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Modernism

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Full-Text Articles in Architectural History and Criticism

Marcel Breuer And Postwar America, Marcel Breuer, Barry Bergdoll, Jonathan Massey Feb 2011

Marcel Breuer And Postwar America, Marcel Breuer, Barry Bergdoll, Jonathan Massey

School of Architecture - All Scholarship

At the center of Slocum Hall, four stories below a large skylight, stands a big shaggy lens - a deep, fur-lined scoop framed by a broad rectangle eight feet high. Between stepped floor and slanted ceiling is a curved wall punctuated by a trapezoidal aperture through which you glimpse a purple-tinted fragment of face. Forehead and cheeks, a nose and two eyes: Marcel Breuer.

The lens, a pavilion encasing deep embrasures, marks an exhibition of material from the archive of this leading 20th century architect. It points you toward the adjacent gallery, where more than 120 drawings and photographs reproduced …


Marcel Breuer And Postwar America, Barry Bergdoll, Jonathan Massey Feb 2011

Marcel Breuer And Postwar America, Barry Bergdoll, Jonathan Massey

School of Architecture - All Scholarship

At the center of Slocum Hall, four stories below a large skylight, stands a big shaggy lens - a deep, fur-lined scoop framed by a broad rectangle eight feet high. Between stepped floor and slanted ceiling is a curved wall punctuated by a trapezoidal aperture through which you glimpse a purple-tinted fragment of face. Forehead and cheeks, a nose and two eyes: Marcel Breuer.

The lens, a pavilion encasing deep embrasures, marks an exhibition of material from the archive of this leading 20th century architect. It points you toward the adjacent gallery, where more than 120 drawings and photographs reproduced …


Lessons From Bernard Rudofsky, Jean-François Bédard Jun 2008

Lessons From Bernard Rudofsky, Jean-François Bédard

School of Architecture - All Scholarship

A review of the exhibition of Bernard Rudofsky's work, organized by the Architekturzentrum Wien and the Getty Research Institute (GRI) in associated with the Canadian Centre for Architecture (CAA). This exhibit outlined Rudofsky's career and theoretical interests. Rudofsky was at the margins of high modernism, but unlike some of his contemporaries, focused on traditional, indigenous vernacular forms.


Ernst May And The Campaign To Resettle The Countryside: Rural Housing In Silesia, 1919-1925, Susan Henderson Jun 2002

Ernst May And The Campaign To Resettle The Countryside: Rural Housing In Silesia, 1919-1925, Susan Henderson

School of Architecture - All Scholarship

May's Silesian work chronicles the impact of Modernism and corporatism on Weimar housing


Cities Of Artificial Excavation: The Work Of Peter Eisenman, 1978-1988 Introduction, Jean-François Bédard Jan 1994

Cities Of Artificial Excavation: The Work Of Peter Eisenman, 1978-1988 Introduction, Jean-François Bédard

School of Architecture - All Scholarship

In this introduction, Bédard traces American architect Peter Eisenman's evolution as an architect and theorist from his work on houses from 1967 until 1980 to a body of work titled, "Cities of Artificial Excavation," which he completed between 1978 and 1988. In "Cities of Artificial Excavation," Eisenman interrogates a series of fictions by using dissimulation to produce an "artificial" architecture.