Arts and Humanities Commons^™

Release, Meta Gaertnier, Sandra Turner (Illustration By)

Black and White

No abstract provided.

No Place Like Away, Michael Brockway

Black and White

No abstract provided.

Inspiration, Carole Kann

Black and White

No abstract provided.

Thanks Page - Back Cover [Blank]

Black and White

No abstract provided.

Dime Museum Ii, Michael Moore, Phant Phant (Illustration By)

Black and White

No abstract provided.

Three Homilies Of Aelfric And Their Revisions By Wulfstan: A Structural Approach, Susan J. Haas

Honors Papers

For over a century, critics have worked toward a more detailed characterization of the work of Aelfric and, to a lesser extent, of Wulfstan. The homilies and other writings of these two authors have been examined for a wide variety of characteristics, from their use of classical rhetoric to specific criteria such as the use of alliterating qualifiers. However, these studies have been carried out almost without exception either in a vacuum or in the context of Latin sources. In 1950, Karl Jost showed that several of Wulfstan's homilies are based on homilies of Aelfric, and made an extensive comparison …

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Ivy Leaves, 1979-1980, Ivy Leaves Editorial Staff

Ivy Leaves

The 1980 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Beth Byers, John Lee Owen, Cindy Benton, Joyce Carwile, Dorothy Hagood, Karen Henderson, Dawn McKenzie, Doug Davidson, Mary Martin, and Dr. S.C. McCarter. Cover art by Meg Crump and John Lee Owen.

A Study Of Historical Fiction And The Works Of Laura Ingalls Wilder, Kathleen L. Mclaughlin

Graduate Research Papers

This study was undertaken for the specific purpose of developing criteria for good historical fiction, applying the resulting criteria statements to each of the books that make up the "Little House" series, and determining the frequency of criteria appearance in each book separately and as a series. The purpose of this study was to develop and apply a criteria list to each of the books in the "Little House" series point by point.

A valid list of criteria has been established and used in evaluating the "Little House series. Eleven separate criterion which describe the five important elements of good …

The Eugene O'Neill Newsletter, Vol.4, Nos.1-2, 1980, Eugene O'Neill Society

Eugene O’Neill Newsletter

The Eugene O’Neill Newsletter is the official newsletter of the Eugene O’Neill Society, an organization of scholars, theater professionals, and enthusiasts, which began meeting in 1978. This publication, created by Suffolk University Professor Fred Wilkins in 1977, started off as part newsletter and part academic journal. In 1989, the publication name was changed to the Eugene O'Neill Review to denote its focus on scholarship. In recent years, the O'Neill Society re-started publication of the newsletter. This site includes newsletter issues from 1977-1989. Newer issues are available on the Eugene O'Neill Society website: https://www.eugeneoneillsociety.org/newsletters.html

The Eugene O'Neill Newsletter, Vol.4, No.3, 1980, Eugene O'Neill Society

Eugene O’Neill Newsletter

The Eugene O’Neill Newsletter is the official newsletter of the Eugene O’Neill Society, an organization of scholars, theater professionals, and enthusiasts, which began meeting in 1978. This publication, created by Suffolk University Professor Fred Wilkins in 1977, started off as part newsletter and part academic journal. In 1989, the publication name was changed to the Eugene O'Neill Review to denote its focus on scholarship. In recent years, the O'Neill Society re-started publication of the newsletter. This site includes newsletter issues from 1977-1989. Newer issues are available on the Eugene O'Neill Society website: https://www.eugeneoneillsociety.org/newsletters.html

The Eugene O'Neill Newsletter, Vol.3, No 3, 1980, Eugene O'Neill Society

Eugene O’Neill Newsletter

The Eugene O’Neill Newsletter is the official newsletter of the Eugene O’Neill Society, an organization of scholars, theater professionals, and enthusiasts, which began meeting in 1978. This publication, created by Suffolk University Professor Fred Wilkins in 1977, started off as part newsletter and part academic journal. In 1989, the publication name was changed to the Eugene O'Neill Review to denote its focus on scholarship. In recent years, the O'Neill Society re-started publication of the newsletter. This site includes newsletter issues from 1977-1989. Newer issues are available on the Eugene O'Neill Society website: https://www.eugeneoneillsociety.org/newsletters.html

3. People Of Darkness, Assorted Draft Pages [2]., Tony Hillerman

People Of Darkness Manuscripts

This third draft begins to seem more polished and the story more structured, however it still bears evidence of heavy correction and reworking.

It Does't Matter, Karen Ove

Black and White

No abstract provided.

On Hearing Father Joe Fagan Has Quit The Priesthood, Dwight Allbee

Black and White

No abstract provided.

Sensitive Plant, Douglas Bowie, Sandra Turner (Illustration By)

Black and White

No abstract provided.

The Death Motif In The Love Poems Of Theodore Roethke, George Wendt

Dissertations

No abstract provided.

Review Of Mona E. Mcalpine, The Genre Of 'Troilus And Criseyde,' Ithaca And London: Cornell University Press, 1978, Robert S. Haller

Department of English: Faculty Publications

Review of Mona E. McAlpine, The Genre of 'Troilus and Criseyde.' Ithaca and London: Cornell University Press, 1978.

6. People Of Darkness, Edited Manuscript., Tony Hillerman

People Of Darkness Manuscripts

This is the final edited manuscript for People of Darkness - it has been heavily edited.

1. People Of Darkness, Draft, P.1-267., Tony Hillerman

People Of Darkness Manuscripts

This manuscript appears to be the earliest existing draft of People of Darkness. It has been heavily edited and modified by the author.

The Pleasures And Pitfalls Of Bibliography: A Personal Reminiscence, Robin Myers

The Kentucky Review

No abstract provided.

5. People Of Darkness, Revised Manuscript., Tony Hillerman

People Of Darkness Manuscripts

This version of the manuscript is well structured and fairly free of editing marks, but the pages have been renumbered after typing, and the chapter numbers have been modified.

Escape From Reality: A Comparative Study Of Bleak House And Little Dorrit, Julie L. Mcmillen

Masters Theses

During the later period of his career, Charles Dickens wrote Bleak House (1853) and Little Dorrit (1857). Both of these novels share a common theme: those who face life squarely, though scarred, survive while those who try to escape do not.

In developing this theme Dickens uses parallel types of major characters. The motherly concern for others exhibited by Esther Summerson is repeated in Amy Dorrit. The irresponsibility of Richard Carstone reappears in William Dorrit. Finally, the protective concern of John Jarndyce reoccurs in Arthur Clennam.

Dickens develops these characters in five basic ways: the narrator, either omniscient or first-person, …

Lights And Shadows - 1980, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Charles R. Mcdowell, Jr. : One Man's View Of The National Folklore, Sandra Leigh Spratley

Master's Theses

A journalist's range of interests may be as varied and complex as the range of interests of the audience to whom he is appealing. Whereas Samuel Feinberg in Women's Wear Daily writes mainly for persons interested in business, a perusal through decades of Time shows its writers trying to reach a larger audience and thus writing on scores of different topics. The longevity of an author's work correlates to the success with which he captures his audience's characteristics and oral traditions. We find that such writers as E. B. White, Finley Peter Dunne, and Mark Twain have succeeded in almost …

Influence Of The "International Theme" In The Novels Of Sinclair Lewis., David Charles Thaw

Master's Theses

The "International Theme" in literature arose as a result of real-life confrontations between Americans and Europeans. Conflict was inevitable as the feudal tradition of England with its emphasis on social caste met head-on with the democratic traditions of a ew nation. By definition the "international theme" focused on the conflict of manners between two citizens of different nations who disagree on the correct way of behaving in a given situation. For example, the titled nobility of Europe feel that some deference should be shown to them due to their rank and not because they have accomplished something of merit. Particularly, …

The Craft Of Salvage: Robert Penn Warren's God's Own Time And Three Stories, Allen Shepherd

The Kentucky Review

No abstract provided.

The Role Of The Protagonist In "The Faerie Queene": A Study Of The First Three Books, Gretchen Mertz

Honors Papers

That Spenser was regarded as a great poet in his own time is clear from incidental remarks by such eminent critics as Sidney, and later, Milton. Yet they say little about Spenser in depth, so we are left to infer their opinions from theories of good poetry at the time. As had long been the case, poetry's purposes were felt to be to teach and to delight, and Spenser's Faerie Queene evidently fulfilled both of these. Edward Dowden, defending Spenser as a moralist in the late nineteenth century, says of Renaissance poetry: poetry aims at something more than to decorate …

8. People Of Darkness, Page Proofs And Print Sample., Tony Hillerman

People Of Darkness Manuscripts

This is a master set proof that clearly shows the layout and formatting of the first edition publication. It has some editing marks and  annotations.

British Reviews Of Shikasta, Nancy Topping Bazin

English Faculty Publications

[First Paragraph] British reviewers had mixed reactions to Shikasta, the first novel in Doris Lessing's new series, "Canopus in Argos: Archives." Favorable and critical comments balanced one another, often within the same review. Furthermore, reactions tended to be extreme: either it was a magnificent novel (Times 11/15/79) or reading it was "a shameful waste of precious and irreplaceable time." (Sun Telegraph 11/18/79); or it was simultaneously great and boring. In general, British reviews of Shikasta were more perceptive than those of the second novel in Lessing's new series, The Marriages Between Zones Three, Four, and Five. Because …