Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network™

Open Access. Powered by Scholars. Published by Universities.®

Southern Illinois University Carbondale

Discipline
Keyword
Publication Year
Publication
Publication Type
File Type

Articles 211 - 240 of 3177

Full-Text Articles in Entire DC Network

Graduate Recital Program Notes, Emily Cline Jan 2011

Graduate Recital Program Notes, Emily Cline

Research Papers

This document introduces Robert Schumann’s Liederkreis Heine, Op. 24 Nos. 1,4,5,6,and 9, Marina’s Aria from Boris Godunov by Modest Musorgsky, Siete Canciones Populares Españolas by Manuel de Falla, Airs Chantés by Francis Poulenc, and Songs from Letters by Libby Larsen. Each of these works is presented with a brief history of composer as well as relevant historical context and information regarding the origins of the texts. A short analysis of both text and music completes each chapter.


The Black X-Men: Where Are They In The Narrative, Lenzy T. Jones Jan 2011

The Black X-Men: Where Are They In The Narrative, Lenzy T. Jones

Research Papers

The purpose of the paper is to perform an analysis on the Marvel Comic Uncanny X-Men. The goal of this analysis is to understand Black characters location in the narrative and their level of participation in the narrative. The result is that Black characters are underrepresented in the comic as main characters and show a lack of participation in the overall narrative.


Re/Turning To Her: An A/R/Tographic Ritual Inquiry, Barbara Bickel, Tannis Hugill Jan 2011

Re/Turning To Her: An A/R/Tographic Ritual Inquiry, Barbara Bickel, Tannis Hugill

Publications

This article reaches into the depths of a collaborative a/r/tographic ritual inquiry between two women artist-educators-priestesses. Within this we reflect on the intersections of research, art, spirituality, and education as thresholds of collaborative learning. Throughout the ritual-infused research process, we generated source material and imagery from trance, Authentic Movement, the labyrinth, reflective writing and co-interviews. Each of these process practices took us outside of ourselves, and attuned us to Spirit, offering a larger perspective on the inquiry while simultaneously bringing us closer to actualizing the performance ritual. In co-creating what became a performative ritual narrative of the loss and restoration …


2011-2012 Southern Illinois University Bulletin Carbondale Campus (Undergraduate Catalog), Southern Illinois University Carbondale Jan 2011

2011-2012 Southern Illinois University Bulletin Carbondale Campus (Undergraduate Catalog), Southern Illinois University Carbondale

SIU Bulletins and Course Catalogs Archives

No abstract provided.


Extended Scholarly Program Notes, Ashly S. Thomas Jan 2011

Extended Scholarly Program Notes, Ashly S. Thomas

Research Papers

This document contains the extended program notes for the graduate vocal recital of Ms. Ashly S. Thomas which took place on March 31, 2011 at the Old Baptist Foundation recital hall on the campus of Southern Illinois University in Carbondale, Illinois. These extended program notes include the repertoire list for the performance along with the translations of the pieces in foreign languages. The repertoire list includes standard opera arias from the Baroque period, Classical period, and the Romantic period. The list also includes German lieder, and French mélodie and operetta (which was sung in English, hence no translation is included). …


Scholarly Program Notes Of Recital Repertoire, Andrea R. Gedrasik Jan 2011

Scholarly Program Notes Of Recital Repertoire, Andrea R. Gedrasik

Research Papers

This document includes information regarding the repertoire on my graduate recital; including An die Musik, Auf dem Wasser zu singen, Du bist die Ruh and Gretchen am Spinnrade, by Franz Schubert; “Let the Bright Seraphim” from George Friderick Handel’s Samson; Claude Debussy’s Fêtes galantes pour Madame Vasnier; Try Me Good King: The last words of the wives of Henry VIII, by Libby Larsen; and “Měsíčku na nebi hlubokém” from Antonin Dvorak’s Rusalka.  I researched the lives of the composers; when applicable, the larger works the pieces are from; the lives of those to whom …


Scholarly Program Notes Of Selected Trumpet Repertoire, Jeanne Millikin Jan 2011

Scholarly Program Notes Of Selected Trumpet Repertoire, Jeanne Millikin

Research Papers

No abstract provided.


Forty Years Of Microhistoriography, Nicholas L. Rion Jan 2011

Forty Years Of Microhistoriography, Nicholas L. Rion

Research Papers

No abstract provided.


The Secrets Of Second Sight., Henry Ridgely Evans Dec 2010

The Secrets Of Second Sight., Henry Ridgely Evans

The Open Court

No abstract provided.


Some Old Time Conjurers., Henry Ridgely Evans Dec 2010

Some Old Time Conjurers., Henry Ridgely Evans

The Open Court

No abstract provided.


From Seed To Fruit: A Posthuman Journey From Stage To Page, Nicole E. Wood Dec 2010

From Seed To Fruit: A Posthuman Journey From Stage To Page, Nicole E. Wood

Theses

This thesis uses Cybernetic Fruit: A Posthuman Fairytale (a show directed by Shauna MacDonald and Nico Wood) to explore notions of posthumanism. The thesis of this project is that every being possesses beingness (one could say, a soul), be it raccoon, raspberry, or rock; that nothing is perfect or ever can be, for perfection and imperfection (like order and disorder) are human constructions spun from human vantage points and seen with a human-level of resolution; that collaboration fosters propagation of a posthuman discourse and compassionate behavior; and finally, that staging philosophical inquiry, in the flesh and for the community, is …


An Original Sin., William J. Roe Nov 2010

An Original Sin., William J. Roe

The Open Court

No abstract provided.


Seeing Double: A Diplopic Aesthetic In Experience And Performance, Samuel S. Sloan Nov 2010

Seeing Double: A Diplopic Aesthetic In Experience And Performance, Samuel S. Sloan

Research Papers

This investigation uses an autoethnographic approach to investigate the author's personal, phenomenological experience of diplopia, double vision, in order to apply the lived condition to an aesthetic form in performance. Using Kuppers's notion of a “crip aesthetic,” this piece re-functions a potential aspect of disability, the condition of diplopia, as a way of opening up discourses of multiplicity in art and performance. The author also calls for others to integrate non-normative body states into their art praxis.


In The Magic Circle., Henry Ridgely Evans Oct 2010

In The Magic Circle., Henry Ridgely Evans

The Open Court

No abstract provided.


The Japanese Floral Calendar. Xi. The Chrysanthemum., Ernest W. Clement Oct 2010

The Japanese Floral Calendar. Xi. The Chrysanthemum., Ernest W. Clement

The Open Court

No abstract provided.


The Daily Egyptian, October 13, 2010, Daily Egyptian Staff Oct 2010

The Daily Egyptian, October 13, 2010, Daily Egyptian Staff

October 2010

No abstract provided.


A Letter From The American Representative Of Behaism., J. G. Kheiralla Oct 2010

A Letter From The American Representative Of Behaism., J. G. Kheiralla

The Open Court

No abstract provided.


Father Hyacinthe Loyson. Oct 2010

Father Hyacinthe Loyson.

The Open Court

No abstract provided.


Some Queer Bodies, Per Se: An Explication Of Actors' Bodies In Ichor & The Four Humours Present: Percy Per Se Himself Presenting: Fopulous! Or All Is Vanity (A Tragicomedy Of Manners In Five Acts With Narrated Interludes And Dancing), Bennett P. Whitaker Oct 2010

Some Queer Bodies, Per Se: An Explication Of Actors' Bodies In Ichor & The Four Humours Present: Percy Per Se Himself Presenting: Fopulous! Or All Is Vanity (A Tragicomedy Of Manners In Five Acts With Narrated Interludes And Dancing), Bennett P. Whitaker

Research Papers

This paper locates bodies' centrality to performance studies and interrogates those bodies present in one aesthetic performance, Fopulous, employing a queered version of David Graver's typification in "The Actor's Bodies."


Crossing Over: The Influence Of Black American Female Representation On Nigerian Films And Music Videos, Adaora O. Arachie Oct 2010

Crossing Over: The Influence Of Black American Female Representation On Nigerian Films And Music Videos, Adaora O. Arachie

Research Papers

No abstract provided.


Down Kerouac's Road To Pixar's Up, Walter C. Metz Oct 2010

Down Kerouac's Road To Pixar's Up, Walter C. Metz

Publications

This essay seeks to understand the startling image of Carl Fredricksen launching his house into the air using children’s helium balloons in Pixar’s animated feature, Up (2009). The film interrogates successful adulthood via the figure of the road, both in its literary manifestation in Jack Kerouac’s On the Road (1957) and cinematically, via The Wizard of Oz (Victor Fleming, 1939). Paradise Falls itself, like Oz before it, is a letdown just like the “sad paradise” of On the Road. Carl loses faith not only in his boyhood movie hero, the travelogue adventurer Charles Muntz (Christopher Plummer), but the cinema itself.


Natural Magic And Prestidigitation., Henry Ridgely Evans Sep 2010

Natural Magic And Prestidigitation., Henry Ridgely Evans

The Open Court

No abstract provided.


The Shakespeare Controversy., Edwin Watts Chubb Sep 2010

The Shakespeare Controversy., Edwin Watts Chubb

The Open Court

No abstract provided.


Did William Shakesper Write Shakespeare?, J. Warren Keifer Sep 2010

Did William Shakesper Write Shakespeare?, J. Warren Keifer

The Open Court

No abstract provided.


Robert-Houdin. Conjuror, Author, And Ambassador., Henry Ridgely Evans Sep 2010

Robert-Houdin. Conjuror, Author, And Ambassador., Henry Ridgely Evans

The Open Court

No abstract provided.


Chevalier Pinetti-Conjurer., Henry Ridgely Evans Sep 2010

Chevalier Pinetti-Conjurer., Henry Ridgely Evans

The Open Court

No abstract provided.


The Praise Of Hypocrisy. An Essay In Casuistry., G. T. Knight Sep 2010

The Praise Of Hypocrisy. An Essay In Casuistry., G. T. Knight

The Open Court

No abstract provided.


The Daily Egyptian, August 27, 2010, Daily Egyptian Staff Aug 2010

The Daily Egyptian, August 27, 2010, Daily Egyptian Staff

August 2010

No abstract provided.


Continuity In Technological Change: A Political Economic Analysis Of Digital Film Exhibition, Benjamin J. Birkinbine Aug 2010

Continuity In Technological Change: A Political Economic Analysis Of Digital Film Exhibition, Benjamin J. Birkinbine

Theses

This thesis analyzes the current transition to digital cinema projection technologies within the film exhibition business. I begin by discussing two historical cases of technological change in film exhibition technology, and I identify the corporations that successfully controlled periods of technological change in order to solidify their position atop the film industry. In drawing from these historical case studies, I examine the current transition to digital cinema projection technologies by discussing the structure of the film exhibition business and identifying those exhibitors that are controlling the transition to digital cinema. I find that the top three exhibitors - Regal Cinemas, …


The Mobilization Of Memory: The Battle Of Waterloo In German And British Memory, 1815-1915, Kevin Pryor Aug 2010

The Mobilization Of Memory: The Battle Of Waterloo In German And British Memory, 1815-1915, Kevin Pryor

Theses

This Thesis examines the evolution of the Battle of Waterloo from the perspective of both British and German historical memory over the course of a century. In popular media, Waterloo emerged as a potent symbol for the unity of the nation in both German and British contexts. The Thesis's comparative study of historical memory argues that historical memory is integrally related to a society's development; subsequent generations of Britons and Germans reimagined themselves fighting Waterloo in such diverse media as poetry, editorials, popular history, and iconography. In the British context, the memory of Waterloo from 1815-1914 was partial to small-scale …