely Desire to Memorize
Train Scale
Putitng Pep into Piano Practice
Fascinatng Facts from Musical History
New Ways of Studying Runs
Child's First Lesson
Learning How to Finger: How to Avoid Brain Waste and Time Waste by Knowing Just Which Digits to Employ
Do Not Anticipate
Ten Times
Scientific Reviewing
What Are Really the World's Greatest Masterpieces …
Volume 43, Number 04 (April 1925), James Francis Cooke
Volume 43, Number 04 (April 1925), James Francis Cooke
The Etude Magazine: 1883-1957
How I Came to Love Music (interview with Edward W.Bok)
Piano Keyboard for Young Beginners
Education Is Learning to Do
Saint-Saëns' Marche Heroique
Don't Expect the Teacher To Do It All
Introduction and Prelude
One Way to Memorize
Studio Staccatos
Breaking Off in Playing
Ingredients of a Great Pianist
How Sound Differs From Noise
Needed Musical Innovations
Self Instruction in the Art of Touch
Father of the Pianoforte
How to Become an Expert in Piano Technic
Great Composers' Love of Flowers: With Suggestions for a Springtime Flower-Music Recital
Pointer Instead of Pencil
Trill in the Works of the Masters
How …
Volume 43, Number 03 (March 1925), James Francis Cooke
Volume 43, Number 03 (March 1925), James Francis Cooke
The Etude Magazine: 1883-1957
Making of a Virtuoso Violinist (interview with Leopold Auer)
How Haydn Got His Job
How Von Weber Looked
Keep Your Piano in Tune
Famous London Physician on the Healing Power of Music
Exaggeration
Curbing the Music Student's Mania for Speed
Musical Bed Rock
For Pupils Slow in Reading Notes
Scientific Hand and Finger Placement, and Other Essentials to Artistic Success
Learning the Staff
What Practice Really Is
Analysis Without Harmony
Teaching the Scale to a New Pupil
What It Means to Put Over a Popular Song
Golden Slowness
Pedal Pointers
Deportment at the Piano
Set Your Mark High
Pirates on …
The Salamander March 1925, Students Of Risd, Risd Archives
The Salamander March 1925, Students Of Risd, Risd Archives
All Student Newspapers
The Salamander was a short-lived student publication released monthly during the 1925-1926 academic year at the Rhode Island School of Design. The March 1925 issue featured poems, stories and RISD campus news. Also included were humorous bits.
Volume 43, Number 02 (February 1925), James Francis Cooke
Volume 43, Number 02 (February 1925), James Francis Cooke
The Etude Magazine: 1883-1957
Tests of Rhythm
Interpretation for the Child
Smallest Interval
Bass Bothers Me
How Not to Practice
Promise with a Purpose
Melody and Accompaniment with One Hand
What Should the Musician Know About Business?
Play Often
Inspirational Moments
Short Cuts to Piano Proficiency: Four Simple Measures of Technic to be Practiced in Many Different Ways
Crossing the Hands
Tone-Color for the Amateur Pianist
Time-Keeping in Music
How to Bring an Earlier Technic Up to Date
Analyzing Melodies
Keeping a Repertoire Fresh
Side Lights
Musicians Do Not Sleep Enough
Avoiding Monotony in Scale Practice
Substitution of Fingers
Resourceful Piano
Vanquished Conductor
Why …
Volume 43, Number 01 (January 1925), James Francis Cooke
Volume 43, Number 01 (January 1925), James Francis Cooke
The Etude Magazine: 1883-1957
Errors that Young People Make
Limbering Up Exercise
Repose in Teaching
Just Wondering
Playing Class
Touch and Hearing
Finger Elastic Touch
Scale Practice
So-Called Soft Pedal
Keeping Your Teaching Alive by Constant Study
Taking Stock of Ourselves
Be an Optimistic Teacher
Why Make Music Hideous? Down with the Uglifyers of Music
When is a Melody?
About the Trill
Accent—The Life Pulse in Music
How Mozart Composed
Giving a Musicale
Strengthening the Fingers
What Radio Means to the Music Student
Pointers on Beginner's Practice
Fear of Black Notes
When Practice is Practice
Body Touch
Concerts in Africa
Why is There So …
Song Book Of The University Of Akron, Francesco B. De Leone, Raymond B. Pease, Robert H. Rimer
Song Book Of The University Of Akron, Francesco B. De Leone, Raymond B. Pease, Robert H. Rimer
University of Akron Press Open Access Books
A collection of songs from Buchtel College and The University of Akron students and faculty. Originally published in 1925.
Song Book of The University of Akron
Compiled and Arranged by
Professor F. B. De Leone
Professor R. B. Pease
Robert Rimer, '25
Edited by
Edith Grace Cray, '23
Songs For Soul-Winning, J. E. Sturgis
Select Revival Songs: A Small Volume With A Great Mission, N. W. Allphin, W. H. Free
Select Revival Songs: A Small Volume With A Great Mission, N. W. Allphin, W. H. Free
Stone-Campbell Books
No abstract provided.
The Dominican Band Photograph, 1925-1926, Franco-American Collection
The Dominican Band Photograph, 1925-1926, Franco-American Collection
Franco-American Music Traditions Exhibit
The Dominican Band (Fanfare de l’Association Saint-Dominique) began in 1894. Under the direction of Louis N. Gendreau, they had their first public engagement at Lewiston’s centennial celebration in 1895, and became popular doing “promenade concerts” at Lewiston City Hall. For new members, the band relied on the expert training of boys in the Ste. Cecelia Band. In the late 30’s, the Montagnard Club assumed direction of the band, renaming it La Fanfare Montagnard.
Row 1: Henri Jalbert, John Toutain, Joseph Dumais (Director), Wilfred Boucher, George Dumais, Romeo McGraw, Joseph Beaudette.
Row 2: Charles McGraw, Lucien Beaudette, Nadeau, Fournier, Desire Daqmin, …
Hms Pinafore Chorus Parts With French Lyrics, W. S. Gilbert, Arthur Sullivan
Hms Pinafore Chorus Parts With French Lyrics, W. S. Gilbert, Arthur Sullivan
Theatre Productions
Chorus parts from the score for HMS Pinafore. French lyrics have been pasted over the English ones. Created for a French production of the play.
The Midnight Waltz / Music By Walter Donaldson; Words By Gus Kahn, Walter Donaldson, Gus Kahn, Leo Feist Inc. (New York)
The Midnight Waltz / Music By Walter Donaldson; Words By Gus Kahn, Walter Donaldson, Gus Kahn, Leo Feist Inc. (New York)
Sheet Music, 1920-1929
Cover: drawing of Caucasian couples dancing around a clock, indicating midnight; photo of the Oriole Orchestra; Publisher: Leo Feist Inc. (New York)
The Sweetheart Of Sigma Chi / Music By Dudleigh Vernor; Words By Byron D. Stokes, Dudleigh Vernor, Byron D. Stokes, Richard E. Vernor Publishing Co. (Albion)
The Sweetheart Of Sigma Chi / Music By Dudleigh Vernor; Words By Byron D. Stokes, Dudleigh Vernor, Byron D. Stokes, Richard E. Vernor Publishing Co. (Albion)
Sheet Music, 1920-1929
Cover: a drawing of a man sitting on a sofa thinking of a woman, she occupies the landscape of his taught; Publisher: Richard E. Vernor Publishing Co. (Albion)
The Voice Of The Phi Sigma -- 1925 --, Phi Sigma
The Voice Of The Phi Sigma -- 1925 --, Phi Sigma
The Voice of the Phi Sigma
This item is part of the Phi Sigma collection at the College Archives & Special Collections department of Columbia College Chicago. Contact [email protected] for more information and to view the collection.
Sherwood Music School Annual Catalog 1925-1926, Sherwood Music School
Sherwood Music School Annual Catalog 1925-1926, Sherwood Music School
Academic Catalogs
The 1925-1926 Annual Academic Catalog for Sherwood Music School, featuring information about the School, its affiliated branches' purpose and locations, department descriptions, courses of study, course descriptions, student services, biographical information about and images of faculty, and tuition information.
Take Em To The Door (That's All There Is, There Ain't No More) Blues / Music By Ray Henderson; Words By Billy Rose And Benny Davis, Ray Henderson, Billy Rose, Benny Davis, Ager Yellen And Bornstein Inc. (New York)
Take Em To The Door (That's All There Is, There Ain't No More) Blues / Music By Ray Henderson; Words By Billy Rose And Benny Davis, Ray Henderson, Billy Rose, Benny Davis, Ager Yellen And Bornstein Inc. (New York)
Sheet Music, 1920-1929
Cover: drawing of a dejected looking Caucasian male, as a Caucasian female enters her house without him; photo inset of Healy and Cross; Publisher: Ager Yellen and Bornstein Inc. (New York)
The Melody That Made You Mine / Music By W.C. Polla; Words By Cliff Friend, W. C. Polla, Cliff Friend, Shapiro Bernstein And Co. (New York)
The Melody That Made You Mine / Music By W.C. Polla; Words By Cliff Friend, W. C. Polla, Cliff Friend, Shapiro Bernstein And Co. (New York)
Sheet Music, 1920-1929
Cover: photo of Vincent Lopez playing piano; Publisher: Shapiro Bernstein and Co. (New York)
The Do I Or Don't I Blues (The Undecided Blues) / Music By Elsie Janis; Words By Elsie Janis, Elsie Janis, Irving Berlin Inc. (New York)
The Do I Or Don't I Blues (The Undecided Blues) / Music By Elsie Janis; Words By Elsie Janis, Elsie Janis, Irving Berlin Inc. (New York)
Sheet Music, 1920-1929
Cover: featured by Elsie Janis in Puzzles of 1925; Publisher: Irving Berlin Inc. (New York)
Pal Of My Cradle Days / Music By Al Piantadosi; Words By Marshall Montgomery, Al Piantadosi, Marshall Montgomery, Leo Feist Inc. (New York)
Pal Of My Cradle Days / Music By Al Piantadosi; Words By Marshall Montgomery, Al Piantadosi, Marshall Montgomery, Leo Feist Inc. (New York)
Sheet Music, 1920-1929
Key of Eb. Cover: a drawing of a woman rocking a Cradle; a photo inset of Harry Rappi; Publisher: Leo Feist Inc. (New York)
Tie Me To Your Apron Strings Again / Music By Larry Shay; Words By Joe Goodwin, Larry Shay, Joe Goodwin, Milton Weil Music Co. (Chicago)
Tie Me To Your Apron Strings Again / Music By Larry Shay; Words By Joe Goodwin, Larry Shay, Joe Goodwin, Milton Weil Music Co. (Chicago)
Sheet Music, 1920-1929
Cover: drawing of floral illustration; a photo inset of Sid Garry of Bernard and Garry; Publisher: Milton Weil Music Co. (Chicago)
Just A Cottage Small (By A Waterfall) / Music By James F. Hanley; Words By B.G. De Sylva, James F. Hanley, B. G. Desylva, Harms Incorporated (New York)
Just A Cottage Small (By A Waterfall) / Music By James F. Hanley; Words By B.G. De Sylva, James F. Hanley, B. G. Desylva, Harms Incorporated (New York)
Sheet Music, 1920-1929
Cover: photo of John McCormack; Publisher: Harms Incorporated (New York)
[The] Name Of Abraham, Howard Johnson, Irving Bibo, Lew Klein, Ager. Yellen & Bornstein Inc.
[The] Name Of Abraham, Howard Johnson, Irving Bibo, Lew Klein, Ager. Yellen & Bornstein Inc.
ALLM: Civil War Sheet Music Collection
80.7568.815 – “[The] Name of Abraham”: Howard Johnson: Irving Bibo: Lou Klein: Ager, Yellen & Bornstein: 1925: Voice.
Catalog Of The Famous Gretsch Musical Instruments, Gretsch Company
Catalog Of The Famous Gretsch Musical Instruments, Gretsch Company
Gretsch Company Catalogs & Price Lists
This catalog features descriptions and prices for guitars, drums, accordions, clarinets, horns, auto harps, banjos, bassoons, bows, bugles, cornets, violins, ukuleles, accessories to the instruments, and more. An index is provided on the last pages.
Volume 42, Number 12 (December 1924), James Francis Cooke
Volume 42, Number 12 (December 1924), James Francis Cooke
The Etude Magazine: 1883-1957
Acquiring a Technic of Interpretation
Public Library
Inspirational Moments
Why a Musical Italy?
Ring Out, Ye Bells!: How to Secure Bell Effects in Piano Music
Illustration and Demonstration in Teaching
Exercises for Development of Extensors
Triumph of Grieg: How the Great Norwegian Composer Has Gained Permanent Recognition
Seven Practices to Conquer Difficulties
Play Days of Musicians
Are You Going Caroling This Christmas? Revival of a Mediaeval Custom Which is Sweeping the Country: Stories of the Most Famous Christmas Carols and Christmas Folk Songs
Musical Class Training
Giving the Fingers a Vacation
Waking Dozing Students
Determination Masters Piece
Rubinstein's Master Methods …
Volume 42, Number 11 (November 1924), James Francis Cooke
Volume 42, Number 11 (November 1924), James Francis Cooke
The Etude Magazine: 1883-1957
Why is So Much Piano Playing Dull and Uninteresting to Listen To?
Serious Danger to Some Young Students in Large Cities
Another Way with Arpeggios
What Chance Has the Adult Beginner in Music?
How Ought Bach to be Played?
Keyboard Motions that Insure Better Piano Playing
Infinite Pains and Genius
What Studies Shall I Use?
Virtuosity Discounted in England
Origin of Creole Rhythms
Two Against Three Exercise
Use the Dictionary
Is Bach Dull?
Bernhard Hamblen
How Famous Virtuosos Hypnotize Audiences
Useful Triad
To Acquire Speed with Accuracy and Without Hesitation
Improving Hand Stretch
Power of Music: What Great Minds Have …
Volume 42, Number 10 (October 1924), James Francis Cooke
Volume 42, Number 10 (October 1924), James Francis Cooke
The Etude Magazine: 1883-1957
Recollections of Master Musicians and Master Pianists Whom I Have Known
What a Music Lesson Should Contain
Some Effects of Music
Pranks on Parnassus: How Great Composers Have Seen the Humorous and Joyous Side of Life
Finding the Right Fingers in the Right Time
Crossing Hands
Study Stimulants
From Wonderchild To Diva (interview with Marcella Sembrich)
Mirrors for Hand Position
Syncopated Pedal
Lesson on Stems
How to Go About Studying Bach's Well-Tempered Clavier: Progressive Order in Which to Take Up Each Number
Something About Accents
Immortals Protest Against Jazz: Brahms, Grieg, Mendelssohn, Rubinstein and Schubert Strike for their Right
Things …
Volume 42, Number 09 (September 1924), James Francis Cooke
Volume 42, Number 09 (September 1924), James Francis Cooke
The Etude Magazine: 1883-1957
Schumann—The Master of Child Music: Why Schumann's Muisc Has Had Such a Great Influence on the Education of the Young
Small-Hands Pupil
Making Practice Pleasant
What Touch Shall I Use in Phrasing? A Much-Needed Discussion of an Everyday Musical Problem
Helpful Hints on Practicing
Velvet Tone
Runaway Warhorses
Turning Music Noiselessly
What Effect is Jazz Likely to Have Upon the Music of the Future? (interview with Percy Grainger)
Why Chopin Used a Metronome
Sharps and Flats for Little Ones
Sight-Reading Without a Teacher
Will You Pay the Price
Teach Coöperation by the Use of Two Pianos
Carrots for a Donkey …
Volume 42, Number 08 (August 1924), James Francis Cooke
Volume 42, Number 08 (August 1924), James Francis Cooke
The Etude Magazine: 1883-1957
Where is Jazz Leading America: Opinions of Famous Men and Women In and Out of Music (Symposium)
Learning to Memorize: A Pianoforte Lesson
Story of the Trill, or Shake
Making Exercises Interesting
Legato—Plus Ears
Is the Triangle a Musical Instrument
What is Jazz Doing to American Music? (interview with Paul Whiteman)
Strike Once, Not Twice
Lincoln Sets Students an Example
Things to Teach My Pupils Every Day
Drill-Master or Music Teacher
Give Your Favorite Exercise a Rest
Musical Nation
Children as Imitators
American Dance Music is Not Jazz
What Gottschalk Said to Carreno
Stop, Look, Listen!
Jazz—Lowbrow and Highbrow
Hand-Made …
Volume 42, Number 07 (July 1924), James Francis Cooke
Volume 42, Number 07 (July 1924), James Francis Cooke
The Etude Magazine: 1883-1957
Facts About Music and Shakespeare
How Schubert Found Inspiration From a Coffee Mill
How Queen Elizabeth Played the Virginal
Value of Two-Finger Exercises
Changes of Key
Unrest in Study
Self-Help, Eight Weeks' Intensive Summer Course in Pianoforte Study
Grand Piano Gives a Lesson
Don't Interrupt Pupils
Spring Day, a Pitch-Pipe and Some Ear-Training
How Little Italy Requires Its Funeral Marches
Pigeon-Toed Hands and Fingers with Arched Insteps
Musical Dialogue
Haydn's Gay Heart
Tchaikowski's Strange Marriage
Indecent Music
Moment's Notice Repertoire
How a Famous Engineer Studies a New Composition: A Practical Talk on Study Analysis
Listening to Learn from Master Pianists …
Volume 42, Number 06 (June 1924), James Francis Cooke
Volume 42, Number 06 (June 1924), James Francis Cooke
The Etude Magazine: 1883-1957
Fundamentals That Lead to Musicianly Pianoforte Playing
Misplaced Bars
Walking for Teachers and Students
Eisteddfod
Boston's Musical Past
How Much Do Appearances Count?
What the Great Masters of Music Have Done for Little Folks: Famous Sets of Pieces Which Children Should Have an Opportunity to Learn
Starvation Methods for Students
Counterfelts in Musical History
Easiest Way
Episodes in the Life of a Famous Conductor: Pen Pictures from the Autobiography of Walter Damrosch, Conductor of the New York Symphony Orchestra
Tremolo
Prepare Your Lessons, Teachers!
Finger Stretching and Strenghtening Exercises
Pointers for the Beginning Teacher of Music
Away from the Half-Hour …