Arts and Humanities Commons^™

Mixed Media January 13, 1998, Students Of Risd, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The January 13, 1998 issue includes articles on an upcoming lecture by Mary Oliver, another student trip to Wright's Farm, and film reviews, along with the comic "Zoot the Flute," event notices, and other announcements.

Words & Images 1998, University Of Southern Maine

Words and Images

Words and Images is an annual arts and literature publication distributed by the University of Southern Maine

Editor: Narayan Nayar

Art Editor: Lisa Solomon

Literary Editor: Megan Marshall

African-American Folk Art In Kentucky, Amalia K. Amaki, Maude Southwell Wahlman, O'Leary Bacon, Joan Dance, Helen Lafrance, Mark Anthony Mulligan, Marvin Finn, Willie Massey, Willie Rascoe, Charles Williams, Lavon Van Williams, Zephra May-Miller

Kentucky Folk Art Center Exhibition Catalogs

1998 Kentucky Folk Art Center exhibition catalog of African-American folk art from Kentucky.

1998 Stanley A. Bauman Photograph Collection Index, Stonehill College Archives

Bauman Indexes

Chronological Listing of all negatives taken by Stanley A. Bauman during 1998. The numbers to the left of each entry indicates the envelope those of negatives are found in. Please use this number when requesting contact sheets for images.

Nexus, Winter 1998, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Parnassus 1998

Parnassus

The 1998 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Photography: Chris Carlson, Chris Carlson

Inscape

No abstract provided.

Photography, Alyssa Dick

Inscape

No abstract provided.

Photography: Christina Dominguez, Christina Dominguez

Inscape

No abstract provided.

Full Issue

Inscape

No abstract provided.

Fall 1998, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.

The New Plastic In Sculpture, Timothy M. Gallant

Honors Theses, 1963-2015

In his "new plastic" paintings, Piet Mondrian (1872-1944) created an aesthetic of universal dimensions through the unification of simplified visual elements. Through an intuitive process of trial and error, Mondrian achieved the unity required for his universal aesthetic by creating a delicate tension between simplified elements in simulated three dimensional space. Mondrian's "new plastic" (neoplastic) aesthetic in painting, however, is physically bound to the two dimensional surface of his canvas and allowed only the appearance of three dimensions. In my thesis, I outline the translation of Mondrian's aesthetic into a physically three dimensional context, creating a universal aesthetic in sculpture …

The Utopian Mayeux: Henri De Saint-Simon Meets The Bossu A La Mode, Elizabeth Mix

Scholarship and Professional Work – Arts

MonsieurMayeux was a fictional hunchback dwarf found in visual and literary media during and after the period of the July Monarchy (1830-1848) in France. Many artists, among them Honoré Daumier, and writers, including Victor Hugo and Alfred de Musset, popularized the hunchback. Mayeux was a unique "type " capable ofaddressing a diverse public on several simultaneous levels. The ambiguities inherent in his physical and psychological characteristics aided individuals who "used" him to sell a product or advocate a political position. With Saint-Simonism we can witness Mayeux being used to address both sides of the same argument. Although he was an …

Jill Knight - Future Perfect (Cd Cover), Sky Bergman, Alicia Buelow

Art and Design

Back cover photo and inside photo by Sky Bergman

Package design and cover art by Alicia Buelow

Views In Review: Politics And Culture In The State Of The Jews, Abby Kagan, Sky Bergman

Art and Design

Jacket design: Copyright © 1998 Abby Kagan. Jacket photograph: Copyright © 1998 Sky Bergman.

Tea Bowl: Imperfect Harmony, Gretchen A. Mehring, Greater Lafayette Museum Of Art

Exhibit Catalogues

These tea bowls, with their intimate scale and individual personalities, simultaneeously offer an apprectiation of the past and the contemporary. The subtle beauty of traditional-style bowls contrasts with the more exuberant contemporary idiom, raising an awareness of the role that art has, and can play, in everyday life.

Narratus Interruptus: Gary Hill’S 23:59:59:29—The Storyteller’S Room, Dore Bowen

Faculty Publications

No abstract provided.

Grandpa's Tools, Cheryl Hanba, Fleet Library, Special Collections, Jan Baker

Senses

This book was completed for Jan Baker's artists' book class, Printed Books.

Weaving, Molly Schoenhoff, Fleet Library, Special Collections, Jan Baker

Senses

This book was completed for Jan Baker's artists' book class, Printed Books.

Rangoli, Jeannine Colaco, Fleet Library, Special Collections, Jan Baker

Culture

This book was completed for Jan Baker's artists' book class.

Yellow, Orange, Red, Green, Blue, Purple, Sara Osten, Fleet Library, Special Collections, Jan Baker

Senses

This book was completed for Jan Baker's artists' book class, Printed Books.

Things Exist For A Reason, Andrew Kuo, Fleet Library, Special Collections, Jan Baker

Culture

This book was completed for Jan Baker's artists' book class.

Which One Are You?, Marylee Bytheriver, Special Collections, Fleet Library

Artists' Books

A yellow ribbon holds the book together, 26 pages, chiefly illustrations. Edition limited to 100 copies, signed by the artist. Consists of a Jacob's ladder structure in which photographs are attached on both sides. Photographs of the artist's family are scanned and manipulated onto Rives Lightweight and glued to foam core. Printed paper strips hold book sections together. Texts on paper strips use three different type faces: one reflecting the artist's recollections of her childhood; one quoting from The birth order book : why you are the way you are, by Dr. Kevin Leman; and the last quoting from the …

Snake, Maria G. Pisano, Special Collections, Fleet Library

Artists' Books

tunnel book variation with parallel concertina sides, enclosed in a printed wrapper; cover; accordion, folded out; colophon. A long, narrow tunnel book unfolds like a slithering snake.

Ivy Leaves, 1997-1998, Ivy Leaves Editorial Staff

Ivy Leaves

The 1998 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jennifer Brown, Shane Bruce, Sharon Felder, Kellie Bates, Clay Bolt, Tiffany Clark, Jon Martin, Ben McDonald, Amber Schiltz, Jeremy Shirley, Chase Stone, Susan Wooten, and Wayne Cox. Cover photography by Ben McDonald and design by Clay Bolt and Jeremy Shirley.

The Mockingbird - 1998, Department Of Art And Design, East Tennessee State University, Department Of Literature And Language, East Tennessee State University

The Mockingbird [magazine]

William Abbott [Another Resurrection; I Was Crawlin' through the underground]; Jennifer Anderson [Untitled Drawing]; William Arwood [The Daydream Soldier]; Brandon Bragg [A Cat's Hide]; Scott Braswell, Brad Owens [Interview with Dr. Perez Firmat]; Deborah Bryan [Domestic Pattern #4; Interior #2]; Cameron Byrd [Pale Rider's Mount]; Emily Carmichael [VI.; Untitled Drawing]; Margarita Casanova [el Paquette; el Nopal]; Meg Day [Wolf]; Deborah S. Deloach [Hospital Survival for the Emotionally Challenged]; Tonya Elswick [Ghostly Sentinels of Mt. Leconte]; Russell R. Forsyth [The Cherry]; Missy Gathright [Bones]; Dennis Greenwell [Untitled Print]; Joshua Hathaway [Untitled Drawing]; Jeanette Henry [Untitled Photograph]; Elizabeth Hickman [Untitled Photograph]; John …

Kentucky Quilts: Roots & Wings, Adrain Swain, Shelly Zegart

Kentucky Folk Art Center Exhibition Catalogs

1998 Kentucky Folk Art Center exhibition catalog depicting Kentucky quilts.

Into The Landscape, Gegory S. Walter

School of Art, Art History, and Design: Theses and Student Creative Work

"I walked into the landscape as with a Bible in my hand." -John Constable

This thesis project is, in its simplest terms, a study of the landscape. More specifically, it is a study of the spring and summer landscape of certain parts of the Northern Central United States. I have long held a personal fondness for this region, and this study has allowed me to delve deeper into the visual aspects of these places. The vivid, brilliant colors of the Northern landscape which come alive in the weeks following the long and often harsh winter are the constant reminder of …

Painting And Being: A Meditation On Perception, Myron N. Moore

School of Art, Art History, and Design: Theses and Student Creative Work

The art of painting, as I practice it, is analogous to reevaluating tradition: the purpose being not to determine what is new but to determine anew what is truly relevant. The history of art affects my perception and that which I see celebrates what I find relevant to the present. I have always worked from direct observation. In an art climate that has moved toward conceptual concerns, my response is to explore the perceptual paradigm of western art, without invalidating its tradition. My paintings are a direct response to my environment. In making such work I communicate the significance of …

Exceptional Textiles For Today's Interiors Weaving Our Way Through The Design Community's Exclusive Showrooms, Mia Backman

Textile Society of America: Symposium Proceedings

This site seminar will begin with an introduction to the role of designer showrooms and their significance to the interior design community. Following this brief introduction, we will visit two textile showrooms: Donghia and Old World Weavers. These innovative showrooms were chosen for their diversity, leadership, and distinctive market positions. Donghia is known internationally for their creative weave structures that interpret classic forms into fresh modern designs. These light catching textiles are truly the antiques of the future. Old World Weavers industry expertise in the area of recreating historic textile documents has opened the doors to such restoration projects as …