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Poem No. 91, May 2004, Huntsville Literary Association (Huntsvile, Ala.)

POEM

The Huntsville Literary Association was founded in 1967 to provide a community for writers, readers, and artists through workshops, readings, and educational programs. One of their key contributions is the literary magazine titled POEM which showcases original writings from both established and emerging writers. This issue features poems from various writers.

So Much Depends: Printed Matter, Dying Words, And The Entropic Poem, Clark Lunberry

English Faculty Research and Scholarship

Growing up in Rutherford, New Jersey, in the 1940s, Robert Smithson would periodically visit his pediatrician, William Carlos Williams, who had his home and medical practice across town at Nine Ridge Road. There were, no doubt, the routine checkups, the childhood ailments and inoculations, the doctor looking into the mouth, the ears, the eyes of the little boy. Many years later, in 1958—Williams by then retired and Smithson a young artist—they would once again meet informally at the poet’s home.1 Nearing the end of his long life, Williams—no longer practicing medicine—was nonetheless still very much practicing poetry, laboring away at …

A Conversation With Velma Pollard, Daryl Cumber Dance

English Faculty Publications

Noted poet, novelist, linguist, and educator, Velma Pollard was Visiting Professor of English at the University of Richmond in Richmond, Virginia, during the fall semester of 2001 when I conducted the following interview. John Martin, my graduate assistant at the time, assisted me in videotaping and transcribing our conversation, which took place in her cottage at the University on December 3, 2001.

Home And Homelessness In The Middle Of Nowhere, William I. Miller

Book Chapters

In Iceland one must have a home; it is an offense not to-in some circumstances, a capital offense. A sturdy beggar was liable for full outlawry, which meant he could be killed with impunity. The laws are hard on vagrants. Fornication with a beggar woman was unactionable; it was lawful to castrate a vagabond, and he had no claim if he were injured or killed during the operation. One could take in beggars solely for the purpose of whipping them, nor was one to feed or shelter them at the Thing on pain of lesser outlawry. Their booths at the …

The Heresy Of Paraphrase Revisited, Stefán Snaevarr

Contemporary Aesthetics (Journal Archive)

I try to rejuvenate Cleanth Brooks' old thesis about the 'heresy of paraphrase.' This I do by analysing a couple of well-known poems and by performing thought experiments of the "possible world" kind. They show that paradigmatic examples of poems are not paraphrasable. A prosaic text can be improved with the aid of a paraphrase, but a typical poem cannot. The deeper explanation for the non-rephrasability of poetry is that our understanding of it is basically tacit. In this way I hope to give Brooks' original thesis a more solid foundation.

Agamemnon's Test Of The Army In Iliad Book 2 And The Function Of Homeric Akhos, Erwin F. Cook

Classical Studies Faculty Research

I offer a reading of the Diapeira episode based on the semantics and thematics of akhos. My findings resolve a crux at 2.171, where Homer identifies akhos as the reason Odysseus is not launching his ship. Homer clearly signposts the nature of Odysseus' akhos as grief over loss of time in Athene's subsequent speech to him, but the reference is proleptic and has consequently eluded the commentators.

In The Dead Season, Sonja Hansard-Weiner

LSU New Orleans Theses and Dissertations

In the Dead Season is a manuscript of poetry that explores, through family narrative, the tensions between ignorance and truth, between honor and mendacity, between violation and veneration, between love and loss, between grief and transcendence. Set in rural Texas, the poems in this collection describe a harsh and unforgiving landscape seen largely, though not exclusively, through the eyes of a central child narrator. Rattlesnakes, tarantulas, drought, flood, birth, death, the poems present everyday occurrences and suggest that we often experience events before we have the context, knowledge, or emotional maturity to make sense of them in any reasonable manner. …

Word Order In Biblical Hebrew Poetry, Sherry Lynn Fariss

Linguistics & TESOL Dissertations - Archive

Syntacticians generally focus on prose texts of a language when studying word order rather than examining poetry. The general consensus is that the stylization of poetry exercises too great an influence on the text to allow for regular word order. In their study of pragmatics, particularly in obsolete languages, Herring (2000) and Hock (2000) demonstrate that even in poetry syntactic patterns can be seen in different genres or text types. Herring's contention in Old Tamil poetry is that the more poetic the genre, the more word order variation can be expected. By the same token, the more informational the genre, …

An Interpretive Exploration Of The Meaning Of Being With Women During Birth For Midwives, Lauren P. Hunter Phd

Dissertations

This study explored the meaning of the phenomenon of the midwife's experience of being present with a woman during childbirth. The value and importance of being with a woman during childbirth, specific and unique to midwifery care, is reflected in midwifery philosophies and models of care. This study looked through the lens of midwives who have written poetry about births they have attended to learn more about the experience of being with a woman. Hermeneutical phenomenology was selected for the philosophical methodology and method because it looked at both the phenomenon and the use of language to describe the phenomenon. …

The Collected Books Of Richard Denner Volume 8, Richard Denner

High Mountain Valley Local Authors Collection Online Content

No abstract provided.

She Took Off Her Wings And Shoes, Utah State University Press

Swenson Poetry Award Winners

May Swenson Poetry Award Volume 7, with foreward by Alicia Ostriker. Nominated twice for the Pushcart Prize, Ms. Bishop's credits include publications in Antioch Review, 13th Moon, Eratica, Aries, The Little Magazine, and many other literary journals. As a poet and writing teacher, she gives many readings, as well as workshops for gifted children, seniors, and other writers on the US-Mexico border; she has worked with at-risk youth and with the rural Hispanic community.

Caller Id, Plamen Ivanov Arnaudov

LSU Master's Theses

As one might expect from a young poet writing at the turn of a millennium, recurrent in "Caller ID" is the theme of struggle with literary tradition and of seeing it as both necessary and constricting to the project of forging one's own creative identity. The collision between history and the self is visible in the often conflicted references to great philosophers and poets of the past as well as in the call for renewal of the body poetic after an envisioned 'end of history' marked by creative sterility and exhaustion. The proposed renewal does not entail destruction of tradition …

Going Beyond The Demonstrable Range In Educational Scholarship: Exploring The Intersections Of Poetry And Research, Liza Hayes Percer

The Qualitative Report

This essay reflects on experimental writing that incorporates poetry into research. The author supports the move toward research writing that breaks the constraints of traditional academic writing, but raises the concern that such writing must not casually adopt the form and name of poetry without studying the craft. Along these lines, she suggests that in order for work that introduces poetry into research to be done effectively, researchers must study the craft of writing poetry as critically as they study the craft of writing research. Finally, the author suggests that instead of attempting to map poetry onto research, researchers may …

Corresponding Voices Volume 1 (Complete)

Corresponding Voices

The full issue of Corresponding Voices volume 1, featuring Michael Jennings, Edgar Paiewonsky-Conde, Suzanne Shane, Kerry Shawn Keys, Lila Zemborain, and edited by Pedro Cuperman.

La Poésie Comme Terre D'Asile Dans L'Œuvre De Tahar Bekri, Sonia Lee

Présence Francophone: Revue internationale de langue et de littérature

In this essay, I propose to examine how in Tahar Bekri's poetry, the theme of exile is gradually negated through the poetic universe of the poet, thus acting as a replacement for the loss of the motherland.

La Poésie, Chanson Des Temps Futurs Ou La Force De L'Avenlr Chez Dadié, Françoise Ugochukwu

Présence Francophone: Revue internationale de langue et de littérature

This study of Dadié's poetry, focusing on Hommes de tous les continents, uncovers the traditional and biblical roots of this cross-cultural writing. The study of imagery, symbols and rhythm highlights the writer's exploration of time and space, his perception of the poet's role as a soldier and inspired guide, and reveals his poetry as a militant powerfully word pointing towards a future yet unborn.

Newe Hupia: Shoshoni Poetry Songs, Beverly Crum, Earl Crum, Jon P. Dayley

All USU Press Publications

This collection presents written texts of songs in Shoshoni and English, with both figurative and literal translations, and is packaged with a CD containing performances of the songs by Earl and Beverly Crum. The songs fall into several categories based on the contexts of their performances, such as dance songs, medicine songs, and handgame songs. The texts are framed with an introduction and commentary discussing the cultural background, meaning, forms, and performance contexts of the songs; Shoshoni language; and methodology. Glossaries of Shoshoni terms are appended. As the first major linguistic study of Shoshoni songs, Newe Hupia is an important …

Allen D. Breck Award Winner: Nothing’S Paradox In Donne’S “Negative Love” And “A Nocturnal Upon S. Lucy’S Day”, Sean Ford

Quidditas

John Donne's complicated use of paradox is nowhere more inviting than in the grammatical and conceptual use of the word "nothing," especially when Donne chooses to give this noun the quality of substance and presence, rather than using it to denote the absence of anything. Two poems in particular, from the Songs and Sonets, give affirmative existence to a nothing in order to make distinct arguments regard- ing the status of an existing thing. Both “Negative Love” and “A Nocturnal Upon S. Lucy’s Day, being the shortest day” rely on this paradox to give a precise definition of the …

Haunting The Corpus Delicti: Rafael Campo’S What The Body Told And Wallace Stevens’ (Modernist) Body, LáZaro Lima

Latin American, Latino and Iberian Studies Faculty Publications

What the Body Told You, a volume of poems by the Cuban-American poet Rafael Campo (b. 1964), addresses how formal poetry may give form to loss and memory in the age of AIDS by structuring an exchange between the literary institutions that privilege poetry as a representational medium and the inability of language adequately to account for and remember loss. Campo’s What the Body Told haunts modernism’s legacy by construing it as the corpus delicti, literally the body of the crime, where “crime” is conceived as the insufficiency of modernist aesthetic agencies to give evidence of the “truth” …

Race, Gender And Performance In Grace Nichols’S The Fat Black Woman’S Poems, Maite Escudero

Journal of International Women's Studies

From the Article:

In a world of diverse cultures and societal beliefs, marginalized groups often share common experiences. Recurrent themes in the literature of black peoples include anti-imperialism, racism, sexism, exile, ‘cultural schizophrenia’, language, otherness and home to ancestors, just to name a few. Yet, there is no single black voice: black writing can come from everywhere in the world – America, Africa, the Caribbean, Asia and Britain. As a result, an individual may become torn between conflicting expressions by others within the same cultural group. What is at issue here is the recognition of extraordinary variation of subjective positions …

The Lantern Vol. 67, No. 2, Spring 2000, Padcha Tuntha-Obas, Caleb Prescott, Christine Spera, Oana Nechita, Daniel Gallagher, Jeffrey Church, James Clark Robinson, Lilly Afshari, Rosabelle Diaz, Andrew Gerchak, Ben Jackendoff, Susan Patton, Harry Michel, Genevieve Romeo, Corey Taylor, Ashley Claus, Michael Edwards, Amber Frame, Tom Lipschultz, Aly Jones, Philip Malachowski, Anthony Ciarlello, Lori Kruk, Tom Howard, Mike Keeper

The Lantern Literary Magazines, 1933 to Present

• Dearest Yarn-Spinner
• My Poem, This Tongue In Your Eye
• 15th & Rodman
• Vision
• Linguistics
• Casting Cartesian Shadows
• On the Defensive
• Sea Sick but Still Docked
• Urban Dreams
• Wolf of the Steppes
• Josephine
• Happy Birthday to Me
• I Have Never Been to Africa
• Pa-pou
• Onion[s]
• Intimacy
• Three Trick Pony
• Blazer
• In My Tea
• Emmaless
• Dreamcatcher
• Repetition
• With the Turn of the Reel
• Fault Lines
• The Shrink Is In
• The dancE
• Exam
• Another Post-Apocalyptic …

7. Discovering Our Voice: A Manual To Accompany 'Geraldo', Ann Margaret Sharp, Laurance J. Splitter

Later Elementary School Curriculum

Geraldo is a story about what an immigrant undergoes when he leaves one culture and tries to 'join' another culture. An immigrant suffers a triple disruption: he loses his sense of place, he enters into an alien language, and he finds himself surrounded by beings whose social behavior, norms and traditions are very unlike, and sometimes even offensive to his own. The explanation of the leading ideas in this manual help students and teachers explore the philosophical themes in Geraldo. The discussion plans, exercises, and activities are designed to foster and cultivate the process of philosophical dialogue in the classroom.

Poetry As Theory: Lope De Vega's Epistola As Arbiter Of Proper Discourse, Mark J. Mascia

Languages Faculty Publications

The purpose of this article is to examine the ways in which Lope de Vega manipulates epistolas to serve his own ends with regards to language, both on a narrowly literary level and on a broader personal and even national one. What emerges is an epistola which blends both the self-evident art of poetry writing and critical speculation upon it, one which Lope consciously uses as a literary mode of vindication and defense for his ideas regarding proper discourse and as an attack on any type of discourse of which he disapproves.

(2000.4) Discovering Our Voice: Instructional Manual To Accompany 'Geraldo', Ann Margaret Sharp, Laurance J. Splitter

Collected Papers of Ann Margaret Sharp

Geraldo is a story about what an immigrant undergoes when he leaves one culture and tries to 'join' another culture. An immigrant suffers a triple disruption: he loses his sense of place, he enters into an alien language, and he finds himself surrounded by beings whose social behavior, norms and traditions are very unlike, and sometimes even offensive to his own. The explanation of the leading ideas in this manual help students and teachers explore the philosophical themes in Geraldo. The discussion plans, exercises, and activities are designed to foster and cultivate the process of philosophical dialogue in the classroom.

Orality In Writing: Its Cultural And Political Function In Anglophone African, African-Caribbean, And African-Canadian Poetry, Yaw Adu-Gyamfi

Faculty Dissertations

For years, critics have used Black writers' interweaving of African-derived oral textual features and European written forms to reject the concept of the Great Divide between orality and writing in literacy studies. These critics primarily see the hybridized texts of writers of African descent as a model that assists in the complex union of writing and orality. My argument is that the integrationist model is not the only way, perhaps not even the most fruitful way, to read the hybridized texts of writers of African descent. I develop a reading of Anglophone African, African-Caribbean, and African-Canadian literature that sees the …

“Sad Stories Of The Death Of Kings”: Lyric And Narrative Release From Confining Spaces In Shakespeare’S Richard Ii, Jennifer C. Vaught

Quidditas

The relation of Shakespeare's plays to other literary forms like lyric and narrative is a topic that continues to invite speculation. A number of his plays contain songs and sonnets, reported stories and winter’s tales. In this essay I examine lyrics and narratives in Richard II and their dialogic relation to the surrounding text. In a play about a self-enclosed King these utterances tend to occur in enclosures: Richard delivers lyrics while immured at Flint Castle and the dungeon at Pomfret, whereas his Queen laments in an enclosed garden and promises to tell the King’s story during her exile in …

Rafael Lapesa Y La “Raíz Hispánica” De Garcilaso De La Vega Cincuenta Años Después, Aurora Hermida-Ruiz

Latin American, Latino and Iberian Studies Faculty Publications

RAFAEL LAPESA Y LA " RAIZ HISPANICA "DE GARCILASO DE LA VEGA CINCUENTA ANOS DESPUES Avirora Hermida-Ruiz University of Richmond Misas por mi alma se digan mill Garcilaso de la Vega Este verano llegue a Madrid, entre otras cosas, con la intention de conocer en persona a Rafael Lapesa y de hablar con el. En la Real Academia de la Lengua, una empleada, que se confesaba cercana al critico, me disuadio pronto de mi proyecto. "Lapesa —me dijo— esta muy mal. Acaba de pasar un arrechucho que nos ha hecho temer a todos lo pedr. Ademas, hablar con el no …

Imagining Machines: Time & Image In The Shorter Poems Of William Carlos Williams, Stuart Campbell

Theses : Honours

A discussion of time and image in the shorter poems of William Carlos Williams. The particular focus is Williams' short poems published between the Great War and World War II. The relationship between the form of the poems, and Williams' theories on poetry, as expressed in Spring and All, and The Wedge is examined. In turn, Williams' theories are viewed in the context of Imagism, Objectivist poetics, and the modernist machine aesthetic. Williams' application of these theories is seen to create a poetic form that generates images in the reader's imagination in synchrony with the moment.

Biblical Terrorism: With A Platonic Deconstruction, Howard P. Kainz

Philosophy Faculty Research and Publications

No abstract provided.

Poem No. 80, November 1998, Huntsville Literary Association (Huntsvile, Ala.)

POEM

The Huntsville Literary Association was founded in 1967 to provide a community for writers, readers, and artists through workshops, readings, and educational programs. One of their key contributions is the literary magazine titled POEM which showcases original writings from both established and emerging writers. This issue features poems from various writers.