German Literature Commons^™

Ein Fröhliches Loblied In Der Not, Elisabeth Von Braunschweig-Calenberg

Poetry

No abstract provided.

Ein Danklied Für Errettung Aus Großer Gefahr, Elisabeth Von Braunschweig-Calenberg

Poetry

No abstract provided.

Ein Abschiedslied, Elisabeth Von Braunschweig-Calenberg

Poetry

No abstract provided.

Der Beschluß, Elisabeth Von Braunschweig-Calenberg

Poetry

No abstract provided.

Ein Geystliches Liede. Mag Es Dann Je Nicht Anders Gsein, Magdalena Beke/Beck

Poetry

No abstract provided.

Nachdenken Über Leni P., Edith Borchardt

German Publications

No abstract provided.

P13. Wagner's Use Of The Formal Lament For King Mark In Tristan Und Isolde, Julie Anne Nord

Western Research Forum

Background: The composer Richard Wagner often expressed his distaste for “number” operas and other contrived forms used in the Italianate works of his forerunners and contemporaries. In place of these operatic conventions, Wagner drew upon the Tragedy of Ancient Greece to propose a “total artwork” (Gesamtkunstwerk)) with no contrived breaks for conventional form. Despite, or perhaps because of, his aversion toward operatic formal conventions, Wagner turned to one such form for his music for King Mark in Tristan und Isolde.

Methods: This poster demonstrates Wagner’s use of lament tropes from the poetry of Greek Tragedy and from …

Nietzsches Lyrik. Archilochus, Musik, Metrik, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Magical And Mysterious Resonances: Structural Principles In E. T. A. Hoffmann's Kreisler Works And Robert Schumann's Kreisleriana, Alison Elizabeth Redman

Electronic Theses and Dissertations

Robert Schumann's Kreisleriana, Op. 16 (1838), borrows its title from E. T. A. Hoffmann's set of essays concerning his literary alter ego, Johannes Kreisler. The character of Kreisler is most prominently featured in two of Hoffmann's works: the Kreisleriana essays (1814-1815) and his final novel, The Life and Opinions of the Tomcat Murr (1820-1822). This thesis explores the influence of E. T. A. Hoffmann on Schumann's Kreisleriana, focusing on how structural principles derived from Hoffmann's Kreisler works--duality, creating and blurring boundaries, fragmentation and irresolution, and circularity--are at work in Schumann's composition. While others have treated the relationship between …

Manifestations Of Corporal Oppression – Embodiments Of Culturalpolitical Resistance: The Representation Of The Body In German Literature Of The Long Nineteenth Century, Hans Niehues

Theses and Dissertations

The “long nineteenth century” was subject to various social, economic, political and cultural changes that were propelled by the Enlightenment and industrialization. This alteration of human life also had a physical dimension. It generated new bodypolitics and conceptions of labor which had a significant impact on the human body. This project is concerned with the changing experience of human physicality in the long nineteenth century and how it is reflected in German literature of the time. I study the trope of the body in Gerhart Hauptmann’s Die Weber, Georg Büchner’s Woyzeck and Franz Kafka’s Die Verwandlung. I reveal how the …

Music And The Mind, Amanda K. Densmoor

Student Publications

How does music affect a work of literature? What does it reveal about the psychological state of the characters?

Waking Dreams: Modernist Intoxications And The Poetics Of Altered States, Jason Ciaccio

Dissertations, Theses, and Capstone Projects

Intoxication as a poetic principle is often identified with the romantic imagination. The literature of the intoxicated reverie is commonly thought of as synonymous with works such as Coleridge’s “Kubla Khan,” DeQuincey’s accounts of numerous nightmares and reveries, a number of Keats’ odes, Novalis’ hymns, E.T.A. Hoffmann’s stories, and Poe’s oneiric Gothic tales. Each of these, in part through their opiation or the incorporation of various other draughts, evokes a realm of dreams and visions of various sorts that are commonly associated with romantic poetic practices. The ecstatic trance, the sense of passing into another domain that is …

"Part Of That Force That Always Wills The Evil And Always Produces The Good" On A Devilish Incoherence, Peter Baumann

Sophia and Philosophia

When Mephisto was asked by Faust, "Well now, who are you then?" (“Nun gut, wer bist Du denn?”), he gave the well-known answer, "Part of that force that always wills the evil and always produces the good" (“Ein Teil von jener Kraft, die stets das Böse will und stets das Gute schafft”: Goethe, Faust, 1334-1336). This answer raises some important questions which in turn lead to interesting answers. Let us start by looking at the content of Mephisto's utterance.

Neidhart: Selected Songs From The Riedegg Manuscript: Berlin, Staatsbibliothek Preussischer Kulturbesitz, Mgf 1062, Kathryn Starkey, Edith Wenzel

TEAMS Medieval German Texts in Bilingual Editions

The medieval German poet called Neidhart is one of the most important poets of his time. Set in the village among peasant maidens and their boorish male counterparts, Neidhart's satirical songs stand in marked contrast to courtly love song and enrich our understanding of medieval literary culture. This book presents for the first time annotated English translations of a substantial collection of songs attributed to this prolific poet. Its source is the thirteenth-century Riedegg manuscript, the oldest extensive collection of songs attributed to Neidhart. This book presents a representative survey of the songs in order to make this material accessible …

What Is Contemporary Art?, Irina A. Hinkel

Open Access Theses

The topic of the thesis is “What is contemporary art?”. While exploring contemporary art, its conceptions, characteristics and remarkable events related to it, I concentrate mainly on research of contemporary art as universal, particularly on such phenomena as multicultural art, postdramatic theater, audience interaction, as well as challenged aesthetics. This thesis also considers postmodern art, since contemporary art in its current form departed from postmodern art. I rely on and address the German language prose and drama, as well as visual arts. The work of Elfriede Jelinek, John von Düffel, Peter Handke, Kristof Magnusson, and multicultural artists Vladimir Kaminer, Feridun …

Theatres Of Reality, Fiction, And Temporality: Vegard Vinge And Ida Müller’S Ibsen-Saga (2006 - 2015), Andrew L. Friedman

Dissertations, Theses, and Capstone Projects

This dissertation examines the influence of modernist aesthetics and ideologies on contemporary, European and U.S. experimental theatre. I argue that modernist and contemporary experimental theatres offer competing notions of reality, fiction, and temporality, which I interrogate through Vegard Vinge and Ida Müller’s Ibsen-Saga. I illuminate this tension by reading current modes of performance against the Saga’s productions and work practices, as well as their aesthetic and ideological foundation in three modernist sources: the artificiality of Ibsen’s realism, the utopianism and totality of Richard Wagner’s Gesamtkunstwerk, and the temporal provocations of the historical avant-gardes. I contend that the …

“Über Die Liebe”: Love And Sex According To Eduard Von Keyserling, Caroline Urvater

Dissertations, Theses, and Capstone Projects

My dissertation is built around an annotated translation of Eduard von Keyserling’s 1907 essay, “Über die Liebe.” The author’s citations are often made from memory and consequently, are not always entirely accurate. This fact is discussed and inaccuracies are corrected.

Chapter One begins with an overview of the historical background of the Keyserling family. It includes biographical material that describes the author’s life and experiences, and introduces his illustrious forbears. It also points to the writers and philosophers who influenced the author’s thinking.

Chapter Two, a review of the literature, discusses some of the dissertations, articles and books that were …

Blitz Aus Heiterm Himmel: Monstrous Femininity And The Illusion Of Gender Equality In The Gdr, Sarah Bonoff

Lawrence University Honors Projects

The anthology Blitz aus heiterm Himmel was published in the German Democratic Republic (GDR) in 1975. It includes short stories written by both men and women in which the protagonist undergoes a miraculous gender change of sorts. While the various authors take different approaches to the concept of gender, there are themes that tie the stories together. In the stories that scholars have analyzed, their analyses generally focus on either the portrayal of men and the role of masculinity, or the discourse of women in science. I instead chose to focus on and analyze three of these short stories (“Selbstversuch: …

A Theory Of Associations: An Explanation And Applications To Wagner's Das Rheingold, Parker T. Gordon

Electronic Theses and Dissertations

This thesis posits an interdisciplinary theory of associations. Within inter- and intra-textual texts, there exists a presence that points toward an originating source, which audience members may or may not consciously recognize. This presence accumulates associations from surrounding materials through abstract and subtle references or through direct quotations. These associations, once examined in relation to one another in the context of the narrative, may help readers discover additional insights and uncover new information about a text. My theory draws upon literary scholarship primarily grounded in intertextual theory and adaptation theory. Inspired by the intertextual insertion of pre-existing music in film …

The Roma And Sinti In Germany: Orientalism And Exclusion From German Historical Narratives (Romantisiert, Kriminalisiert, Und Abgewertet: Orientalismus Und Narrative Der Roma Und Sinti In Deutschland), Kimberly A. Longfellow

Celebration

The Roma and Sinti represent presence and absence in German culture. Although there has been a population of Roma and Sinti in Germany for centuries, they are often perceived by the German majority population as distinctly "eastern" and, as such, non-German. The perceptions of Roma by the German majority population mimic Orientalist assumptions, where the Roma are romanticized, criminalized, and generally devalued in comparison to Eurocentric narratives. Through an analysis of the Roma presence in German history, literature, and current events, one can see that the experience of the Roma in Germany is largely structured by the perceptions and assumptions …