Arts and Humanities Commons^™

Come Rain Or Come Shine / Music By Harold Arlen; Words By Johnny Mercer, Harold Arlen, Johnny Mercer, A-M Music Corporation (New York)

Sheet Music, 1930-1967

Cover: drawing of a well-dressed African American couple; Publisher: A-M Music Corporation (New York)

St. Louis Woman Any Place I Hung My Hat Is Home / Music By Harold Arlen; Words By Johnny Mercer, Harold Arlen, Johnny Mercer, De Sylvia Brown And Henderson (New York)

Sheet Music, 1930-1967

No abstract provided.

A Practical Approach To The Study Of Sound For Musicians, Robert Lyle Beardsley

University of the Pacific Theses and Dissertations

This account of the beginning of music might equally well be applied to man's discovery of sounds produced by the stretched string on his hunting-bow, or skins stretched across wooden frames. Pure fancy though it may be, the account serves to illustrate the dependence of music on the universal principles of science. Sound, the medium of expression, the vehicle, of music, is purely physical phenomenon. All aspects of its production, its transmission, and its ultimate reception are based invariable on physical laws. All musical instruments operate under these laws, as do the tones and combinations of tones which the instruments …

1945 Ursinus College Messiah Performance Program, Music Department

Messiah Programs

This music event program from 1945 contains information about the eighth annual performance of Handel's "Messiah" at Ursinus College. It lists the performers and conductor as well as the order of each piece of music.

Campus Lights 1945, Murray State College

Campus Lights

No abstract provided.

Volume 63, Number 11 (November 1945), James Francis Cooke

The Etude Magazine: 1883-1957

Three Centuries of Thanksgiving

Magic of Melody

Making the Met: Which is 1945 Slang for Securing an Opportunity to Appear as Soloist at the Metropolitan Opera House with the Opera Company of the Metropolitan Opera Association (interview with Edward Johnson)

Principles I Learned from Tobias Mathay (interview with Ray Lev)

Music Teacher's Day in a Boom Town

Class Teaching in Applied Music

Overcoming the Handicaps of the Adult Piano Beginner

Who Should Play the Harp? (interview with Edward Vito)

Volume 63, Number 10 (October 1945), James Francis Cooke

The Etude Magazine: 1883-1957

Concert in Berlin

Mendelssohn's Religious Faith

Modern Device for Teaching the Scales

Music Down Under: Many Surprises in Musical Activity in Australia

Wine of Islam: Coffee, Coffee Houses, and Music

There's a Future in Radio, IF

Britain Produces New Operatic Success

Piano Never Talks Back

What Do You Know About the Symphony Orchestra?: A Practical Quiz for Classes and Clubs

Technic of Music Listening: Channels Through Which the Fine Art Reaches the Emotions

What! Not Able to Read Music?

Choral Art for America (interview with Robert Shaw)

Volume 63, Number 09 (September 1945), James Francis Cooke

The Etude Magazine: 1883-1957

Make It Clear

Distinguished American Guitarist Celebrates Eighty-fifth Birthday

As to Music Appreciation

Our Musical Good Neighbor, Brazil (interview with Olga Coelho)

From a Studio Window: Observations Based on Thirty Years of Teaching at Illinois Conservatory of Music, Mount Holyoke College, and Northfield School for Girls

Musical Advance in China (Part Two)

Superstitious Musicians

The Greeks and Musical Therapeutics: On Their Use of Music to Curb the Passions, Improve the Complexion, and Cure Diseases

The Background of Background Music: How NBC's Experts Fit Music to the Mood and Action of Dramatic Shows

What's Wrong With Our Concert Halls?

Does Music …

An Instrumental Music Method For Teaching Band Instruments In Classes In The Fourth And Fifth Grades, Robert A. Gantner

Master's Theses or Doctor of Nursing Practice

The Basic Instrumental Method is an attempt to provide music materials suitable for the teaching of instrumental music to children in the grade schools using the class method. Four approaches have been used in developing this method. They are the following: (1) The selection of six basic instruments suitable for small children, (2) arrangement of the material in such a manner as to allow for individual advancement, (3) a well graded presentation of rhythmic problems, and (4) a recognition of the psychological value of motivation.

Volume 63, Number 08 (August 1945), James Francis Cooke

The Etude Magazine: 1883-1957

What Good is Art?

Here Comes the Band

Have You Met Her?

Art of Duo Singing (interview the Victoria Anderson and Viola Morris)

Beethoven's Martinet Teacher

Let's Clarify Music Teaching! (interview with Leo Reisman)

Mr. Piano Writes His Autobiography

Building an Orchestra (interview with Karl Krueger)

Place of Music in Military Hospitals: With Particular Reference to Its Use During Convalescence and Reconditioning of Men with Wartime Injuries

Things Some Teachers Ought to Know

Adult Beginners Want to Learn

Music in New China

Volume 63, Number 07 (July 1945), James Francis Cooke

The Etude Magazine: 1883-1957

Great American Musical Ideal: The Splendid Record of The Edward MacDowell Association at Peterborough, New Hampshire, in Fostering the Productions of Representative American Creative Workers

Hawaii's Other Music

Chopin As a Teacher of Pianoforte: The Great Master Taught Regularly Four and Five Hours Daily

Teague Designed Piano for the White House

Helpful Exercises for the Pianist's Hand

Making Practice a Game: Did You Ever Try to Teach a Child Before It was Five Years of Age?

Hints for the Young Conductor (interview with Frank J. Black)

When Artistic Lightning Strikes: A Feuilleton Upon Genius and Artistic Temperament by One Who …

50th Annual Commencement, Sherwood Music School

Commencement Programs

Program for the Sherwood Music School 50th Annual Commencement at Orchestra Hall (220 South Michigan Avenue) held on June 15, 1945.

Volume 63, Number 06 (June 1945), James Francis Cooke

The Etude Magazine: 1883-1957

Supreme Service of Music

Spectacular Meyerbeer

Childhood in Valhalla (interview with Friedelind Wagner)

Four Ways to Save Waste Paper

Governor Dewey Hails Music

Secret of Leschetizky

Beginning, Middle, and Ending: A Fundamental Art Principle Which, if Universal, Will Assist in Giving Balance and Climax to Your Interpretations

Relax!—Then What?

You're Not Too Old to Play the Piano

Music in the Post-War Curriculum

America's Musical Yesterday

Be Your Own Guide! (interview with Dorothy Kirsten)

Volume 63, Number 05 (May 1945), James Francis Cooke

The Etude Magazine: 1883-1957

Music and World Unity

Mexico's Famous Folk Orchestra

What is Musical Interpretation?

Tell-How Tour of the Radio City Music Hall

New Keys to Practice

Mental Projection in Singing (interview with Nadine Conner)

Music Teacher and the Post-War Period

One Hour of Practice

Tragic Memorial

Musical Progress in San Salvador

Music for the Mentally Disturbed

America and Good Music (interview with Howard Barlow)

Volume 63, Number 04 (April 1945), James Francis Cooke

The Etude Magazine: 1883-1957

Oceans of Tunes

Prescription for a Music Supervisor

Developing the Orchestra (interview with Artur Rodzinski)

Quality Pays

New Keys to Practice

Choose the Right Music

Rhythm, Music, and the Theater (interview with Rouben Mamoulian)

Annual Auditions for American Piano Pupils

What is Expected of an Accompanist?

Fading Fires: Why Does Musical Genius Expire in Some Cases and Continue in Others?

FDR's Favorite Song

Octogenarians, Take Notice

Elusive Pedaling

Applying Principles of Painting to Music

Independence at the Keyboard

Volume 63, Number 03 (March 1945), James Francis Cooke

The Etude Magazine: 1883-1957

I Want to Be the Leader of the Band

Figures and Phrases

Vochestra—A New Musical Combination (interview with Fred Waring)

Objectives of Scale Practice: Why is It That the Student Who Has Had a Thorough Training in Scales Can Be Distinguished Immiediately?

Do Musical Talents Have Higher Intelligence?: The Famous Quiz Kids Make a Remarkable Showing

Why Not Get Up a Summer Music Play?

Musical Genius and Youth

Artist Speaks of Music (interview with S.J. Woolf)

How Strong Is Your Foundation? (interview with José Iturbi)

Volume 63, Number 02 (February 1945), James Francis Cooke

The Etude Magazine: 1883-1957

Music and a Loftier Race

New Keys to Practice

Music America Wants: The Amazing Story of How Two Banjos, a Drum, and a Piano Developed into a Vast Musical Enterprise (interview with Fred Waring)

Warming-Up Exercises Make Better Public Performances

There's No Substitute for Knowledge!: How Motion Picture Music is Written (interview with Victor Young)

Victor Young and Victor Young

Our Future Musical Theater (interview with Richard Rodgers)

Music Student Awards Make Better Pupils: War Stamps Make Splendid Prizes

Making Bach Interesting (interview with Alexander Borovsky)

Use of the Palato-Pharyngeal Muscles in Singing

Letter from London: Music, During Britain's Darkest …

Volume 63, Number 01 (January 1945), James Francis Cooke

The Etude Magazine: 1883-1957

Dawn on the Horizon

Fresh Winds Will Blow Again: A Discussion of Music and Meteorology: A Physician Tells How the Weather Gets on Composers’ Nerves

Ladder to Virtuosity (interview with Mischa Elman)

Quiz to Test Your Musical Knowledge

How to Rehearse (interview with Donald Voorhees)

Edgar Stillman Kelley Passes

If Parents Had Had Their Way

Music as a Living, Human Element

New York's First Opera

What Nazism Has Done to German Song: What Happens to the Tunes When Hitler Provides the Words

Voice Training Through Emotions (interview with John Seaman Garns)

Immortal Pat: America's Super-Salesman of Music

Katherine Ruth Heyman—A …

Volume 63, Number 12 (December 1945), James Francis Cooke

The Etude Magazine: 1883-1957

Christmas Song for a New World (Poem)

World Christmas Carols

Legend of Switzerland's Native Instrument

Queen Receives the Queen (Marjorie Lawrence)

Music's March of Victory (interview with Beardsley, Ruml)

Revolution in Opera (interview with Laszlo Halasz)

How Records Helped Win the War

Christmas Carol

Edison's Contribution to Musical Appreciation

George Eliot—Musician

Getting a Piece Ready for Public Performance

Wayfaring Minstrel (interview with Burl Ives)

Instrumental Music, Percy E. Krewson

Stone-Campbell Books

No abstract provided.

The Darktown Strutters' Ball / Words By Shelton Brooks, Shelton Brooks, Leo Feist Inc. (New York)

Sheet Music, 1930-1967

No abstract provided.

It's Anybody's Spring / Music By James Van Heusen; Words By Johnny Burke, James Vanheusen, Johnny Burke, Burke And Van Heusen, Inc. (New York)

Sheet Music, 1930-1967

Cover: Mountains in the Background with superimposed photos of Bing Crosby, Bob Hope and Dorothy Lamour; from The Road to Utopia; Publisher: Burke and Van Heusen, Inc. (New York)

I'Ve Got The Texas Blues, Author Unknown, Canterbury Publications (Los Angeles)

Sheet Music, 1930-1967

Cover: photo of Irving Siegel playing an accordion; Publisher: Canterbury Publications (Los Angeles)

Now's The Time | 21-20254, Norma Jean Luckey

Music Faculty Scores

Now's The Time

Part Number:
21-20254

Previous Part Number:
HL-254

Price:
$1.90

Voicing:
SSA

Music By:
Charlie Parker

Arranged By:
Norma Jean Luckey