Open Access. Powered by Scholars. Published by Universities.®

Architectural History and Criticism Commons

Open Access. Powered by Scholars. Published by Universities.®

School of Architecture - All Scholarship

Gilles-Marie Oppenord

Publication Year

Articles 1 - 2 of 2

Full-Text Articles in Architectural History and Criticism

The Refurbishment And Renovation Of The Palais-Royal During The Recency, Jean-François Bédard Jan 2018

The Refurbishment And Renovation Of The Palais-Royal During The Recency, Jean-François Bédard

School of Architecture - All Scholarship

Philippe II, duc d'Orléans and his architect, Gilles-Marie Oppenord, embraced the grand goût style and recast the Palais-Royal as a surrogate Versailles. This shift imagined the Palais-Royal as the center for royal power during the Regency period. This article traces the ways in which renovations from 1713 until 1723 transformed the Palais-Royal. While Louis XV moved the seat of power back to Versailles, Paris remained the center for French politics thanks to duc Orléans and Oppenord.


Prints By Gabriel Huquier After Oppenord's Decorated Ripa, Jean-François Bédard Jan 2011

Prints By Gabriel Huquier After Oppenord's Decorated Ripa, Jean-François Bédard

School of Architecture - All Scholarship

This article discusses the ways in which Gabriel Huquier altered the designs of other artists and printmakers to create new prints. In particular, Bédard examines Huquier's reproduction of a copy of Cesare Ripa's Iconologia. Huquier did not appropriate Oppenord's Ripa in its entirety or follow the original sequence of drawings. Instead he produced a series of prints that feature elements randomly chosen from it. Bédard argues that Oppenord and Huquier were both bricoleurs, but who had different objectives for their projects. While Oppenord attempted to interpret the text, Huquier was concerned with profit.