In Sturm Und Wetter (Narrative),
2020
Brigham Young University
In Sturm Und Wetter (Narrative), Philippa Johanna Bohner
Essays
This transcription was prepared for the Sophie website by Dr. Cindy Brewer’s German 201 class during Winter Semester 2006 at Brigham Young University. Student contributors were: Leah Aston (Group Leader), Meghan Bunn, Samantha Chiesa, Thomas Currit, Sean Henretta, Catherine Hess, Cassandra Heyn, Amy Honka, Brianne Jack, and Jessie Leatham.
Heini: The Little Cameroonian (English Tranlsation),
2020
Brigham Young University
Heini: The Little Cameroonian (English Tranlsation), Philippa Johanna Bohner
Essays
This translation was prepared for the Sophie website by Cindy Brewer’s German 201 class during Winter Semester 2006 at Brigham Young University. Student contributors were: Megan Jensen (group leader), Heather Burch, Sarah Elliot, Jeff Kemp, Ellis Atwood, Jeramy Ferguson, Brent Kerby, Jasmyne Dietz, Lillian Geurts, and Stephanie Jones.
Heini, Der Kleine Kameruner,
2020
Brigham Young University
Heini, Der Kleine Kameruner, Philippa Johanna Bohner
Essays
This transcription was prepared for the Sophie website by Cindy Brewer’s German 201 class during Winter Semester 2006 at Brigham Young University. Student contributors were: Megan Jensen (group leader), Heather Burch, Sarah Elliot, Jeff Kemp, Ellis Atwood, Jeramy Ferguson, Brent Kerby, Jasmyne Dietz, Lillian Geurts, and Stephanie Jones. (Footnotes are glossings by the editors)
Die Verhängnisvolle Perrücke,
2020
Brigham Young University
Die Geschwister,
2020
Brigham Young University
Jazz Banned: How Jazz Music Shaped Nazi Germany,
2020
St. Mary’s Academy
Jazz Banned: How Jazz Music Shaped Nazi Germany, Stella Coomes
Young Historians Conference
Jazz is widely known to be a formative element in American history, but it also played an important role during some of Europe’s most formative and memorable years: the time of World War II and Adolf Hitler’s reign in Germany and surrounding countries. With its roots in Black American culture, it is easy to believe that Hitler would not have supported the increasing popularity of jazz music in his homeland. However, that did not stop him from using it to his advantage (of course, denouncing any form of jazz that was not sponsored by the state). Also not to be …
Good Bye, Socialist Paradise: Representations Of Postreunification Nostalgia In Sonnenallee And Good Bye, Lenin!,
2020
University of New Mexico
Good Bye, Socialist Paradise: Representations Of Postreunification Nostalgia In Sonnenallee And Good Bye, Lenin!, Hannah L. Garver
Foreign Languages & Literatures ETDs
This thesis analyzes the experiences constituting the protagonists’ adolescence in the German Democratic Republic (GDR) as portrayed in Thomas Brussig’s book Am kürzeren Ende der Sonnenallee, Leander Haußmann’s film Sonnenallee, and Wolfgang Becker’s film Good Bye, Lenin!. These narratives challenge assumptions that the phenomenon Ostalgie indicates a desire to return to the actual conditions of life in the former East. Using Svetlana Boym’s work on post-communist nostalgia as a theoretical framework, I argue that the representations of life in the East as presented in these texts are the protagonists’ reinterpretations of the past. The protagonists develop nostalgia for their youth …
Im Schatten Der Titanen,
2020
Brigham Young University
Drei Gedichte,
2020
Brigham Young University
Drei Gedichte, Friederike Brun
Poetry
Das Blümlein Weis; Das Maedchen von Monda; Der Frühling in Sophienholm
Die Höckernasigen,
2020
Brigham Young University
Ein Mann Über Bord.,
2020
Brigham Young University
Lear-Patriotismus,
2020
Brigham Young University
Eine Deutsche Frau Im Innern Deutsch-Ostafrikas,
2020
Brigham Young University
Eine Deutsche Frau Im Innern Deutsch-Ostafrikas, Frieda Freiin Von Bülow
Essays
No abstract provided.
Alte Und Neue Schönheit.,
2020
Brigham Young University
Art And Terror: Vergangenheitsbewältigung In Relation To The Red Army Faction,
2020
University of Nevada, Las Vegas
Art And Terror: Vergangenheitsbewältigung In Relation To The Red Army Faction, Joanie Lange
Calvert Undergraduate Research Awards
Advanced Undergraduate Winner
The Red Army Faction, active from 1970-1998, was an infamous West German far-left terrorist group. Its ideology and numerous terrorist acts not only left a lasting impact upon the politics and culture of Germany, but noteworthy is also the fact that the group inspired the creation of countless works of art. This research paper seeks to understand and explain this phenomenon. It argues that the artworks inspired by the RAF are a form of Vergangenheitsbewältigung, a peculiarly German concept “coming to terms with the past,” most often used in relation to fiction and art exploring the …
Frau Domina,
2020
Brigham Young University
The Musical Poetics Of Witness: Two Anthropocene Journeys,
2020
Yale University
The Musical Poetics Of Witness: Two Anthropocene Journeys, Heidi Hart
Yale Journal of Music & Religion
Kerstin Ekman’s The Forest of Hours (first published in Swedish in 1988) and Jenny Erpenbeck’s Visitation(published in German as Heimsuchung in 2008) span two decades and two countries, but both novels reach across far larger epochs, in their respective journeys from Europe’s glacial prehistory through the Dark Ages and the Thirty Years War, and through the twentieth century’s collective trauma. Though disagreement persists on when the Anthropocene began to leave its mark in stone, contemporary fiction often registers its traces through a marginally human witness who somehow survives generation after generation, recording in word or action what he or …
Women's Fashion Today,
2020
Brigham Young University
Täglicher Tod,
2020
Brigham Young University
Täglicher Tod, Betty Paoli
Poetry
This title is part of a compilation, Gedichte, found at https://scholarsarchive.byu.edu/sophpm_poetry/240
The Women Of The Bauhaus Weaving Workshop: Anni Albers' And Gunta Stölzl's Impact,
2020
Claremont Colleges
The Women Of The Bauhaus Weaving Workshop: Anni Albers' And Gunta Stölzl's Impact, Sophia Silane
Pitzer Senior Theses
This thesis discusses two female weavers, Gunta Stölzl and Anni Albers, and their critical works from 1920-1935 that shaped Bauhaus weaving and the artistic significance of the medium. Over the course of three chapters, the thesis discusses Stölzl's shift from pictorial to material interests, Albers' themes of mass production and industry, and the women's post Bauhaus years which involved Stölzl blending work and art and Albers expanding the capabilities and fine art presence of textile.
