Arts and Humanities Commons^™

"Sometimes Your Memories Are Not Your Own": The Graphic Turn And The Future Of Holocaust Representation, Victoria Aarons

English Faculty Research

“The legacy of the Shoah” writes Eva Hoffman, a child of Holocaust survivors, “is being passed on to … the post-generation … The inheritance … is being placed in our hands, perhaps in our trust.” We are entering an era that will witness the end of direct survivor testimony. As we move farther and farther from the events of the Shoah, subsequent generations, who see their own lives shaped by the defining rupture of the past, continue to respond to the call of memory. The current era has seen a burgeoning of Holocaust literary representation in the evolving genre of …

The Room, Betty Adcock

Birmingham Poetry Review

pp. 17-18

Learning Greek, Betty Adcock

Birmingham Poetry Review

pp. 21-22

Deployment, Amber Adams

Birmingham Poetry Review

p. 70

Fig, Ahmad Almallah

Birmingham Poetry Review

p. 72

Scar 36, Bruce Bond

Birmingham Poetry Review

p. 82

A Scrap In The Blessing Jar, David Bottoms

Birmingham Poetry Review

p. 87

Muzzle, Brian Clifton

Birmingham Poetry Review

pp. 90-91

The Bronze Disc, Chad Davidson

Birmingham Poetry Review

pp. 99-100

Hunger, Ru Freeman

Birmingham Poetry Review

p. 112

January, Jennifer Grotz

Birmingham Poetry Review

p. 115

No Angel Herd On High, No Cow Jumping Over The Moon, John Hodgen

Birmingham Poetry Review

p. 133

American Airlines, John Hodgen

Birmingham Poetry Review

p. 134

Sight Lines, Quinn Lewis

Birmingham Poetry Review

p. 153

Dick Hole, Ray Mcmanus

Birmingham Poetry Review

p. 158

Oxygen, Homer Mitchell

Birmingham Poetry Review

p. 169

1 De Noviembre, Soledad Marambio

Birmingham Poetry Review

p. 196

March, Jennifer Grotz

Birmingham Poetry Review

p. 116

The Orrery, Stephen Kampa

Birmingham Poetry Review

pp. 146-147

Spontaneous Minds And Electric Romanticism: Kerouac, Ginsberg, Dylan, Joplin, Sasha Tamar Strelitz

Electronic Theses and Dissertations

This dissertation postulates a sub-category of Romanticism: electric Romanticism. As opposed to its “acoustic” forebear, electric Romanticism exists in an electric age, beginning after Henry David Thoreau’s rumination on the telegraph wire as an electric rendering of the æolian harp image. Romantic poets used the æolian harp to analogize the act of writing activities set into motion by spontaneous thoughts, a central attribute of the Romantic literary movement. The modernized electric version of the æolian harp—the telegraph wire—signals that electric Romanticism branches off from its source and evolves along with technology to engage more synchronously with the spontaneous.

Electric Romantics …

Birmingham Poetry Review 47 (Complete Issue), Birmingham Poetry Review Staff

Birmingham Poetry Review

No abstract provided.

Cognitive Dissonances, Betty Adcock

Birmingham Poetry Review

pp. 23-24

Constructing Heaven 1, Betty Adcock

Birmingham Poetry Review

p. 25

Wherever You Go, There You Are, Lana S. Asekoff

Birmingham Poetry Review

p. 74

A Proposal, Kate Hanson Foster

Birmingham Poetry Review

p. 110

All The Men In My Family Die First, J Bruce Fuller

Birmingham Poetry Review

p. 113

The Peace Of Wild Things, Matthew Roth

Birmingham Poetry Review

p. 181

Ballyhoo, H M. Cotton

Birmingham Poetry Review

pp. 210-214

Essay Review Of Lucasta Miller. L. E. L. : The Lost Life And Scandalous Death Of Letitia Elizabeth Landon, The Celebrated “Female Byron.”, David E. Latane

English Publications

Essay review of Lucasta Miller's L. E. L. : The Lost Life and Scandalous Death of Letitia Elizabeth Landon, the Celebrated “Female Byron," a landmark study of one of the most important poets of the 1820s and 1830s published by Knopf in 2019. After noting the remarkable research and important contribution to our knowledge of Landon's life and work, the review takes issue with some of the traits of popular biography found in the book, for example reaching too hard for significance, informal and imprecise language, lack of qualification when needed, distortions to make the story more exciting, etc.

Melville’S Battle-Pieces And Warren’S Wilderness (Eleanor Clark Award Winner, 2017), Mary Cuff

Robert Penn Warren Studies

No abstract provided.