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Arabic Typography Play, Sarah Alfalah Jan 2013

Arabic Typography Play, Sarah Alfalah

Theses and Dissertations

I believe that spoken and written languages are verbal and visual expressions of cultures. Language is used to convey and sustain values and the belief system of people. Arabic is a language of complexity and formal beauty that is being disregarded and pushed away by its own native speakers. It is losing its value in the Arab world. In other words it is dying. Both the written and spoken language is being affected. As the world is interchanging, integrating, and becoming closer, there has been a strong impact on many societies, threatening their original culture. Arab cultures are abandoning the …


Transforming Narratives, Lucia Weilein Jan 2013

Transforming Narratives, Lucia Weilein

Theses and Dissertations

Narrative, often considered synonymous with “story,” can be viewed from a structuralist perspective and analyzed independent of any particular content. Breaking narrative into categories of story and discourse, this autonomous structure makes possible a translation of content from one form to another. The various media and form types common in graphic design can serve as both recipient and translator of narratives, converting content into a framework that includes the concept of craftsmanship, aesthetic components and specifications, legibility and composition, and the physical form of the designed object. To examine how this framework functions in practice, I have developed a series …


Wanderings, Jetter Jorge Silva Jan 2013

Wanderings, Jetter Jorge Silva

Theses and Dissertations

While it implies aimless movement, the act of wandering is an act of discovery and can become a search for the unexpected. Wandering, as a metaphor for making, creates opportunities to work in ways where the final outcome is unknown. This can be accomplished by the creation of methods and instructions designed for wandering-the act of discovery. In the field of design, these ideas can be incorporated as methods for making that guide the design process in ultimately unknowable ways, resulting in products that bear little trace of preconception. The role of chance and indeterminacy as methods for relinquishing control …


Building The Post-Industrial Community: New Urbanist Development In Pittsburgh, Pa, Steven Alexander Niedbala Jan 2013

Building The Post-Industrial Community: New Urbanist Development In Pittsburgh, Pa, Steven Alexander Niedbala

Honors Papers

The first part will explain the concept of community in the context of postindustrial theory. I will analyze the narrative of postindustrialism to argue that this concept of community constitutes not a reaction to a unique set of historical circumstances but rather a strategical shift in capitalist development. In the second part, I will describe how the perceived failure of architectural modemism inspired the theorization of the city as a phenomenological entity. I will describe how this conception of the city inspired efforts to systematize urban diversity through the development of a visual linguistics. The urban planning movement known as …


The Hd Magazine: Graphists And Wordsmiths, Hanadi Haddad, Stuart Medley Jan 2013

The Hd Magazine: Graphists And Wordsmiths, Hanadi Haddad, Stuart Medley

Research outputs 2013

HD Magazine is a cross-disciplinary initiative, seeking to bring together students from the fields of Journalism and Graphic Design (from 1st year through to 4th year). Its creation allows students to share knowledge and skills, showcase their work and contribute to establishing a sense of community within the School of Communications and Arts (SCA) at Edith Cowan University (ECU). HD Magazine is bi-annually published (four issues to date), with future stages of development including online publication and collaboration with students from interactive media development and creative writing. From a design perspective, HD Magazine is also an investigation into visual literacy, …


Designing With Images: Using A Realism Continuum To Choose Pictures For Communication Tasks, Stuart Medley Jan 2013

Designing With Images: Using A Realism Continuum To Choose Pictures For Communication Tasks, Stuart Medley

Research outputs 2013

Graphic design has historically been concerned with giving identity to clients’ projects. But what of its own identity? Graphic design and typography have become interchangeable terms, to the detriment of any theoretical position on pictures. This paper explains the necessity of a theory of pictures specific to the graphic design discipline. Bamford (2003) says there can’t be a vocabulary of images since it would be as limitless as the imagination and graphic skills of humanity. But a search for a vocabulary of images is a red herring for graphic design. Typography is less about what is spoken and more about …


Home Sweet Home: An Infinite Grid Of Memory And Repressed Abuse Trauma, Melissa Bush Jan 2013

Home Sweet Home: An Infinite Grid Of Memory And Repressed Abuse Trauma, Melissa Bush

Electronic Theses and Dissertations

Incorporating traditional craft mediums of crochet and embroidery, I use digital technology to experiment with wording to graphically represent my abuse trauma. Due to the severity of the subject matter and the work ethic I employ in my art practice, using my hands and being completely involved is a form of masochistic pleasure. My process takes on a Sisyphean approach of penance for the sins of others in my work. During my studio practice, my process reaches a meditative state where my mind is clear and free of the burden. Once I've completed a panel of trauma, the burden is …


Autonomous Systems, Karolis Kosas Jan 2013

Autonomous Systems, Karolis Kosas

Theses and Dissertations

The ubiquity of digital media provides an unprecedented possibility to redefine the process and methods of design. Through experience from a series of creative projects, I investigate how certain aspects of the web allow for design to attain a degree of autonomy, thus producing results that go beyond anticipation and expertise of the author. Utilizing an unlimited capacity to store the content and retrieve immediate feedback, the designer’s role can be shifted to that of an initiator defining rules and boundaries, from which the process can evolve independently based on the input of users and data. The design output in …


What?: Visual Interpretations Of The Miscommunication Between The Hearing And Deaf, Virginia Shou Jan 2013

What?: Visual Interpretations Of The Miscommunication Between The Hearing And Deaf, Virginia Shou

Theses and Dissertations

This thesis visualizes the communication challenges both latent and obvious of my daily life as a hard of hearing individual. By focusing on a variety of experiences and examples I demonstrate the implications of a hard of hearing individual’s life. The prints, objects and videos that I have created for my visual thesis aim to enrich the understanding of a broader public on issues regularly faced by Deaf people. At the heart of my work my goal is to generate mutual empathy between the hearing and the Deaf.


Narrowing The Margin: The Role Of The Black Superhero, Julian S. Strayhorn Ii Jan 2013

Narrowing The Margin: The Role Of The Black Superhero, Julian S. Strayhorn Ii

College of Graduate Studies: Theses & Dissertations

Comic books can be understood as a visualization of popular culture in the U.S. For a long time these tales were formed by a white power fantasy, circulating in mainstream culture as over-exaggerated narrations. To give an example of white power fantasy, Dwayne McDuffie, a prolific writer in popular entertainment states:

“…if I write, as I have many times, a story where Daredevil, who doesn’t have powers, gets the drop on Thor, who has unbelievable powers, people go Oh, that was so cool! Daredevil was so clever! If I have Black Panther do the same thing that’s impossible! It’s like, …


Augmented Resistance: The Possibilities For Ar And Data Driven Art, Conor Mcgarrigle Jan 2013

Augmented Resistance: The Possibilities For Ar And Data Driven Art, Conor Mcgarrigle

Articles

This article discusses the possibilities for Augmented Reality (AR) as a driver of data based art. The combination of AR and Open Data (in the broadest post-Wikileaks sense) is seen to provide a powerful tool-set for the artist/activist to augment specific sites with a critical, context-specific data layer. Such situated interventions offer powerful new methods for the political activation of sites which enhance and strengthen traditional non- virtual approaches and should be thought of as complementary to, rather than replacing, physical intervention.

I offer as a case study this author’s “NAMAland” project, a mobile artwork which uses Open Data and …


Between Floors: The Ups And Downs Of Mediated Narrative, Melinda White Nov 2012

Between Floors: The Ups And Downs Of Mediated Narrative, Melinda White

Theses and Dissertations

“Between Floors: The Ups and Downs of Mediated Narrative” and the accompanying creative remediation project, “Between Floors: Love and Other Blood Related Diseases,” meld theory and practice of print with electronic literature and installation art. I argue that as the medium changes, the narrative is transformed. The narrative can be reconstructed and pieced together as the reader or viewer becomes increasingly involved, even embodied within the work. This embodiment is what Nathaniel Stern calls “Moving and thinking and feeling” (1) and can result in a more direct emotional experience. The form, structure, and medium (sjužet) rely on authorial intention, yet …


Everyday Discoveries In Helsinki And Dublin: How Pivot Dublin And The Institute Of Designers In Ireland Engaged In An Open And Participative Competition As Part Of World Design Capital 2012, Barry Sheehan May 2012

Everyday Discoveries In Helsinki And Dublin: How Pivot Dublin And The Institute Of Designers In Ireland Engaged In An Open And Participative Competition As Part Of World Design Capital 2012, Barry Sheehan

Conference Papers

Design Forum Finland invited the Institute of Designers in Ireland (IDI) to take part in the International Design House Exhibition as part of World Design Capital Helsinki 2012. The IDI was asked to work with Design Forum Finland and Imu Design in the event that takes place during Helsinki Design Week 2012.

In 2010 Dublin City Council formed a group called PIVOT Dublin to bid for World Design Capital 2014. Dublin has been investigating different ways of utilizing design to make changes and drive innovation in the City. PIVOT Dublin provides an ongoing flexible mechanism for design projects, actions and …


Architecture As Drawing: Representational Space Architecturally Transformed, Andrew Arkell May 2012

Architecture As Drawing: Representational Space Architecturally Transformed, Andrew Arkell

Architecture Undergraduate Honors Theses

This thesis project was motivated by the premise that a drawing could take on architectural meaning beyond its initial performance as a re-presentation of an architectural idea. Initially, there existed the goal to create a drawing that was architecture. In the creation of a process wherein the drawing is the research, however, there comes an understanding that a drawing may never be literal architecture; although, the means by which the drawing is created might be architectural, or at the very least, speak to ideals which are fundamental to the creation, to the process, of architecture itself.


The Pastel Medium Communicating Sexuality And Promiscuity In Late Nineteenth-Century Paris, Adee S. Benartzy May 2012

The Pastel Medium Communicating Sexuality And Promiscuity In Late Nineteenth-Century Paris, Adee S. Benartzy

HIM 1990-2015

Throughout the history of art, the pastel medium has been considered a medium of secondary interest. Despite its pulsating textures, vibrant colors, and unique receptivity to touch, this medium has been recognized above all for its swiftness in stroke and subsequent ability of the artist to record images of fleeting moments and ideas almost instantaneously. The focus on the advantageous rapidity of the pastel, however, hindered the pastel medium's potential as a mere preliminary technique to working with grander mediums, such as oil paint, thus failing to recognize the prominence of pastel in capturing character. This research endeavor focuses on …


Reimagining The Visual Communications Of The Westcott Community Center, Kathryn Jean Marren May 2012

Reimagining The Visual Communications Of The Westcott Community Center, Kathryn Jean Marren

Renée Crown University Honors Thesis Projects - All

I sought to redesign and reimagine the visual materials produced by the Westcott Community Center, a nonprofit organization that serves the local Westcott area as well as the entire metropolitan Syracuse area. The Westcott Community Center is a venue for classes, dramatic performances, celebrations, community meetings, and more.

The Westcott Community Center has many diverse programs and events and is truly an asset to the community. I wanted to update their materials to convey a sense of cohesiveness as well as a more sophisticated and organized design aesthetic. I redesigned the Center’s logo and volunteer application, created a stationery system, …


Effective Poster Design, Kaylee S. White Apr 2012

Effective Poster Design, Kaylee S. White

Undergraduate Honors Capstone Projects

It is claimed that a poster has about three seconds to catch the attention of a passer-by. The success of that poster teeters on those few seconds. If it fails to attract attention, then it is ineffective. However, if it catches the interest of its viewer, then half of the battle is won. Having caught attention, the poster must next deliver a swift, effective, convincing message, which then leads the viewer to a desired thought or action. Quite an ambitious to-do list for one poster, right? Quickly arrest the attention of the viewer, deliver a swift clear message, effectively accomplish …


Technological Evolution And Its Effects On Graphic Design And Textbook Design, Danielle Renae Allen Apr 2012

Technological Evolution And Its Effects On Graphic Design And Textbook Design, Danielle Renae Allen

Undergraduate Honors Capstone Projects

Technological Evolution and its Effects on Graphic Design and Textbook Design Although fundamental principles of art and design have been around for thousands of years, the development of new technology has greatly altered how designers must use these foundations. This paper investigates how this complex history has changed graphic design practices and specifically the design of textbooks. It also discusses technology’s huge role in changing the way design fundamentals are taught and practiced and how this affects where the profession is headed. Through researching the history of graphic design and then examining three editions of the textbook, Design Basics by …


Defining Industry Expectations And Misconceptions Of Art And Technology Co-Creativity, Vanessa C. Brasfield Apr 2012

Defining Industry Expectations And Misconceptions Of Art And Technology Co-Creativity, Vanessa C. Brasfield

Department of Computer Graphics Technology Degree Theses

The primary purpose of this study was to establish whether or not students and industry professionals share the same views about what students should be learning in animation education, what skills are necessary, and whether or not students graduating with a bachelor’s degree would be adequately prepared for an entry level position. To establish where misconceptions lie, surveys were issued to three groups: undergraduate students, post-graduate students, and industry professionals. These surveys were then analyzed using paired t-test for validation and question relevance, and ANOVA models to establish whether or not groups shared viewpoints. These data established significance within the …


Defining Industry Expectations And Misconceptions Of Art And Technology Co-Creativity, Vanessa C. Brasfield Apr 2012

Defining Industry Expectations And Misconceptions Of Art And Technology Co-Creativity, Vanessa C. Brasfield

Department of Computer Graphics Technology Degree Theses

The primary purpose of this study was to establish whether or not students and industry professionals share the same views about what students should be learning in animation education, what skills are necessary, and whether or not students graduating with a bachelor’s degree would be adequately prepared for an entry level position. To establish where misconceptions lie, surveys were issued to three groups: undergraduate students, post-graduate students, and industry professionals. These surveys were then analyzed using paired t-test for validation and question relevance, and ANOVA models to establish whether or not groups shared viewpoints. These data established significance within the …


Comics For Children?, Elizabeth Surbeck Apr 2012

Comics For Children?, Elizabeth Surbeck

2012 Awards for Excellence in Student Research & Creative Activity - Documents

Graphic narratives around the world have found lhemselves today beirlg read by certain types of readers. Literature scholars focus on elements such as character and plot structure, occupying their minds with what makes literature great and what some graphic nurratives share with that great literature. With a similar attitude, art historians focus on style, composition, and other artistic elements in graphic narratives that connect them to the art history timeline that goes back to cave paintings. Another type of audience exists, one that does not consider what graphic narratives are and whether they belong to an existing formal area …


Progression Of Aesthetic: A Study Of Beads And Adornment In Contemporary Krobo Society, Jordan Ashe Apr 2012

Progression Of Aesthetic: A Study Of Beads And Adornment In Contemporary Krobo Society, Jordan Ashe

Independent Study Project (ISP) Collection

  1. Methodology: To gain insight into the role of bead heritage and adornment in Krobo, I spent 18 days in Krobo-Nyaso, learning how to make recycled glass beads called giga, and observing the use of beads in daily life and ceremonious occasions. I observed one wedding ceremony and parts of a Dipo ceremony, though I was unable to attend a naming ceremony or funeral. To gain insight into contemporary bead culture, I interviewed Krobos of all ages, occupations, and social ranks, including one bead vendor, two bead makers, two chiefs, one priest, and four Krobo women. I also sought …


Composition And Community: Integrating Design And Service Learning, Linda Gottesfeld Apr 2012

Composition And Community: Integrating Design And Service Learning, Linda Gottesfeld

Cornerstone 2 Reports : Community Outreach and Empowerment Through Service Learning and Volunteerism

No abstract provided.


Media Revolution: Early Prints From The Sheldon Museum Of Art, Gregory Nosan, Alison G. Stewart Mar 2012

Media Revolution: Early Prints From The Sheldon Museum Of Art, Gregory Nosan, Alison G. Stewart

Zea E-Books Collection

In the digital age, when videos are streamed and books can be read electronically, it is hard to fathom the revolutionary impact that printed images had when they first appeared in Europe around 1400. Their introduction changed forever the traditional practice of manually crafting images one by one, creating a world in which pictures could be reproduced almost without limit on a new material called paper, expanding the possibilities and audiences for images and texts of all kinds. This publication, which brings to light little-seen masterpieces from the Sheldon Museum of Art’s collection, explores the three major print techniques of …


Can Design Thinking Have A Social Life Through Networking?, Brenda Duggan Feb 2012

Can Design Thinking Have A Social Life Through Networking?, Brenda Duggan

Articles

‘The design process is best described metaphorically as a system of spaces rather than a predefined series of orderly steps. The steps demarcate different sorts of related activities that together form a continuum of innovation’. (Brown, 2008, 4) This paper addresses two different spaces for examining design thinking — the design research notebook and the digital space, the topic-driven blog. The premise for this paper arises from teaching digital media on a visual communication programme. I wanted to ask the question from my perspective as an educator — if the individual research notebook is a convention or vehicle for design …


Identification Of Perceived 21st Century Graphic Design Skills, Content Knowledge, And Tools Needed In An Effective University-Level Graphic Design Program, Amanda W. Bridges Jan 2012

Identification Of Perceived 21st Century Graphic Design Skills, Content Knowledge, And Tools Needed In An Effective University-Level Graphic Design Program, Amanda W. Bridges

Education Dissertations and Projects

The purpose of this study was to identify 21st century skills, content knowledge, and tools needed in an effective university-level graphic design program. Inconsistencies in the graphic design curriculum, fueled by the increasingly large number of programs and concentrations and the inability to track graduates, were some of the issues that led to a need for this study.

This study was an expansion of a previous 2006 study conducted by Shyang-Yuh Wang, which took place in Kansas and Missouri. This current study used a modified Delphi Technique in which perceptions from university-level graphic design educators and industry professionals from North …


A Type Of Communication What To Watch For In U.S. Presidential Campaign Promotional Ephemera & Typographic Choices, Amanda C.R. Clark Jan 2012

A Type Of Communication What To Watch For In U.S. Presidential Campaign Promotional Ephemera & Typographic Choices, Amanda C.R. Clark

Library Faculty Scholarship

Facets of graphic design, logo design, typefaces, and other images absorbed through rapid cognition have a psychological effect on the viewer. Well known to advertisers, these stylistic typographic choices transmit a powerful message to viewers and influence their impressions of the product (Coleman and Wasike 2003: 1). Visual design decisions may persuade at unquestioned and unconscious levels, and they may be indelibly imbued with their historical identity. How then do these choices, when applied to the promotional materials of political campaigns, affect the stylistic impressions made by printed materials, such as posters, bumper stickers, lawn signs, and buttons? By examining …


Articulations Of Irish Language Poetry As Multimodal Texts, Brenda Duggan Jan 2012

Articulations Of Irish Language Poetry As Multimodal Texts, Brenda Duggan

Conference Papers

Abstract

In October of last year, visual communication students at Technological University Dublin took part in an exhibition of Irish language literature texts that were imaginatively extended, exploring an array of new literacies. Taking the Irish language texts as a starting point for this project, students creatively explored print, visual, digital and material modes to extend the meaning of the poetry.

This paper explores, from a social semiotic perspective the creative potential this multimodal work offers design pedagogy in how we frame and articulate meaning across both print and digital media design education. With an emphasis on an ensemble of …


Material Meaning, Anne Jordan Jan 2012

Material Meaning, Anne Jordan

Theses and Dissertations

The synthesis of old and new, analog and digital, and hand- and computer-based methods provides designers with an opportunity to work beyond the constraints of the computer and take advantage of the aesthetic effects that actual materials bring to visual communication. Designers who choose to actively participate in their process – bringing the aesthetic effects of working materially into the realm of the digital – will likely learn to reject an approach that relies too heavily on passive digital tools. Active participation in the design process can extend our creative vocabulary and humanize visual communication.


Through Process, Mitchell Goldstein Jan 2012

Through Process, Mitchell Goldstein

Theses and Dissertations

At the core of any designer’s activity is the process they engage with to create design. Process is not only a way to get from an idea to a completed work, it is also what determines our attitude towards design. This is the place where both the design and the designer are created. The gray area between nothing and something is where we go to discover design, and in turn to discover who we are and what matters to us. In this thesis I am investigating the nebulous place between ideas and things, thoughts and artifacts, and being just a …