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9,100 full-text articles. Page 89 of 393.

Hit Man, Christopher R. Deacy 2024 University of Kent at Canterbury - U.K.

Hit Man, Christopher R. Deacy

Journal of Religion & Film

This is a film review of Hit Man (2024), directed by Richard Linklater.


Handling The Undead, Christopher R. Deacy 2024 University of Kent at Canterbury - U.K.

Handling The Undead, Christopher R. Deacy

Journal of Religion & Film

This is a film review of Handling the Undead (2024), directed by Thea Hvistendahl.


Brief History Of A Family, John C. Lyden 2024 University of Nebraska Omaha

Brief History Of A Family, John C. Lyden

Journal of Religion & Film

This is a film review of Brief History of a Family (2024), directed by Jianjie Lin.


Thelma, John C. Lyden 2024 University of Nebraska Omaha

Thelma, John C. Lyden

Journal of Religion & Film

This is a film review of Thelma (2024), directed by Josh Margolin.


Sujo, Christopher R. Deacy 2024 University of Kent at Canterbury - U.K.

Sujo, Christopher R. Deacy

Journal of Religion & Film

This is a film review of Sujo (2024), directed by Astrid Rondero and Fernanda Valadez.


Little Death, Christopher R. Deacy 2024 University of Kent at Canterbury - U.K.

Little Death, Christopher R. Deacy

Journal of Religion & Film

This is a film review of Little Death (2024), directed by Jack Begert.


Freaky Tales, Christopher R. Deacy 2024 University of Kent at Canterbury - U.K.

Freaky Tales, Christopher R. Deacy

Journal of Religion & Film

This is a film review of Freaky Tales (2023), directed by Ryan Fleck.


Ghostlight, Christopher R. Deacy 2024 University of Kent at Canterbury - U.K.

Ghostlight, Christopher R. Deacy

Journal of Religion & Film

This is a film review of Ghostlight (2024), directed by Kelly O'Sullivan.


Video Through | Week 3: Reading And Voicing Exercises, Maxime Cavajani, Movement Lab 2024 Rhode Island School of Design

Video Through | Week 3: Reading And Voicing Exercises, Maxime Cavajani, Movement Lab

Course Materials

Outline of Week 3, Day 1 presenting method of reading, voicing, and movement exercises.


Video Through | Week 3: Reading And Voicing Exercises Texts, Maxime Cavajani, Movement Lab 2024 Rhode Island School of Design

Video Through | Week 3: Reading And Voicing Exercises Texts, Maxime Cavajani, Movement Lab

Course Materials

Images of text excerpts employed for reading and voicing exercises, Week 3, Day 1.


Video Through | Week 3: Presentation Of Video Installations, Maxime Cavajani, Movement Lab 2024 Rhode Island School of Design

Video Through | Week 3: Presentation Of Video Installations, Maxime Cavajani, Movement Lab

Course Materials

Outline of artists references screened on Week 3, Day1.


Video Through | Week 2: Technical Information For Dslr, Maxime Cavajani, Movement Lab 2024 Rhode Island School of Design

Video Through | Week 2: Technical Information For Dslr, Maxime Cavajani, Movement Lab

Course Materials

Technical information and diagrams describing the function and relationship of aperture settings, ISO sensitivitiy, shutter speed, focal length, and exposure when shooting with a DSLR camera.


Mr. Dressup: The Magic Of Make-Believe, Ken Derry 2024 University of Toronto

Mr. Dressup: The Magic Of Make-Believe, Ken Derry

Journal of Religion & Film

This is a film review of Mr. Dressup: The Magic of Make-Believe (2023), directed by Robert McCallum.


Signifying And The Feeling Of Differences, Samuel Weber 2024 Theoretical Studies in Literature and Art

Signifying And The Feeling Of Differences, Samuel Weber

Theoretical Studies in Literature and Art

What does Werner Hamacher's concept of archiphilology have in common with Saussure's view of intralinguistic, differential function in language? Perhaps the way in which the indefinite of language itself “slowly defines itself,” both in response to past acts of appropriations, and appealing for new signifieds the meaning of which can only be seized and unseized over time. Several of Kafka's short stories illustrate how literary works play out the same tension within what can be called a “progressive and digressive” narrative, warding off any internal principle of closure or conclusiveness while continuing to require endings and answers. Holderlin's “Remarks on …


Guest Editor's Overview, Yue Zhuo 2024 Theoretical Studies in Literature and Art

Guest Editor's Overview, Yue Zhuo

Theoretical Studies in Literature and Art

No abstract provided.


Developing And Sustaining A Graphic Scholarship Collection For Academic Libraries, Stewart Brower, Toni Hoberecht, Zane Ratcliffe, Bethie Seay 2024 University of Oklahoma - Tulsa

Developing And Sustaining A Graphic Scholarship Collection For Academic Libraries, Stewart Brower, Toni Hoberecht, Zane Ratcliffe, Bethie Seay

SANE journal: Sequential Art Narrative in Education

In early 2021, the Schusterman Library at the University of Oklahoma-Tulsa satellite campus took a new step towards building a culture of interest by creating the Graphic Scholarship Collection. This new endeavor is a curated collection of graphic novels, primarily non-fiction, aligned with the academic programs on campus, as well as promoting University initiatives in diversity, equity, and inclusion. A new organizational structure for the collection materials and their circulation metrics will be examined in detail. There will also be consideration of the challenges of selection and acquisition by a mixed team of selectors, some of whom have no experience …


Reflections Of “Use Of Comics In Social Studies Education” Course: The Opinion And Experiences Of Teachers, Genç Osman İlhan, Maide Şin 2024 Yildiz Technical University, Turkey

Reflections Of “Use Of Comics In Social Studies Education” Course: The Opinion And Experiences Of Teachers, Genç Osman İlhan, Maide Şin

SANE journal: Sequential Art Narrative in Education

It is well known that a quality teacher education is necessary for qualified education. Teachers must be well-trained in multiple areas and have an open-minded structure. They must develop strategies based on the lesson and students, which needs effective material development and use. The materials to be used could be prepared by others and can be incorporated into the classroom setting or teachers could design and present them to students, which is essential for the quality of instruction. When a teacher creates and effectively employs instructional materials, his/her self-confidence will increase and teaching will be enriched and made easier. Comics …


Video Through | Week 1: Bibliography, Maxime Cavajani, Movement Lab 2024 Rhode Island School of Design

Video Through | Week 1: Bibliography, Maxime Cavajani, Movement Lab

Course Materials

Bibliography of all course readings and references.


Video Through | Week 1: On Montage, Maxime Cavajani, Movement Lab 2024 Rhode Island School of Design

Video Through | Week 1: On Montage, Maxime Cavajani, Movement Lab

Course Materials

Presentation outline and links to artist references discussed and screened in Week 2, on Day 2 On Montage + Editing.


May The Soil Be Everywhere: Portraying A Family's Love And Revolution Through Oral History, Performance, And Film From A Granddaughter's Perspective, Yehui Zhao 2024 CUNY Hunter College

May The Soil Be Everywhere: Portraying A Family's Love And Revolution Through Oral History, Performance, And Film From A Granddaughter's Perspective, Yehui Zhao

Theses and Dissertations

May the Soil Be Everywhere is a feature-length documentary film that tells an intimate four-generational family story about farming, survival, and regeneration. Set against a backdrop of war, famine, and rapid urbanization, May the Soil Be Everywhere delves into oral history, trauma, family heritage and generational love. It represents a community’s collective effort to preserve its identity.


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