Film and Media Studies Commons^™

Motion Capture For Orature | Wintersession 2024 Syllabus, Melisa Achoko Allela, Movement Lab

Course Materials

This winter session course invites students to explore motion capture through the lens of traditional oral storytelling practices. Students will actively identify the unique and distinguishing features of orature, and leverage their own cultural backgrounds, personal perspectives, and idiosyncrasies to create motion capture data that can be used in crafting an immersive digital retelling of a folktale.

Session 3 | The Oral Storyteller, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Songa: A Mocap Database, Melisa Achoko Allela, Movement Lab

Course Materials

No abstract provided.

Session 1 | Orature: Setting The Foundation, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 2 | Oral Storytelling Space / Place / Time, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 4 | The Talking Cloth As Prop, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 5 | Oral Storytelling Props And Costume, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 6 | Motion Capture For The Storytelling Performance, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 7 | Audience Role And Interaction, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 8 | Non-Verbal Storytelling: Facial Expressions, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

Session 9 | Digital Immersion & Presence In Oral Storytelling: Being There, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.

“Don’T Dream It, Be It”: The Rocky Horror Picture Show’S Impact On Queer Communities In The 1970s, Jackie Roach

Rushton Journal of Undergraduate Humanities Research

This essay examines the cultural conditions surrounding The Rocky Horror Picture Show to examine its ties to the LGBTQ+ community by tracing the post-war growth of queer communities in cities like New York and San Francisco to the boiling-point of the Stonewall Riot. The film’s queer themes, aesthetic motifs, and LGBTQ+ representation are detailed to understand what made it a hit amongst working-class queer audiences of the 1970s and 1980s. This paper explores how the film spawned phenomena such as shadowcasting and continues to create space for working-class queer sexual liberation and individuality decades after its release.

Echo, Ana Beltran

Graduate Thesis and Dissertation 2023-2024

Echo is a 3D animated short film rendered within Unreal Engine from Epic Games. The story is centered around a small child named Echo who has moved to Earth with her mom. The story follows her adventures through her first days at school and what can happen when a parent suddenly disappears from a child's life against their will.

Many of the story beats take direct inspiration from personal experiences of either myself, my family members, or stories of immigrant children who come to the United States (US) with their parents in search of a better future. There has been …

Rodcon, Flier, 2024, University Of Northern Iowa. Rod Library.

RodCon Documents

RodCon
Saturday April 6, 2024
10 a.m.-4 p.m.
Free & Open to the Public
Rod Library, UNI Campus

Flier used in promotion of the event.

Autoportrait D’Un Auteur En Exil : Une Magie Ordinaire De Kossi Efoui, Morgan Faulkner

Présence Francophone: Revue internationale de langue et de littérature

Kossi Efoui’s sixth novel, Une magie ordinaire, constitutes his intellectual autobiography in that it follows the reconstruction of an “intellectual development” (Paul Ricoeur, 1995) by retracing his own trajectory as a writer in exile, born and raised in a dictatorship, forced to live the last days of his mother’s life away from her. This study explores the role played by private life, history, and literature in the reconstruction of the writer’s trajectory that unfolds in this novel. How do these three themes, and the discourses that accompany them, interact with each other to build the self portrait of an …

Présence Francophone, Numéro 101

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Le Goût Du Transfert. Dany Laferrière Depuis Sa Vieille Ford Des Années 80, Bernadette Desorbay

Présence Francophone: Revue internationale de langue et de littérature

Dany Laferrière’s chronicles which make up Les années 80 dans ma vieille Ford (2005), are presented in the form of snapshots around situations and personalities that marked him in Haiti, and in North America where he took refuge in June 1976 (Montreal followed by stays in New York and Miami). He talks about colleagues from Le Petit Samedi Soir or intellectuals he portrayed in New York for Haïti-Observateur, with whom he crossed swords on more than one occasion. Throughout his work and up to the Petit traité du racisme en Amérique (2023), he participates in the genre of intellectual autobiography …

Parties Annexes (N° 101)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Front Matter And Table Of Contents (N° 101)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

L’Autobiographie Intellectuelle De V. Y. Mudimbe Et Les Enjeux De La Différence, Justin Bisanswa

Présence Francophone: Revue internationale de langue et de littérature

Based on Les corps glorieux des mots et des êtres. Esquisse d’un jardin africain à la bénédictine, this text would like to analyze, at the confluence of sociology and rhetoric, the modalities (with their variations and their extensions) by which V. Y. Mudimbe broadens intellectual autobiography to other modes of writing and functions as a dialogic space between poetry and prose, experience and fantasy, reality and imagination. Retracing his pathway, Mudimbe makes his text a journey within oneself, a quest for the “absolute elsewhere” or a quest for the total Self. A feeling of lack emerges which explains this …