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Speaking For The Picture: Memory, Image, And Identity In The Works Of W.G. Sebald And Chris Marker, Connor McCormick 2015 Virginia Commonwealth University

Speaking For The Picture: Memory, Image, And Identity In The Works Of W.G. Sebald And Chris Marker, Connor Mccormick

Theses and Dissertations

The nineteenth and twentieth centuries saw the development of technologies for externalizing human memory beyond writing, painting, and sculpting. These modes of visual representation, namely photography and cinema carried with them a purported objective representation of reality, which has been used to create classifications, divide people groups, and construct grand historical narratives used to marginalize those that do not fit within the hegemonic center. Looking to the works of writer W.G. Sebald, and filmmaker Chris Marker, we see a complication of the divide between visual and verbal texts, as each artist deconstructs their own medium’s conventions. Using theories of ekphrasis …


Scribblescholar Was Here: Confessional Notes Of A Vandal Academic, Clay Shields 2015 University of Kentucky

Scribblescholar Was Here: Confessional Notes Of A Vandal Academic, Clay Shields

Theses and Dissertations--English

As a (former) vandal-punk in the academy, I often fear succumbing to Ivory Tower Stockholm syndrome. The identities I perform, vandal-punk and scholar, ideologically clash to the point that they often feel irreconcilable. By codemeshing the high-low discourses associated with these adopted cultures, I attempt to disrupt any hierarchal privileging of either, instead searching for a way to live with and harness both.


John Berger, Paris Hilton, And The Rich Kids Of Instagram: The Social And Economic Inequality Of Image Sharing And Production Of Power Through Self-Promotion, Meghan M. Gallagher 2015 Scripps College

John Berger, Paris Hilton, And The Rich Kids Of Instagram: The Social And Economic Inequality Of Image Sharing And Production Of Power Through Self-Promotion, Meghan M. Gallagher

Scripps Senior Theses

This thesis updates John Berger's work of critical visual theory, Ways of Seeing, to accommodate emerging web 2.0 technologies and new social media platforms. It analyzes the symbols of wealth and status encoded in both 15th century oil paintings and contemporary Instagram posts and attempts to dissect how American celebrity culture complicates methods of self-promotion and upscale emulation.


My Way Or The Highway And A Correspondence: Visual Representations Of The City, Larkin J. Sheldon 2015 Scripps College

My Way Or The Highway And A Correspondence: Visual Representations Of The City, Larkin J. Sheldon

Scripps Senior Theses

This Capstone Project encompasses two videos, each representing different ways to visually structure the experience of “the city”.

The first video, "My Way or the Highway", is a 5 minute piece examining Los Angeles Transportation systems. Through observational footage and a poetic editing style, I compare and contrast the experience of traveling via public and private transportation. Through this video I aim to encourage the viewer to consider their own transportation options whether it is in Los Angeles or anywhere else around the world.

The second is a 12 minute video, titled "A Correspondence" structured as a …


Visualising Migrant Voices: Co-Creative Documentary And The Politics Of Listening, Darcy Alexandra 2015 Technological University Dublin

Visualising Migrant Voices: Co-Creative Documentary And The Politics Of Listening, Darcy Alexandra

Doctoral

This ethnography of media production explores the challenges of literally and figuratively visualising voice. The labour of a shared production and the distribution of the audio-visual documentary essays unfolded within a field of diverse, and at times, conflicting interests. For this reason, judicious attention to what I name ‘encounters’ of ‘political listening’ (Bickford 1996; Dreher 2009) provides one framework for theorising the challenges of researching with marginalised subjects and stories, and the contradictions of developing shared practices within proprietary contexts. These encounters reveal moments of listening and being heard, struggles over ‘veracity’ and ‘evidence,’ and the power relations inherent in …


Proactive Conversation, 3d Printing, And An Old Nintendo, Tesha C. Ellis 2015 Virginia Commonwealth University

Proactive Conversation, 3d Printing, And An Old Nintendo, Tesha C. Ellis

Undergraduate Research Posters

Abstract

One hundred years from now, it would be a true historical treat to be able to showcase 20th and 21st century digital entertainment by presenting video game consoles in mint condition for interactive, educational, play. Arguably, it would be more enlightening and informative for future audiences to be able to physically engage with the electronic artifacts instead of simply observing them behind glass. With the use of 3D technology, components of video game systems can be preserved, and then printed as needed for repairs. It will help keep them functional for future researchers, educators, and enthusiasts.


Towards Digital Art In Information Society, Montse Arbelo, Joseba Franco 2014 Global Net Society Institute

Towards Digital Art In Information Society, Montse Arbelo, Joseba Franco

CLCWeb: Comparative Literature and Culture

In their article "Towards Digital Art in Information Society" Montse Arbelo and Joseba Franco propose the development of the platform of a Network of Experimental Centers be formed by small groups of people who are qualified and who seek optimal operational effectiveness and who dedicate their resources to the production of digital content and we offer artechmedia <http://www.artechmedia.org> as a base point of departure. Such an international network in a collaborative structure based on national networks would make possible to coordinate existing resources to develop social networks, generate and promote content, engage in forums of discussion and creativity workshops, and …


Intermedial Strategies Of Memory In Contemporary Novels, Sara Tanderup 2014 Aarhus University

Intermedial Strategies Of Memory In Contemporary Novels, Sara Tanderup

CLCWeb: Comparative Literature and Culture

In her article "Intermedial Strategies and Memory in Contemporary Novels" Sara Tanderup discusses a tendency in contemporary literature towards combining intermedial experiments with a thematic preoccupation with memory and trauma. Analyzing selected works by Steven Hall, Jonathan Safran Foer, and Judd Morrissey and drawing on the theoretical perspectives of N. Katherine Hayles (media studies) and Andreas Huyssen (cultural memory studies), Tanderup argues that recent intermedial novels reflect a certain nostalgia celebrating and remembering the book as a visual and material object in the age of digital media while also highlighting the influence of new media on our cultural understanding and …


Invincible: Legacy And Propaganda In Superhero Comics, Natalie R. Sheppard 2014 University of New Orleans

Invincible: Legacy And Propaganda In Superhero Comics, Natalie R. Sheppard

LSU New Orleans Theses and Dissertations

Captain America and Iron Man are both iconic American heroes, representing different American values. Captain America was created during the Golden Age of comics and represents a longing for the past, while Iron Man was created at the height of the Cold War and looks forward to a new America. This paper will first establish the historical and cultural relationship between comic books and propaganda, beginning with the first appearance of Superman. It will pay special attention to the similarities and differences of Captain America and Iron Man, focusing on their representation of American values over time, and discuss how …


What Adds Up To Being: The Work Of Tanna Burchinal, Tanna L. Burchinal 2014 Clemson University

What Adds Up To Being: The Work Of Tanna Burchinal, Tanna L. Burchinal

All Theses

My practice takes form around embodied experience. I affect signifiers of the human body within the ordered grid, the scientific text, and the logic of the machine, to highlight the interdependencies of physical bodies and those social constructs that produce and influence identity. We are a part of these constructs that both extend and limit; we are enacting and interacting with them. I do not aim to eradicate these structures of power (without them, our identities are in chaos). Instead, I point out the pitfalls of these constructs that are perceived as unchanging, by making interaction and experience integral to …


"The Falling Man" As Viewed In The Lens Of The "Public Sphere", Laura Reinacher 2014 California Polytechnic State University

"The Falling Man" As Viewed In The Lens Of The "Public Sphere", Laura Reinacher

Communication Studies

No abstract provided.


Tiget Heart : A Short Story, Wai Yin, Catriona O'NEIL 2014 Lingnan University

Tiget Heart : A Short Story, Wai Yin, Catriona O'Neil

Artists-in-Residence Programme : Exhibition Catalogues

As an illustrator, Cat O'Neil's work resolves around telling stories through metaphorical imagery. Tiger Heart is an exhibition of one of these stories, which centres on the topic of street harassment.

[More Information about the exhibition with supplementary video]

All the works shown in this book is under the copyright of Cat O'Neil. Do not copy or reproduce the work without prior consent (except for review purpose).


Transmedial Documentation For Non-Visual Image Access, Melody J. McCotter 2014 University of North Texas

Transmedial Documentation For Non-Visual Image Access, Melody J. Mccotter

Proceedings from the Document Academy

In my doctoral studies on information accessibility for the individual who is blind or visually impaired, I’ve been exploring the ways we can make image documents more accessible. This requires using an alternative sensory modality, and translating the document into a different format. The questions that arise when we consider this process are many, but among them are:

  • Is it the same document once we’ve converted it to an audio narrative about the work, or a 3D topographic map of an artwork, or a musical interpretation?
  • If it is not the same document, how truthful can the “trans-medial” translation be …


Choices In The Editing Room: How The Intentional Editing Of Dialogue Scenes Through Shot Choice Can Enhance Story And Character Development Within Motion Pictures, Jonathan Pfenninger 2014 Liberty University

Choices In The Editing Room: How The Intentional Editing Of Dialogue Scenes Through Shot Choice Can Enhance Story And Character Development Within Motion Pictures, Jonathan Pfenninger

Masters Theses

This study examines the content of six feature length films, which showed in theaters in 2010 and 2011, from a communication perspective. Five of the scrutinized films are Academy Award winning and nominated films for Best Editing. The sixth film was the top grossing Christian feature film to be widely released within the two years. Utilizing Foss's rhetorical schema for the evaluation of visual imagery, this study examines and evaluates the composition of dialogue scenes within each film, identifying the functions of shot composition and movement choices within each film, individually. Through identification of a function, assessment and support found …


Ken Jacobs, Alchemist, Ara C. Osterweil 2014 McGill University

Ken Jacobs, Alchemist, Ara C. Osterweil

Criticism

Optic Antics: The Cinema of Ken Jacobs edited by Michele Pierson, David E. James, and Paul Arthur. Oxford: Oxford University Press, 2011. Pp. 312; 48 photographs. $99.00 cloth, $39.95 paper, 26.99 E-book.


Pathos, Fall 2014, Portland State University. Student Publications Board 2014 Portland State University

Pathos, Fall 2014, Portland State University. Student Publications Board

Pathos

Editor: Brooke Horn

Volume 9 No.1


Postcards Between Friends : Collaborative Drawing And Creativity Pedagogy = 友愛明信片 : 協同繪畫與創意教學法, Carol ARCHER 2014 Lingnan University

Postcards Between Friends : Collaborative Drawing And Creativity Pedagogy = 友愛明信片 : 協同繪畫與創意教學法, Carol Archer

Research Expression through Art : Visual Studies Faculty

Postcards between Friends, an exhibition of extraordinary postcards. They're real postcards, complete with stamps, postmarks, and wear and tear, but they're special in three ways. First, they are all hand-drawn. Second, every postcard is a collaboration between at least two people. And third, every postcard has been through the mail at least twice.

The process works like this. One artist starts a drawing and, without adding any verbal instructions or commentary, mails it to another. The second artist finds the postcard in her mailbox, completes the drawing, and mails it back to the sender. The results are surprising because …


The Paradox Of Commercial Photography: Power And Sexuality In Models, Christina Bell 2014 Chapman University

The Paradox Of Commercial Photography: Power And Sexuality In Models, Christina Bell

e-Research: A Journal of Undergraduate Work

Commercial photography has a tendency to force upon us a standard template of what the ideal person is or looks like. Unfortunately, the artificial standard is horribly unachievable and detrimental to physical and mental health, which produces sentiments of insufficiency and abjection with the self, especially among young impressionable girls. In a sick - and very modern - twist of evolutionary progress we find ourselves idealizing the depictions of models appearing to be on the verge of starvation. This article examines the power and sexuality in models produced through commercial photography and its effects on society at-large.


The Adversity Pop Culture Has Posed, Darel Joseph 2014 University of New Orleans

The Adversity Pop Culture Has Posed, Darel Joseph

LSU New Orleans Theses and Dissertations

I am a collage artist working with multiple mediums such as paint, photography, video, audio, and performance. As a New Orleans’ native, I have a unique history that is unflattering, for my history echoes that of America’s historical misdeeds. I make sociopolitical art because I am of a historically oppressed people. I make art that celebrates my diverse culture that is a collage of Native American, African, and New Orleans’ French Creole.


Portrayals Of Women In Chen Hongshou’S Figure Paintings, Lai Na WAN 2014 Lingnan University

Portrayals Of Women In Chen Hongshou’S Figure Paintings, Lai Na Wan

Lingnan Theses

Chen Hongshou (1598/1599-1652), a famous artist of late Ming and early Qing China, was particularly well-known for his figure paintings, which exerted a noticeable influence on later generations and has been the subject most commonly discussed by scholars. Among Chen’s figure painting oeuvre, this study is especially concerned with his portrayals of women ranging between the 1630s and 1650s with an intention to explore what their representations, audience and function reveal about the artist. The existing monographs on Chen’s female figures is limited to only few case studies, from which the artist’s depictions of women have not been clearly sorted …


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