Film and Media Studies Commons^™

The Development Of Attentional Skill In A Rapid Serial Visual Presentation Task: Effects Of Extended Practice On The ‘Attentional Blink’, Greg Simmons

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

Contextos Y Prácticas En Las Humanidades Digitales, Joseba Moreno

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

La aplicación de la tecnología a los trabajos enmarcados en el campo de las humanidades y la creación de un nuevo conjunto de prácticas denominado humanidades digitales, es el tema principal de este trabajo, que pretende servir de introducción a algunas de las prácticas y metodologías más recientes en el ámbito académico.

Materializing Monsters: Aurora Models, Garage Kits And The Object Practices Of Horror Fandom, Bob Rehak

Film & Media Studies Faculty Works

Since the explosion of ‘monster culture’ among adolescents in the 1960s, model kits, statues and toys based on horror-movie icons have played a key role in fan activities surrounding fantastic film and television. From magazines such as Famous Monsters to garage kits and collectible companies, these ‘object practices’ provide an alternative means of mapping the history, present and future of fantastic-media franchises, moving beyond reductive conceptions of marketing and promotion to suggest that material incarnations of science fiction, horror and fantasy texts are essential to their cultural persistence and commercial viability.

Memory Traces 2012 : Hong Kong, Department Of Visual Studies, Lingnan University

Visual Studies Programme : Students’ Monographs

Memory Traces is a photography book project which comprises a collection of images created by students of Jack Picone during a studio practice class at Lingnan University. The collective body of work is an exploration of a wide array of themes based on each student's own personal interests.

Babette's Feast And The Goodness Of God, Thomas J. Curry

Journal of Religion & Film

This article attempts to answer the preeminent question Babette’s Feast invites viewers to consider: Why does Babette choose to expend everything she has to make her feast? Of the critical studies made of the film, few have considered analytically crucial the catastrophic backstory of Babette, the violence of which is implied and offscreen. Appreciation of the singularity of Babette’s own personhood and the darker aspects of her experience, and not only how she might act as a figure of Christ, are key to understanding the motivating force behind her meal and its transformative effect: That through the feast Babette lays …

Whale Rider: The Re-Enactment Of Myth And The Empowerment Of Women, Kevin V. Dodd

Journal of Religion & Film

Whale Rider represents a particular type of mythic film that includes within it references to an ancient sacred story and is itself a contemporary recapitulation of it. The movie also belongs to a further subcategory of mythic cinema, using the double citation of the myth—in its original form and its re-enactment—to critique the subordinate position of women to men in the narrated world. To do this, the myth is extended beyond its traditional scope and context. After looking at how the movie embeds the story and recapitulates it, this paper examines the film’s reception. To consider the variety of positions …

Framing Salvation: Biblical Apocalyptic, Cinematic Dystopia, And Contextualizing The Narrative Of Salvation, Caesar A. Montevecchio

Journal of Religion & Film

Christian biblical authors used the apocalyptic genre to help contextualize the meaning of salvation for their audiences. Today, dystopian film can serve a similar function. In each case, the narrative diagnoses a sinister mis-ordering of human civilization and attempts to prescribe ways in which it can be overcome. Just as apocalyptic gave biblical authors the ability to make statements about what salvation was salvation from, dystopian narratives can similarly demonstrate what social conditions today remain in need of remediation. When these dystopian narratives do so by making use of symbols and themes associated with Christian soteriology their diagnoses can become …

The Transformation Of The Pope: The Agony And The Ecstasy (1965) And The Second Vatican Council (1962-65), Jennifer Mara Desilva

Journal of Religion & Film

In 1965 the film The Agony and The Ecstasy (dir. Carol Reed) presented Renaissance artistic culture, Catholic iconography, and the papal court in Rome to a popular, broad, and non-denominational audience. Based on the novel by Irving Stone (1961), the narrative follows Michelangelo and Pope Julius II through the decoration of the Sistine chapel ceiling (1508-12), outlining a relationship between the two protagonists that suggests some spiritual equality. In the same way that the Second Vatican Council (1962-65) strove for spiritual renewal and an emphasis on the wonder of humankind’s relationship with God, The Agony and The Ecstasy portrays the …

Melodrama On A Mission: Latter-Day Saint Film And The Melodramatic Mode, Airen Hall

Journal of Religion & Film

This article examines how the Church of Jesus Christ of Latter-day Saints (the Mormon Church) makes use of the melodramatic mode in creating short and feature length films for both insider and outsider consumption. The argument is made that the melodramatic mode gives the LDS Church a particularly meaningful tool for accomplishing three key goals: to encourage conversion or re-conversion by provoking tears and pathos, to work out social issues, and to create and maintain a certain identity for the Church as victim-hero. As such, the melodramatic mode is a means for identity formation and community building, significant in a …

Hitchcock And The Scapegoat: Violence And Victimization In The Wrong Man, David Humbert

Journal of Religion & Film

Alfred Hitchcock’s The Wrong Man tells the story of Emmanuel Balestrero, arrested for a crime committed by his physical double. This paper examines the theme of the scapegoat in the film and argues that it portrays in miniature what theorist René Girard has described as a mimetic crisis. While the plight of the central character is usually portrayed as a product of blind chance, it is instead due to the mimetic fears, desires, and vanities of the members of society that accuse him. The fate of Balestrero reveals the operation of a specific kind of scapegoat mechanism that has its …

The Ring Goes To Different Cultures: A Call For Cross Cultural Studies Of Religious Horror Films, Seung Min Hong

Journal of Religion & Film

Within the field of religion and media, the study of horror films has always been treated as a minor topic, and cross-cultural comparative studies of such films are even rarer. Furthermore, such comparative projects that involve East Asian contexts, despite their influence on the genre of horror, are yet more difficult to find. By attempting a brief American & East Asian comparative analysis of the Ring series as an example and also proposing an empirical comparative audience research, I call for more cross cultural studies of religious horror films.

Providence College Department Of Theatre, Dance & Film 2012-2013 Season Program, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

2012-2013 season program

Department Of Theatre, Dance & Film 2012-2013 Performance Schedule, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

2012-2013 Performance Schedule

Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, David Lee, Dean

PCAL Publications

No abstract provided.

Pathos, Fall 2012, Portland State University. Student Publications Board

Pathos

Editor: Deena Anreise

Communications And Media Studies Newletter 2012 Fall, Communications & Media Studies

Communication and Media Studies Newsletter

No abstract provided.

Leaving In The Past: The Role History Plays In Video Games, Joseph Fordham

College of Graduate Studies: Theses & Dissertations

How can something considered by many within academia as childish or a waste of time be potentially useful in presenting or even studying history? Not only has the video game industry grown into one of the largest forms of media in the world, but these games are also finding use as a training aid for the military and major companies, as an advertising medium, and, most importantly, as a tool for teaching. As developmental capabilities improve with new generations of graphics hardware, video games are turning towards the recreation of real-world and historical events. This drive towards realism and accuracy …

Heartbeat Horizon: Saunders's Presentation To Executive Board Of Directors Sept. 2012, Landon Brady Saunders

Landon Saunders Documents

Speech/presentation by Saunders to the Board of Directors. Outlines how Heartbeat changed Saunders's view of God, Jesus, the Bible, and the church; the importance of vision and the compelling drive of Heartbeat's vision; and a proposal for Heartbeat for the next three years of 2012-2015 and the role Saunders feels he should play. Future goals include a book Saunders wants to author, a Heartbeat Institute, and a plan for laying up content and marketing it to a wide audience.

Typed presentation also contains notes and revisions handwritten by Saunders.

'Land Of Kami, Land Of The Dead': Paligenesis And The Aesthetics Of Religious Revisionism In Kobayashi Yoshinori's 'On Yasukuni', James Mark Shields

Faculty Contributions to Books

In 2005, Japanese manga artist and conservative provocateur Kobayashi Yoshinori published a graphic work entitled Shin gōmanizumu sengen special: Yasukuniron (Neo-Gōmanism Manifesto Special: On Yasukuni), which tackles the much-debated ‘problem’ of Yasukuni Shrine, the militaristic religious complex that has become a lightning-rod for debates regarding Japanese historical memory – especially with regard to the military expansionism in East Asia that led to the Asia-Pacific War (1931–45). Frequently overlooked in discussions of Yasukuni, however, are a number of complex issues related to its religious doctrines – in particular, the interpretation of Shinto presented at Yasukuni and the dominant ideology of Japan’s …

Bias In A Just World? Sexual Prejudice, Gender Self-Esteem, And Intimate Partner Violence, Crystal D. Mahoy

All-Inclusive List of Electronic Theses and Dissertations

Each year, approximately 835,000 men and 1.3 million women are victims of intimate partner violence (IPV; American Bar Association, n.d). Although the prevalence of same-sex intimate partner violence (IPV) is approximately the same as IPV in heterosexual couples (Alexander, 2002), fewer studies have examined perceptions of IPV in same-sex couples or of IPV perpetrated against heterosexual men compared to heterosexual women. In the current study, Just World Theory (Lerner & Miller, 1978) is used as a framework for understanding factors associated with perceptions of heterosexual and same-sex IPV, including sexual prejudice and gender self-esteem. Perceptions of IPV were examined in …