Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- Gardner-Webb University (769)
- City University of New York (CUNY) (232)
- Illinois State University (197)
- Brigham Young University - Hawaii (181)
- Liberty University (139)
-
- University of Denver (129)
- University of Southern Maine (72)
- Yale University (70)
- Chulalongkorn University (43)
- Louisiana State University (43)
- University of Kentucky (43)
- Northern Illinois University (42)
- University of Memphis (41)
- Cleveland State University (39)
- Technological University Dublin (36)
- Western Kentucky University (36)
- James Madison University (35)
- University of South Carolina (34)
- Edith Cowan University (32)
- SIT Graduate Institute/SIT Study Abroad (32)
- The University of Southern Mississippi (32)
- University of Richmond (31)
- Bowling Green State University (29)
- East Tennessee State University (29)
- Columbia College Chicago (27)
- University of Texas Rio Grande Valley (27)
- University of Nebraska - Lincoln (26)
- Lawrence University (24)
- Claremont Colleges (23)
- Gettysburg College (23)
- Keyword
-
- Music (330)
- Ethnomusicology (132)
- College of Arts Humanities and Social Sciences (119)
- Lamont School of Music (117)
- Musicology and Ethnomusicology (111)
-
- Piano (86)
- Christmas issue (71)
- Beethoven (50)
- Colonialism (49)
- Music education (46)
- Jazz (45)
- Papua New Guinea (44)
- Chopin (43)
- Folk music (43)
- Center for Southeast Asian Studies (40)
- Performance (40)
- Identity (38)
- Liszt (38)
- Musicology (38)
- Culture (37)
- Micronesia (35)
- Gender (34)
- Ethnography (31)
- History (31)
- Music teacher (31)
- Composition (30)
- Migration (30)
- Solomon Islands (30)
- Mozart (29)
- Fiji (28)
- Publication Year
- Publication
-
- The Etude Magazine: 1883-1957 (769)
- Pacific Studies (181)
- School of Music Programs (173)
- Publications and Research (119)
- Musicology and Ethnomusicology: Student Scholarship (114)
-
- Masters Theses (98)
- Dissertations, Theses, and Capstone Projects (78)
- Theses and Dissertations (70)
- WMPG Program Guides (69)
- Yale Journal of Music & Religion (66)
- Electronic Theses and Dissertations (51)
- Doctoral Dissertations and Projects (42)
- Shake, Rattle & Roll (41)
- Theses and Dissertations--Music (35)
- LSU Doctoral Dissertations (34)
- The Journal of Traditions & Beliefs (34)
- Journal of Urban Culture Research (31)
- CSEAS Bulletin (29)
- Independent Study Project (ISP) Collection (29)
- Music Department Concert Programs (28)
- Dissertations (21)
- UNLV Theses, Dissertations, Professional Papers, and Capstones (19)
- Graduate Theses, Dissertations, and Problem Reports (ETD) (18)
- Honors Projects (15)
- Vintage Fiddlers Oral History Project Collection (14)
- Center for Black Music Research Newsletter (13)
- Folklife Archives Finding Aids (12)
- School of Music Faculty/Staff Newsletter (12)
- Conservatory of Music Concert Programs (11)
- Doctoral (11)
- Publication Type
- File Type
Articles 1561 - 1590 of 3301
Full-Text Articles in Entire DC Network
So “Fisk” Ticated Ladies And Gentlemen: Highlights From 150 Years Of Fisk University’S Musical Tradition, Impact, And Influence, Fletcher F. Moon
So “Fisk” Ticated Ladies And Gentlemen: Highlights From 150 Years Of Fisk University’S Musical Tradition, Impact, And Influence, Fletcher F. Moon
Library Faculty and Staff Publications and Presentations
Fisk University in Nashville, TN is best known as one of the oldest Historically Black Colleges/Universities (HBCUs) since its founding in 1866, and musically for the role of the original Fisk Jubilee Singers in presenting the Negro Spiritual to the world through national and international performances, tours, and/or recordings from 1871 to the present. Its distinguished alumni include W.E.B. DuBois; John Hope Franklin; David Levering Lewis; Nikki Giovanni; the Honorable John Lewis; Diane Nash; Johnetta Cole; and numerous others who have made seminal contributions to African/American and global culture, while its faculty and administration has included luminaries such as Charles. …
The Living Dead: Anthropological Interpretation Of Rites Of Passage In Umuahia And Emure Ekiti, Oladosu O. Adebolu
The Living Dead: Anthropological Interpretation Of Rites Of Passage In Umuahia And Emure Ekiti, Oladosu O. Adebolu
The Journal of Traditions & Beliefs
No abstract provided.
African And African-Influenced Sacred Music, Suzanne Flandreau
African And African-Influenced Sacred Music, Suzanne Flandreau
The Journal of Traditions & Beliefs
No abstract provided.
2017 Call For Submissions, Regennia N. Williams
2017 Call For Submissions, Regennia N. Williams
The Journal of Traditions & Beliefs
No abstract provided.
Acknowledgments And Disclaimer, Regennia N. Williams
Acknowledgments And Disclaimer, Regennia N. Williams
The Journal of Traditions & Beliefs
No abstract provided.
An Illustrated Introductory Note, Regennia N. Williams
An Illustrated Introductory Note, Regennia N. Williams
The Journal of Traditions & Beliefs
No abstract provided.
Table Of Contents, Regennia N. Williams
Table Of Contents, Regennia N. Williams
The Journal of Traditions & Beliefs
No abstract provided.
From John S. Mbiti To Jacob K. Olupona: A Literary Journey In Review, Regennia N. Williams
From John S. Mbiti To Jacob K. Olupona: A Literary Journey In Review, Regennia N. Williams
The Journal of Traditions & Beliefs
No abstract provided.
Table Of Contents, Regennia N. Williams Phd
Table Of Contents, Regennia N. Williams Phd
The Journal of Traditions & Beliefs
No abstract provided.
Souvenir Program Booklet For The Women And Spirituality Symposium, Regennia N. Williams Phd, Patricia A. F. O'Luanaigh Ma
Souvenir Program Booklet For The Women And Spirituality Symposium, Regennia N. Williams Phd, Patricia A. F. O'Luanaigh Ma
The Journal of Traditions & Beliefs
No abstract provided.
The Future Of Arabic Music: No Sound Without Silence, Nesma Magdy Khodier Vcuq
The Future Of Arabic Music: No Sound Without Silence, Nesma Magdy Khodier Vcuq
Theses and Dissertations
For centuries, Arabic music has been intrinsically linked to Arab culture and by extension bonded to the environmental landscape of the region, reflecting their emotions, moods, and behaviors. Numerous technological advancements in the latter half of the twentieth century, have greatly affected the rich legacy of Arabic music, significantly impacting the natural progression of traditional Arabic musical genres, scales, and instrumentation.
This thesis serves as an introduction to generative methods of music production, specifically music generated through gestures. Through generative music, and its unique ability to map gestures to different musical parameters, music can be produced using computer algorithms.
The …
Flamenco Jazz: An Analytical Study, Peter L. Manuel
Flamenco Jazz: An Analytical Study, Peter L. Manuel
Publications and Research
No abstract provided.
Concert Programs 2015-2016, University Of Arkansas, Fayetteville. Department Of Music
Concert Programs 2015-2016, University Of Arkansas, Fayetteville. Department Of Music
Concert Recordings & Programs
This is the annual compilation of music programs from the Department of Music for the time period indicated
We Gon' Be Alright, Joel R. Weltzien Mr.
We Gon' Be Alright, Joel R. Weltzien Mr.
Undergraduate Theses, Professional Papers, and Capstone Artifacts
Music is an art form linked to identity, both of the self, and of one’s role in culture and society. In many social movements, music has been one of the tools used to unite a group in its message by allowing individuals to express themselves via a larger social unit. My presentation uses anthropological theories to examine this phenomenon through one of the latest and more pressing issues in our culture, the racial conflict in the US following the killing of Michael Brown, in which an unarmed black teenager was shot and killed by a white police officer, who was …
Thrill Of A Billion Eyes: The Prancing J-Settes, Mary Paige Blessey
Thrill Of A Billion Eyes: The Prancing J-Settes, Mary Paige Blessey
Electronic Theses and Dissertations
The “Prancing J-Settes” is the official name of the dance line for the Sonic Boom of the South marching band at Jackson State University in Jackson, Mississippi. The popular form of dance termed “J-Setting” sources its name from the Prancing J-Settes. The Sonic Boom of the South and the Prancing J-Settes have a loyal fan following and have had a lasting and widespread influence on popular culture. This is an oral history interview project focusing on the current Prancing J-Settes themselves to hear their thoughts and definitions of the form of dance they perform and its significance. The primary interviews …
Bluesman, Guitar, And Migration, Yaeko Takada
Bluesman, Guitar, And Migration, Yaeko Takada
Electronic Theses and Dissertations
This project examines how the bluesman, guitar, and migration have interacted with each other and brought about transformations to American popular music, based upon scholarly works, magazine articles, and the sound recordings of the prewar blues performers. In popular theory, the blues sprang out of the cotton fields and articulated the life experiences of the oppressed people in isolated areas, particularly the Jim Crow south. These are certainly truths of the blues. Also true is that the blues was a product of modernization in every way and a representation of the African American bluesman's aspiring life. The bluesman's mobile lifestyle …
A Performance Guide To Etüden Für Flöte(N) Solo By Isang Yun, Brian Dunbar
A Performance Guide To Etüden Für Flöte(N) Solo By Isang Yun, Brian Dunbar
LSU Doctoral Dissertations
Born in Korea, Isang Yun (1917-1995) became one of the most prominent avant-garde composers in the world. Yun made use of a distinctive musical language that synthesized Far East Asian philosophy, especially Chinese Taoism, with Western techniques and Korean traditional instrumental idioms. Isang Yun left more that 100 works, including twelve works that feature the flute. This essay will discuss Yun’s five Etüden für Flöte(n) solo (Etudes for solo flute(s)), which are highly representative of Yun’s solo music for flute. The document will include a discussion and performance guide for each of the five etudes. This document will present an …
Bill Monroe And Czech Bluegrassers: Imagination And The Production Of Place In Music, Lee Bidgood
Bill Monroe And Czech Bluegrassers: Imagination And The Production Of Place In Music, Lee Bidgood
ETSU Faculty Works
Journal Summary: Bluegrass and Old Time Country Music: Buried Roots is a collection of articles by noted country music scholars Wayne Daniel, James Akenson, Gregory Hansen and Lee Bidgood. This is a special publication of the International Country Music Journal, an extension of the International Country Music Conference held annually at Belmont University in Nashville, Tennessee.
Beyond England's "Green And Pleasant Land": English Romantics Outside The Musical Renaissance, Christopher Little
Beyond England's "Green And Pleasant Land": English Romantics Outside The Musical Renaissance, Christopher Little
Theses and Dissertations--Music
England experienced a resurgence of musical talent in the late nineteenth and early twentieth centuries known as the "English Musical Renaissance." This rebirth spanned the years 1880 – 1945 and is credited to the work of Edward Elgar, Frederick Delius, Gustav Holst, and Ralph Vaughan Williams. Their break with Continental compositional models and the subsequent rediscovery of Tudor music and English folk song eventually created a "pastoral" musical style, heard as the authentically English musical voice.
A strain of English musical Romanticism continued parallel to the Renaissance, however, represented by Granville Bantock, Joseph Holbrooke, Rutland Boughton, Arnold Bax, and Havergal …
Music As Narrative In American College Football, John M. Mccluskey
Music As Narrative In American College Football, John M. Mccluskey
Theses and Dissertations--Music
American college football features an enormous amount of music woven into the fabric of the event, with selections accompanying approximately two-thirds of a game’s plays. Musical selections are controlled by a number of forces, including audio and video technicians, university marketing departments, financial sponsors, and wind bands. These blend together in a complex design that offers audible and visual stimulation to the audience during the game’s pauses. The music chosen for performance in these moments frequently communicates meaning beyond entertainment value. Selections reinforce the game’s emotional drive, cue celebrations, direct specific audience actions, and prompt behaviors that can directly impact …
Music For Caroline: Including Students With Autism In The Elementary General Music Classroom, Meredith B. Dayoub
Music For Caroline: Including Students With Autism In The Elementary General Music Classroom, Meredith B. Dayoub
Theses and Dissertations
The purpose ofthis paper is to research and analyze the history ofspecial education, special education in music, and Autism. The goal is to provide elementary general music educators with a detailed understanding ofthe history ofspecial education and ways to modify lessons to accommodate students with special needs, specifically Autism. Through an analysis of special education history and the legislation that has impacted special education, music educators may find new ways to teach students of varying learning levels. Understanding the medical definition and characteristics of Autism should help educators modify existing lessons or develop new lessons that allow all students, including …
The Radical South: Grassroots Activism, Ethnicity, And Literary Form, 1960-1980, Elizabeth Fielder
The Radical South: Grassroots Activism, Ethnicity, And Literary Form, 1960-1980, Elizabeth Fielder
Electronic Theses and Dissertations
“The Radical South” examines the art and writings of Civil-Rights-era social movements and locates U.S. based political structures in a hemispheric and global network. I reveal that the Civil Rights Movement, ethnic nationalism, and second-wave feminism were not separate entities; rather, the cultural work of activists was an intersectional effort that defied national strategies, such as non-violent protest and race-based separatism, that were often determined by their urban counterparts. Thus, I argue that new political aesthetics emerged from grassroots activism and set in motion ethnic and racial cultural expressions that embraced multiple, even conflicting, identities. As much as this art …
The Fandango Complex In The Spanish Atlantic: A Panoramic View, Peter L. Manuel
The Fandango Complex In The Spanish Atlantic: A Panoramic View, Peter L. Manuel
Publications and Research
While the Andalusian and best-known forms of fandango share certain distinctive musical features, these same features can be seen to link these subgenres, historically and structurally, to much broader sets of transatlantic musical families, older genres like the zarabanda and chacona, a wide family of Caribbean-Basin ternary forms, as well as Andean and South American relatives. At the same time, clear distinctions can be made between genres related to this fandango complex and other major musical families in the Spanish Atlantic.
The Evolution Of Modern Thumri, Peter L. Manuel
The Evolution Of Modern Thumri, Peter L. Manuel
Publications and Research
This essay outlines the evolution of thumri, tracing its development from pre-modern references through the bandish thumri of the mid-nineteenth century Lucknow, and the bol banao thumri of the courtesan era to its modern status as a light closing itme in classical concerts.
El Murciano's "Rondeña" And Early Flamenco Guitar Music: New Findings And Perspectives, Mª Luisa Martínez Martínez, Peter L. Manuel
El Murciano's "Rondeña" And Early Flamenco Guitar Music: New Findings And Perspectives, Mª Luisa Martínez Martínez, Peter L. Manuel
Publications and Research
The "Rondeña" of guitarist Francisco Rodríguez Murciano (El Murciano, 1795-1848) of Granada--as documented in a notation made by his son--has been a subject of considerable interest among scholars interested in the evolution of flamenco guitar playing (toque). Such authors as Eusebio Rioja (2008, 2013), Javier Suárez Pajares (2003), Guillermo Castro Buendía (2014), and Norberto Torres Cortés (2010) have recognized the importance of this piece in the attempted reconstruction, however hypothetical, of the development of the art of flamenco guitar. These authors have raised various questions about the piece, involving the date and circumstances of its preparation and the …
Music And The Child, Natalie Sarrazin
Music And The Child, Natalie Sarrazin
Milne Open Textbooks
Children are inherently musical. They respond to music and learn through music. Music expresses children’s identity and heritage, teaches them to belong to a culture, and develops their cognitive well-being and inner self worth. As professional instructors, childcare workers, or students looking forward to a career working with children, we should continuously search for ways to tap into children’s natural reservoir of enthusiasm for singing, moving and experimenting with instruments. But how, you might ask? What music is appropriate for the children I’m working with? How can music help inspire a well-rounded child? How do I reach and teach children …
Don't Let The World Rot: Anarchism, Hardcore Music, And Counterculture, Pearson Bolt
Don't Let The World Rot: Anarchism, Hardcore Music, And Counterculture, Pearson Bolt
Electronic Theses and Dissertations
Hardcore music is intrinsically anarchistic. The hardcore music scene represents a radical departure from contemporary society. Rejecting the materialism, militarism, and hedonism of the mainstream music scene—and, by extension, modern culture—hardcore music presents an alternative lifestyle rooted in solidarity, equality, and liberty. Indeed, the culture of the hardcore scene approaches a transitive, nomadic model of an anarchistic commune built on resistance as a way of life. In this study, I identified the ways music and lyrics craft attitudes and environments for revolt and rebellion, cultivating critical thinking and disobedience in equal measures. In order to understand the hardcore community, I …
Henry Worrall (1825–1902): Anglo-American Guitarist, Robert Ferguson
Henry Worrall (1825–1902): Anglo-American Guitarist, Robert Ferguson
Soundboard Scholar
Anglo-American guitarist Henry Worrall appeared on the American scene just as the guitar reached a plateau of popularity. As vital as the guitar itself, the prevailing social, philosophical, and aesthetic tenets of Worrall's era also wove a unifying thread through his life, career, and oeuvre. His immersion in both the graphic and musical arts; his straddling of vernacular and high culture; his connection to nature and especially agriculture; his nationalist and regionalist sympathies; and his fondness for folk, popular, and heroic musical themes all drew from and evinced a Romantic worldview. Here, Ferguson discusses Worrall's professional life.
Teaching Music History With Your Mouth Shut, Anne Stone
Teaching Music History With Your Mouth Shut, Anne Stone
Publications and Research
No abstract provided.