Arts and Humanities Commons^™

Modeling Black Literature: Behind The Screen With The Black Bibliography Project, Brenna Bychowski, Melissa Barton

Library Staff Publications

The Black Bibliography Project (BBP) plans to produce a bibliographic database of printed works by Black writers from the eighteenth to the twenty-first centuries. With the support of the Beinecke Library and a grant from the Mellon Foundation, project co-PIs and codirectors Jacqueline Goldsby and Meredith McGill collaborated with a team of librarians from Yale to develop the data model for their database. Drawing on Beinecke’s James Weldon Johnson Memorial Collection to pull case studies, the team of librarians developed a Linked Data model for BBP in an instance of Wikibase and trained and supported a group of graduate student …

Interlingual Morphology And Wakean Topology, Stephen Valeri

Dartmouth College Master’s Theses

As an example of limit literature (literature that exhausts the entirety of what is possible in a given form), Finnegans Wake has been an inspiration for the theories of figures like Kristeva and Derrida to reveal the structural and linguistic operations of texts generally. In defamiliarizing the processes of word formation, the Wake compels us to attend to morphology’s structuring role in a work. My project focuses on Phillipe Sollers and Stephen Heath’s French translation of part of the concluding section of James Joyce’s Finnegans Wake to observe how the attempt to approximate Joyce’s interlingual morphology in translation contributes to …

A Bitten Apple And A Bloody Key: Feminist Revisionism At The Intersection Of The Eden Myth And The Bluebeard Tale, Jacob Ford

Electronic Theses and Dissertations

This thesis investigates the feminist revisionism of the Bluebeard fairy tale through a focus on its relationship with the Eden myth. Past studies have examined the remarkable feminism of Bluebeardian literature and history, but this thesis is the first to interrogate the tale’s evolution from and alongside the Eden myth and to argue that the Bluebeard tale’s feminism is exceptional because of its ties to the Eden myth. I argue that the evolution of the intersecting revisionism of the Eden myth and the Bluebeard tale is characterized by the changing morals of the two myths—morals that, depending on the author’s …

"The Greek Gods Don't Exactly Show Up For Their Kids' Basketball Games": Adapting Epic Convention Through Family Dramas In Rick Riordan's The Last Olympian, Hannah Mcginnis

Capstone Showcase

Rick Riordan's Percy Jackson and the Olympians saga bridges the gap between ancient myth and modern coming-of-age. In this article, the assertion that The Last Olympian is essentially an epic for the new generation invites an examination of the Homeric-heroic tropes and characteristics which are attributed to Riordan's characters. This analysis explains that through the combined motifs of time, age, and family, Riordan actively adapts and subverts these Classical conventions into a modern mythography for young readers.

“Gather Up The Reliques Of Thy Race” : Paynim Remains In Faery-Land, Tess Grogan

English Language and Literature: Faculty Publications

Placing Sansfoy’s death and the disappearance of his body alongside The Faerie Queene’s other defeated paynims—the Souldan and Pollente, Pyrochles and Cymochles—reveals that Spenser’s poem breaks from epic tradition in its treatment of the enemy dead. The corpse desecration and immoderate mourning habitually practiced by Spenser’s foreign characters makes visible early modern English anxieties about the limits placed on grief and the rites owed to the departed. In Book II, classical ideals of universal burial are gradually supplanted by treatment determined by racial and religious difference. Guyon’s evolving response to the question of burial discloses the racial stakes of paynim …

A Feminine Gothic Revival: The Haunting Of Shirley Jackson And Toni Morrison, Mallory Danley

Master of Liberal Studies Theses

In the realm of Gothic literature, the main characters typically involve a helpless woman in the clutches of her male assailant. Critics have long established that the traditional Gothic genre is considered a male-dominated discipline fixated on ideas of power, control, and submission. This essay argues that Shirley Jackson and Toni Morrison separate from this trope and invent the haunted heroine, a leading lady so haunted by the past, relationships, and emotions that through unique character development, insidious use of dread, and malicious paranormal occurrences create a nouveau dichotomy within Gothic literature. This essay is a close reading of two …

‘I Have Had My Vision:’ Visions And The Escape From Expectations In The House Of Mirth And To The Lighthouse, Madison Yardumian

Scripps Senior Theses

“I have had my vision,” Lily Briscoe declares in the triumphant culminating line of To the Lighthouse, indicating the fulfillment of her artistic vision on a project over ten years in the making. In her success, Lily Briscoe disproves those who have told her “women can’t write, women can’t paint” and actualizes her ability to create, all the while rejecting gendered and heteronormative expectations which prioritize heterosexual marriage over her artistic pursuits (Woolf, TL 86). Strikingly, this language of vision also recurs throughout The House of Mirth by Edith Wharton, a text published 22 years after To the Lighthouse, …

Writing The Womb, Writing The Wound: The Function Of Vulnerability In Autotheory, Madison Weaver

Master’s Theses

This thesis frames autotheory, a genre and practice of writing based in autobiographical and theoretical work, in the feminist genealogies established by Lauren Fournier and as a study in vulnerability. I revisit and reconsider Audre Lorde’s Zami: A New Spelling of my Name (1982) and Cherríe Moraga’s Waiting in the Wings: A Portrait of Queer Motherhood (1997) in terms of contemporary conversation on autotheory that center on Nelson’s popular memoir The Argonauts (2015), arguing that Lorde, Moraga, and Nelson practice autotheory by writing through physical and metaphorical wounds. This thesis considers how vulnerability is tied to the autotheoretical impulse by …

Existential Reactions To Modernity: An Analysis Of Lovecraft's Nihilistic Cosmicism & Dostoevsky's Christian Existentialism, Olivia Maikisch

Master’s Theses

Literary representations of existentialism demonstrate the movement’s efficacy as a tool for ideological and personal exploration, particularly as it pertains to issues of identity-formation, the Other, and rising concerns about modernized life. Despite their differences in genre, location, and time period, both H.P. Lovecraft and Fyodor Dostoevsky in their fiction greatly emphasize facets of existentialism as a response to their cultural concerns about modernity. They highlight complex relationships between socio-political concerns, philosophy, and literature in their different uses of existentialist themes. This study places both Dostoevsky’s Christian existentialism and Lovecraft’s nihilistic cosmicism within the existing spectrum of existential thought. The …

Fantastical Worlds And The Act Of Reading In Peter And Wendy, The Chronicles Of Narnia, And Harry Potter, Grace Monroe

Master’s Theses

My thesis explores the relationship between the child reader and the protagonist within fantasy children’s literature. By examining the experience of the protagonist in the text, I am complicating the notion of escapism in children’s literature and offering a new way to look at how children read. Using narrative theory and Freud’s fort-da, I detail how the events within a novel, the danger and catharsis within the plot, show how both the protagonist and the reader use narrative to better understand and cope with anxieties in their worlds. The novels and series that I discuss, Peter and Wendy (1911), …

Enter Invisible: Atavistic Dualism In Shakespeare, Donne, And Milton, Andrew Scott

Master’s Theses

This thesis explores the different ways in which either dualistic or monistic points of view are represented in select works of William Shakespeare, John Donne, and John Milton. I am relying principally on the broad definition of dualism Ioan Couliano utilizes in his book The Tree of Gnosis. Per Couliano, dualism is not necessarily a discrete tenet of a systematized belief; rather, he means by the word to indicate an intellectual tendency toward splitting certain complex ideas—body and soul, God and man, evil and its opposite, etc.—into separate, sometimes opposing parts. This in contrast to monism, which brings into …

Feminism By Proxy: Jane Austen’S Critique Of Patriarchal Society In Pride And Prejudice And Emma, Alexis Miller

Master's Theses and Doctoral Dissertations

Reading Austen’s Pride and Prejudice and Emma from a feminist perspective reveals Austen’s desire for progressive marriages built on equality and love. Comparing the characteristics and eventual marriages of Austen’s heroines, Elizabeth Bennet and Emma Woodhouse, to other women and relationships in her novels highlights their uniqueness as women of agency who desire more than the society of Regency England offered women. Through such comparisons, Austen brilliantly displays her critique of the patriarchal society and the limitations that it set on women. Her critique is further established in the two novels through her emphasis on breaking down the false patriarchal …

Hettie Jones And Bonnie Bremser: Complicating Feminist And Beat Master Narratives, Nancy Effinger Wilson

Journal of Feminist Scholarship

The Beat master narrative suggests that all Beats ignored racism; the feminist wave model suggests that there was no feminist activism between the first and second wave of feminism and no attention to the intersection of race and gender prior to the third wave. Both models discount and in the process erase the efforts by Beat writers Bonnie Bremser and Hettie Jones who challenged racism and sexism before the more visible civil rights and feminist movements of the 1960s. Employing Milton Bennett's Developmental Model of Intercultural Sensitivity to analyze the intercultural/interracial attitudes present in Bonnie Bremser’s Troia and Hettie Jones’ …

Peeta’S Virtue In The Hunger Games Trilogy, Gabriel Ertsgaard

Journal of Feminist Scholarship

The Latin virtus literally means “manliness” (vir = man) and, by extension, the positive qualities that a man should have. During the transition from Latin to French to English, “virtue” lost its gender specificity, but retained its reference to positive qualities. Thus, by the Enlightenment period, separate standards of virtue had emerged for women and men. Suzanne Collins disrupts this gendered virtue dichotomy in her Hunger Games trilogy. Peeta Mellark is a natural diplomat and peacemaker, a gentle soul who fits the feminine model of virtue better than the masculine model. Although Peeta engages in violence when necessary, he …

Kate O’Brien: Queer Hauntings In The Feminist Archive, Naoise Murphy

Journal of Feminist Scholarship

The archive of Irish writer Kate O’Brien is a notable example of how queerness haunts the mainstream of feminist literary spaces. The 2019 Museum of Literature Ireland (MoLI) exhibition Kate O’Brien: Arrow to the Heart, which set out to restore this censored novelist’s place in the archive of twentieth-century Irish writing, provides a case study of these dynamics. Queer and feminist perspectives on the archive, with a focus on affect, hauntings and Sara Ahmed’s “queer use,” illuminate the conflicting epistemologies regulating the O’Brien archive. Reading this exhibition as an Irish queer, affective experience collides with entrenched structures of power …

Criterion, Volume 39, 2021, Loyola Marymount University English Department

Criterion

Faculty Advisor: Sarah Maclay

Co-Editor-in-Chiefs: Christina Martinez, Alexandra Paradzick, & Comer Wadzeck

African American Celebrity Auto/Biographies, Anthony S. Foy

English Literature Faculty Works

Anthony Foy’s chapter asks how do we approach the overdetermined narrative of the African American celebrity as a modern variant of African American autobiography, rather than simply dismissing it for its lack or artistry, activism, or authenticity? Foy observes that (1) the Black celebrity narrative recounts the emergence, circulation, reception, and transformation of the star’s image while also registering the synedcochic function of the star’s racialized body; (2) it features the sites, activities, practices, and products of consumer culture in order to ratify the star’s status as exemplary consumer and alluring commodity; and (3) it commodifies authenticity by promising to …

Contending Discourses Of Black Autobiography: Respectability, Authenticity, And Masculinity, Anthony S. Foy

English Literature Faculty Works

After historicizing the politics of racial representation in the slave narrative, this article considers how race, gender, and class intersect historically in the autobiographical production of Black men in the United States. At the dawn of the Jim Crow era, Black autobiography conformed to a cultural politics of racial synecdoche, which avowed that racial progress depended on the respectability of esteemed individuals. Dominated by aspirational figures who presented themselves as racial emblems, Black autobiography became closely aligned with the imperatives of Black middle-class formation, actuating a discrete form of racial publicity that erected disciplinary boundaries around Black self-presentation and silenced …

Diasporic Longings, Bakirathi Mani

English Literature Faculty Works

Using diaspora as a framework for reading Asian American literature expands the geographical and temporal contours of what it means to be Asian American. Although late-twentieth-century US popular culture was marked by multicultural ideologies of American citizenship, “diaspora” captures another way of thinking about Asian Americans: as immigrants who are subject to multiple projects of nationalism, and who embody diverse forms of citizenship. Whereas writers like Bharati Mukherjee reproduce dominant ideologies of US exceptionalism and multicultural citizenship, for writers such as Meena Alexander, the production of diasporic locality ripples across generations, as she ties together South Asia with North America, …

Writing A Fantasy Novel, Sarah Webb

Honors Projects

The goal of this Honors Project was to write and outline a manuscript for a fantasy novel. Worked into that goal was to create a unique magic system, a world, and a pantheon, which was accomplished through research of other fantasy worlds and other mythologies both fictional and historical. The story revolves around the central questions of identity (including the fluidity of gender and sexuality), concerns of future aspirations, and how education applies to those topics through facilitating conversation; these themes are not commonly discussed in mainstream fantasy. The current manuscript, which houses over 42,000 words, also includes a visual …

‘I Have Had My Vision:’ Visions And The Escape From Expectations In The House Of Mirth And To The Lighthouse, Madison Yardumian

Scripps Senior Theses

“I have had my vision,” Lily Briscoe declares in the triumphant culminating line of To the Lighthouse, indicating the fulfillment of her artistic vision on a project over ten years in the making. In her success, Lily Briscoe disproves those who have told her “women can’t write, women can’t paint” and actualizes her ability to create, all the while rejecting gendered and heteronormative expectations which prioritize heterosexual marriage over her artistic pursuits (Woolf, TL 86). Strikingly, this language of vision also recurs throughout The House of Mirth by Edith Wharton, a text published 22 years after To the Lighthouse, …

Witnessing Difference: An Exploration Of Living In The Aftermath Of Trauma In Post-Holocaust America In Cynthia Ozick’S “Rosa”, Anastasia Kourotchkina

Scripps Senior Theses

This thesis examines the process of witnessing in Cynthia Ozick’s novella Rosa as a crucial part of living in the aftermath of Holocaust. By using Kelly Oliver’s concept of witnessing, I approach the process of witnessing trauma as the process of restoring subjectivity. As my analysis of Ozick’s Rosa shows, what prevents both Rosa and those around her to bear witness to trauma is the failure to imagine oneself as implicated in the traumas of the other. I conclude that the tendency to ignore the essential connection and dependence that exists between the Self and the other is enabled by …

Women And World War One: Perspectives On Women's Role In Wwi Literature, Rachel Michelle Brown

All Master's Theses

This thesis analyzes the changing gender roles of British women who served as caretakers in World War One. Often overlooked for their contributions, the women who worked on the frontlines of the war defined the changing role of women during and after the war in several crucial ways: 1) the general expectations of women’s gender role, 2) how women perceived and acted in motherhood, and 3) how women constructed and maintained heterosexual, homosocial, and platonic relationships. Using a gender theory approach, this thesis analyzes two semi-autobiographical fictional texts, Evadne Price’s Not So Quiet: Stepdaughters of War, published in 1930, and …

Portrait Of Brother As A Tractor At The Equipment Sale, Samatha Leigh Futhey

Birmingham Poetry Review

pp. 67-68

Seneca Falls: Halloween Weekend 2016, Before The Election, Nancy Mccabe

Nelle (literary magazine)

p. 5

Early Cretaceous Swims Up To The Bar, Lesley Wheeler

Nelle (literary magazine)

p. 123

White Knight, Derrick Harriell

Birmingham Poetry Review

p. 72

"I Don’T Want To Be A Priest. I’D Rather Be A God": An Interview With David Kirby, Alex Quinlan

Birmingham Poetry Review

pp. 30-49

Cloud Cover, Laurie Rachkus Uttich

Nelle (literary magazine)

pp. 48-49

I'Ll Tell You What Helped, Melissa Crowe

Nelle (literary magazine)

pp. 86-87