Screenwriting Commons^™

Pirates Of The Caribbean: An Analysis Of The Curse Of The Black Pearl And The Adventure Genre On-Screen, Mezi Mulugeta

Symposium of Student Scholars

In Story: Style, Structure, Substance, and the Principles of Screenwriting, Robert McKee maintains that while action-adventure is “often dismissed as mindless fare, it is in fact the single most difficult genre in which to write today…simply because it’s been done to death.” Said death came swiftly for Cutthroat Island, the 1995 flop that sank the pirate subgenre—until Pirates of the Caribbean: The Curse of the Black Pearl premiered in 2003. The film was a risk that paid off massively for Disney, the pirate subgenre, and arguably the adventure genre as a whole in the modern age. This article …

Analysis Of Christopher Nolan's Interstellar, John Hunter Ray

Symposium of Student Scholars

In this study, I examine the ways in which Christopher Nolan developed the protagonist in Interstellar (2014). The protagonist, Cooper, played by Matthew McConaughey, is the audience’s window into the world Nolan creates in the film. Though typical Christopher Nolan screenplay structure is more complicated than the average feature film, I argue that it is the character development of the protagonist that engages viewers and ultimately allows us to connect with the story. The central conflict that cooper desires to be the best dad he can be he is forced to abandon his family to save the world. That is …

Godzilla (1954) Research Analysis, Cyrus Aldridge

Symposium of Student Scholars

Cyrus Aldridge

FILM 3105

Prof. Anna Weinstein

10/20/2021

Abstract Research Analysis: Godzilla (1954)

According to Michael Maher, two years after World War 2 the United States’ military presence attempted to control Japanese media including its cinema. Despite this fact, Japanese filmmaker Tomoyuki Tanaka was able to produce Godzilla (1954), symbolizing the horror of nuclear holocaust. In this presentation, I argue that Godzilla is one of the greatest monster movies of all time due to its cultural relevance and its use of musical scoring, set design and costume design. In this study I demonstrate how Tanaka implements its score, set …

The Impact Of Endings, Carolina Solis

Symposium of Student Scholars

This presentation explores the importance of movie endings, and how an ending can impact the audiences’ opinion of a movie. I look at Ronald Bass’ Sleeping with the Enemy, and how he developed Julia Roberts’ character in a way that made the audience believe that not only was she capable of killing her abusive husband, but that she should kill him. I also look at Frank Darabont’s The Shawshank Redemption and discuss how Andy’s eventual escape from prison was too much of a surprise to the audience, and how the movie should have ended with Norton’s suicide. Finally, I …

Gifted Screenplay Analysis, Chloe Ford

Symposium of Student Scholars

Gifted, the film directed by Marc Webb released in 2017, details the story of a single man named Frank (Chris Evans) raising his young niece Mary (McKenna Grace), who just so happens to be a 7-year-old genius. He plans for her to live a normal life; go to public school, make friends, play sports, truly be a kid, but his mother has something else in mind. Mckenna’s grandmother Evelyn (Lindsay Duncan) threatens to rip Mary away from her little life in the suburbs, as well as her beloved Uncle Frank. This study analyzes the complexity of the characters in …

Analyzing The Symbolism Of Modern Racial Tension In Jordan Peele's Get Out, Kyra Hammond

Symposium of Student Scholars

In award-winning films, themes surrounding race and ethnicity are typically avoided unless regarded in a historical context. Though, Jordan Peele’s Get Out(2017) breaks these barriers by taking a satirical approach to comment on modern racial issues and stigmas that are prevalent in American society. Furthermore, the film pushes society to finally see and understand the anxiety and racial trauma that African Americans continue to experience. The hidden symbols and messages throughout the screenplay further add to the film’s theme by metaphorically expressing that racism can be covert. With the intention to analyze these symbolic elements, I will break down …

Pathos, Fall 2021, Portland State University. Student Publications Board

Pathos

Editor: Bret Steggell

Pathos, Fall 2021, Portland State University. Student Publications Board

Pathos

Editor: Bret Steggell

Discovering Caroline, Jon Meyers

Masters Theses & Specialist Projects

DISCOVERING CAROLINE is the script for an ensemble, a feature-length supernatural drama, set in 1899. Caroline, presumed dead at birth, returns forty years later to the scene of that tragedy, a university nursing school training hospital, where her birth mother still works as a lunch lady. Surrounded by a dozen other characters (thirteen if you count the pig), played against a backdrop of a handful of supernatural events, this script explores familiar love, romantic love, inappropriate love, truth, deceit, death, and the consequences on others when these life events intertwine throughout seventy-seven scenes. Included here is an introduction as well …

"The Caucasian Persuasion Here In The 'Dale": Othering, White Normality, And Post-Racialism In Buffy The Vampire Slayer, Isaiah Lee

University Honors Theses

This thesis engages the construction of race within the television landscape of Buffy the Vampire Slayer to investigate how well-meaning, progressive media either reinvents or repudiates racial stereotype. This paper also examines the figure of the Other, as it is evoked in horror, and utilizes Hazel Carby's conception of the fantasized black subject to analyze the setting and characters of Buffy the Vampire Slayer with an eye towards the inherent assumptions the show makes about race. Ultimately, I argue that Buffy's representation of race assumes a white normality, flattening its non-white characters under the guise of inherent difference, even …

Starless Nights, Deepak Rauniyar

Theses and Dissertations

A film about the filmmaking process and the life of a filmmaker. But it's also a story about immigration, home, and negotiation. We constantly negotiate in our lives to maintain our relationships, opportunities, and dreams.

Home, Kandace James

Master of Arts in Professional Writing Capstones

My feature-length screenplay follows an anxious girl who, after her mother kicks her out of the house, is forced to live in her car. She’s in love with the dog walker but she’s the one who got her kicked out in the first place. Possessing the voices of queer, Black women, I display one possible outlook on the queer experience. “Home” broadens the narrative of young Black girls lived realities in America. “Home” depicts the realities of what it means to be young, Black, queer women in a world marked with religiosity, abuse, and grief, while in the process of …

Encore: A Story Of Identity, Austin Copps

Honors Scholars Collaborative Projects

Encore, a feature length screenplay, tells a story of a young man and his search for identity.

Bigfoot Nation, Maximilian Kubisiak

LMU Theses and Dissertations

An outcast Bigfoot and amateur “expert” in the study of humans, a Ted Kaczynski conspiracy theorist, and a bored Gen Z-er are all unwittingly drawn into a ring of political, corporate, and international conspiracies in a small Rocky Mountain town. The trio bumbles through the absurdities of a classic western conspiracy.

Whittier, Mario E. Johnson

LMU Theses and Dissertations

A Navy sailor enlists at a mysterious Naval Reserves base to be closer to his dying mother and discovers he’s transporting aliens and an unknown medicine that could potentially save his Mom’s life.

Barren, Hannah Herman

LMU Theses and Dissertations

In the aftermath of their baby’s stillbirth, eccentric couple Marlow and Dev clash with overbearing loved ones, outspoken neighbor kids, and each other while trying to reconcile unmet expectations and their newfound reality. Bottling up her emotions, Marlow begins to see inanimate objects speak, spewing out the feelings she hopes to keep suppressed.

Pathos, Spring 2021, Portland State University. Student Publications Board

Pathos

Editor: Bret Steggell

This Must Be The Place: A Short Film, Reagan Shull

Honors Projects

This Must Be The Place is a short film categorized as a Coming of Age Mystery with strong narrative ties to Magical Realism set in the heart of small town America. The key thematic ideas are identity, female relationships, isolation, friendship, and loss. This story emphasizes each person’s struggle for identity, and the isolation that can be brought upon themselves when they do not know who they are. Further, the difficulties regarding the search for one’s dreams without a strong sense of identity are also discussed in this narrative. Ultimately, this story is about dealing with isolation as we grow …

The Táin, Luke Hart-Moynihan

LMU Theses and Dissertations

The Táin (Myth / Epic Fantasy, Feature) - In mythic iron-age Ireland, an exiled king allies with a proud queen to steal a magic bull and retake his former kingdom, but his semi-divine foster-son stands in their way. Based on the Irish Epic Táin Bó Cúailnge.

No Man's Land, Preston Ray

LMU Theses and Dissertations

NO MAN’S LAND (One-Hour, Horror) – In a dying Dust Bowl town suffering from the outbreak of a strange disease, a headstrong epidemiologist finds herself facing off against an ancient, supernatural entity.