Digital Commons Network^™

Romeo Bones, Ron Paul Salutsky

UNLV Retrospective Theses & Dissertations

Romeo Bones is a collection of verse exclusively composed while the poet was a graduate student in the Creative Writing International Master of Fine Arts (MFA) program at the University of Nevada, Las Vegas. The manuscript has three primary divisions---and two intercalary---which respectively confront otherness, subjectivity, and past/present self, each not to exclude the others' resonance.

Unlocking Creativity In The Classroom, Rose Marie De La Cruz-Bechtel

Open Access Theses & Dissertations

Creativity is a process involving skills that can be presented and strengthened in a classroom setting. An overview of various research strands regarding creativity since 1950 is included. The pragmatic approach of Roger von Oech forms the basis for a selection of strategies useful for unlocking and encouraging creative thinking in the 4-8 classroom.

Poetic Leadership, A Territory Of Aesthetic Consciousness And Change, R. Amrit Kasten-Daryanani

Antioch University Dissertations & Theses

Poetic leadership is a new theoretical construct that views leadership as an activity that unites a lyrical intellect with keenly felt emotion for the purpose of producing changes in the consciousness of self and others. This change begins within the interiority of self, moving surely to broader realms of one's surroundings and society, provoking movement that impacts the developing potential of the individual and the cultural milieu in which they exist. Emotion is the primary trace into consciousness used in this dissertation, which serves to unite experiences of the heart with experiences of the mind. The unification of these disparate …

Toward A Poeticognosis: Re-Reading Plato's The Republic Via Wallace Stevens' "An Ordinary Evening In New Haven", Dan Disney

Contemporary Aesthetics (Journal Archive)

This article is a language-based re-reading of Plato's exile of the poets via Wallace Stevens' poem-manifesto, "An Ordinary Evening in New Haven." I examine how philosophy and poetry use language differently in order to deconstruct an origin of the speech-acts -- wonder -- that I then identify as a phenomenological difference between philosophers and poets. I contend that the thinking-into-language of philosophers is based in theoria, comprehension, and a resulting closure of wonder. I contrast this with the processes of poets, who I show to be moving thought into language via gnosis, apprehension, and a phenomenology opening onto …

Poiesis, Susan Lee Harmon

College of Graduate Studies: Theses & Dissertations

This thesis examines mark-making techniques in my art and surveys the literary and musical works that inspired it. An historical examination of the role of mark-making in art will be undertaken, beginning with Paleolithic cave art, continuing with Native American petroglyphs and pictographs, and concluding with three contemporary visual artists whose marks have influenced my work: Jean-Michel Basquiat, Cy Twombly, and Susan Rothenberg. Finally, my artistic process is explained through references to the materials and rituals used to create a body of art. This thesis researches the meaning behind artistic marks, and how marks are made in my paintings and …

Rhyme And Reason In Language Acquisition: Incorporating Poetry Into The Esl Classroom, Kimberly Call Gleason

Undergraduate Honors Capstone Projects

Utah is seeing a rapid increase in K-12 students whose native language is not English. With this increase, teachers face the challenge of finding new and effective teaching methods to reach their ESL (English as a Second Language) students. This research explores the study of poetry as an instrument to improve ESL students' pronunciation of English. When read out loud, poetry can be an exercise in pronouncing consonant sounds (from alliteration), decoding vowel sounds (from rhyme), and acquiring the natural speech rhythm of the English language (from meter). Poetry was selected not only because of its exaggerated sound elements (alliteration, …

Convergent Dualities: The Explorations Of A Developing Poet, Jonathan Cetrano

Undergraduate University Honors Capstones

This capstone analyzes Cetrano's own poetry and becomes a foundation for future publication of his works.

Rethinking Trümmerliteratur: The Aesthetics Of Destruction Ruins, Ruination, And Ruined Language In The Works Of Böll Grass, And Celan, Kurt R. Buhanan

Theses and Dissertations

Trümmerliteratur - literally “rubble-literature" - is a brand of literature that became important after the Second World War, led by Heinrich Böll, whom I term the apologist of German Trümmerliteratur. Typically included under this classification are the writers who began to produce in the years immediately following the war, and in whose work the rubble and ruins of the landscape figure prominently. Böll provided the programmatic framework for the movement in his “Bekenntnis zur Trümmerliteratur" but his relationship to another type of ruin writing presents a point of friction when he appears to be working in a romantic mode to …

Valmiki And Hesse: Maya Through The Ages, Kevin Blankinship

BYU Asian Studies Student Journal

The Vedic poet Valmiki could hardly have imagined that, with his discovery of shloka, or poetic meter, and the subsequent advent of literature as a separate aesthetic genre, Hindu notions of reality would lend expression of outrage to war-weary Germans thousands of years later. Or perhaps he did: Brahma’s benediction provided that, “so long as the mountains and rivers . . . stay on the face of the earth / So long will the story of Rama endure / So long will your fame remain.”1

Old Icelandic Gaglviðr, Aurelijus Vijūnas

Quidditas

This essay discusses a debated word form gaglviðr occurring in stanza 42 of the Old Icelandic poem VÄluspá 'The Prophesy of the Seeress'. The noun gaglviðr is problematic both from the semantic point of view (Old Icelandic gagl 'gosling', viðr 'tree; forest' 'gosling forest'?), and because it possesses a variant spelling galgviðr ('gallows' tree;’gallows' forest') which occurs in another manuscript containing the same poem. In the present paper, the form gaglviðr is considered to be the correct and the original form of this word, whereas the form galgviðr is interpreted as a scribal error. Various existing semantic analyses of the …

Interview With James Boyd White, James Boyd White

Michigan Law Review

The occasion of the following interview was the Montesquieu Lecture at the University of Tilburg, which Professor James Boyd White delivered in February 2006. In the lecture, entitled "When Language Meets the Mind," Professor White discussed the manner of interpreting and criticizing texts, both in the law and in other fields, that he has worked out over his career. The heart of this method, as described in the lecture, is to direct attention to three sets of questions: - What is the language in which this text is written, and the culture of which it is a part? How are …

Guillermo Gómez-Peña's "Tekno Poética" Web Verse, Lost And Found In A Webspora, Angélica Huízar

World Languages and Cultures Faculty Publications

For an author who likes to cross borders Guillermo Gómez-Peña (1955) has certainly reached audiences in both the U.S. and Mexican artistic, literary, theoretical, and political arenas. Now, with the advent of more technological mediums such as the Internet, the borderless artist makes use of the global fetish that, in theory, reaches a global community. As a prelude to his performances, workshops, conferences and lectures, Gómez-Peña’s collaborative webiste engages his readers in video-poetic selections, and hypertext poetic medley with topics that are sure to catch their interest with poems such as "Apocalypse," "Sexo," "Militias," and the video-poems "Apocalypse" and "Califas." …

Word Blind, Douglas Bradburd

LSU New Orleans Theses and Dissertations

Following a referenced and annotated introduction that discusses the author's poetics, 'word blind' includes thirty of the author's current poems.

Hatchery Of Tongues, Michael Wallace Bassett

Dissertations

Hatchery of Tongues is a collection of poems accompanied by a critical introduction.

I Will Sing Unto The Lord A Rhetorical-Narrative Analysis Of The Poem In Exodus 15:1-21, Robert Shreckhise

Doctor of Philosophy Dissertation

The Song by the Sea (Exodus 15:1-21) has been studied frequently in modem scholarship. A natural and expected question is why study it once again? Despite frequent treatments within the academy, some key aspects of its relationship to the surrounding narrative and its function within that narrative have been neglected. The study advanced here considers the narrative and poem in relationship to one another in their basic bipartite structure, their character portrayals, their plot resolution, and their rhetoric. The resulting analysis presents an understanding of the poem as a hinge between the two main plots of Exodus that is important …

Ashes From Falling Stars, John A. Nieves

USF Tampa Graduate Theses and Dissertations

This thesis is a book length collection of poetry—all original and by the author. The book has three chapters, each with a different mode of expressing the work’s overall theme: the remnants of unfulfilled wishes. The first chapter deals with ordinary or mundane manifestations of the theme. The second chapter covers extraordinary, but still feasible, variations on the theme. The final chapter deals with subconscious versions of these unfulfilled wishes. It is far more surreal than the other two chapters and exists in a sort of dream-reality.

The poetry included in this work is all free verse. There are narrative …

Words In Blood, Like Flowers: Philosophy And Poetry, Music And Eros In Hölderlin, Nietzsche, And Heidegger, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Electronic Textual Editing: The Poem And The Network: Editing Poetry Electronically, Steven Jones, Neil Fraistat

English: Faculty Publications and Other Works

No abstract provided.

German Heritage And Culture In Louise Erdrich's The Master Butchers Singing Club, Thomas Austenfeld

Great Plains Quarterly (through 2013)

Reid's discussion of the formal properties of Erdrich's work helps explain the author's popular appeal. Mewing easily between urban and rural settings, between reservation culture and mainstream culture, Erdrich has been evoking the various sets of social and historical circumstances that define the lives of contemporary Native Americans in the Great Plains. In The Master Butchers Singing Club (2003), Erdrich turns her attention explicitly to her own part-German ancestry and fictionalizes it, thereby bringing a n element of both thematic and autobiographical relevance into prominence.

The Others, Jessica G. Cox

The Mercury

No abstract provided.

Zachary Richard's "Faire Récolte": A Translation From The French, Michael D. Bierschenk

LSU Master's Theses

In the second half of the twentieth century, the Cajun language, which had been entirely oral for most of its history, began to emerge as a productive literary language. One of the prominent new authors of the period was Zachary Richard, also an important Cajun musician. One of his collections of poetry, Faire récolte (Les Éditions Perce-Neige, 1997), is translated here. This thesis also includes a translator's note that briefly explores the broad themes of the poems and the methods used in translating them.

Lizards And Bugambilias, Jose A. Rodriguez

Theses and Dissertations - UTB/UTPA

This is a creative-writing thesis, a collection of poetry. The poems are divided into three sections, which share thematic content. In this collection, the poetry explores issues of place, family and identity, all closely tied to the geographic/cultural area of South Texas. The critical introduction explains both the organization of and the influences on the poems.

The George-Anne, Georgia Southern University

The George-Anne

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Apocalypse - 2005, Joe Eldridge

Apocalypse

Contributors include: Joe Eldridge, Donna Pucciani, Christine Swanson, M.J. Cummings, John Payne Kincaid, Daniel Green, Simon Perchik, Nathania Quach, Ryan Libel, Charles A. Cave,B.Z. Niditch, Frank Bonello, Jill Battaglia, Ross Blackburn, Vicky Trakan, Susannah Maldonado, P.J. Beemer, Sonal Blackburn, Ken O'Connor, Mohammad Kandah, Ryan Day

Issue also contains an audio CD companion.

The NEIU Archives only has a digital copy of this issue, no physical copy.

Poetry And Mystical Heterodoxies: Leopoldo Panero, Manuel Asensi, Scott Weintraub

Languages, Literatures & Cultures

Translation of “Leopoldo Panero: Escrito a cada instante”. By Manuel Asensi. In Cien años de poesía—72 poemas españoles del siglo XX: estructuras poéticas y pautas críticas”. Bern: Peter Lang, 2001

Corresponding Voices Volume 2 (Complete)

Corresponding Voices

The full issue of Corresponding Voices volume 2, featuring Joyce Hayden, Tamara Kamenszain, Mary Karr, Anthony Seidman, Bruce Smith, and edited by Pedro Cuperman.

Burn The Panopticon: Irigaray's Ethics, Difference, Poetics, Simone Roberts

Reconstruction: Studies in Contemporary Culture

[First paragraph of Prologue]

The following essay has a purpose more than a thesis. This essay explains the central tenets of Irigaray's ethics of sexual difference through an understanding her work as that of a symbolist philosopher. Symbolist poetry and French Feminist philosophy like Irigaray's have several qualities in common. One is that the literal level of language is not where the action is. A reader must think associatively on many levels at once in order to gather and interpret the several indirect messages sent by a particular image or metaphor. Another is an acquired comfort with paradox. Paradoxes lie …

Poetics: A Symphony Of Ideas, Clayton E. Walker

Senior Honors Theses and Projects

No abstract provided.

Images Of Migration And Change In The German-Language Poetry Of Galsan Tschinag, Richard Hacken

Faculty Publications

Presented March 25, 2004, at the European presentation for Migrations in Society, Culture, and the Library held in Paris. Migration in the works of Galsan Tschinag could be discussed on a number of levels. The first is an actual geographic migration documented in the published diaries of Tschinag. The next level of migration could be a linguistic migration of ideas and words from Tschinag's native Tuvan language which has no written script sometimes to Mongolian, but most often to German. The main focus is on the diverse images of migration in his German-language poetry, often illustrating transmigration of spirits between …

Ghetto Feminism: Neo-Black Feminism For The Black Hip-Hop Generation(S), Chyann L. Oliver

Senior Scholar Papers

"Ghetto Feminism: Neo-Black Feminism for the Black Hip-Hop Generation (s)" is a feminism that addresses the simultaneity of race, sex, and class oppressions that subjugate black people of the hip-hop generation who reside in the urban ghetto or ghetto like conditions. It is a feminism that deconstructs the hypersexualized, racialized and classist representations of black people in hip-hop culture. The goal of this feminism or feminist thought is to raise the black hip-hop generationer's critical consciousness in order to encourage resistance to distorted images of themselves. Continuing with the tradition of multivocality or heteroglossia, Ghetto Feminism uses poetry, scholarly essays, …