Digital Commons Network^™

Boundaries., Elizabeth Trabue Gorham

Electronic Theses and Dissertations

The photographer discusses the work in Boundaries, her Master of Fine Arts exhibition on display at Slocumb Galleries, East Tennessee State University, Johnson City, Tennessee from October 31 to November 4, 2011. The exhibition consists of 20 black and white photographs, the main subject of which is the photographer's son. The photographs and supporting thesis explore the idea of boundaries real and implied, and how confinement can prompt a variety of behaviors. Topics include the process and evolution of the work and the artists who have influenced it, the importance of light and the challenge of photographing family. Included is …

Marry The Night: Creation Of An Illustrated Novel., Kristen Hawkins

Undergraduate Honors Theses

The goal of this project was to create an illustrated story. The thesis is combination of research both on narrative theory and the process of storytelling, and different methods of narrative art. The research information obtained was used to create a body of work which was later analyzed on its successfulness at adhering to the ideas presented by the research.

Nothing Left To Say, Joel Fisher

Art Honors Theses

Sculpture BFA Exhibition held December 5-9, 2011 in the Devries Student Gallery, Richmond Center for Visual Arts, Western Michigan University.

The Designer Who Started A Print Revolution. Remembering Steve Jobs., John O'Connor

Articles

Article commissioned by Irish Printer to commemorate Steve Jobs.

Appropriateness In Design, Wing Man, Karen Ma

Lingnan Theses

When the term ‘design object’ is used to refer to artifacts, we presuppose that they can serve mundane functions and provide aesthetic pleasure. In many cases, the visual form of a design object is a result of achieving aesthetic function and practical function. What is the relation between these two functions? In the design process, designers also strike a balance between aesthetic pursuit, utilitarian purpose and other factors, such as environmental protection. What is the balance of these aims (aesthetic aim and the non-aesthetic aims)? My research on this topic suggests that it may be useful to conceive it in …

Creating Visual Solutions: Using Creative Problem Solving Techniques In Graphic Design, Deanna L. Clohessy

Creativity and Change Leadership Graduate Student Master's Projects

This project examines the ways that Creative Problem Solving (CPS) techniques can be used in part or in whole to solve visual problems in the design process. The project researches creative process and various methods employed within, introduces new or modified approaches to CPS in design, and demonstrates the application of CPS in design through a case study involving the development of an identity system for a local business.

Teaching Evidence-Based Design To The Beginning Design Student: Educator Perceptions About Incorporating Research In Beginning Design Education, Deborah Rushen Dunlap

Interior Design Program: Student Creative Activity

Educators’ perceptions influence academic protocols regarding the level at which evidence-based design is introduced to design students. Evidence-based design, a research methodology based on quantitative and qualitative inquiry that informs design decisions, permeated healthcare design to the point that the two are almost synonymous (Hamilton and Watkins, 2009; Nussbaumer, 2009). As this research based approach spreads throughout the profession, multiple specialty areas in architecture and interior design adopt evidence-based design into their methodologies (Hamilton and Watkins, 2009). These “developments in design practice now impinge directly upon education” (Zuo, Leonard, and MaloneBeach, 2010, p. 269). Teaching evidence-based design to design students …

Contrast, Heidi Stachulak

All Student Theses and Dissertations

This thesis will discuss the importance of contrast within a piece of artwork as well as a history and explanation of the other elements and principles of art. It is important for artists to understand the elements and principles to have a good base in creating artwork. This thesis will explore the history of the elements and principles, review other artists using these principles within their artwork as well as the significance of these elements and principles within my own artwork. Through this exploration an artist will be able to understand as well as utilize these elements and principles within …

Creative Consciousness: Becoming A Reflective Designer, Renessa Ciampa Brewer

Critical and Creative Thinking Capstones Collection

As a graphic designer, I was drawn to the CCT Program in part because I desired to strengthen my thinking skills as a creative professional. Through being reflective, I aimed to “get more in touch” with my process to better understand it and see how I might improve my approaches. Scholarship on reflective practice in design education and design practice is a growing body of literature, which inspired this synthesis project. This paper looks at Schön’s theories of reflection-in-action and reflection-on-action, models for reflection in the design process provided by Ellmers, Brown, and Bennett, and Reymen, and various reflective practice …

Dart: New Teaching Methods For Organizing Intuition, Maria Mackinney-Valentin

Nordes Conference Series

DART (Driver Analysis – Reading Trends) is a new approach developed by the author to organizing and developing intuition in the research and development phase of a creative process within the field of fashion and design. At its current stage, the model has been targeted teaching at design schools. The method is based on the author’s Ph.D. dissertation (“On the Nature of Trends: A Study of Trend Mechanisms in Contemporary Fashion”, 2010), teaching experience at design schools and methods from fashion forecasting. DART is intended to support design students on two levels: 1. To qualify the students’ sensibility or hunch …

The Gallery 2011, Alex Gencarelli, Eddie Eifert, Mark Angelow, Brian Anderson, Stephanie Francis, Don Macavoy, Jeremy Tamburello, Yvonne Marki, Lauren Slocum, Elaina Unger, Justin Spinozzi, Jaclyn Roth, Chris Hrycenko, Timothy Polagye

The Gallery

This is a digital copy of the print content produced by the Gallery 2011 team. The Gallery 2011 consists of a box containing a leaflet, four books, and a USB drive. The leaflet lists the works contained on the USB drive in the areas of Time Based Media and Web Design, and provides credits for the Gallery design production team. Content from the USB drive is not included.

The four books contain the artistic works of students in the following genres: Core Studio/Painting, Graphic Design/Illustration, Photography/Printmaking, and Jewelry & Metals/Three Dimensional. Files for individual sections may be viewed on the …

In Between Seeing And Representing: An Exploration Of Visual Expression, Andrew Linde

Undergraduate Review

Strong design solutions are rarely arrived at by chance and are often inconceivable without an evolutionary process of ideation. Carefully crafted messages that take into account how a reader interprets an image demand the skills of a designer who is in a sense a translator, visualizing abstract concepts in concrete form. My inquiry revolves around the process of representing a salt shaker through a series of visual studies using diverse methods of expression such abstraction, reduction, and stylization. The intention was to investigate the question; What are the limits and possibilities of visual expression in the representation of a simple …

Typographic And Image Explorations, Ben Rupp

Electronic Theses and Dissertations

These typographic and image based designs explore multiple components of design including: legibility, manipulation, communication, and conventionalism with an emphasis on information graphics. Drawing from influences of the Futurist designers and Dadaist typography, I take the mundane details of an object such as a baseball or car to create excessive amounts of visually stimulating graphics. Through this process of gathering detailed information, I take photographs, draw by hand and scan images to fully understand and portray an objects identity until I feel satisfied that the objects visual potential has been exhausted. These personal expressions are combined to form printed material …

Visible Trace A Series Of Selected Projects Reflecting My Graduate School Experience, My Interest In Mark Making, Typographic Collage, And Serendipity., Meaghan Dee

Theses and Dissertations

Mark-making captures movement and preserves gesture. Marks can reveal the motion behind their creation and convey thoughts through non-verbal, non-literal means.

Aural Landscapes, Brandi Price

Theses and Dissertations

Music and design draw upon innate parallels concerned with the creation and existence of space. By acknowledging the roles of both the visual and the aural in my design process as input and output, I attempt to achieve a deeper understanding of my intuition as a visual communicator. I believe that the visual and aural are linked—existing harmoniously together. The collected works present ever-evolving ideas on visualizing the experience of sound.

Typothesis: A Study Of Warde's Crystal Goblet, Leeuwen's Typographic Meaning And How It Relates To The Bible, Ryan Mercer

Senior Honors Theses

The way readers interpret the written word is changing. We look for information almost as much in between the lines as we do in the words themselves. The internet and its tools offer ways for readers to engage the text like never before — can the printed word keep up? This thesis will look at the history of print through the eyes of typography and decide if multimodal methods of arranging type are appropriate or even possible in the modern book. Specifically, it will look at the Christian Bible and it’s already present use of multimodalism. This study will bring …

Space: A Discovery Of Visual Language, Kelley White

Theses and Dissertations

Space is a visual communicator. The act of perceiving space is a neurological soiree that projects and negotiates meaning in our constructed world. The poetry that we observe within space is tied directly to our emotions and to previous experience. Within ourselves, we each have particular feelings, unconscious or not, relating to height, length, and depth, as well as light and shadow. For example, a long, narrow hallway may elicit anxiety, while an open, sunlit nave in a cathedral may bring about feelings of serenity and joy. Our observations and interactions within the perceptual confines of space reveal clues to …

Office Of Multicultural Affairs (Oma) Annual Report 2009-2010, Intercultural Student Engagement Office, Anthony Johnson

Intercultural Student Engagement (ISE) Annual Reports

The Office of Multicultural Affairs (OMA) Annual Report 2009-2010 is a year in review containing a message from the director, staff updates, community programs, statistics and general report of the work of this office. Our Mission: People from all backgrounds bring value to the art and human conversations held at RISD. The Office of Multicultural Affairs (OMA) assists the RISD community-at-large in shaping a culturally inclusive and supportive environment that enables all its members the opportunity to fully contribute to and benefit from the total RISD experience. OMA coordinates enriching opportunities for cultural awareness, dialogue, and interaction. The office services …

Understanding Design, Joshua Reese

Theses and Dissertations

Somewhere along the way, I found that graphic design in professional practice was becoming synonymous with form and style, and losing its connection with concept and audience. I’m trying to find a way back.

Memory Created, Maria Fabrizio

Theses and Dissertations

Memory is like afternoon light penetrating the windows of a fast moving car. The light coming through the trees creates images, reveals objects and faces, and introduces fluctuating sensations of warmth and coolness. Sometimes these images appear in logical sequences and at other times they are fleeting, surreal, and ambiguous. While memories are often presented linearly as fact, in actuality our stories only grasp at the truth. They are fragmented, imagined, and rearranged. By examining the intersection of reality and imagination in memories we see retelling as an act of creativity.

Visualizing Cultural Impermanence Through Entropic Design, Clifford Meena Khalili

Theses and Dissertations

Entropy is a process of gradual decline as a system loses the strength to maintain itself. It begins with disorder and results in complete transformation. As a multi-cultural American, it has been my experience that the maintenance of my Iranian heritage parallels this concept. A method of visual communication that incorporates entropy is able to express notions of impermanence, disorder and transformation. This project is focused on employing entropy in the process of design and image making by using the transformation of my cultural identity as primary content.

Typography: From Internal Conflict To External Content, Ernest F. Bernhardi Iii

Theses and Dissertations

This body of work represents a celebration and pursuit of realizing an alternative language, one capable of expressing internal conflict through process and response to external typographic form and content.

Wearing My Heart On My Sleeve, Sam Hunter

Masters Theses, 2010-2019

Wearing My Heart On My Sleeve is a collection of fabric and fiber works that focus on issues related to my recovery from a heart attack. Using the hospital gown and other garment forms as templates for self-portraiture, I explore the emotions surrounding the diagnosis and subsequent management of my chronic health condition. My art-making process combines tradition and technology, using modern, high-speed sewing machines and computers to create the fabric for contemporary interpretations of traditional garment and needlecraft forms. I am also concerned with the use of language and words as critical design elements for the fabrics I create. …

Naked Truth Soap For Men: Brand Identity, Jenna Passmore

Renée Crown University Honors Thesis Projects - All

The essential idea of this project is to develop an entire brand identity for a fictional soap company for men that I created called Naked Truth. A brand identity encompasses visual components like logo, color and design aesthetic that help a brand stick in a consumer’s mind. In the real world of advertising, the concept of a brand identity at the forefront of any advertising a company releases. Consumers are inundated with hundreds of ads everyday, so it is important for a company to know who they are and whom they want to sell their products to in order to …

Out Of Thin Air : Collaborative And Solo Work = 憑空而來 : 合作及個人畫展, Carol Archer

Research Expression through Art : Visual Studies Faculty

The works in this exhibition are part of two larger series of work, both of which are ongoing: the Reciprocal Interference project (互涉) and Time with the Sky (與天共度的時光).

The Reciprocal Interference project consists of two-person collaborative works by Carol Archer and artist-friends Sue Rawlinson, Sue Taylor, Johanna Trainor (Australia), Mary Grehan (Ireland) and Even Mak (Hong Kong). The Time with the Sky series of charcoal and watercolour drawings was begun during Archer’s residency at Bundanon, Australia in July 2009. Australian artist Arthur Boyd and his family gave their home, a splendid property on the banks of the Shoalhaven River, …

A Location Aware P2p Voice Communication Protocol For Networked Virtual Environments, Gabor Papp

Electronic Theses and Dissertations

Multiparty voice communication, where multiple people can communicate in a group, is an important component of networked virtual environments (NVEs), especially in many types of online games. While most research has been conducted on one-to-one communication, we focus on group communication. In this dissertation, we present the first measurement study on the characteristics of multiparty voice communications and develop a model of the talking and silence periods observed during multiparty communication. Over a total of 5 months, we measured over 11,000 sessions on an active multi-party voice communication server to quantify the characteristics of communication generated by game players, including …

The Gallery 2010, Eddie Eifert, Melissa Coltri, Max Diehl, Stephanie Francis, Alex Gencarelli, Ryan Hoxworth, Chris Hrycenko, Yi Ting Lu, Don Macavoy, Ashley Priddy, Liz Rosemiller, Jaclyn Roth

The Gallery

This is a digital copy of the print book produced by the Gallery 2010 team. Contents: p. 1 Life Around Westby, p. 9 Graphic Design, p. 19 Illustration, p. 27 Jewelry, p. 37 Painting, p. 45 Photography, p. 57 Printmaking, p. 67 Three-Dimensional, p. 77 Rowan Gallery Openings.

A Compact Disc (CD) included with the print book is not included here.

Files for individual sections may be viewed on the detailed metadata page by clicking on the book title.

The Master's Written Thesis, Anne West, Graduate Studies, Center For Arts & Language

Thesis Writing

91 pages : illus. ; 26 cm; 2nd Edition. "This guide to thesis development is best used in discussion and negotiation with your Graduate Program Director and other thesis advisors. It may also be used as part of a workshop structure to explore in conversation with others the ideas and possibilities most appropriate to your own work." – Anne West, from the Introduction. "This remarkable handbook is a navigational instrument offered to assist each graduate student through the development of an independent, distinctive process of writing about—and with—one’s work." – Patricia C. Phillips, from the introduction. "The first edition of …

Woven Images: All Techniques Considered, Tommye Mcclure Scanlin

Textile Society of America: Symposium Proceedings

What motivates an artist to create images using textile media? What weaving techniques are suitable for image making? Weavers through the ages have taken colored weft threads in hand and inserted them into the warp, row-by-row, building shape upon shape in the powerful and nuanced, yet structurally simple, technique of weft-faced tapestry. With the invention of the jacquard loom, the kind of complex image making that was previously only common in tapestry weaving became mechanized, and available on a commercial level that involved faster production rates, lower costs and the creation of multiples. In recent years, the innovations in, and …

Sequential Art, Graphic Novels, And Comics, Brian Kelley

SANE journal: Sequential Art Narrative in Education

The first global distribution of a paper prepared for the Science Fiction, Fantasy, and Graphic Novels Special Interest Group of the International Reading Association,the Executive Board of the New Jersey Reading Association, and the Legislative and Professional Standards Committee of the NJRA.