Visual Studies Commons^™

Gnosticism, Technology And The Soul In Cuarón's Gravity, Karli Brittz

Journal of Religion & Film

Situated within the Digital Age, where technology and science have made life in space possible, Alfonso Caurón's award-winning space-thriller, Gravity, explores critical notions of the relationship between technology and the soul. More specifically, Cuarón’s depiction of space voyage illustrates the dualistic approach to the soul in relation to technology, especially the gnostic mind/body split and its manifestation in the Digital Age. This intersection between technology and the soul is a notion of increasingly importance in contemporary society, however it is often evaded in literature. Accordingly, it is crucial to analyze and unpack films, such as Gravity, that confront audiences with …

Superhero Films: A Fascist National Complex Or Exemplars Of Moral Virtue?, Chris Yogerst

Journal of Religion & Film

This paper deals with the "why" regarding our collective desire for superhero narratives. My goal is to build on the many definitions of a superhero and find a framework that we as scholars can use to evaluate how superhero films present inspirational moral virtue and not zealous nationalism of any kind. In the process I want to address the problems with some of the scholarly work done on the connection to superheroes and heroism both historically and immediately after 9/11, particularly those who have argued that American superheroism is a fascist myth, and show how the recent evolution of the …

Amar Akbar Anthony: Bollywood, Brotherhood, And The Nation, Kathryn C. Hardy

Journal of Religion & Film

This is a book review of William Elison, Christian Lee Novetzke, and Andy Rotman, Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (Cambridge, MA: Harvard University Press, 2016).

Pathos, Spring 2017, Portland State University. Student Publications Board

Pathos

Editor: Jessica Moore

Volume 11 No. 3

Sight And Song Augmented, Robert P. Fletcher

Sight and Song Augmented: Painting and Poetry in Mixed Reality

This file is an Android application built in the Unity 3D game engine with the Vuforia Augmented Reality extension. It remediates Sight and Song (1892) by Michael Field (Katherine Bradley and Edith Cooper), a collection of ekphrastic poetry about paintings by the Old Masters.

Analysis Of The Female Presence In The Male-Dominated Comic Book Industry, Nicole Choy

Honors Papers and Posters

This poster examines the female presence in the male-dominated world of comics, both in terms of representation of female characters and creation by female artists and writers.

Identity And Scene: Alterity And Authenticity In Taxicab Confessions, Steven W. Schoen

Faculty Publications

This essay examines the visual rhetoric of HBOs reality TV program Taxicab Confessions, New York, New York (2005). Drawing on Burke’s rhetorical understanding of scene and Straw’s approach to scene as a category for the analysis of urban culture, I argue that the taxicab interior and nighttime street images of New York City structure a scene of indeterminacy, intimacy, and “reality,” thus framing the passengers’ self-presentations within a context of “authenticity.” The program’s visual structure locates passengers simultaneously outside of and within social norms and reinforces hegemonic notions of race, gender, and sexuality. Passengers are situated within a scene that …

Animated Landscapes: History, Form And Function, "Evoking The Oracle", Tom Klein

Faculty Pub Night

No abstract provided.

Blowing Off Ste(A)M: The Value Of The Creative Arts For Gifted Stem Students (Iagc 2017), Tracy A. Townsend, Michael W. Hancock, Michael P. Dean

Faculty Publications & Research

The following is a collection of teaching documents, including classroom activities and assignment prompts, used in the Illinois Mathematics and Science Academy’s Graphic Novels, Creative Writing, and Modern Theater classes. These materials are easily included in courses with broader topical focuses, however, either as single-day activities or units of study. The specific materials included here are especially beneficial as means of encouraging student creativity, building up a variety of communication skills, rewarding experimental work, and providing new outlets for critical thinking and social-emotional development.

Open Works: Between The Programmed And The Free, Art In Italy 1962 To 1972, Lindsay A. Caplan

Dissertations, Theses, and Capstone Projects

This dissertation historicizes and theorizes a group of Italian artists who were among the first to use computers and cybernetics to make artworks, developing the genre of Arte Programmata, or Programmed Art. It argues that the artists of Arte Programmata (Bruno Munari, Enzo Mari, and collectives Gruppo T and Gruppo N) turned to the generative, interactive, and probabilistic aspects of early computers not simply as new media for making art but as platforms for radically altering what it means to be a participant in an increasingly mediated and networked world. This is apparent in how each of their works deploys …

The Short Story And The Photographic: Twentieth-Century Imagetexts In And Of The Americas, Lucienne Muller

Dissertations, Theses, and Capstone Projects

This dissertation examines the visuality of the short story from an intermedial point of view, that is, with a focus on the relationship between the short story and the photographic visual. This analysis draws from photographic theory and from the writings of photographer and writer Julio Cortazar whose philosophy puts forward the idea of a reader who becomes the inventive co-creator of the fictional work.

"La Dolce Vita" Today: Fashion And Media, Nicola Certo

Dissertations, Theses, and Capstone Projects

Federico Fellini’s La Dolce Vita is a cinematic masterpiece that has inspired nationally and internationally generations of creative people and artists because of the extent of its themes and because of the mastery in the choice of its costumes. The actuality of the director’s criticism towards the decadent society of his years, the originality of his stylistic choices, and his sophisticated taste for beauty and fashion, brought him to influence media and contemporary fashion then and now. There are numerous examples of television commercials that Fellini directs and produces for purely commercial purposes. They are all critique of his society, …

The Fantastic Manifesto: Monstrosity Of Memory And Epiphany Of Selfhood In The Spirit Of The Beehive (1973), Layla Blodgett Carrillo

Dissertations, Theses, and Capstone Projects

The Spanish culture of storytelling suffered under the nearly forty-year dictatorship of Francisco Franco. The government-regulated cinema welcomed propaganda and melodrama, and denied the fantastic, the legendary, and the magical. These carefully manipulated histories, which served to romanticize the ideologies of the regime, also served to eulogize the delinquent and the depraved. In the early 1970s, at the heels of the collapse of Franco’s reign, the people of Spain bore witness to a new national cinema. The Spirit of the Beehive (1973), the feature debut from Victor Erice, exists at the threshold between a storied history of Spanish dictatorship and …

Tandem 2.0: Image And Text Data Generation Application, Christopher J. Vitale

Dissertations, Theses, and Capstone Projects

First created as part of the Digital Humanities Praxis course in the spring of 2012 at the CUNY Graduate Center, Tandem explores the generation of datasets comprised of text and image data by leveraging Optical Character Recognition (OCR), Natural Language Processing (NLP) and Computer Vision (CV). This project builds upon that earlier work in a new programming framework. While other developers and digital humanities scholars have created similar tools specifically geared toward NLP (e.g. Voyant-Tools), as well as algorithms for image processing and feature extraction on the CV side, Tandem explores the process of developing a more robust and user-friendly …

Adoptability And Acceptability Of Peace Journalism Among Afghan Photojournalists: Lessons For Peace Journalism Training In Conflict-Affected Countries, Saumava Mitra

Media Studies Publications

In this article, I seek to inform Peace Journalism (PJ) edu­cation and training in conflict-affected countries in par­ticular. Based on a case study of the professional expe­riences of Afghan photojournalists, I offer insights into the acceptability and adoptability of PJ practice by jour­nalists from conflict-affected countries. I present six key findings of a larger study on Afghan photojournalists in this article and discuss the lessons they hold for PJ train­ing in conflict-affected countries. In sections 1, 2, 3, 4 and 5, I provide some important theoretical, contextual and methodological background. In section 6, I discuss three professional adversities faced by …

Rodcon, Flier, 2017, University Of Northern Iowa. Rod Library.

RodCon Documents

RodCon 2017 at the Rod Library

Saturday, April 1

10 a.m. - 4 p.m.

Flier used in promotion of the event.

Rodcon, Program, 2017, University Of Northern Iowa. Rod Library.

RodCon Documents

Inside This Program:

--RodCon 2017 at the Rod Library, Saturday April 1, 10 a.m. - 4 p.m.
--Welcome to RodCon
--Locations
--Schedule
--What's That? Event Descriptions
--Sponsors

Pyramide: The Changing Power Structure Of Fashion, Ariana Callan

Scripps Senior Theses

This project examines the changing world of fashion in an interactive digital magazine format. In the past few years, fashion has increasingly been democratizing, as new designers and forms of media increasingly gain influence. Ready-to-wear designers are working with lower-end brands through collaborations, redefining what each brand is supposed to do, while blogging is allowing those whose voices are usually unheard to openly critique and influence fashion. Overall, they are creating a more democratized space, challenging what was once normal in the fashion industry.

Pathos, Winter 2017, Portland State University. Student Publications Board

Pathos

Editor: Jessica Moore

Volume 11 No. 2

The Visitation, Douglas Stichbury

Artists-in-Residence Programme : Exhibition Catalogues

The works in this catalogue were made to illustrate the uncensored 2012 edition of the novel Roadside Picnic by Boris and Arkady Strugatsky, originally published in 1972.

Works included were shown at Suite Gallery, Lingnan University, and Kunsthalle Brugg.