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Articles 1651 - 1680 of 47552
Full-Text Articles in Arts and Humanities
The Innominate Couple, Lily Spiegel
Dormant As Life Sails By, Devin Sampson
Heaven’S Star, Claudia Deluca
Beyond The Lens, Riley Londraville
Meet The Editors, Providence College
When The Moon Says Hello, Libby Stockton
Poor Relations, Craig Kurtz
The Last Song, Hanna Boudreau
Keystone, Devin Sampson
The Last Miller, Eleanor Phillips
Not Even Past, Michael Washburn
Not Your Average Princess, Madison Hogardt
The Absolution On The Mountain Pass, Tyler Donegan
Contributors' Notes, Providence College
Table Of Contents, Providence College
Deathbed Bingo, Jane Lunin Perel
The Thief, Ella Bloom
Stumbles In The Wind, Maral Sarafin
Peace Found Here, Charlee O'Hair
In The Mind Of A Poet, Sara Mackinnon
Editor's Note, Providence College
Anniversary Remembrance For E. And J., Jennifer Phillips
Anniversary Remembrance For E. And J., Jennifer Phillips
The Alembic
No abstract provided.
Turkey Buzzards, Jennifer Phillips
The Leisure Class, Craig Kurtz
The Silence In Carnival, Lily Spiegel
Parting The Tourist Sea, Devin Sampson
The Specter Of Body Horror Haunting Joyce Carol Oates’S “The Chair Of Tranquility” And Charlotte Perkins Gilman’S “The Yellow Wall-Paper”, Tanya L. Tromble
The Specter Of Body Horror Haunting Joyce Carol Oates’S “The Chair Of Tranquility” And Charlotte Perkins Gilman’S “The Yellow Wall-Paper”, Tanya L. Tromble
Bearing Witness: Joyce Carol Oates Studies
Joyce Carol Oates is the editor of a 2023 collection entitled A Darker Shade of Noir: New Stories of Body Horror by Women Writers. Her own story in the collection, “The Chair of Tranquility (from the Diary of Mrs. Thomas Peele, Trenton, New Jersey, 1853),” takes on a fuller meaning when considered in a dialogic relationship to Charlotte Perkins Gilman’s 1892 story “The Yellow Wall-Paper.” By first outlining how Gilman’s and Oates’s stories can be seen as sister stories, then analyzing some essential differences operated in Oates’s story, the author is finally able to discuss the dialogic effect of …
Beyond “Do Not Disturb”: Alternatives And Possibilities Of Feminism In Joyce Carol Oates's Babysitter, Emilie Heude
Beyond “Do Not Disturb”: Alternatives And Possibilities Of Feminism In Joyce Carol Oates's Babysitter, Emilie Heude
Bearing Witness: Joyce Carol Oates Studies
“Sympathize/don’t rage” was Joyce Carol Oates’s call as she concluded a tweet on the rights of people who are transitioning (20 February 2023). This statement could well be considered a prism through which we might see her work. Indeed, the author depicts a variety of characters handling situations very differently – and readers are left dealing with their own sympathy with them. Babysitter (2022) is a case in point in this regard: Hannah, the main female character, appears as a submissive figure replete with gender and class prejudice and lacking agency. As Oyinkan Braithwaite wrote in a review for The …
The Blinding Lights Of (Post)Feminist Empowerment In Joyce Carol Oates’S "Night, Neon”, Stéphanie Maerten
The Blinding Lights Of (Post)Feminist Empowerment In Joyce Carol Oates’S "Night, Neon”, Stéphanie Maerten
Bearing Witness: Joyce Carol Oates Studies
Juliana, the protagonist of Joyce Carol Oates’s 2018 novella “Night, Neon,” is portrayed as a confident, empowered young woman who appears to embody the postfeminist ideal of “having it all”—autonomy, agency, and adherence to traditional feminine norms like marriage and motherhood. However, as the story unfolds, it becomes evident that Juliana’s sense of empowerment is largely performative, concealing deep-seated vulnerabilities and unresolved traumas. Through a series of flashbacks revealing Juliana’s troubled past, Oates critiques the postfeminist tendency to reinterpret traumatic experiences as tools for self-empowerment and resilience, suggesting that such a framework may obscure the systemic and pervasive nature of …
The Mudwoman In The Academia: The Spectral Presence Of Jane Eyre And Antoinette Cosway In Joyce Carol Oates's Mudwoman, Stéphanie Durrans
The Mudwoman In The Academia: The Spectral Presence Of Jane Eyre And Antoinette Cosway In Joyce Carol Oates's Mudwoman, Stéphanie Durrans
Bearing Witness: Joyce Carol Oates Studies
While Jane Eyre has been lauded as a feminist novel, its modernist prequel Wide Sargasso Sea clearly aims at recovering the lost voice of the much-maligned Bertha Rochester from an altogether different feminist perspective. In her 1985 essay on these two novels, Joyce Carol Oates highlights their dual relationship in terms of romance and anti-romance, regarding Rhys’s novel as “a reverse mirror image of Jane Eyre’s and Rochester’s England.” Commenting upon the brief encounter between Jane and Rochester’s first wife as depicted by Jean Rhys, Oates also points out that, “[i]nhabiting contrary worlds, one woman is a savage to the …