Arts and Humanities Commons^™

Recital: Student, February 6, 1996, School Of Music

School of Music Programs

Kemp Recital Hall
Tuesday Afternoon
February 6, 1996
3:00 p.m.

Juice February 5, 1996, Students Of Risd, Risd Archives

All Student Newspapers

Juice was a short-form student publication primarily intended to publicize upcoming events occurring on or around campus. The February 5, 1996 issue includes listings of the exhibitions, movie screenings, lectures, seminars, workshops, meetings, and performance events between February 5-18. This issue also includes information about the lunchtime reading by authors Jon Lavieri and Julius Sokenu.

Kristi Reynolds, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

The Chamber Music Series, February 4, 1996, School Of Music

School of Music Programs

Kemp Recital Hall
Sunday Afternoon
February 4, 1996
3:00 p.m.

Neal Ramsay, Saxophone, And Karen Ann Krieger, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Faculty String Quartet: Sarah Gentry, Violin; Francisco Marchan, Violin; Arthur Lewis, Viola; Gregory Hamilton, Cello; January 30, 1996, Sarah Gentry, Francisco Marchan, Arthur Lewis, Gregory Hamilton

School of Music Programs

Kemp Recital Hall
Tuesday Evening
January 30, 1996
8:00 p.m.

Richard Becker, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Guest Recital: 20th Century Flute And Piano Music, January 26, 1996, School Of Music

School of Music Programs

Kemp Recital Hall
Friday Evening
January 26, 1996
8:00 p.m.

Guest Recital: Smokey Mountain Chamber Players: Shelley Binder, Flute; Kenneth Keeling, Clarinet; Calvin Smith, Horn; Keith Mcclelland, Bassoon; Fay Adams, Piano; January 23, 1996, Shelley Binder, Kenneth Keeling, Calvin Smith, Keith Mcclelland, Fay Adams

School of Music Programs

Kemp Recital Hall
Tuesday Evening
January 23, 1996
8:00 p.m.

Rs-Obit; 1996-01-22; Coley, Melvin, The Royal Serenaders Male Chorus

Obituaries

No abstract provided.

Juice January 22, 1996, Students Of Risd, Risd Archives

All Student Newspapers

Juice was a short-form student publication primarily intended to publicize upcoming events occurring on or around campus. The January 22, 1996 issue includes listings of the art exhibits, movie screenings, seminars, workshops, and other campus events for the week of January 22-February 4. The issue also includes information about the RISD Gay, Lesbian, and Bisexual Organization's meeting.

Concerto-Aria Competition Finals, January 17, 1996, School Of Music

School of Music Programs

Kemp Recital Hall
Wednesday Evening
January 17, 1996
7:00 p.m.

Oh, For A Thousand Tongues To Sing: Hymns, Songs, And Readings Of Lament And Praise, Calvin Symposium On Worship Planning Committee

Symposium on Worship Archive

The program for a hymn festival of lament and praise on the theme of Christian unity, held during the 9th Calvin Symposium on Worship. Includes these sections: Entering God's Presence, Lamenting Our Brokenness, Celebrating Unity in Diversity, and Looking Forward to a New Heaven and Earth.

Highlights In Jazz Concert 186 - Hendricks And Hoagy, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Pace Downtown Theater, Thursday, January 11th, 1996 at 8:00pm in cooperation with Pace University Performing Arts, Dr. Nicholas Catalano- University Director. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Jon Hendricks Explosion, Barbara Lea, James Chirillo, Bob Dorough, Richard Sudhalter, Bill Crow, and Eddie Locke. Special guest: Artie Baker.

Juice January 8, 1996, Students Of Risd, Risd Archives

All Student Newspapers

Juice was a short-form student publication primarily intended to publicize upcoming events occurring on or around campus. The January 8, 1996 issue includes listings of the freshman department selection events for each department, film screening, The Joe Parillo Ensemble live music performance, and wintersession events like theatre and lectures between January 8-21. The issue also includes information about career services informative sessions about business planning for artists and designers, copyrights, and contracts.

Prairie Horizons: Satb Choir, Dale Grotenhuis

Choral Arrangements and Compositions

16 pages.

The Darius Milhaud Society Newsletter, Vol. 12, Spring/Summer/Fall 1996, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

Winter 1996, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Summer 1996, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Fall 1996, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.

The Performance Of Scriabin's Piano Music: Evidence From The Piano Rolls, Anatole Leikin

Performance Practice Review

RILM abstract: "An investigation of Skrjabin's performing style based on the composer's piano-roll recordings, focusing on a transcription of his 1910 recording of Poeme, op. 32, no. 1. The transcription demonstrates that in performance Skrjabin significantly changed the tempos, dynamics, articulation, rhythms, and even the original notes. Such features of the composer's performing style as rubato, phrasing, pedaling, and digressions from the printed text are analyzed."

Wiser Than Despair: The Evolution Of Ideas In The Relationship Of Music And The Christian Church, Quentin Faulkner

Glenn Korff School of Music: Faculty Publications

The fact that human beings want to make music, as well as all other forms of art, is a given of human existence. Artistic expressions, however, are not isolated or autonomous. They are conditioned, among other things, by social and cultural factors, and these factors have a powerful influence in shaping any art form.

There is no more compelling example of a culture's power to condition art than the evolution of European art music during the Middle Ages under the influence of the Christian church and its theological stance with regard to the arts. The church's ideas about the purpose …

Music | 10-96850, James Q. Mulholland

Music Faculty Scores

Music

Part Number:
10-96850

Price:
$1.85

Voicing:
SATB

Lyrics By:
Thomas Moore

Music By:
James Q. Mulholland

Commissioned by the American Choral Directors Association
for the 1997 National Junior High Honors Chorus
Nancy Cox, Director

Husser Song | 21-20529, Benjamin Suchoff

Music Faculty Scores

Husser Song
(Huszárnóta)

Part Number:
21-20529

Previous Part Number:
HL-529

Price:
$1.90

Voicing:
SA

Music By:
Béla Bartók

Arranged By:
Benjamin Suchoff

Singers All | 21-20243, Barbara Sletto

Music Faculty Scores

Singers All

Part Number:
21-20243

Previous Part Number:
HL-243

Price:
$1.90

Voicing:
SSA

Lyrics By:
James Whitcomb Rikey

Music By:
Barbara Sletto

José Bowen's Essay: A Few Afterthoughts, Roland Jackson

Performance Practice Review

RILM abstarct: "Performance practice might benefit from CHARM (The Centre for the History and Analysis of Recorded Music) particularly because of the access it affords to a wide range of recordings. Scholars can thereby more extensively compare, for example, composer's recordings of their own works. For practices of the early 20th c. the recordings of various composers (e.g., Grieg, Skrjabin, Elgar) may be taken as instructive models."

The Baroque Cello And Its Performance, Marc Vanscheeuwijck

Performance Practice Review

RILM abstract: "Provides a short survey of the earliest sources on the bass violin and discusses both the first appearance of the term violoncello (in 1665) and terms used in Italy and elsewhere. Performance practice, playing technique, and tuning from the 16th c. are described. The possible identity of the problematic 17th-c. violone (an 8' or 12' instrument of either the violin or gamba family) is proposed in relation to the violone in contrabbasso. A discussion of playing technique is given on the basis of treatises and compositions by late-17th-c. Bolognese musicians and 18th-c. descriptions by Michel Corrette and Salvatore …

Contributors

Performance Practice Review

List of contributors to the Spring 1996 issue of Performance Practice Review.

Basta! (1996), Frank Felice

Music Faculty Scores

Marimba solo – composed for John Reed – premiered by him, Spring 1997

Behold My Love | 10-96920, James Q. Mulholland

Music Faculty Scores

Behold, My Love, How Green the Groves, from "More Burns Ballads"

Part Number:
10-96920

Price:
$1.85

Voicing:
SATB

Lyrics By:
Robert Burns

Music By:
James Q. Mulholland

Commissioned by the Camerata Singers of West Michigan for their 20th Aniversary Season