Arts and Humanities Commons^™

Faculty Recital: Elizabeth Mcgraw, Flute; Ellen Schramm, Bassoon; May 19, 1969, Elizabeth Mcgraw, Ellen Schramm

School of Music Programs

Centennial Lecture Hall
May 19, 1969
8:15 p.m.

Piano Recital: Linda Kloptowsky, Piano; Edward Tandy, Piano; May 18, 1969, Linda Kloptowsky, Edward Tandy

School of Music Programs

Centennial Lecture Hall
May 18, 1969
7:30 p.m.

Senior Recital: Cheryl Mccracken, Mezzo Soprano; May 17, 1969, Cheryl Mccracken

School of Music Programs

Centennial Lecture Hall
Saturday
May 17, 1969
7:30 p.m.

Faculty Recital: Lawrence W. Kinney, Viola; Sharon Kosloske, Piano; Isabelle Terrill, Violin; May 16, 1969, Lawrence Kinney, Sharon Kosloske, Isabelle Terrill

School of Music Programs

Centennial Lecture Hall
Friday
May 16, 1969
8:15 p.m.

Ensemble Concerts: The University Band, May 15, 1969, School Of Music

School of Music Programs

Union Ballroom
May 15, 1969
8:15 p.m.

Ensemble Concerts: Concert Choir, May 14, 1969, James L. Roderick

School of Music Programs

First United Methodist Church
Wednesday
May 14, 1969
8:15 p.m.

Senior Recital: Spencer Gore, Cornet; Don Jeanes, Trombone; May 13, 1969, Spencer Gore, Don Jeanes

School of Music Programs

Hayden Auditorium
May 13, 1969
8:15 p.m.

Marshall University Music Department Presents The A Cappella Choir, Paul A. Balshaw

All Performances

No abstract provided.

Designer's News May 12, 1969, Students Of Risd, Risd Archives

All Student Newspapers

The Designer was a student newspaper published in 1942. Three issues remain today. The first two issues are written by typewriter on loose sheaves of paper. The issue of May 12-18, 1969 included articles about Apparel Design's annual show Collection 1969, and an article about Man and his Technology, a seminar that was attended by 250 people. There was a brief article about racial troubles at Hope High School in Providence that was from a publication called EXTRA. Comics, ads, letters and art exhibits were also mentioned.

Ensemble Concerts: American Music Concert, May 12, 1969, School Of Music

School of Music Programs

Centennial Lecture Hall
May 12, 1969
7:00 p.m.

The Illinois State University Symphony Orchestra, May 11, 1969, Robert Oppelt

School of Music Programs

Capen Auditorium
Sunday
May 11, 1969
4:00 p.m.

Graduate Recital: Larry Sorenson, Viola; May 9, 1969, Larry Sorenson

School of Music Programs

Centennial Lecture Hall
May 9, 1969
7:30 p.m.

Ensemble Concerts: The Varsity Band, May 8, 1969, School Of Music

School of Music Programs

Capen Auditorium
May 8, 1969
8:15 p.m.

The University Madrigal Singers, May 7, 1969, John W. Ferrell

School of Music Programs

Hayden Auditorium
Wednesday
May 7, 1969
8:15 p.m.

Marshall University Music Department Presents The Spring Concert Marshall Community Symphony, Alfred P. Lanegger

All Performances

No abstract provided.

Designer's News May 5, 1969, Students Of Risd, Risd Archives

All Student Newspapers

The Designer's News was a student-run weekly newspaper published in the late 1960s. The issue of May 5, 1969 is the first issue and features an introduction to the publication, along with articles on COLAB II, a new student show opening at Carr House, a speech given by union organizer Carl Braden, and an alumni seminar event on "art and censorship."

Faculty Recital: Ed Livingston, Tuba And French Horn; Don Peterson, Horn And Piano; May 5, 1969, Ed Livingston, Don Peterson

School of Music Programs

Capen Auditorium
May 5, 1969
8:15 p.m.

Tribute To Two, May 4, 1969, Donald Armstrong

School of Music Programs

University Union Ballroom
May 4, 1969
5:00 p.m.

Graduate Recital, Gerald Graham Peterson

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

For several years the writer had considered the idea that being an accomplished performer would be challenging and stimulating. He had been in public school music instruction and unable to develop this idea to the point that he would like. After his decision to work on a Master 's Degree in music, the thought of performing a recital was greeted as a welcome experience.

Certain aspects had to be considered before actual practice on a recital could begin. When planning a program to present for the recital, two facts came to mind. The writer had played the clarinet for 16 …

Graduate Recital, Dennis D. Griffin

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

In pursuing the course of study leading to the Master of Music degree, the writer hoped to broaden his musical perspective in preparation for the ensuing teaching experience. In addition, the courses offered in education seemed to be indispensable as a part of the writer's background as a teacher.

In the account that follows the writer examines his preparation of the Graduate Recital, which constitutes the largest single part of the required work for the Master of Music degree, The writer feels that this written examination of his preparation and performance is a worthwhile portion of the advanced degree in …

Graduate Recital, Steven W. Allen

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

The writer, having performed all of Weber's concertos and Johannes Brahms' "Sonata in F Minor," found it necessary to adopt a change of style and concept in learning and performing the Mozart concerto. The light, flowing style of the young musical genius is a contrast indeed to the flamboyant flagrancy of Weber. Mozart's conception of the phrase, the musical line, the completeness of each melodic statement varies in large measure from that of Carl von Weber and Johannes Brahms.

Philosophy And Explication Of An Honors Organ Recital, Bruce B. Stevens

Honors Theses

Franz Liszt is credited with the first application of the term "recital" to a performance of solo music: in 1840 he advertised a program of "recitals" of the piano of a number of pieces. Afterwards the word was appropriated for designation of the performance of a whole program, as opposed to the performance of an individual work. This is how it is used today --- the performance by one or two performers of a group of solo pieces

In forming and executing a recital the performer has the responsibility of planning intelligently as well as performing the music in the …

Graduate Recital, Marilyn J. Williams

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

The master's recital in piano customarily includes works from the Baroque, Classic, Romantic, and Twentieth Century Periods, The recital presented has conformed to these requirements with works by Bach , Beethoven, Chopin, and Debussy.

The partita, sonata, and nocturne represent musical forms which reached their ultimate development in the works of Bach , Beethoven, and Chopin, respectively, during the periods in which they were composed. So great was the genius of these composers that their names will always be intimately associated with these musical forms. whereas the preceding forms were climaxed by the compositions of Bach, Beethoven, and Chopin, Debussy …

Clarinet Quartet: Bruce Mack, Clarinet; William Verick, Clarinet; Tom Makeever, Clarinet; Catherine Llewellyn, Clarinet; May 1, 1969, Bruce Mack, William Verick, Tom Makeever, Catherine Llewellyn

School of Music Programs

Centennial Lecture Hall
May 1, 1969
8:15 p.m.

The Teaching Of Performance Techniques For Cornet And Trumpet, Sterling J. Morris

All Graduate Theses and Dissertations, Spring 1920 to Summer 2023

A study of the basic performance techniques used by cornet and trumpet specialists and the common problems encountered by cornet and trumpet players was made through reference to personal experience, personal interviews, and articles in journals, magazines, bulletins, and books.

Three areas of performance were studied: (1) tone production, (2) intonation, and (3) technical development.

It was found that there is usually more than one solution to a problem, and that each solution given must be individualized to meet each player's needs. Most of the problems players encounter can be prevented if one uses correct playing procedures while playing a …

American Musicale, April 28, 1969, School Of Music

School of Music Programs

April 28, 1969

Junior Recital: Jan Varney, Viola; April 28, 1969, Jan Varney

School of Music Programs

Centennial Lecture Hall
April 28, 1969
7:30 p.m.

Marshall University Music Department Presents The Second Annual Contemporary Music Festival, Walter Hartley, Guest Composer, Walter Hartley

All Performances

No abstract provided.

Faculty Recital: Dolores Ivanchich, Soprano; Elizabeth Calhoun Deckwerth, Piano; April 27, 1969, Dolores Ivanchich, Elizabeth Calhoun Deckwerth

School of Music Programs

Centennial Lecture Hall
April 27, 1969
3:00 p.m.

Drake University Fine Arts Trio: Don Haines, Violin; John Ehrlich, Cello; David Albee, Piano; April 26, 1969, Don Haines, John Ehrlich, David Albee

School of Music Programs

Centennial Lecture Hall
April 26, 1969
8:00 p.m.