La Voz Spring 2014,
2014
University of Connecticut
La Voz Spring 2014, El Instituto: Institute Of Latina/O, Caribbean, And Latin American Studies
La Voz
In this issue:
- Elizabeth Mahan Fund for Graduate Studies
- Patrick "Pato" Hebert Art Installation
- Eyzaguirre Lecture: Diana Taylor
- Generation Sex: Teatro Luna
Autores Dominicanos De La Diáspora: Apuntes Bio-Bibliográficos (1902-2012),
2014
CUNY Dominican Studies Institute, The City College of New York
Autores Dominicanos De La Diáspora: Apuntes Bio-Bibliográficos (1902-2012), Sarah Aponte, Franklin Gutiérrez
Publications and Research
Reference work devoted to Dominican writers that have published outside the Dominican Republic, or the Diaspora. Includes a biography and bibliography of established and emerging writers as well as a significant number of self-published authors, ranging from 1902 to 2012. This essential reference work for Dominican Studies received the Medina Award at the 2014 SALALM Conference.
Review Of Encountering Revolution: Haiti And The Making Of The Early Republic By Ashli White,
2014
University of Colorado Law School
Review Of Encountering Revolution: Haiti And The Making Of The Early Republic By Ashli White, Jonathon J. Booth
Publications
No abstract provided.
Me Gusta Ir Al Zoo,
2014
Bowling Green State University
Livin La Vida Loca,
2014
Bowling Green State University
Tambien,
2014
Bowling Green State University
La Nación Desde El Espacio De La Patria Chica,
2014
Bowling Green State University
La Nación Desde El Espacio De La Patria Chica, Jaime Omar Salinas Zabalaga
La BloGoteca de Babel
No abstract provided.
La Nacionalización Y Ambigüedad Racial De Lo Popular En Los Mexicanos Pintados Por Sí Mismos (1854),
2014
Ohio State University
La Nacionalización Y Ambigüedad Racial De Lo Popular En Los Mexicanos Pintados Por Sí Mismos (1854), Mónica García Blizzard
La BloGoteca de Babel
No abstract provided.
No Hay Drenaje (En México),
2014
Bowling Green State University
No Hay Drenaje (En México), Matthew Sibbley
La BloGoteca de Babel
No abstract provided.
Nota Editorial,
2014
Bowling Green State University
Humanidades Abominables / Paisajes Incomparables: El Trópico Waikna, Adventures On The Mosquito Shore, E. G. Squier (1855),
2014
Ohio State University
Humanidades Abominables / Paisajes Incomparables: El Trópico Waikna, Adventures On The Mosquito Shore, E. G. Squier (1855), Juan Pablo Gómez
La BloGoteca de Babel
No abstract provided.
Escenas Del Orden Social En Los Cuadros De Costumbres De José Milla: Un Análisis De Las Relaciones Entre Visión Y Representación En Centroamérica,
2014
Ohio State University
Escenas Del Orden Social En Los Cuadros De Costumbres De José Milla: Un Análisis De Las Relaciones Entre Visión Y Representación En Centroamérica, Patricia Arroyo Calderón
La BloGoteca de Babel
No abstract provided.
Patrick Chamoiseau Et La Poétique Du «Nomadismecirculaire»,
2013
Université de Tunis
Patrick Chamoiseau Et La Poétique Du «Nomadismecirculaire», Samia Kassab-Charfi
Présence Francophone: Revue internationale de langue et de littérature
By advocating a fluid and metamorphic type of creolity, Patrick Chamoiseau has managed to distance himself from any claim to a particular identity. His latest poetics refute more than ever the elegy of origin and the celebration of race. In Glissant’s footsteps, he experiments with the notion of “circular nomadism”, which becomes a major rite of initiation for many of his characters. That same notion, at the heart of the amorous gravitation by which he unveils the treasures of his sentimenthèque, finally leads to an ethic of transformation, a kind of “eco-philosophy” where every exodus becomes an exordium, a new …
Archéologie Du Cachot,
2013
University of Pennsylvania
Archéologie Du Cachot, Lydie Moudileno
Présence Francophone: Revue internationale de langue et de littérature
This essay examines the relationship between writing, memory and prison, as it is deployed in Patrick Chamoiseau’s tenth novel Un dimanche au cachot (2007). In this text, the inscription of the writer within the space of a small prison located on a Martinican plantation, serves Chamoiseau’s larger project to survey the Caribbean territory in order to unveil memorial traces. As it exhumes the ruins of an old disciplinary prison cell, this archeological move triggers a series of crucial transformations: in Un dimanche au cachot, prison writing reclaims a new glissantian “Lieu”, while making room for a therapeutic way of dealing …
Généalogies De L'Errance,
2013
University fo Rochester
Généalogies De L'Errance, Cilas Kemedjio
Présence Francophone: Revue internationale de langue et de littérature
The city narrative is Chamoiseau’s most original contribution to the west Indian worldview. Such writing is based on the poetics of creolity and on the memory of housing, visible in the ancestral hatred of dogs by municipal workers. It also builds up intertextual links which question both Cesairian Negritude and Glissant’s poetics. The historical memory of Chamoiseau’s characters and the intertextual links in his works transform his writings on townlife into a form of consolidation of a literary tradition which renews the genealogy of wandering life.
La Condition Postmétisse,
2013
Banque mondiale
La Condition Postmétisse, Célestin Monga
Présence Francophone: Revue internationale de langue et de littérature
Patrick Chamoiseau’s thought has evolved considerably over the past twenty-five years. Whether it inscribes itself in the registers of utopia or counter-utopia, it has moved away from the linguistics issues of creoleness to acquire a humanistic thickness. It now advocates the advent of a global identity that could be viewed as “post-mestizo”. This essay analyzes its invocation of the Tout-Monde and its faith in a universal poetics of relation. It also assesses the empirical basis for his views in a world where nihilism appears to be the only credible virtue.
La Voz Fall 2013,
2013
University of Connecticut
La Voz Fall 2013, El Instituto: Institute Of Latina/O, Caribbean, And Latin American Studies
La Voz
In this issue:
- Lewis Gordon
- TAULA Pablo Lapegna
- Working Groups
- Migrant Farm Workers
« Banlieue Noire » : La Question Noire Dans La Littérature Urbaine Contemporaine,
2013
St. John's University
« Banlieue Noire » : La Question Noire Dans La Littérature Urbaine Contemporaine, Stève Puig
Présence Francophone: Revue internationale de langue et de littérature
Just as the “beur” movement started to flourish in France in the 80’s and the 90’s, a new question has emerged in French society in the last decade: the “black question”, which deals with the place of Africans and Antilleans in French society today. At the same time, a new literary genre has emerged: urban literature, which largely tackles themes related to the presence of Afro-caribbean people in metropolitan France. This article seeks to analyze three urban novels which take place in France, and more specifically how characters situate themselves regarding their Frenchness as the French government attempted to redefine …
La Voz Spring 2013 Issue Two,
2013
University of Connecticut
La Voz Spring 2013 Issue Two, El Instituto: Institute Of Latina/O, Caribbean, And Latin American Studies
La Voz
In this issue:
- Favianna Rodriguez
- Pia Barros
- Javier Diaz
- TAULA
El Esclavo Y El Letrado: Máscaras De La Auto-Representación En La Temprana Narrativa Antiesclavista Cubana,
2013
University at Albany, State University of New York
El Esclavo Y El Letrado: Máscaras De La Auto-Representación En La Temprana Narrativa Antiesclavista Cubana, Maria A. Aguilar-Dornelles
Languages, Literatures and Cultures Faculty Scholarship
Los tres textos aquí discutidos, Autobiografía de un esclavo,Francisco y Sab,narran la experiencia de la esclavitud desde la perspectiva del esclavo.Sinembargo, laperspectiva del narrador de Autobiografía de un esclavopermite establecer una distancia ideológica con la imagen del esclavo creada por Suárez y Romero y Gómez de Avellaneda. A pesar de que Autobiografíafue editada y alterada para adecuarla a la norma lingüística de la ciudad letrada, es posible identificar estrategias de negociación y desafío a la autoridad de los intelectuales que intentaron controlar sus condiciones de emisión y difusión.A este respecto, elnarradorno enfatiza lavictimizacióndel esclavo, como síhacen Suárez y Romero y …
