Arts and Humanities Commons^™

Simple Songs | 21-20523, Barbara K. Wesby

Music Faculty Scores

Simple Songs
Traditional Shaker Songs

Part Number:
21-20523

Previous Part Number:
HL-523

Price:
$1.90

Voicing:
SA

Arranged By:
Barbara K. Wesby

Wie Melodiem Zieht Es Mir | 21-20524, Henry Leck

Music Faculty Scores

Wie Melodiem Zieht Es Mir
(Like Melodies My Thoughts Come Drifting)

Part Number:
21-20524

Previous Part Number:
HL-524

Price:
$1.85

Voicing:
Unison

Lyrics By:
Klaus Groth

Music By:
Johannes Brahms

Arranged By:
Henry Leck

Letters To Derrick (1995), Frank Felice

Music Faculty Scores

Medium voice and piano – composed for Derrick Pennix – premiered by Mitzi Westra and Dwight Peirce, Spring of 1997

Integrating Music Into The Second Grade Curriculum, Rebecca Dunn Mefford

Theses Digitization Project

No abstract provided.

Signature-Systems And Tonal Types In The Fourteenth-Century French Chanson, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

Beyond the standard and familiar theoretical instruction materials on notation and mensuration, on mode and hexachord, and on the rules of two-part counterpoint, information and insight about the techniques of musical composition in the later Middle Ages are hard to come by. From a modern vantage point, medieval music theory leaves many of the questions most interesting to us unanswered. And for our part, too, analysts of chansons and motets have yet to agree on many basic notions about how this music works, and therefore what is most necessary to talk about. It is symptomatic of this state of affairs …

Teachnig Musicianship In High School Band Within The Four-Period Day Format, Rebecca Kay Mccoy

All Graduate Projects

New innovations in scheduling at the secondary level in many high schools have resulted in "block scheduling", whereby, students meet in classes for a longer time period than the norm (50-55 minutes). In the area of performing arts, this expanded schedule presents new opportunities for the inclusion of musicianship skills. This study will provide guidelines and resources for strengthening the musicianship of students currently participating in block scheduling within their performance classes. The exercises and lessons included will reflect the guidelines of the National Standards for the Arts.

Recognition Of Familiar And Unfamiliar Melodies In Normal Aging And Alzheimers-Disease, James C. Bartlett, Andrea R. Halpern, W. Jay Dowling

Faculty Journal Articles

We tested normal young and elderly adults and elderly Alzheimer's disease (AD) patients on recognition memory for tunes. In Experiment 1, AD patients and age-matched controls received a study list and an old/new recognition test of highly familiar, traditional tunes, followed by a study list and test of novel tunes. The controls performed better than did the AD patients. The controls showed the ''mirror effect'' of increased hits and reduced false alarms for traditional versus novel tunes, whereas the patients false-alarmed as often to traditional tunes as to novel tunes. Experiment 2 compared young adults and healthy elderly persons using …

Interview With Andy Wallace Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with Andy Wallace conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).

Interview With Pete Seeger Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with Pete Seeger conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).

The Social And Religious Designs Of J.S. Bach's Brandenburg Concertos, Michael Marissen

Music Faculty Works

This new investigation of the Brandenburg Concertos explores musical, social, and religious implications of Bach's treatment of eighteenth-century musical hierarchies. By reference to contemporary music theory, to alternate notions of the meaning of "concerto," and to various eighteenth-century conventions of form and instrumentation, the book argues that the Brandenburg Concertos are better understood not as an arbitrary collection of unrelated examples of "pure" instrumental music but rather as a carefully compiled and meaningfully organized set. It shows how Bach's concertos challenge (as opposed to reflect) existing musical and social hierarchies. Careful consideration of Lutheran theology and Bach's documented understanding of …

The Tonality Of Bb In Verdi's 'Ballo In Maschera': Fate, Foreshadowing, And Dramatic Unity, Alma Espinosa

Verdi Forum

No abstract provided.

The Influence Of Primary School Music Programmes On Student Choice Of Music Studies In Lower Secondary Schools, Beverley Pascoe

Theses: Doctorates and Masters

The omnipresence of music in today's adolescent society in Australia is evidenced by the fact that adolescents, almost without exception, listen to and enjoy music throughout most of their leisure time, and indeed, much of their study time. A large portion of their financial resources is spent on music and its associated promotional material. It could be said that music plays a major part in their sub-culture and their lives. According to Davey (1991, p.ll), "Music is an addiction in our culture" and "the Walkman and ghetto blaster assure access wherever and whenever we choose." The obvious fulfilment and satisfaction …

Hymn To Spanish Martyrs, Robert Wood S.M.

Musical Compositions about the Marianist Charism

In praise to our martyrs

Interview With Joe Wilson Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with Joe Wilson conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).

Interview With John Ramsey Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with John Ramsey conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).

Interview With Alan Jabbour Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with Alan Jabbour conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).

Frederic Rzewski And Spontaneous Political Music, Christian T. Asplund

Faculty Publications

I am intrigued by Frederic Rzewski's ability, in his pieces from the 1960s and 70s, to model socio-political phenomena and to teach specific lessons about these phenomena on both intuitive and intellectual levels to both performers and listeners. Performers in particular will literally experience these socio-political phenomena in the course of performing these pieces. Rzewski seems to have achieved Brecht's ideal of a gestic music without dryness or lack of credibility.

Concert Recording 1995-04-29, David Mudd

Concert Recordings & Programs

La peri. Fanfare / Paul Dukas -- General Lavine. Eccentric / Claude Debussy -- Sonate / Paul Hindemith -- Impromptus, oop. 32 / Robert Muczynski -- Concertino / Arthur Frackenpohl

Concert Recording 1995-03-03, Robert Umiker, Stephen Gates, Jerome Rappaport

Concert Recordings & Programs

Trio for clarinet, cello and piano, op. 38 / Ludwig van Beethoven -- Trio for clarinet, cello and piano, op. 114 / Johannes Brahms

Concert Programs 1995-1996, University Of Arkansas, Fayetteville. Department Of Music

Concert Recordings & Programs

This is the annual compilation of music programs from the Department of Music for the time period indicated

Concert Recording 1995-01-26, Aaron Smith, Mark Smidt

Concert Recordings & Programs

Concerto in C-dur / Michael Corrette -- Sonata III. Adagio. Allegro / G.F. Handel -- Valse triste / Reinhold Gliere -- Hunter's moon / Gilbert Vinter -- Elegie / Francis Poulenc -- Horn concerto no. 1 in E♭ major / Richard Strauss