Film and Media Studies Commons^™

The Parton Paradox: A History Of Race And Gender In The Career Of Dolly Parton, Lindsey L. Hammers

College of Graduate Studies: Theses & Dissertations

With a career that has spanned over five decades, country music artist Dolly Parton has continually redefined her image and her music to remain relevant. By incorporating the musical and lyrical stylings of disco and other popular music genres into her songs, Parton moved beyond music’s color line to increase her popularity as an artist. This thesis shows how Parton established a distinct career that catered to different audiences as she traversed the musical color line and repackaged what feminism looked like to country music fans during the Women’s Movement of the 1960s. Placing Parton’s actions in conversation with music’s …

From Weak Woman To New Woman And Back: The Long Struggle To Legitimize Women Athletes In The U.S., Rashaun Debord

Audre Lorde Prize

This paper details the complicated history of women in sport by looking at the changing popular image of women athletes from the late 19th century to today.

Politics, Feminism, And Popular Television: Madam Secretary As A Politician, Wife, And Mother, Katie Lynn Schwind

Electronic Theses and Dissertations

A recent surge in political dramas on television has produced an opportunity for media scholars interested in gender, politics, and entertainment media. To date, most research involving the study of fictional politics has revolved around male characters, leaving a gap in the study of female political characters. This study looks at the representation of the character of the US Secretary of State, Elizabeth McCord, in the television drama Madam Secretary in order to evaluate whether the show challenges or reproduces the postfeminist notion that "women can have it all." Through a qualitative textual analysis of six episodes of Madam Secretary …

The Limits Of Transparency: Data Brokers And Commodification, Matthew Crain

Publications and Research

In the United States the prevailing public policy approach to mitigating the harms of internet surveillance is grounded in the liberal democratic value of transparency. While a laudable goal, transparency runs up against insurmountable structural constraints within the political economy of commercial surveillance. A case study of the data broker industry reveals the limits of transparency and shows that commodification of personal information is at the root of the power imbalances that transparency-based strategies of consumer empowerment seek to rectify. Despite significant challenges, privacy policy must be more centrally informed by a critical political economy of commercial surveillance.

Polarizing Narratives: Harmful Representations Of Mental Illness And Bipolar In Popular Media, Mary Jane Coppock

Scripps Senior Theses

Representations of mental illness in mainstream media have historically been infantilizing and dangerous. In the last century, dominant media has perpetuated inaccurate and damaging tropes about bipolar disorder in particular, perpetuating misunderstanding and stigma. Despite this fact, art can provide an outlet through which healthy images that promote understanding and sympathy can be dispersed. My project, Polarized, presents a more accurate representation of the disorder and its effects on individuals who struggle with it, as well as their loved ones. Bipolar disorders are a group of mental illnesses that cause dramatic shifts in an individual’s mood, energy, thinking ability, and …

A Choreographic Exploration Of Race And Gender Representation In Film And Dance, Sharon M. Keenan

Scripps Senior Theses

Through extensive research which culminates in a choreographic component, this thesis explores the lack of diverse representation within artistic and entertainment industries in regards to race and gender. In pursuit of a concise argument, most of the focus is on race and the conditioned view of gender as binary. Looking specifically at dance and film, it considers and analyzes why this absence persists, along with ways to ensure progress. The analysis and exploration unfolds in five central chapters: Research, Conception of the Dance, One and the Same, and Try It On Make It Fit. By detailing all that …

Technological Disruption In Entertainment: Navigating The Film Industry's Dynamic Relationship To The Consumer, Samantha Mea Simon

Scripps Senior Theses

The following thesis acts as a critical cultural progression report surrounding the current technological disruption in the entertainment industry and its impact on consumers. This begins with a study of the history starting in 1910 and covers the urbanization of America during the Industrial Revolution, the developing fan experience, a history of consumer demands in relation to oligopolistic principles and the blockbuster method, the invention and influence of the television, and the current effect of technological advancement in the entertainment industry. Following this historical overview, four chapters will study different methods of analysis covering the intricacies of the current technological …

Stealing Home: The Akron Baseball Documentary, Daniel Cermak

Williams Honors College, Honors Research Projects

My honors project focused around the elimination of the Akron baseball program in the summer of 2015. I produced, directed and edited this project. The potential audience for this project is anyone in Northeast Ohio with some knowledge on the University of Akron and their sports teams. I did most of the work on this project during the Spring semester of 2016, where I travelled to interview former players and others to comment on the cutting of the team and the future of the players, program and school. During the summer of 2016 I conducted research and reshot interviews and …

Digital Surrealism: Visualizing Walt Disney Animation Studios, Kevin L. Ferguson

Publications and Research

There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. As an alternative, cinema and media studies should pursue a mostly-ignored "digital surrealism" that uses computer-based methods to transform film texts in radical ways not previously possible. This article describes one such method using the z-projection function of the scientific image analysis software ImageJ to sum film frames in order to create new composite images. Working with the fifty-five feature-length films …

A Dark Reflection Of Society: Analyzing Cultural Representations Of State Control In Black Mirror, Carl Russell Huber

Online Theses and Dissertations

Recognizing the importance of visual criminology and media studies in contemporary academic criminal justice studies, I attempt to contribute to the field by analyzing three themes found in Channel 4’s Black Mirror in relation to cultural fears of state control and the progression of technology. The themes, including state power and coercion, the spectacle of punishment, and panoptic surveillance, are placed in a popular criminological framework in order to examine the attitudes and beliefs of the culture in which they were produced and for whom they are intended. I conclude that Black Mirror provides a social commentary on the themes …

The Devil In The Details: Popular Demonology, Addiction And Criminology, Kyra Ann Martinez

Online Theses and Dissertations

Theories of diabolism have, since antiquity, made manifest societal fears of the unknown. Demonology, as discipline, flourished within the West accordingly; to function, at the inception of early modern science and during the "transition" to capitalism, as a device to translate alterity. At this juncture, theories of the demonic were occulted under scientific methodologies and institutionalized across the structures of modernity. "Evil", as discursive paradigm, was politically incarnated, canonized, and absorbed under the auspices of the state towards the consummation of socio-political "diabolic" enemies of society. In continuity with the past, "evil" continues to operate in the contemporary as a …

The Justified Lawman: Cowboy Killings In The Modern Era, Joel Franklin Harman

Online Theses and Dissertations

Stereotypes advanced by the popular media, do not necessarily have the power to directly determine an individual's ways of thinking, but do help frame and reinforce already existing cultural beliefs, particularly within the context of the seemingly innocuous narrative fictions of cable television. These narratives not only simplify complex ideas, but also can further entrench or justify harmful social relations. My contention here, is that the popular television program Justified does precisely this by normalizing police violence and the ways that the police underpin and reproduce profoundly disparate class and racialized social order. While in many ways a typical police …

The Power Of Queer Representation In The Media, Jack Harris

Tredway Library Prize for First-Year Research

This paper examines the lack of representation of the queer community in today's film and television productions. Recent work such as The CW's The 100 and Nickelodeon's The Legend of Korra are used to create an intersectional analysis of the tropes associated with queer characters and the effect that queer representation has on viewers. The intersectionality of queer rights and feminism is mapped out in an effort to understand the root of the issue and, in that discovery, find solutions for the future.

In Search Of Lost Selves: Memory And Subjectivity In Transnational Art Cinema, Anders J. Bergstrom

Theses and Dissertations (Comprehensive)

This dissertation begins from the position that cinema’s ongoing persistence as a specific operation of subjective perception is intimately related to the questions of self and memory it raises. Even as digitization and global capitalism have ostensibly led to the creation of a “post-cinematic” culture, cinematic forms and practices remain inextricably related to the larger (often unacknowledged) metaphysical concerns of the cultures and social contexts in which they continue to signify. These concerns—which include beliefs in perceptual realism, the relations between images and the past, and notions of selfhood—shape both the production and consumption of cinema as a tool which …

The Emergence Of The Feminist Fatale In American Film Noir, Anne Dennon

All Master's Theses

The femme fatale, a quasi-eternal figure of female transgression and retributory violence, has gradually entered popular culture’s symbolic lexicon as representative of mainstream feminism and postmodern femininity. Tracing the development of the femme fatale into a feminist pop culture icon necessitates establishing her sociopolitical status in the late modern era through her presence in Victorian sensational literature. The femme’s translation from the Victorian context to the American mediascape presages her evolving presence in three cinematic eras: classic film noir, neo-conservative retro noir, and millennial neo-noir. Feminist film criticism tends to identify the femme fatale as a protofeminist, a productive transgressor …

Exploring Movie Construction & Production: What’S So Exciting About Movies?, John Reich

Milne Open Textbooks

Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students’ learning, while enhancing the creativity and critical thinking of the student.

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Ji Sor (1997): Self-Realization Of Women In Cinema And In History, Tong (Hilary) Lin

CMC Senior Theses

100 years ago, there was a group of women called Zishunu who stood up against the whole society and swore off marriage for life. Zishu offered an escape for many women in the Pearl River Delta area. As forerunners in female independence and liberation, Zishunu never had the chance to be the spokesman of themselves or the recognition they deserved. Ji Sor (1997), a groundbreaking work in lesbian-themed movies, beautifully depicts this special and unparalleled historical phenomenon in detail. Released a few months after the Handover of Hong Kong in 1997, this critically acclaimed movie by Hong Kong New Wave …

Speak, Little Mute Girl: Representations Of Mute Women In Film, Honor Schwartz

Electronic Theses and Dissertations

In this thesis, I focus my examination of mute women on three mainstream motion pictures spanning from the Hollywood studio to contemporary era times to explore the ways in which film undermines mute women’s attempts to use alternative languages. Johnny Belinda, Children of a Lesser God, and The Piano are films that display mute women and garner popular attention. I argue that the women in these films use alternative languages (such as sign language and touch) to gain representation and resist the masculine order; however, these women cannot obtain autonomy and agency because of their decisions to participate in romantic …

A Terminator, A Transformer, And Job Meet: Creator-Created Relations In Film And Scripture, Edward Allen Jones Iii

Faculty Publications - George Fox Digital

In this essay, I set the book of Job in dialogue with a number of films from the robot science fiction subgenre. It is my intention to show that both sets of literature are deeply engaged with questions related to how creators and created things can interact, and that they deal with these questions in ways that illuminate and complement each other. The study proceeds in three phases. First, I develop a typology of robot science fiction as I see it in Hollywood cinematic presentation. Second, I turn to unpack God’s response to Job’s complaint in Job 38. In this …

Barbie Doesn't Have Bruises: Gendered Images Of Anxiety And Avoidant Attachment Relationships In Film, Claudia G. Chiang-Lopez

Calvert Undergraduate Research Awards

Viewers’ interpretations of romantic relationships portrayed between those with anxious and avoidant attachments can affect their opinions on what constitutes appropriate relationship behavior. I conducted a literature review on media impacts and offer an interpretation of the implications of the language used to describe characters, relationships and characters’ ends. The films studied - Sunset Boulevard, Sid and Nancy, and The Hustler - showed a pattern where in a relationship between an anxious and an avoidant character, the anxious character was punished, absorbed by their relationship, abandoned, trapped in their life, and cut off from the world. Viewers watch films to …