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Worship For Epiphany, Calvin Symposium On Worship Planning Committee

Symposium on Worship Archive

The handout for the concluding service of the Third Calvin College Symposium on Worship and Church Music, focused on Isaiah 60:1-6, Ephesians 3:1-4, Psalm 72, and Matthew 2:1-12.

Hymn Handout, Calvin Symposium On Worship Planning Committee

Symposium on Worship Archive

A handout for the hymn festival associated with the third Annual Symposium on Worship, with lyrics for the worship songs sung during it, including "Prince of Peace," "Control my Will," "He Understands; He'll Say, 'Well Done'," and "Send Me, Jesus (Thuma Mina)."

O God, Our Help In Ages Past: A Festival Of Hymns For Epiphany, Calvin Symposium On Worship Planning Committee

Symposium on Worship Archive

Program for a hymn festival for the first week of Epiphany–the season of the Church Year in which we celebrate Christ's manifestation to the entire world. But the incarnation of Christ is only one of several manifestations of God to us, and this services proclaims the epiphanies of our God throughout all of redemptive history, as described in the book of Isaiah. For our God is a God of time, our help in all ages.

Highlights In Jazz Concert 138 - The World Of Milt Hinton, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at NYU Loeb Student Center, Thursday, January 11th, 1990 at 8:00pm in association with NYU program board. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Milt Hinton, Major Holley, Doc Cheatham, Phil Bodner, Derek Smith, Jane Jarvis and Bob Rosengarden . Special guests: Cab Calloway, Branford Marsallis, Frank Wess, Duffy Jackson and Red Mitchell.

University Of Richmond At The Carpenter Center, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Lord, You Have Been Our Dwelling Place (1): Satb Choir, Dale Grotenhuis

Choral Arrangements and Compositions

This piece written for the 35th anniversary of Dordt College; 7 pages.

O Lord, You Shelter Us In Peace: Satb Choir, Dale Grotenhuis

Choral Arrangements and Compositions

1 page.

Centennial Anthem: Satb Choir, Dale Grotenhuis

Choral Arrangements and Compositions

13 pages.

The Darius Milhaud Society Newsletter, Vol. 6, Spring/Summer 1990, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

Meditation On I Wonder As I Wander And Prelude On Hark The Herald Angels Sing, John G. Barr

Music Faculty Scholarship

No abstract provided.

Winter/Spring 1990, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

A Letter By The Composer About "Giovanni D'Arco" And Some Remarks On The Division Of Musical Direction In Verdi's Day, Martin Chusid

Performance Practice Review

A relatively long letter from Giuseppe Verdi to the Florentine vocal director Pietro Romani, reproduced here, indicates the tempos for individual numbers of his opera Giovanna d'Arco. Verdi had a general preference for quicker tempos. The letter also provides valuable evidence for the different roles of the vocal director (Maestro di cappella, Maestro al cembalo, Maestro della musica, Maestro delle opere, or Maestro concertatore) and concertmaster, who served as the orchestra's leader, suggesting an account of the evolution of divided direction of Italian opera into the modern situation of direction by a single conductor.

Front Matter/Table Of Contents

Performance Practice Review

Cover, Table of Contents, and Copyright Information.

The Trio Sonata In Pre-Corellian Prints: When Does 3 = 4?, Sandra Mangsen

Performance Practice Review

Printed sources of pre-Corellian trios include several distinct scorings, one of which requires four performers (SSBbc). Particular scorings correlate with musical style and function. Melodic bass and chordal continuo were employed in the church sonata; one or the other in the dance repertoire. Moreover, the stronger the contrapuntal role of the bass part, the more likely it was to be played on a melodic instrument. After 1660, sacred and secular scoring practices became less distinct. Increasingly active dance bass lines were more often figured, while chordal and melodic bass parts of church sonatas became nearly identical.

Program; N.D., The Royal Serenaders Male Chorus

Concert & Event Programs

No abstract provided.

Tempo In Mahler As Recollected By Natalie Bauer-Lechner, Nancy M. Raabe

Performance Practice Review

"There is no standard concert hall repertoire in which lack of sensitivity to tempo and Expression marks is more damaging than Mahler's symphonies. Their coherence lies in a series of tonal relationships emphasized by thematic connections, and tempo provides the medium through which these connections are made. Drawing on the writings of Mahler's friend Natalie Bauer-Lechner, the importance of tempo in Mahler's works is illustrated by the composer's own words."

Contributors/End Matter

Performance Practice Review

List of contributors to the Spring 1990 (3/1) issue of Performance Practice Review.

Performance Practice: A Manifestation Of Our Time?, Roland Jackson

Performance Practice Review

Contrasts the antihistorical, conceptualist attitude (treating the past as our conception of it) of certain performance critics with the historical, realist position (holding that a discoverable reality can be found in the past) of certain performance-practice exponents.

Announcements/Contributors

Performance Practice Review

Describes current events such as conferences and musicological projects relating to performance practice.

Lists of contributors from the Fall 1990 (3/2) of Performance Practice review.

"Continuo Playing On The Lute, Archlute And Theorbo" By Nigel North, James Tyler

Performance Practice Review

Tyler discusses and reviews North's 1987 book.

Villanescas Of The Virtuosi: Lasso And The Commedia Dell'arte, Martha Farahat

Performance Practice Review

"Little is known about the music of the 16th- and 17th-c. Commedia dell'arte due to the improvisatory nature of the genre. The most detailed account of a commedia performance is in the composer Massimo Troiano's Discorsi... describing the festivities on the occasion of the wedding of Wilhelm V, Duke of Bavaria and Renee of Lorraine (1568). This account only mentions a few musical pieces: the music between acts and one internal song by Roland de Lassus, the kapellmeister. It is possible that Troiano did not mention all the music; close scrutiny of Lassus's 1581 Libri di villanelle... reveals that some …

"Ornamentation And Improvisation In Mozart." By Frederick Neumann., Malcolm S. Cole

Performance Practice Review

Reviews and critiques Neumann's 1986 book.

A Gift Of Music, Marjorie I. Kertz

Theses Digitization Project

No abstract provided.

Summer 1990, 90.9 Wmpg Fm

WMPG Program Guides

Newsletter format.

Three Autumn Portraits (1990), Frank Felice

Music Faculty Scores

SATB a cappella – text by Tara (Ericksen) Smith - premiered by the Butler Madrigal Singers (Michael Shasberger, conductor), April 1992

Communications, George Houle, Alexander Silbiger

Performance Practice Review

Various communications concerning previous topics covered in Performance Practice Review

Muslib: A Proposed Database For The Management Of A Music Library, Gary St. Germain

Theses Digitization Project

No abstract provided.

Table Of Contents

Performance Practice Review

Front matter and Table of Contents from the Spring 1990 (3/1) issue of Performance Practice Review.

Questions Concerning The Edition Of The 'Goldberg Variations' In The Neue Bach Ausgabe, Erich Schwandt

Performance Practice Review

The edition of BWV 988 has a number of serious errors that make it unsuitable for performance or study. The editor, Christoph Wolff, has introduced arbitrary readings, redistributed articulation marks, and misread ornaments. The editors of the Neue Bach Ausgabe ought to consider withdrawing the edition. (Rabin, Ronald J.)

"'Musica Ficta': Theories Of Accidental Inflections In Vocal Polyphony From Marchetto De Padova To Gioseffo Zarlino" By Karol Berger, Don Harrán

Performance Practice Review

Harran discusses and reviews Berger's 1987 book.