Architectural History and Criticism Commons^™

The Refurbishment And Renovation Of The Palais-Royal During The Recency, Jean-François Bédard

School of Architecture - All Scholarship

Philippe II, duc d'Orléans and his architect, Gilles-Marie Oppenord, embraced the grand goût style and recast the Palais-Royal as a surrogate Versailles. This shift imagined the Palais-Royal as the center for royal power during the Regency period. This article traces the ways in which renovations from 1713 until 1723 transformed the Palais-Royal. While Louis XV moved the seat of power back to Versailles, Paris remained the center for French politics thanks to duc Orléans and Oppenord.

Schloss Sanssouci (1743-1745), Jean-François Bédard

School of Architecture - All Scholarship

This article is a general overview of Schloss Sanssouci, a summer palace of Fredrick II, King of Prussia. The architect, Georg Wenzeslaus von Knobelsdorff, depended heavily upon Fredrick's idiosyncratic designs, giving Scholoss Sanssouci a unique character.

Vierzehnheiligen (1742-1744), Jean-François Bédard

School of Architecture - All Scholarship

This article traces the ways in which competing architectural plans for the Vierzehnheiligen (currently known as the Basilica of the Fourteen Holy Helpers) in Southern Germany evolved from its 1735 until 1744. These changes reflect changing ideas of church architecture and the pragmatic realities of the site.

A Plan Of The Louvre's Cour Carrée And The Making Of The Architecture Française, Jean-François Bédard, Pierre-Édouard Latouche

School of Architecture - All Scholarship

In November 1894 an album of drawings of the Louvre was auctioned in Paris. Contained within the album is an anonymous and undated plan of the ground floor of the Cour Carrée. This article argues that the survey for this plan was sponsored by educator and architect Jacques-François Blondel, and give evidence for this attribution.

Complicated Agency, Brian Lonsway

School of Architecture - All Scholarship

No abstract provided.

The Synthesis Of Architecture And Decor, Jean-François Bédard

School of Architecture - All Scholarship

This chapter discusses the influences on Charles Percier's style and the ways in which there were continuities between his design aesthetics during the post-French Revolution period and earlier architects. Furthermore, with the accession of Napoleon Bonaparte, Percier fully deployed his ornamental strategy to give legitimacy to the upstart imperial court.

“Rationalization Takes Command: Zeilenbau And The Politics Of Ciam,” Excerpt From Building Culture: Ernst May And The New Frankfurt Initiative, 1926-1931, Susan R. Henderson

School of Architecture - All Scholarship

Chapter seven, of Building Culture,"Rationalization Takes Command: Zeilenbau and the Politics of CIAM," addresses the New Frankfurt housing and settlement initiative at the onset of the depression of 1929. The shift into decline, saw some initiatives completed, others stifled, and new ones emerge. Thus the 1929 CIAM Congress held in Frankfurt began with performances of experimental music, poetry and dance, and ended with the consecration of the existence minimum as the new housing standard. Meanwhile, Ernst May pushed forward with a revised housing strategy based on the minimal dwelling, the existence minimum, and the superblock (Zeilenbau). The CIAM Congress …

The New Woman's Home, Excerpt From Building Culture: Ernst May And The New Frankfurt Initiative, 1926-1931, Susan R. Henderson

School of Architecture - All Scholarship

Chapter three of Building Culture, “The New Woman’s Home. Kitchens, Laundry, Furnishings,” discusses household culture and modernization. It begins with the Frankfurt Kitchen and its designer, Grete Lihotzky, and continues with a discussion of electricity and the architect Adolf Meyer, and its expansion with the example of the electric laundries in the Frankfurt settlements. The next segment is a discussion of new furniture design, small, inexpensive furniture that was an essential partner to contemporary small house design and was avidly researched in the Frankfurt offices. Designers here include Kramer, Cetto and Schuster.

Review: Dairy Queens: The Politics Of Pastoral Architecture From Catherine De' Medici To Marie-Antoinette By Meredith Martin, Jean-François Bédard

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Bédard gives a review of Meredith Martin's Dairy Queens: The Politics of Pastoral Architecture from Catherine de' Medici to Marie-Antoinette (Harvard University Press, 2011). This book traces the history of the pleasure dairy, a feature of the pastoral movement in Europe from a feminist perspective. Martin study draws on the literature dealing with the role of the visual arts in the construction of female subjectivity in Modern France to make the case of the importance of pleasure dairies as sights of empowerment from French Noblewomen. Bédard states that Dairy Queens is a strong contribution to discussions of how architecture and …

Review: Jules Hardouin-Mansart; Jules Hardouin-Mansart, 1646–1708; Bâtir Pour Le Roi: Jules Hardouin-Mansart (1646–1708), Jean-François Bédard

School of Architecture - All Scholarship

In this review, Jean-François Bédard examines two book projects that look at Jules Hardouin-Mansart, who became First Architect to the King in 1681 and Superintendent of Works in 1699. His tenure was marked by a great flurry of activity and the generation of an immense quantity of documents. However, Hardouin-Mansart's professional and social success had a negative impact on the critical reception of his work. In fact many architectural historians doubted that he was behind many of the projects. The projects attempt to reevaluate Hardouin-Mansart's legacy as a designer. Bertrand Jestaz's two volume Jules Hardouin-Mansart is a greatly expanded and …

Graduate Sessions 6: Televisuality, Jon Yoder, James L. Hepokoski, James Utterback

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The Televisuality symposium was organized by Jon Yoder and the students of Architectural Theory + Design Research, a core component to the graduate curriculum in the School of Architecture.

Marcel Breuer And Postwar America, Marcel Breuer, Barry Bergdoll, Jonathan Massey

School of Architecture - All Scholarship

At the center of Slocum Hall, four stories below a large skylight, stands a big shaggy lens - a deep, fur-lined scoop framed by a broad rectangle eight feet high. Between stepped floor and slanted ceiling is a curved wall punctuated by a trapezoidal aperture through which you glimpse a purple-tinted fragment of face. Forehead and cheeks, a nose and two eyes: Marcel Breuer.

The lens, a pavilion encasing deep embrasures, marks an exhibition of material from the archive of this leading 20th century architect. It points you toward the adjacent gallery, where more than 120 drawings and photographs reproduced …

Marcel Breuer And Postwar America, Barry Bergdoll, Jonathan Massey

School of Architecture - All Scholarship

At the center of Slocum Hall, four stories below a large skylight, stands a big shaggy lens - a deep, fur-lined scoop framed by a broad rectangle eight feet high. Between stepped floor and slanted ceiling is a curved wall punctuated by a trapezoidal aperture through which you glimpse a purple-tinted fragment of face. Forehead and cheeks, a nose and two eyes: Marcel Breuer.

The lens, a pavilion encasing deep embrasures, marks an exhibition of material from the archive of this leading 20th century architect. It points you toward the adjacent gallery, where more than 120 drawings and photographs reproduced …

Prints By Gabriel Huquier After Oppenord's Decorated Ripa, Jean-François Bédard

School of Architecture - All Scholarship

This article discusses the ways in which Gabriel Huquier altered the designs of other artists and printmakers to create new prints. In particular, Bédard examines Huquier's reproduction of a copy of Cesare Ripa's Iconologia. Huquier did not appropriate Oppenord's Ripa in its entirety or follow the original sequence of drawings. Instead he produced a series of prints that feature elements randomly chosen from it. Bédard argues that Oppenord and Huquier were both bricoleurs, but who had different objectives for their projects. While Oppenord attempted to interpret the text, Huquier was concerned with profit.

Architectural Wit: Le Corbusier And The Use Of Visual Analogy And Metaphor, Bruce Abbey

School of Architecture - All Scholarship

"The ability to see the world of ideas in visual terms and as a method equivalent to literary poetics distinguishes the work of Le Corbusier from other architects of his generation." A detailed description of his use of visual metaphor and analogy has been difficult to find in the critical literature. This article explains Le Corbusier's use of visual analogy and metaphor.

Graduate Sessions 10: Preston Scott Cohen, Mark D. Linder, James Lucas

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Preston Scott Cohen, founder of Preston Scott Cohen, Inc., is the Chair of Architecture at Harvard University Graduate School of Design. He is the author of Contested Symmetries and numerous theoretical and historical essays as well as the designer of several significant cultural institutions, urban plans, and residences for which he has received awards and honors including the American Academy of Arts and Letters Award in Architecture.

Design And Technology Workshops 2006|2010, Mark D. Linder

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Design and technology workshops are a key feature to the Syracuse Architecture M.Arch 1 program. All first and second year students and their faculty participate in these two-day events that reinforce the need to integrate all aspects of the core curriculum.

Review: Richard Whitman, Architecture, Print Culture, And The Public Sphere In Eighteenth-Century France, Jean-François Bédard

School of Architecture - All Scholarship

This review of Richard Whitman's Architecture, Print Culture, and the Public Sphere in Eighteenth-Century France (Routledge, 2007) examines the relationship between architectural discourse and political power in Frame from 1671 until the end of the ancient regime. The volume successfully foregrounds the socio-political functions of architectural writing, though the use of Habermas' thesis proves to be less convincing. Some of his arguments also tend to be simplistic or schematics .Nonetheless, this volume is a valuable contribution to the study of French architecture during the eighteenth century.

Graduate Sessions 9: Keller Easterling, James Lucas, Mark D. Linder, Cameron Lassiter

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Keller Easterling is an architect, professor, urbanist, and writer whose books Enduring Innocence: Global Architecture and Its Political Masquerades and Organization Space: Landscapes, Highways and Houses in America offer original and provocative conflations of spatial theory and contemporary design.

Housing The Single Woman: The Frankfurt Experiment, Susan Henderson

School of Architecture - All Scholarship

'A key effort on the behalf of women's emancipation in Weimar Germany, and one of the most overlooked and least successful, was to create affordable housing for the vast and growing ranks of single women,' made so as a result of casualties in World War I. On the work of Grete Schütte Lihotzky, Ernst May, Anton Brenner, Eugen Kaufmann, Bernhard Hermkes, and others.

Foglio, Syracuse University

School of Architecture - All Scholarship

Foglio is a publication that covers the work produced by students and faculty of Syracuse University during their time in Florence. This edition covers the topics of urbanism as well as many contemporary issues.

Political Renewal And Architectural Revival During The French Regency: Oppenord's Palais-Royal, Jean-François Bedard

School of Architecture - All Scholarship

Author links Oppenord's 'revivalist' attitude to the politics of his patron, Philippe II, duc d'Orleans, regent of France between 1715 and 1723. The author uses eight drawings by Oppenord, acquired by the Carnavalet in 1999, as well as others known, to show how the Palais-Royal and its apartments were transformed to be a surrogate Versailles. Includes a checklist of drawings and prints by and after Oppenord for the Palais-Royal (1713-1723).

Graduate Sessions 7: Anthony Vidler, Mark D. Linder, James Lucas, Lauren M. Baez

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Anthony Vidler is Dean of the Irwin S. Chanin School of Architecture of The Cooper Union. His books include Histories of the Immediate Present, The Architectural Uncanny, Warped Space, and The Writing of the Walls.

Graduate Sessions 8: Neil Denari, Mark D. Linder, James Lucas, Melissa Griffin

School of Architecture - All Scholarship

Neil Denari is the founder and principal of Neil M. Denari Architects, Inc. He was the director of SCI-Arc from 1997 to 2001 and is currently a professor in the Architecture and Urban Design Department at UCLA. His lecture at Syracuse Architecture, entitled "The New Intimacy," is one of over two hundred he has given at institutions throughout France, Japan, and the United States.

Lessons From Bernard Rudofsky, Jean-François Bédard

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A review of the exhibition of Bernard Rudofsky's work, organized by the Architekturzentrum Wien and the Getty Research Institute (GRI) in associated with the Canadian Centre for Architecture (CAA). This exhibit outlined Rudofsky's career and theoretical interests. Rudofsky was at the margins of high modernism, but unlike some of his contemporaries, focused on traditional, indigenous vernacular forms.

Graduate Sessions 5: Johnston Marklee, James Degennaro, Amanda Jones

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Sharon Johnston, AIA & Mark Lee are the principal founders of Johnston MarkLee Associates. Sharon currently teaches at UCLA's Department of Architecture and Urban Design and has directed visiting critics studios throughout the country. Mark Lee is an integral faculty member at UCLA and is currently the Vice Chair.

Founded in 1998, Los Angeles-based Johnston MarkLee & Associates designs and develops distinvtive architectural environments that are responsive to the variable intermix of specific conditions of site, program and economics. Recent projects include an exhibition design at the Los Angeles County Museum of Art entitled nano, numerous award-winning houses that are …

The Experience Of A Lifestyle, Brian Lonsway

School of Architecture - All Scholarship

This essay traces the evolution of themed environment design from theme parks to a series of new architectural types – Urban Entertainment Destinations, Lifestyle Enhancement Centers, and Lifestyle Villages – as a chronicle of spatial mediation from urban décor to urban design technique. Culled partly through semiotic deconstruction and partly through ethnographic investigation, this history examines the environmental design techniques employed in these spaces in order to better understand the relationship of design practice to the cultural practices of work and leisure.

From spatialized branding strategies to the neo-urbanist configurations of location-based entertainment, leisure/entertainment ventures use these narratively motivated techniques …

Organic Architecture And Direct Democracy: Claude Bragdon's Festivals Of Song And Light, Jonathan Massey

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Graduate Sessions 3: Juan Herreros, Mark D. Linder, Beth Mosenthal

School of Architecture - All Scholarship

Juan Herreros is the founder and principal of Abalos and Herreros Architects in Madrid and teaches internationally as a Doctor of Architecture, Senior Professor and head of Teaching Unit Q at the Escuela Tecnica Superior de Arquitectura de Madrid, as well as a Visiting Professor most recently at Princeton University and the Illinois Institute of Technology

The work of Abalos and Herreros ranges from published works including Tower and Office: From Modernist Theory to Contemporary Practice and Recycling Madrid to critically-acclaimed built work including apartment and office towers in Vitoria and the Woermann complex in Las Palmas de Gran Canaria. …

Graduate Sessions 4: Transdisiplinary Applications, Mark D. Linder, Joseph Sisko

School of Architecture - All Scholarship

This issue of Graduate Sessions combines the panel discussions of Transdisciplinary Applications, a symposium featuring designers and researchers who studied the discipline of architecture and now are expanding the field of the discipline by applying specifically architectural techniques to problems and projects outside of, or marginal to, the proper domain of the profession.