Éléments De Lexicographie Amazighe De Abdelaziz Berkai,
2026
Université de Béjaïa
Éléments De Lexicographie Amazighe De Abdelaziz Berkai, Youva Djouadi
Journal of Amazigh Studies
NA
La Formation Des Noms D’Agent En Tamazight À Travers Un Modèle Inspiré De La Morphologie Distribuée « Le Parler De Zayan Au Moyen Atlas Marocain »,
2026
Université Sidi Mohamed Ben Abdellah de Fès
La Formation Des Noms D’Agent En Tamazight À Travers Un Modèle Inspiré De La Morphologie Distribuée « Le Parler De Zayan Au Moyen Atlas Marocain », Rachid Achahboun
Journal of Amazigh Studies
Dans le Parler de Zayan du Moyen Atlas marocain, les noms d'agent se distinguent par une diversité morphologique influencée par des consonnes labiales et des allomorphies spécifiques. Ils présentent des mélodies vocaliques communes et intègrent souvent l'infixe [-m-] associé à des voyelles. Cet article analyse la dérivation des noms d’agent, mettant en lumière l'affixation des morphèmes et les transformations vocaliques, à travers un modèle inspiré de la Morphologie Distribuée. Pour ce faire, nous étudions le rôle des voyelles initiales et pénultièmes ainsi que des consonnes dans la formation des noms d’agent dans le cas du masculin et du féminin, tout …
Les Pseudonymes Des Femmes Rifaines En Diaspora : Stratégies De Résistance Et D'Affirmation Identitaire Sur Les Réseaux Sociaux,
2026
Université Sidi Mohamed Ben Abdellah Fès
Les Pseudonymes Des Femmes Rifaines En Diaspora : Stratégies De Résistance Et D'Affirmation Identitaire Sur Les Réseaux Sociaux, Abdelouahab Bazine
Journal of Amazigh Studies
Cet article explore les stratégies onomastiques développées par les Rifaines en contexte diasporique à travers l’analyse de leurs pseudonymes sur les réseaux sociaux, en particulier dans les groupes Facebook communautaires en France et en Belgique. Il examine comment ces désignations fonctionnent comme des marqueurs identitaires, traduisant des dynamiques de résistance, d’affirmation et d’adaptation en contexte migratoire. En mobilisant une approche sociolinguistique et anthropologique, cette étude met en lumière la manière dont les pseudonymes articulent attachement aux origines, inscription dans un espace transnational et négociation des rapports de domination linguistique et culturelle. L’analyse du corpus révèle plusieurs stratégies onomastiques, notamment l’usage …
Reframing Kabyle Resistance In Marc Garanger's Femmes Algériennes 1960,
2026
Claremont Colleges
Reframing Kabyle Resistance In Marc Garanger's Femmes Algériennes 1960, Lea Wong
Journal of Amazigh Studies
This article examines the identity photographs taken by Marc Garanger as a site of Kabyle women’s resistance in the Algerian War. Over the course of 1960, Garanger moved between various wartime displacement camps across Kabylia, photographing indigenous people for the production of identity cards––a crucial from of colonial population control. Since its publication, Garanger’s Femmes algériennes has become an ambiguous symbol of resistance in the Algerian War, largely due to the subjects’ perceived antagonistic posture and gaze. This article takes a forensic approach to analyzing Kabyle women’s wartime adornment, uncovering a new framework for conceptualizing Algerian women’s agency grounded in …
Representations Of Women Safeguarding Living Cultural Heritage For The Future In 21st Century Kabyle Cinema,
2026
Claremont Colleges
Representations Of Women Safeguarding Living Cultural Heritage For The Future In 21st Century Kabyle Cinema, Sheila Petty
Journal of Amazigh Studies
This article examines cinematic representations of how some Kabyle women relate to and shape claims to Amazigh (Kabyle) land, language, tangible and intangible cultural heritage; how they navigate and safeguard cultural memory; and how this is depicted in three Kabyle films: La Langue de Zahra/ Zahra’s Mother Tongue (Fatima Sissani, France/Algeria, 2011); Nnuba (Sonia At Qasi-Kessi, Algeria, 2019; and Azar/Racine/Root (Malik Bourkache Daoud, Algeria, 2023). The article also probes how the filmmakers use tangible cultural heritage (documentary film) to document, transpose, and transmit intangible cultural heritage (memories, poetry, song, stories). Through an analysis of the narrative form and cinematic style …
Listening To Taos Amrouche, A Kabyle Woman’S Singing Voice In A Context Of Exile And Immigration : Between A Search For Intimacy And Independence,
2026
Lake Forest College, Chicago
Listening To Taos Amrouche, A Kabyle Woman’S Singing Voice In A Context Of Exile And Immigration : Between A Search For Intimacy And Independence, Melek Chekili
Journal of Amazigh Studies
This article analyzes the vocal, musical and literary strategies Algerian Kabyle singer and writer Taos Amrouche employs to determine the place voicing holds for her in contexts of colonization, exile and migration. I demonstrate through her singing career and her 1975 autobiographical novel l’Amant Imaginaire, that within the ambivalences stemming from her birth in Tunisia to exiled Kabyle Christian converts and her emigration to France, Taos Amrouche’s singing voice provides a space where those ambivalences can co-exist. By being adamant about keeping her artistic activity close to her body and explicitly referring to sex in her writing, she exerts …
Les Romancières En Amazighe Tachelhit : Une Écriture Au-Delà Des Limites,
2026
Université Ibn Zohr, Maroc
Les Romancières En Amazighe Tachelhit : Une Écriture Au-Delà Des Limites, Fadma Farras
Journal of Amazigh Studies
L’écriture romanesque en amazighe au Maroc, en particulier dans l’aire tachelhitophone, connaît l’émergence d’une présence féminine encore peu investiguée. Cette étude examine les trajectoires de ces romancières ainsi que les conditions ayant favorisé leur insertion dans l’espace de l’écriture en amazighe. Elle s’appuie largement sur des entretiens menés entre 2022 et 2024, ainsi que sur l’analyse de leurs œuvres, afin de mieux comprendre les choix qui ont guidé leurs pratiques, les obstacles auxquels elles ont été confrontées et les caractéristiques du champ littéraire dans lequel elles évoluent. L’analyse s’intéresse au choix de l’amazighe comme langue d’expression, ainsi qu’à la manière …
The Possibility Of Post Binary Reflexivity: A Genealogy Of Binary Logic In Western Philosophy,
2026
Te Whare Wānanga o Awanuiārangi
The Possibility Of Post Binary Reflexivity: A Genealogy Of Binary Logic In Western Philosophy, Vaughan A. Bidois
Critical Humanities
This article traces a genealogy of binary logic within Western philosophy, from its origins in Platonic metaphysics through to its deconstruction in poststructuralist theory. Drawing on the genealogical methods of Friedrich Nietzsche and Michel Foucault, it critiques how oppositional structures, such as mind/body, reason/emotion, and truth/error, have persisted through shifting intellectual paradigms while shaping knowledge, power, and subjectivity. Structuralist and linguistic theories are examined for their role in reinforcing binary meaning-making, while poststructural critiques (notably Derrida and Foucault) are explored for their attempts to subvert such hierarchies. However, the article argues that these critiques remain paradoxically ensnared within the same …
Interrogating Settler Narratives Of Erasure In The Schatz Tree Farm Archives,
2026
Cal Poly Humboldt
Interrogating Settler Narratives Of Erasure In The Schatz Tree Farm Archives, Sangeeta Sarkar
IdeaFest: Interdisciplinary Journal of Creative Works and Research from Cal Poly Humboldt
In 1987, L. W. Schatz donated a 385-acre parcel of land to Cal Poly Humboldt to be used as an experimental station, outdoor classroom, and demonstration area for forestry educators and students. Previous student research and other institutional narratives have extensively documented the history of this land from a settler perspective. However, this documentation contains few mentions of the Indigenous history of the landscape. Through literature review and archival research, this paper critically analyzes settler colonial narratives around the Schatz Tree Farm and the ways in which they contribute to Indigenous erasure. The predominant forms of narrative erasure in settler …
Ka Here Tāngata:1 Mātauranga And Te Ao Māori In Biocultural Kākāpō (Strigops Habroptilus) Conservation Approaches,
2026
University of Denver
Ka Here Tāngata:1 Mātauranga And Te Ao Māori In Biocultural Kākāpō (Strigops Habroptilus) Conservation Approaches, Sophie Perfetto
Electronic Theses and Dissertations
This master's thesis examines conservation as a form of living cultural heritage practice through the co-management of kākāpō (Strigops habroptilus), a critically endangered parrot and taonga species in Aotearoa New Zealand. Situated within ongoing histories of colonial dispossession and Western frameworks of land and species management, contemporary kākāpō conservation is shaped through the partnership between the Department of Conservation’s Kākāpō Recovery Programme and Ngāi Tahu. Drawing on semi-structured interviews collected during fieldwork from July to August 2025, this study examines how institutional partnerships structure decision-making, authority, and responsibility in contemporary conservation governance. Findings demonstrate that Māori knowledge systems …
Reseeding Relations: Comparing Museum And Indigenous Seed Sharing & Rematriation Protocols In The Midwestern United States,
2026
University of Denver
Reseeding Relations: Comparing Museum And Indigenous Seed Sharing & Rematriation Protocols In The Midwestern United States, Madeline G. Anderson
Electronic Theses and Dissertations
While the Native American Graves Protection and Repatriation Act (NAGPRA) paved the way for the repatriation of ancestors and certain cultural objects to Indigenous communities, museums still struggle to address other forms of cultural returns. Heritage seeds, those which hold cultural significance to Indigenous peoples, held within museum collections perpetuates the colonization of Indigenous lifeways. This research examines rematriation as an Indigenous form of cultural return better suited to address these needs than limited repatriation models. I analyze how museums are working to create rematriation processes for their collections which reflect diverse Indigenous epistemologies and ontologies through a three-tiered approach: …
From Peril To Perseverance: Dr. Arthur C. Parker And The Seneca Arts Project,
2026
Binghamton University
From Peril To Perseverance: Dr. Arthur C. Parker And The Seneca Arts Project, Brennan Ciccolone
Binghamton University Undergraduate Journal
Like many Native people, the Haudenosaunee were subjected to culturcide and assimilation using residential schools like the Thomas Indian School in the late 19th and early 20th century. During this time, in 1925, the Seneca archaeologist Dr. Arthur C. Parker was hired as the director of the Rochester Museum and Science Center. Parker used his museum position to uplift and preserve Haudenosaunee arts and culture. This paper focuses on his Seneca Arts Project (1935-1941), which gathered art and artifacts from both ancient and contemporary Haudenosaunee members. This project explores how Parker’s work was used to help revitalize and honor Native …
[2026 Honorable Mention] Chumash Heritage National Marine Sanctuary,
2026
California State University, Monterey Bay
[2026 Honorable Mention] Chumash Heritage National Marine Sanctuary, Daylyn R. Reese
Ethnic Studies Research Paper Award
This research offers unique insights into the creation and development of the Chumash Heritage National Marine Sanctuary (N.M.S.) with a focus on indigenous populations’ roles (primarily Chumash and Costanoan). In this episode, I analyze what makes this NMS different from every NMS precluding it, how it recognizes a new goal in conservation (thrivability), and the areas in which improvements still must be made to authentically include and honor indigenous voices.
Vestigial Choreographies: Climate Consciousness In The Long Nineteenth Century,
2026
The Graduate Center, City University of New York
Vestigial Choreographies: Climate Consciousness In The Long Nineteenth Century, Alexandra A. Rego
Dissertations, Theses, and Capstone Projects
The aims of this project are twofold: (a) to develop a method of theoretical analysis and (b) to put this method into pointed use. In service of (a), I propose a method of choreographic analysis. This method operates relationally, highlighting the production of movement and stillness among and between bodies, objects, and encounters. Choreographic analysis draws from methods typically sequestered to dance studies. Towards aim (b), this project demonstrates the relevance and breadth of choreographic analysis by connecting it to ecocriticism. Throughout this project, I apply choreographic analysis to a diverse set of case studies. I use choreographic analysis to …
Making Noise Through Law: Indigenous Legal Mobilisation Against A Power Plant In “French” Guiana,
2026
University of Helsinki
Making Noise Through Law: Indigenous Legal Mobilisation Against A Power Plant In “French” Guiana, Pierre Auzerau
Tipití: Journal of the Society for the Anthropology of Lowland South America
In so-called “French” Guiana, or Guyane, the Kali’na village of Atopo Wipi has fought for years against a hydrogen power plant being built on their land. Drawing on ethnographic fieldwork conducted between 2023 and 2024 in Guyane and Western Europe, where I collaborated with various stakeholders to support Atopo Wipi’s resistance to the power plant, my research focuses on the legal dimensions of the Kali’na’s struggle to protect their land. Specifically, this article examines how the Kali’na navigated different normative frameworks, including international human rights standards and French law, to fight the project. Through this analysis, I show how the …
“Ese Dia Que Se Va El Patron An Hecho Fiesta”.* Historicities Of Successful Resistance Against Hacienda Bosses Among The Kukama (Peru, 1933-1945),
2026
Universität Münster
“Ese Dia Que Se Va El Patron An Hecho Fiesta”.* Historicities Of Successful Resistance Against Hacienda Bosses Among The Kukama (Peru, 1933-1945), Arno R. Holl
Tipití: Journal of the Society for the Anthropology of Lowland South America
This paper analyzes two cases of resistance by Kukama workers within the debt slavery system of habilitación in the Peruvian Amazon during the first half of the twentieth century. It discusses the similarities and differences between the two cases, and positions the workers and their accounts of events and agency within the historical, social and cosmological framework of the time and region. Through the examples studied here, the hierarchies, power dynamics, spirituality, lifestyles, traditions, and cultural changes that shaped Kukama communities at the time become visible from an emic perspective. The paper places special emphasis on how historical events are …
King Of The Jungle: Comparative Analysis Of The Geopolitical Narratives Surrounding Fordlandia And A Proposed Resort Park In El Mirador,
2026
University of Denver
King Of The Jungle: Comparative Analysis Of The Geopolitical Narratives Surrounding Fordlandia And A Proposed Resort Park In El Mirador, Rachel Jaeger
DU Undergraduate Research Journal Archive
Environmental geopolitics is a field of study in which narratives about the environment are analyzed to reveal the underlying motivations and objectives they support. Using Shannon O’Lear’s (2020) framework of environmental geopolitics, I conduct a comparative analysis of the narratives surrounding two distinct development projects: Henry Ford’s historical company town in the Brazilian Amazon, Fordlandia, and a proposed ecotourism resort park in El Mirador, Guatemala. Analysis of Fordlandia reveals a narrative of American frontierism and a man-versus-nature perspective that served to paint the environment as belligerent and thereby justify corporate control and Indigenous assimilation. Narratives surrounding El Mirador differ, representing …
Dr. Kacey Grauer Faculty Spotlight,
2026
University of Denver
Dr. Kacey Grauer Faculty Spotlight, Katelyn Trimble
DU Undergraduate Research Journal Archive
An interview with Dr. Kacey Grauer of the University of Denver's Department of Anthropology.
Looking In All Directions,
2026
Rhode Island School of Design
Looking In All Directions, Abby Sunde
Masters Theses
“Looking in All Directions” mobilizes attention towards the concepts of ‘desettling’ through art and ‘desettling’ as a way of being. Desettling constitutes resistance, resilience, survivance, and refusal of current Western modalities within our society. This body of work is a material exploration of these worldviews to find potential ways to embody a practice that aligns ourselves outside of a colonial settler mindset while living within its societal condition. Using glass, sound, and installation work, the artist un-centers expected encounters with an inherited dominant worldview and instead offers an actualized shift in awareness. Concepts of interconnectedness, interwoven time, and embodied memories …
Somatic Prosthetics For Planetary Resonance,
2026
Rhode Island School of Design
Somatic Prosthetics For Planetary Resonance, Disha Dharesh Kumar R
Masters Theses
This thesis investigates how industrial design can transcend extractive technological paradigms in favor of relational interfaces that foster planetary attunement. Framing the climate crisis as a 'crisis of imagination', the research challenges the Western bifurcation of nature and culture by drawing on Indic cosmologies- which recognize stones, plants, and ecosystems as conscious at different levels and participants in a shared cosmic field. By synthesizing research in Biosemiotics, Quantum Information Pansycishm, and Neuroscience, the project redefines intelligence as a distributed, more-than-human phenomenon.
The research materializes as a speculative design artifact: a device that functions as a somatic prosthetic for planetary resonance. …
