Arts and Humanities Commons^™

Concert Recording 1991-11-04, Liz Lester, Carolyn Hickson, Chalon L. Ragsdale, Bruce Roberts, James Greeson

Concert Recordings & Programs

Three etudes for horn and piano / Jose Siquiera -- Dancing in the sun / John W. Work, III -- A song without words / Charles Brown -- Two songs for Julie-Ju / Noel da Costa -- Hornvibes - Three duos for horn and vibraphone / Verne Reynolds -- Go, lovely rose / Ned Rorem -- Thoughts of a young girl / Ned Rorem -- Serpent / Ned Rorem -- Okonkole y trompa / Jaco Pastorius

Concert Recording 1991-02-24, Liz Lester, Jerome Rappaport

Concert Recordings & Programs

Sonata (1939) / Paul Hindemith -- Concerto, op. 40. Adagio non troppo / Alexander Goedicke -- Movements for horn and piano / Richard Faith -- Horn variants (1981) / Donald Sherman

The Cassette Industry And Popular Music In North India, Peter L. Manuel

Publications and Research

Since the early 1970s the advent of cassette technology has had a profound effect on music industries worldwide. This influence has been particularly marked in the developing world, where cassettes have largely replaced vinyl records and have extended their impact into regions, classes and genres previously uninfluenced by the mass media. Cassettes have served to decentralise and democratise both production and consumption, thereby counterbalancing the previous tendency toward oligopolisation of international commercial recording industries.

While the cassette boom started later in India than in areas such as the Middle East and Indonesia, its influence since the early 1980s has been …

Mediating Between The Mediums: The Changing Shakespearean World, Rebecca Ewert '91

Honors Projects

Shakespeare's A Midsummer Night's Dream has been described as "poetry, ritual, ballet, and circus rolled into one" (Bryden 17). Encompassing so many different mediums of performance and human experience, these various levels incorporated the realms of words, music, movement, and spectacle as integral parts of Shakespeare's production. Music was, of course, by the sixteenth century an accepted addition to the spoken language of the plays. Louis Elson, for example, writes that "[a]11 performances of [Shakespeare's] epoch were preceded by three flourishes of the trumpets," and it was only after the third flourish that the curtain was drawn and the prologue …

Melody In The Motets Of T.L. De Victoria And The Palestrina Style: A Comparative Analysis, Patrick John Brill

Dissertations and Theses @ UNI

This thesis is concerned with the problem of whether the melodic treatment in the motets of Tomas Luis de Victoria is in the Palestrina style. It was engendered by the fact that the melodic styles in the motets of these two composers sound so similar; and by the fact that several scholars disagree as to their stylistic affinities. The method used for this study was based on the research of Knud Jeppesen, who articulated seventy-nine stylistic principles governing the Palestrina melodic style. All of Victoria's motets were examined in a measure-by-measure analysis, taking into consideration each of the seventy-nine Palestrina …

The "Anxiety Of Influence" In Twentieth-Century Music, Joseph N. Straus

Publications and Research

The musical world of this century has been dominated, to an extraordinary and unprecedented degree, by the music of the past. Performers play music primarily by long-deceased canonical composers, composers learn their craft by studying the master-works of the past, including the distant past, and scholars devote themselves to studying increasingly ancient musical monuments. The past has never been so powerfully present as in this century. In this historical situation, composers have felt an understandably deep ambivalence toward the masterworks of the past. On the hand, those masterworks inspire admiration, even reverence. At the same time, they also inspire the …

The Progress Of A Motive In Stravinsky's The Rake's Progress, Joseph N. Straus

Publications and Research

The progress of this passage from sketch to final version follows what for Stravinsky is a reasonably common pattern in the composition of The Rake's Progress. The initial sketches tend to be rhythmically square and harmonically rudimentary. They often have the appearance of a simple, classical prototype. As musical ideas are brought to a more final state, the sketches often become increasingly free rhythmically and increasingly remote from classical tonal norms harmonically. A significant aspect of Stravinsky's compositional process in The Rake's Progress, as documented by the sketches, involves the explicit transformation of relatively traditional tonal prototypes. In …

A Primer For Atonal Set Theory, Joseph N. Straus

Publications and Research

Atonal set theory has a bad reputation. Like Schenkerian analysis in its earlier days, set theory has had an air of the secret society about it, with admission granted only to those who possess the magic password, a forbidding technical vocabulary bristling with expressions like "6- Z44" and "interval vector." It has thus often appeared to the uninitiated as the sterile application of arcane, mathematical concepts to inaudible and uninteresting musical relationships. This situation has created understandable frustration among musicians, and the frustration has grown as discussions of twentieth-century music in the professional theoretical literature have come to be expressed …

Program; 1990-12-16, The Royal Serenaders Male Chorus

Concert & Event Programs

No abstract provided.

Opera In The Hall, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Flute Ensemble, Clarinet Choir, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Highlights In Jazz Concert 145 - Titans Of The Trumpet, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Pace Downtown Theater, Thursday, December 6th, 1990 at 8:00pm in cooperation with Pace University Performing Arts, Dr. Nicholas Catalano- University Director. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Jon Faddis, Lew Soloff, Mulgrew Miller, Ray Drummond, Lewis Nash and Barbara Carroll. Special guests: Al Grey and Jay Leonhart.

Highlights In Jazz Concert 146 - Keepers Of The Flame, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Pace Downtown Theater, Thursday, December 6th, 1990 at 8:00pm in cooperation with Pace University Performing Arts, Dr. Nicholas Catalano- University Director. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Jay McShann, Doc Chetham, Kenny Davern, Jackie Williams, and Frank Tate. Special guests: Howard Alden and Richard Carr.

University Of Richmond Orchestra, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Jonathan Bellman, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

New Mexico Musician Vol 38 No 2

New Mexico Musician

No abstract provided.

Thirty-Fifth Annual Madrigal Dinners, December 1990, Illinois State University

Madrigal Dinner Programs

Circus Room, Bone Student Center

Ur Moves Downtown, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

University Wind Ensemble, University Jazz Ensemble, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Program; 1990-11-11, The Royal Serenaders Male Chorus

Concert & Event Programs

No abstract provided.

Currents, The New-Music Ensemble, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Highlights In Jazz Concert 144 - Big Band Bash, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Pace Downtown Theater, Thursday, November 8th, 1990 at 8:00pm in cooperation with Pace University Performing Arts, Dr. Nicholas Catalano- University Director. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Louie Bellson, Ben Aronov, Remo Palmier, Jay Leonhart, Ted Nash, George Young, Joe Roccisano, John Fedchock, Scott Robinson, and Keith O’Quinn. Special guests: Harvie S and Roy Meriwether.

Vol. 14 No. 1 (1990): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Contributors: Vol 14 No. 1, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Contributors list of Vol. 14 (1990): Pacific Studies Full Issue 1

Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Book Listing for the Vol 14, No 1 Edition of the Pacific Studies Journal

Vol. 14 No. 1 (1990): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

University Of Richmond Choir Schola Cantorum, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

University Of Richmond Choir And Schola Cantorum, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

The Monticello Trio, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Cory Blake, Guitar, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.