Film and Media Studies Commons^™

The Transience Of The Interior Self: Exploring The Lost Real Within A Creative Visual Praxis, Jacqueline Monks

Theses: Doctorates and Masters

This research investigates psychological ideas of the interior self as transient and its relationship to the Real within a creative practice that includes video, projection and animation. The significance of the research is in the critical development of my creative practice and its creative outcome as a means of visually manifesting ideas of the interior self as explored by the theorist Slavoj Zizek. Theoretically, the notion of the interior self is defined as a transient state of co-existing contradictions. Its definition is located in Zizek’s reading of Jacques Lacan’ s triad of orders that comprise the thinking self (Zizek, 2007a, …

Introduction: Cuts To Dissolves – Defining And Situating Ecocinema Studies, Salma Monani, Stephen Rust

Environmental Studies Faculty Publications

This is the abstract for the entire book:

Ecocinema Theory and Practice is the first collection of its kind—an anthology that offers a comprehensive introduction to the rapidly growing field of eco-film criticism, a branch of critical scholarship that investigates cinema’s intersections with environmental understandings. It references seminal readings through cutting edge research and is designed as an introduction to the field as well as a sourcebook. It defines ecocinema studies, sketches its development over the past twenty years, provides theoretical frameworks for moving forward, and presents eloquent examples of the practice of eco-film criticism through essays written by the …

Environmental Film Festivals: Beginning Explorations At The Intersections Of Film Festival Studies And Ecocritical Studies, Salma Monani

Environmental Studies Faculty Publications

Drawing from the burgeoning field of film festival studies and its engagement with public sphere theory, I examine environmental film festivals to suggest that their festival terrain is bounded by three end-member festival types, that of the official public sphere, the alternative public sphere, and the corporate or trade-show sphere. Few environmental festivals fall neatly into a single end-member category. Analyzing how they construct their identities suggests the complex ways in which these festivals work to negotiate their presence in a heterogeneous environmental and media landscape and makes room for continued attention to these unique sites of ecocinema engagement.

Dream On, Joe Wilkins

Faculty Publications

In this essay, Joe Wilkins describes what he believes are the essential elements of Western films.

Opportunity For Engagement : How Viewing "The Lizzie Bennet Diaries" Transcends Traditional Reader Response, Molly Hayes

Honors Program Theses

For hundreds of years, publishers have worked to understand the relationship between a reader and a text. This relationship between a reader and a text has changed dramatically as technology develops, allowing readers to interact with a text in new ways. As years pass, the technology available to content creators as well as consumers changes drastically, often resulting in adaptation of text. One text that has been adapted many times is Jane Austen’s Pride and Prejudice. The novel has been recorded on tape, made into a television series, adapted for the big screen, and now has been brought to an …

Communication And Media Studies Newsletter 2013 Winter, Communications & Media Studies

Communication and Media Studies Newsletter

No abstract provided.

Global Flows Of Women’S Cinema: Nadine Labaki And Female Authorship, Patricia White

Film & Media Studies Faculty Works

No abstract provided.

Age Appropriate? Sundance’S Women Filmmakers Come Next, Patricia White

Film & Media Studies Faculty Works

No abstract provided.

Film Still From "Losing Time", Julia Eldred

The Messenger

No abstract provided.

Film Still From "Isolation", Julia Eldred

The Messenger

No abstract provided.

Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche

Senior Honors Theses

Western art music has drawn on many sources. One of these is non-western music, which can be integrated into European classical music tradition in the form of exoticism. This paper will highlight musical elements used by composers seeking to create exoticism, examine selected works, and note common elements of western music that have exotic roots. In the nineteenth century, there were three general trends in exoticism. The first, non-musical exoticism, utilizes conventional western music alongside extra-musical exotic elements. Romantic exoticism portrays distant lands using musical elements, drawing these from the audience’s perceptions of the music represented. Realistic exoticism attempts to …

Refiguring Indexicality: Remediation, Film, & Memory In Contemporary Japanese Visual Media, Janine Marie Villot

USF Tampa Graduate Theses and Dissertations

Through an analog between film and memory, I argue contemporary Japanese visual media constantly remediates this relationship in order to develop a more inclusive, plastic indexicality that allows media without direct material contiguity access to an indexicality not typically attributed to it. Amidst the early twenty-first century shift from old, mechanical media to new, electronic media, each Japanese text engages the West through intercultural discourses and intracultural responses, just as Japan has continually encountered the West since its forced opening by Commodore Perry in 1853. The plasticized indexicality figured by contemporary Japanese visual media implies the plastic nature of abstracted …

The Sopranos Experience, Eli Benjamin Weidinger

USF Tampa Graduate Theses and Dissertations

My thesis explores what I call the "Sopranos Experience," which draws upon both the historical conventions of the gangster genre as well as the aesthetics and economics of pay-cable television to complicate The Sopranos' (HBO, 1999-2007) psychological relationship with the 21st-century, neoliberal American audience. The Sopranos Experience explicates how wavering identifications and dis-identifications that develop for the spectator through the series' form and content draw the responsibility of an audience away from moral ultimatums that attempt to finalize their experience with the genre, and towards a more personal ethical entanglement with the characters and their socioeconomic anxieties and desires. The …

Spectatorial Shock And Carnal Consumption: (Re)Envisaging Historical Trauma In New French Extremity, Christopher Butler

USF Tampa Graduate Theses and Dissertations

New French Extremity films are violent, transgressive, and break many social taboos in their narratives. However, this genre's directors are intelligent and construct these films with clues to France's past and how it still has implications in the present. This thesis was written to point out how New French Extremity films offer spectators the potential to reincorporate traumatic moments in French history by juxtaposing them against present day social, political, and economic ideologies. The purpose for this course of study was to investigate historical encounters that are present in New French Extremity filmmaking, something that has yet to be addressed …

The Post- 9/11 Aesthetic: Repositioning The Zombie Film In The Horror Genre, Alan Edward Green, Jr.

USF Tampa Graduate Theses and Dissertations

This dissertation explores a body of films produced after the events of 9/11, and while examining this specific point of departure, the author presents the argument on the vast cultural relevancy of the omnipresent zombie. These films are interrogative and complex, offering the viewing audience a rich tapestry of interwoven meanings. Furthermore, the author suggests that the zombie trope has, in fact, left the genre altogether, reinserted into a style of films he labels as "non-zombie appropriation." Chapter 1 introduces the zombie genre as both part of the larger horror genre aesthetic and as its' own legitimate subgenre. The zombie …

Pathos, Winter 2013, Portland State University. Student Publications Board

Pathos

Editor: Deena Anreise

Scripting Therapeutic Screen Stories : Animating The Healing Potential Of Film Narratives, Andrew Levett

Theses : Honours

Beyond entertainment, animated narratives can potentially induce psychological healing, termed “individuation.” Stories exist in many forms, like literature, film and conversation, as well as in the human mind, or “psyche.” These “self-narratives” use life experience to shape consciousness. Therefore, effective storytelling based on archetypal myths can restructure the psyche. Film narratives communicate meaning through symbols, termed “textual cues”, while screenwriters employ specific templates, which organise story information into familiar structures. These guide audiences towards predetermined meaning. Through bibliotherapy, which is the use of literature for therapeutic purposes, audiences project their unconscious content onto narrative components that resonate with it. Ego-consciousness …

From Eileen Chang To Ang Lee: Lust/Caution Ed. By Peng Hsiao-Yen And Whitney Crothers Dilley, Yanjie Wang

Asian and Asian American Studies Faculty Works

No abstract provided.

The Art Of Irene Chou (Zhou Luyun, 1924-2011) : A Case Study Of Ink Painting, Hung Sheng

Lingnan Theses

Ink Painting was first initiated by Lui Shou Kwan (1919 - 1975) in the 1960s and it had a significant and remarkable influence on Hong Kong painters. It aimed to revitalize Chinese painting as a reaction largely triggered by the dominant trend of imitative practice of the Lingnan School in Hong Kong at the time. Lui stressed the importance of gen (根 root) and shi (適 adaption) and signaled many possibilities of ink painting as a new category. Gradually, a group of artists pursuing the same goal gathered and made the Ink Painting Movement possible. Irene Chou was one of …

The Cinematic Experience Through The Micro-Budget Paradigm, Jeffrey Lehman

Electronic Theses and Dissertations

The Tailor’s Apprentice is a feature-length, micro-budget, narrative digital motion picture, written, produced and directed by Jeffrey Lehman in partial fulfillment of the requirements of earning a Master of Fine Arts in Film from the University of Central Florida. The film is a result of applying specific monetary, logistical and creative limitations to the production process in order to contribute in defining the micro-budget aesthetic, resulting in a final shared cinematic audience experience. This thesis is a record of all stages from conception to completion of the executed, feature length film with-in the micro-budget production paradigm.