Arts and Humanities Commons^™

Recital: David Sheaffer, Oboe; Nancy Sheaffer, Piano; Won Mo Kim, Violin; Robert Oppelt, Viola; Howard Rye, Cello; March 22, 1971, David Sheaffer, Nancy Sheaffer, Won-Mo Kim, Robert Oppelt, Howard Rye

School of Music Programs

Recital Hall (CE 121)
March 22, 1971
8:15 p.m.

Graduate Recital: Bruce Mack, Clarinet; Gail Mack, Piano; March 21, 1971, Bruce Mack, Gail Mack

School of Music Programs

Centennial Recital Hall
March 21, 1971
3:00 p.m.

Recital: Patricia Whikehart, Organ; March 21, 1971, Patricia Whikehart

School of Music Programs

First Church Of Christ, Scientist
March 21, 1971
8:15 p.m.

Marshall University Music Department Presents The Contemporary Music Festival, Paul A. Balshaw Dr.

All Performances

No abstract provided.

Ensemble Concerts: The University Band, March 18, 1971, Edward A. Livingston

School of Music Programs

University Union
March 18, 1971
8:15 p.m.

Recital: The Festival Brass Quintet, March 15, 1971, Ed Livingston

School of Music Programs

CE 121
March 15, 1971
8:15 p.m.

Senior Voice Recital: Charlotte Derwin, Mezzo-Soprano; Harold Gray, Piano; March 14, 1971, Charlotte Derwin, Harold Gray

School of Music Programs

Centennial Recital Hall
March 14, 1971
3:00 p.m.

Ensemble Concerts: The Varsity Band, March 11, 1971, Roger R. Faulmann

School of Music Programs

Stroud Auditorium
March 11, 1971
8:15 p.m.

La Vergine Addolorata, March 10, 1971, Illinois State University School Of Music

School of Music Programs

Centennial Lecture Hall
Wednesday
March 10, 1971
8:15 p.m.

Recital: Won-Mo Kim, Violin; Harold Gray, Piano; March 8, 1971, Won-Mo Kim, Harold Gray

School of Music Programs

Capen Auditorium
March 8, 1971
8:15 p.m.

Ensemble Concerts: The Concert Band, March 4, 1971, Illinois State University School Of Music

School of Music Programs

University Union
Thursday
March 4, 1971

Ua37/39 Gemini 15 Concert Program, David Livingston

Faculty/Staff Personal Papers

Program for concert performed by Gemini 15 on February 26, 1971 at Van Meter Auditorium. Part of UA37/39 David Livingston Personal Papers donated by Pam Thurman.

Recital: Robert Hamilton, Piano; February 26, 1971, Robert Hamilton

School of Music Programs

Recital Hall
February 26, 1971
8:15 p.m.

Winter Concert: Isu Jazz Bands, February 25, 1971, Illinois State University School Of Music

School of Music Programs

Student Union Ballroom
February 25, 1971
8:15 p.m.

Ensemble Concerts: The Honors Chamber Orchestra, February 24, 1971, Robert Oppelt

School of Music Programs

Recital Hall (CE)
February 24, 1971
8:15 p.m.

Faculty Recital: Marybeth Hornbacher, Soprano; Harold Gray, Piano; February 21, 1971, Marybeth Hornbacher, Harold Gray

School of Music Programs

Capen Auditorium
Sunday
February 21, 1971
8:15 p.m.

The Atlanta String Quartet: Dennis Cleveland, Violin; Harold Byers, Violin; Mark Childs, Viola; Karen Andrie, Cello; February 19, 1971, Dennis Cleveland, Harold Byers, Mark Childs, Karen Andrie

School of Music Programs

Centennial Recital Hall
February 19, 1971
8:15 p.m.

Campus Lights 1971, Murray State University

Campus Lights

No abstract provided.

The Walden String Quartet: Homer Schmitt, Violin; Bernard Goodman, Violin; William Magers, Viola; Robert Swenson, Cello; February 11, 1971, Homer Schmitt, Bernard Goodman, William Magers, Robert Swenson

School of Music Programs

Capen Auditorium
February 11, 1971
8:15 p.m.

Graduate Recital: Jan Varney, Viola; Harold Gray, Piano; February 10, 1971, Jan Varney, Harold Gray

School of Music Programs

Recital Hall (CE)
February 10, 1971
8:15 p.m.

[Guest Recital]: Thomas Warburton, Pianist, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: Douglas Becknell, Baritone; Wanda Bennett, Piano; February 7, 1971, Douglas Becknell, Wanda Bennett

School of Music Programs

Centennial Recital Hall
February 7, 1971
3:00 p.m.

Choral Clinic-Festival, February 6, 1971, Illinois State University School Of Music

School of Music Programs

Illinois State University
February 6, 1971

Marian Ruhl, Organ, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Ensemble Concerts: Contemporary Percussion Quartet And Percussion Ensemble, January 17, 1971, Illinois State University School Of Music

School of Music Programs

Centennial Recital Hall
January 17, 1971
3:15 p.m.

Student Recital: Stephan Vance, Horn; January 17, 1971, Stephan Vance

School of Music Programs

Recital Hall
January 17, 1971
8:15 p.m.

Concert Tour: The University Concert Choir, January 8, 1971, Donald Armstrong

School of Music Programs

January 8, 1971: Hoopeston High School, Hoopeston, Illinois

January 10, 1971: Ba'hai Temple, Wilmette, Illinois; McHenry County College, Crystal Lake, Illinois

January 11, 1971: Willowbrook High School, Villa Park, Illinois; Wheaton North High School, Wheaton, Illinois

January 12, 1971: Yorkville High School, Yorkville, Illinois

January 14, 1971: Hayden Auditorium, Illinois State University

Risd Paper January 6, 1971, Students Of Risd, Risd Archives

All Student Newspapers

This student-run weekly newspaper was known simply as R.I.S.D., or RISD Paper. The RISD Paper ran through the late 1960s and into the 1970s. The issue of January 6, 1971 included an article by Eldridge Cleaver of the Black Panthers about Bobby Seale. There were other articles about social, politcal and economic change. Also there was a brief article about Wintersession Committee from a student's perspective.

New Mexico Musician Vol 18 No 2 (January 1971)

New Mexico Musician

No abstract provided.

A Study Of Rock Music To Determine Its Declared Position Relative To Unchastity, The Use Of Drugs And The Departure From Traditional Concepts Of Family And Religion, E. Lynn Balmforth

Theses and Dissertations

One of the social phenomena of our time (1960s) has been the popularization of a kind of music among the youth known as rock 'n' roll. It was the intent of this study to determine if the medium of rock did, in fact, maintain a posture of promulgating unchastity, the use of drugs and departure from traditional concepts of family and religion.

Supported by statements from leading rock musicians it was found that the big beat had a cultural root in the Negroid race. Coupling the big beat gospel rhythms of the south with the white country and western music, …