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Articles 811 - 840 of 38884
Full-Text Articles in Entire DC Network
Mothering Celebrities: Feminine/Feminist Agency And Subjectivity In The Auto/Biographies Of An Indonesian Female Celebrity, Aquarini Priyatna, Lina Meilinawati Rahayu, Mega Subekti
Mothering Celebrities: Feminine/Feminist Agency And Subjectivity In The Auto/Biographies Of An Indonesian Female Celebrity, Aquarini Priyatna, Lina Meilinawati Rahayu, Mega Subekti
Kritika Kultura
This article discusses motherhood and mothering as portrayed in two auto/biographies of Krisdayanti, a prominent Indonesian female celebrity. Written at two different times and contexts, the first one largely focuses on portraying Krisdayanti in her persona as an Indonesian glamorous celebrity at her peak as it is faithfully observed in her likewise glamorous auto/ biography. The other one, presented in a much simpler book design and more straightforward narration, depicts her more as an ordinary person in her varied roles as a celebrity, a wife, a mother, a daughter, and a sister. The article takes note of the important dynamics …
Born Of Two Koreas, Of Human Blood: Monstrosity And The Discourse Of Humanity And Pacifism In The Film Bulgasari, Jungman Park
Born Of Two Koreas, Of Human Blood: Monstrosity And The Discourse Of Humanity And Pacifism In The Film Bulgasari, Jungman Park
Kritika Kultura
As in the Western world, Korea has a variety of mythical monsters. Among them is Bulgasari, an iron-eating monster, which will be the main topic of this paper. The monster’s name “Bulgasari” has a paradoxical meaning in Korean, which is “cannot be killed but can be killed by fire.” The meaning of the name represents the wide gamut of ambivalent identity ranging from physical to metaphorical aspects of the monster. It also provides a uniquely Korean reception and interpretation of being monstrous as distinctive from the archetypal imagery and general understanding of monstrosity as “enduring evil,” as seen in most …
Identities In Exile: Re-Membering Identities, Re-Membering The Nation In Laksmi Pamuntjak's Amba, Siti Nuraishah Amad
Identities In Exile: Re-Membering Identities, Re-Membering The Nation In Laksmi Pamuntjak's Amba, Siti Nuraishah Amad
Kritika Kultura
Laksmi Pamuntjak’s first novel, Amba (2012) is one of several contemporary Indonesian novels by the post-1965 generation that breaks the silence on the violent suppression of the Indonesian left in the mid-1960s. Like other recent creative responses and initiatives by Indonesian artists and civil society, Amba represents the “postmemory” of the 1965-66 events. This paper examines the modes of internal exile triggered by 1965 as portrayed in three characters in Amba and how exile disrupts and delays identity formation across different generations of Indonesians—hence, exiled identities. The history of Moluccan exile post-1950 is also crucial to the novel’s representation of …
Intercultural Theater And The Local Context Of Reception: Lady Macbeth 2016 And The South Korean Presidential Scandal, Seokhun Choi
Intercultural Theater And The Local Context Of Reception: Lady Macbeth 2016 And The South Korean Presidential Scandal, Seokhun Choi
Kritika Kultura
This essay investigates the relationship between intercultural performance and the socio- political context of reception by drawing parallels between Tae-sook Han’s 2016 changguk adaptation of her own Lady Macbeth and the recent presidential scandal of South Korea. The discourse of intercultural performance has focused on directorial vision and the political dynamics between the source and target cultures, while the local context of reception and its impact on the overall meaning of the work have relatively been overlooked, particularly from a diachronic perspective. Lady Macbeth revolves around the court physician’s psychotherapy sessions for the eponymous heroine, who is haunted by the …
Out And About: Migrant Bakla, Perverse Intimacies, And The Musical Of Migration In Liza Magtoto’S Care Divas, Oscar Tantoco Serquiña Jr.
Out And About: Migrant Bakla, Perverse Intimacies, And The Musical Of Migration In Liza Magtoto’S Care Divas, Oscar Tantoco Serquiña Jr.
Kritika Kultura
The essay analyzes the Philippine Educational Theater Association (PETA)’s stage musical, Care Divas, for its figuration of the Filipino migrant worker as bakla and for its consequent queering of labor out-migration from the Philippines. It problematizes the notion of “perverse intimacy,” particularly through the play’s employment of gay language and performance as agentive practices of survival in the diaspora. Finally, it interrogates the play’s aestheticization of kabaklaan and migrant work through a musical drama-comedy format, which deploys song and dance, as well as laughter and sentimentality, in order to make a spectacle out of the foibles of migrant bakla, to …
From Stage To Screen: Early Filmmaking Of Indigenous Performers In Highland Central Java, Tito Imanda
From Stage To Screen: Early Filmmaking Of Indigenous Performers In Highland Central Java, Tito Imanda
Kritika Kultura
This paper is based on an empirical study that explores issues around the process of a traditional performance art group in a village in highland Central Java adapting to film production. Wayang orang—or loosely translated human puppet—is a traditional opera-like performance rooted in Central and East Java, Indonesia. As part of a traditional society living in a rural area, members of the group discuss their productions mostly without written documents. Storylines were experienced through performing and watching different shows. Technical skills were built through lifelong intimate practices. The project explores a general explorative question: how does a traditional oral and …
Unreading The Novel, Or Experiencing Ninotchka Rosca’S State Of War As Mythopoeia, Katherine D. Ojano
Unreading The Novel, Or Experiencing Ninotchka Rosca’S State Of War As Mythopoeia, Katherine D. Ojano
Kritika Kultura
The Filipino novel which arose in the 19th century is understood to have consolidated the nationalistic spirit that fueled the anti-colonial revolution against Spain. Contemporary writing drew from the radical lessons of the past as a tradition of resistance writing intensified and grew. Yet as Ninotchka Rosca’s State of War (1988) shows, the novel, despite or alongside its politics, also brings to the fore formal and substantial problems of excess and incoherence. This paper explores the instances of the mythical that bring about these points of incomprehensibility, even scattered, perhaps, absolute subversions of the genre and the nationalist cause in …
Republishing Folktales: Their Audiences, Readers, And Influences In Modern Indonesian Literature, Sudarmoko Sudarmoko
Republishing Folktales: Their Audiences, Readers, And Influences In Modern Indonesian Literature, Sudarmoko Sudarmoko
Kritika Kultura
This paper presents an exploration of the republishing of traditional stories or folktales, most of which are traditionally oral, into printed form. This republishing activity has resulted in some changes in the stories, including the narrative’s structure as well as writers’ interpretation of the stories. As such, this paper also explains other domains that are also potentially affected by this activity. The narrative of the stories, the profile of the audience and reader, and the use of different media, particularly in the area of contemporary publishing and writing, development in Indonesia, comprise these domains. Furthermore, this paper investigates the republication …
“Komedi Within Komedi”: Moving Pictures And Intermedial Crossings In Turn-Of-The-Century Colonial Indonesia, Dafna Ruppin
“Komedi Within Komedi”: Moving Pictures And Intermedial Crossings In Turn-Of-The-Century Colonial Indonesia, Dafna Ruppin
Kritika Kultura
In the past thirty years studies of early cinema, mostly focusing on the history of film production and exhibition in the West, have been preoccupied with examining the emergence of moving images within their intermedial sphere. The case of moving picture exhibition and consumption in turn-of-the-century colonial Indonesia, with its rich selection of itinerant indigenous and Western amusements on offer, thus presents an especially intriguing case. This article situates itself within this transnational stream of commercial entertainments, known in Malay by the generic term komedi. In the process, it examines stories adapted across different media and cultural contexts, which were …
Introduction: Archipelagic Intermediality, Elmo Gonzaga
Introduction: Archipelagic Intermediality, Elmo Gonzaga
Kritika Kultura
No abstract provided.
María Clara For The 21st Century: Filipino Responses To “Neo-Colonial" Encounters, José Miguel Díaz Rodríguez
María Clara For The 21st Century: Filipino Responses To “Neo-Colonial" Encounters, José Miguel Díaz Rodríguez
Kritika Kultura
As an example of a postcolonial critique to certain hegemonic Spanish discourses in the Philippines, this essay examines the practice-as-research dance piece Love, Death, and Mompou (2006), which was a revision of the traditional María Clara dance suite. It argues that the show uses the expressiveness of the body as a trigger to subvert, re-represent and perform a range of “colonial” discourses that were reinforced by Spanish cultural producers, through funding policies, such as the Spanish Program for Cultural Cooperation. In this context, this essay argues that these policies echo a colonial past by influencing the local arts scene, and …
Conflicts And Contests: A History Of The Filipino Novel In English, Patricia May B. Jurilla
Conflicts And Contests: A History Of The Filipino Novel In English, Patricia May B. Jurilla
Kritika Kultura
Since its first appearance in 1921, the Filipino novel in English has always existed at a disadvantage, having to struggle with the reading public’s preference for writings in the vernacular languages, a small and not entirely receptive market, and stiff competition from imported English- language novels. What made Filipino authors produce novels in English, then? And why did they continue to do so in increasing numbers throughout the years? This essay seeks to address these questions by exploring the publishing history of Filipino novels in English during the twentieth century and by determining what forces drove the production of English-language …
Editor's Introduction, Vincenz Serrano
Jandayan Island: Symphony Of Dry Winds In A Time Without Rain, Eulalio R. Guieb Iii
Jandayan Island: Symphony Of Dry Winds In A Time Without Rain, Eulalio R. Guieb Iii
Kritika Kultura
This essay examines the narratives of residents of Jandayan Island in the province of Bohol in central Philippines. I highlight the social relations of actors and groups as they negotiate and broker the representation and control of the meanings of their place. The essay sifts through the individual and collective lives of islanders as they reflect and constitute the manifold interests that shape the biographies of their island. In this essay, the island is a work in progress in which shifts and transitions represent the tenuous processes of community formation in a milieu of varying interests and alliances.
The Economic Aspect In Contemporary Writing And The Matter Of Class In Literature: Reading Selected Conceptual Works, Janine Go Dimaranan, Ivan Emil A. Labayne
The Economic Aspect In Contemporary Writing And The Matter Of Class In Literature: Reading Selected Conceptual Works, Janine Go Dimaranan, Ivan Emil A. Labayne
Kritika Kultura
No abstract provided.
The Noble Jihad, Jose Maria De Nazareno
Shadow Lands, Strange Light, Charlson Ong
Curriculum Vitae Of E. San Juan, Jr., Epifanio San Juan Jr.
Curriculum Vitae Of E. San Juan, Jr., Epifanio San Juan Jr.
Kritika Kultura
No abstract provided.
Metakomentaryo Sa Pagkakataon Ng Kolokyum Ukol Sa “The Places Of E. San Juan, Jr.”, E. San Juan Jr.
Metakomentaryo Sa Pagkakataon Ng Kolokyum Ukol Sa “The Places Of E. San Juan, Jr.”, E. San Juan Jr.
Kritika Kultura
In a provisional synthesis of his lifework, E. San Juan, Jr. surveys the issues and aporias that define his critical oeuvre. He warns at the outset against the narcissism of autobiographical acts, or what he calls the selfie mode. In locating himself, San Juan uses instead the historicizing lens. In this metacommentary, San Juan locates his life project between his birth in 1938, which saw the defeat of the Republican forces in Spain and the rise of fascism in Germany and Italy, and the new millennium marked by 9/11 and imperialist terrorism. He begins with the class background of his …
“Land Is Life”: Reflections On E. San Juan, Jr., Considerations For Filipino Critical Theory, And Notes For Environmental Justice In The United States And The Philippines, Michael Joseph Viola
“Land Is Life”: Reflections On E. San Juan, Jr., Considerations For Filipino Critical Theory, And Notes For Environmental Justice In The United States And The Philippines, Michael Joseph Viola
Kritika Kultura
In this article, I situate E. San Juan, Jr. as a key intellectual figure in the development of Filipino Critical Theory. I explore the ways that San Juan’s interdisciplinary and dialectical analysis of capitalist totality can offer a rich intellectual landscape to address issues of global justice—particularly environmental justice for Filipino/as in the United States and in the Philippines. Building upon San Juan’s rich scholarly archive to analyze the interaction between humans and their environment, this paper foregrounds his contributions for Filipino Critical Theory as an emergent interdisciplinary theoretical framework to reflect upon where Filipino/as have been and put into …
Themes From The History Of Capitalism To The Rise Of Us Empire In The Pacific, With Annotations From Selected Works Of E. San Juan, Jr., Kenneth E. Bauzon
Themes From The History Of Capitalism To The Rise Of Us Empire In The Pacific, With Annotations From Selected Works Of E. San Juan, Jr., Kenneth E. Bauzon
Kritika Kultura
This work reconstructs the history of capitalism through the era of European colonialism and the rise of the United States empire in the Pacific. The reconstruction is done by drawing from the works of E. San Juan, Jr., considered arguably one of the great contemporary cultural and literary critics of our time. In this author’s view, San Juan’s lifetime of works offers living documentation of, among others, the history and thought of the modern world highlighted by the rise of capitalism, laying the basis for contemporary neoliberal globalization, and shepherded to its hegemonic status by the preeminent empire, the United …
E. San Juan, Jr. At Ang Diskursong Kulturang Popular, Rolando B. Tolentino
E. San Juan, Jr. At Ang Diskursong Kulturang Popular, Rolando B. Tolentino
Kritika Kultura
While E. San Juan, Jr. admits that he has done little scholarship on popular culture, my contention is that his body of works—especially in the areas of cultural revolution, Third World literature, and diaspora—provides a substantial contribution and intervention in Philippine cultural studies and popular culture studies. His writings on these typify the critical resolve in the cultural turns as experienced in the rise of cultural studies. In particular, it is useful to the analysis of popular culture, representing a framework that has integrity, even in the mapping of the contemporary popularity of social media platforms. This personal essay analyzes …
Migration, Imagination, And Transformation: Revisiting E. San Juan’S Carlos Bulosan And The Imagination Of The Class Struggle, Michael D. Pante, Leo Angelo Nery
Migration, Imagination, And Transformation: Revisiting E. San Juan’S Carlos Bulosan And The Imagination Of The Class Struggle, Michael D. Pante, Leo Angelo Nery
Kritika Kultura
This paper argues that an examination of the historiographical trajectory of scholarly works on the Philippine peasantry, particularly peasants in Luzon provinces, and transnational migration can deepen our understanding of Carlos Bulosan’s life and works. Using E. San Juan, Jr.’s Carlos Bulosan and the Imagination of the Class Struggle as the analytic focus in pursuing the argument, we aim to contextualize Bulosan’s life story within the larger framework of the history of Philippine peasant movements and draw connections between his life in America and the contemporary experience of Filipino migrants. To reach these objectives, we need to understand San Juan’s …
Past And Futures Of E. San Juan, Jr., Charlie Samuya Veric
Past And Futures Of E. San Juan, Jr., Charlie Samuya Veric
Kritika Kultura
In this synthetic introductory essay, I consider the places of E. San Juan, Jr. as gleaned from the contributions to this special section: from San Juan’s childhood in Manila and early education at the University of the Philippines at a time when veterans of the 1898 Revolution were still alive and peasant-based insurgency was on the rise; to his implicit contribution to the study of popular culture in the Philippines in the context of the emergence of nationalist struggle in the 1960s; to his turning point as a materialist literary critic who wrote the study on Bulosan which coincided with …
Alaalang Pampanitikan: Si Epifanio San Juan, Jr. Sa Panitikang Filipino, Efren R. Abueg
Alaalang Pampanitikan: Si Epifanio San Juan, Jr. Sa Panitikang Filipino, Efren R. Abueg
Kritika Kultura
In an essay that he calls literary memory, the acclaimed writer in Filipino Efren Abueg provides a critical biography of E. San Juan, Jr. It begins with San Juan’s coming of age at Jose Abad Santos where he became the editor-in-chief of the school paper, and explores the print culture of the period along the way. Then it transitions into the college years of San Juan in the age of decolonization at the University of the Philippines-Diliman, during which he came under the tutelage of Elmer Ordoñez, Francisco Arcellana, and NVM Gonzales, among others. Abueg, in particular, pays attention to …
From “Game-Like Realism” To The “Imagination-Oriented Aesthetic”: Reconsidering Bourdieu’S Contribution To Fan Studies In The Light Of Japanese Manga And Otaku Theory, Zoltan Kacsuk
Kritika Kultura
Following Casey Brienza’s call for drawing on Japanese “otaku theory” in order to further comics studies, the present article demonstrates how the wider interrelated discourse around anime, manga, and otaku can be productively related to fields such as Western fan studies. Focusing on Azuma Hiroki’s book The Birth of Game-like Realism this paper both highlights the theoretical richness of works which have yet to be translated into English, and emphasizes the importance of manga research – in this case Itō Gō’s book Tezuka is Dead – beyond the confines of manga/comics studies. Building on a novel reading of Azuma’s framework …
Re-Viewing Thomas Lamarre’S The Anime Machine After Hayao Miyazaki’S The Wind Rises: On The Critical Potential Of Anime, Selen Çalık
Kritika Kultura
This article aims to demonstrate how exactly Thomas Lamarre reads movement, plot, and characters in The Anime Machine (2009), as defined to an extent, yet not completely determined by the concept of the animetic machine. Mimicking the first part of Lamarre’s book, it approaches Miyazaki’s last work, The Wind Rises (Kaze tachinu, 2013). What Lamarre sees in Miyazaki’s manga eiga is a new way of gaining “a free relation to technology” as idealized by Heideggerian philosophy, but, of course, “in animation” (Lamarre 62). This free, critical relation seems to be most noticeably depicted in Nausicaä of the Valley of the …
Kouno Fumiyo’S Hiroshima Manga: A Style-Centered Attempt At Re-Reading, Takeuchi Miho
Kouno Fumiyo’S Hiroshima Manga: A Style-Centered Attempt At Re-Reading, Takeuchi Miho
Kritika Kultura
Kouno Fumiyo’s graphic narratives about Hiroshima, beginning with Yūnagi no machi, sakura no kuni (Town of Evening Calm, Country of Cherry Blossoms, 2004), have drawn attention as a new kind of A-bomb manga, but they have also met with harsh criticism by historians who privilege story and representational content when approaching manga. Against their charge of a lack of criticality, this review article highlights the critical potential of Kouno’s graphic narratives by focusing on how comics-specific style, especially paneling and linework, affects both narrative content and the act of reading. Kouno’s works exhibit a number of pecularities, ranging from what …
Communicating Emotions: How Commercial Manga For Women Approaches 3.11, Olga Antononoka
Communicating Emotions: How Commercial Manga For Women Approaches 3.11, Olga Antononoka
Kritika Kultura
Hagio Moto’s manga series Nanohana was one of the first attempts in female-oriented mainstream manga to depict the 3.11 tragedy and its aftermath. However, it appears to lack in overt social critique, providing instead a highly emotional story about overcoming hardship and maturing. Via a close-reading of Nanohana this article analyzes the modus operandi of social critique in popular manga highlighting the visual conventions of female manga genres and thereby going beyond the plotlines, which have been at the center of critical attention so far. The article contrasts the initial one-shot “Nanohana,” which directly addresses 3.11, with the subsequent three …
Post 3-11 Japanese Political Cartooning With A Satirical Bite: Non-Newspaper Cartoons And Their Potential, Ronald Stewart
Post 3-11 Japanese Political Cartooning With A Satirical Bite: Non-Newspaper Cartoons And Their Potential, Ronald Stewart
Kritika Kultura
Japanese political cartooning is widely considered to be weak: lacking in number and scope, and importantly, lacking in the aggression necessary to produce biting satire. A major reason for this low assessment is that the most publicly visible forum for political cartoons, the national daily newspapers, have, particularly since the 1980s, reduced the number and prominence of the cartoons they carry, and settled into using primarily mild, non-offensive cartoons. Yet there are political cartoons to be found elsewhere in Japan, in smaller circulation magazines and on the Internet. The aim of this paper is to examine these less viewed political …